| Comp_name | First_name | Title |
|---|---|---|
| WACHTELAER | Dirk | ELAC DRUMMING |
| WACHTELAER | Dirk | VANISHING PICTURES |
| WACHTELAER | Dirk | VANISHING PICTURES |
| WADA | Yoshi | DIE KONSONANTEN PFEIFEN |
| WADA | Yoshi | DIE KONSONANTEN PFEIFEN VON YOSHI WADA |
| WADA | Yoshi | FRAGMENT |
| WADA | Yoshi | LAMENT FOR THE RISE AND FALL OF THE ELEPHANTINE CROCODILE |
| WADA | Yoshi | LAMENT FOR THE RISE AND FALL OF THE ELEPHANTINE CROCODILE |
| WADA | Yoshi | LAMENT FOR THE RISE AND FALL OF THE ELEPHANTINE CROCODILE (1981) |
| WADA | Yoshi | THE APPOINTED CLOUD |
| WADA | Yoshi | VOCAL PIECE |
| WAGGONER | Andrew | A SONG... (1988) |
| WAGNER | Richard | LOHENGRIN (PRELUDE TO ACT 3) |
| WAGNER | Richard | RIENZI OUVERTURE |
| WAGNER | Richard | TANNHAUSER OUVERTURE |
| WAGNER | Richard | TANNHAUSER OUVERTURE |
| WAGNER | Richard | THE FLYING DUTCHMAN OUVERTURE |
| WAGNER | Richard | THE MASTERSINGERS OF NUREMBERG OUVERTURE |
| WAGNER | Richard | TRISTAN UND ISOLDE VORSPIEL |
| WAIGNEIN | Andre | ALTERNANCES |
| WAIGNIEN | Andre | TROIS MOUVEMENTS |
| WAISVISZ | Michel | SONGS FROM THE HANDS |
| WAISVISZ | Michel | SONGS FROM THE HANDS |
| WAISVISZ | Michel | THE HANDYMAN |
| WALKER | Linda | 52 CHANGES FOR THE YEAR OF THE RABBIT |
| WALKER | Linda | ETUDES FOR SYNKET |
| WALKER | Linda | IN MEMORIAM HENRI COWELL |
| WALKER | Linda | IN MEMORIAM HENRI COWELL |
| WALKER | Linda | MEDITATION ON A POEM BY BOB COBBING |
| WALKER | Linda | MEDITATION ON A WINTER POEM BY BOB COBBING |
| WALKER | Linda | REMINISCENCES |
| WALKER | Linda | REMINISCENCES |
| WALKER | Linda | SEVEN PIECES IN THE FORM OF AN S (FRAGMENTS) |
| WALKER | Linda | STORIES |
| WALKER–SMITH | Nicola | BIG TROMBONE (CO–AUTHORED BY SMITH GEOFF) |
| WALL | John | UNTITLED 4 (LIVE EXTRACT) |
| WALLEN | Errollyn | DARK HEART (1991) |
| WALLEN | Errollyn | IN OUR LIFETIME |
| WALLEN | Errollyn | IN OUR LIFETIME |
| WALLER | Fats | NO DETAILS |
| WALMARK | Geof | FANFARE FOR MICK |
| WALSH | Emmett | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| WANG | Hsiao–Lan | TAKE A WALK WITH ME (2000) – VASE (1999) |
| WANG | Yia Xin | 10 POEMS |
| WANG | Yia Xin | POETRY |
| WANG–HUO | Chu | SONATA NR. 1 (1981) |
| WARD | Robert | BALLAD |
| WARDANA | Made Agus | FLY |
| WARDANA | Made Agus | K–DANCE |
| WARDANA | Made Agus | K–DANCE / FLY / SEMBAH |
| WARDANA | Made Agus | SEMBAH ('SONG FOR MY GOD') |
| WARHOL | Mark | SECRET MESSAGE (1998) FROM CRAZY RABBIT SONGS |
| WARING | Kate | SALZBURG SYNCHRONISM (1992) |
| WARREN | George William | THE ANDES, MARCHE DI BRAVOURA |
| WASCHKA | Rodney | A HOUSE WITHOUT MIRRORS |
| WASCHKA | Rodney | A SHORT LETTER FROM A SMALL PLACE |
| WASCHKA | Rodney | ACROSS TEXAS SHAKING COMANCHEE RATTLESOUR MOTHERS CHANT PRAYERS |
| WASCHKA | Rodney | EUWE SUITE (1985) – 1.EUWE–COLLE (1926) – 2.EUWE–ALEKHINE (1935) – 3.ALEKHINE–EUWE (1937) –4.EUWE–NAJDORF(1954)–5.MOONEN–E |
| WASCHKA | Rodney | LA LUNA ASOMA |
| WASCHKA | Rodney | LA LUNA ASOMA |
| WASCHKA | Rodney | LA LUNA ASOMA |
| WASCHKA | Rodney | RUNES |
| WASCHKA | Rodney | RUNES (1983) |
| WASCHKA | Rodney | SHOELACE |
| WASCHKA | Rodney | SHOELACE |
| WASCHKA | Rodney | VISIONS OF HABAKUK |
| WAT | A. | NAMOPANIK BARWISTANU |
| WATERS | Muddy | COUNTRY BLUES #2 |
| WATSON | Eric | JUGGERNAUT |
| WATSON | Eric | NEW CANAAN CON MAN |
| WATSON | Eric | SITUATION TRAGEDY |
| WATSON | Eric | SUBSTANCE ABUSE |
| WATSON | Eric | THE BLACK CAT |
| WATT COLLECTIVE | THE ROSELLA SISTERS AND THE RAINBOW EEL | |
| WATTS | Robert | STRING RECORD COMPOSITION |
| WEAVER | Carol Ann | DAUGHTER OF OLAPA (1994) (EXCERPTS) |
| WEAVER | Caroll Ann | TIMBREL IN HER HAND – 'CRY ON THE WIND' & 'AND IT CAME TO PASS' TEXT BY MILLER JUDITH |
| WEBER | Heinz | DAS SALZ ZUM ERDEN #2 |
| WEBER | Heinz | HAMBURG AM WASSER – ICH HORE BRUCKEN (1997) |
| WEBER | Heinz | RAUM DER ZAHLEN – KLANGSTUECK FUER DAS SPRITZENHAUS, HAMBURG |
| WEBER | Heinz | TRAM S ATLANTIC (1996) – ITALIAN LANDSCAPE (1998) – QUIETE NOICE (1998) |
| WEBER | Joseph | TRANSFORMATION OF THE BROTERS INTO THE SUN AND THE MOON |
| WEBERN | Anton | CANATATA NR.2, OP.31 (1943) |
| WEBERN | Anton | CANTATA NR.1, OP.29 (1939) |
| WEBERN | Anton | CELLO SONATA (1914) |
| WEBERN | Anton | CONCERTO OP.24 (1934) |
| WEBERN | Anton | DAS AUGENLICHT, OP.26 (1935) |
| WEBERN | Anton | DREI KLEINE STUECKE (1914) |
| WEBERN | Anton | DREI STUCKE FUR CELLO UND PIANO (1914) |
| WEBERN | Anton | ENT FLIECHT AUF LEICHTEN KAEHNEN, OP.2 (1908) |
| WEBERN | Anton | FIVE CANONS, OP.16 (1924) |
| WEBERN | Anton | FIVE MOVEMENTS FOR STRING QUARTET, OP.5 (1909) |
| WEBERN | Anton | FIVE PIECES, OP.10 (1913) |
| WEBERN | Anton | FIVE SACRED SONGS, OP.15 (1917–22) |
| WEBERN | Anton | FIVE SONGS, OP.3 (1909) |
| WEBERN | Anton | FIVE SONGS, OP.4 (1909) |
| WEBERN | Anton | FOUR PIECES, OP.7 (1910) |
| WEBERN | Anton | FOUR SONGS, OP.13 (1914–18) |
| WEBERN | Anton | FOUR SONGS, OP.13 (1915–17) |
| WEBERN | Anton | PASSACAGLIA, OP.1 (1908) |
| WEBERN | Anton | QUARTET, OP.22 (1930) |
| WEBERN | Anton | SIX BAGATELLES |
| WEBERN | Anton | SIX BAGATELLES, OP.9 (1919) |
| WEBERN | Anton | SIX PIECES, OP.6 (1909, REV. 1928) |
| WEBERN | Anton | SIX SONGS, OP.14 (1917–21) |
| WEBERN | Anton | SONATE FUR VIOLONCELLO UND KLAVIER (1914) |
| WEBERN | Anton | SONATE FUR VIOLONCELLO UND KLAVIER (1914) (COMPLETED BY CEHRA FRIEDRICH) |
| WEBERN | Anton | STRING QUARTET, OP.28 (1938) |
| WEBERN | Anton | STRING TRIO, OP.20 (1927) |
| WEBERN | Anton | SYMPHONY, OP.21 (1928) |
| WEBERN | Anton | THE COMPLETE STRING TRIOS AND QUARTETS |
| WEBERN | Anton | THREE LITTLE PIECES (1914) |
| WEBERN | Anton | THREE SMALL PIECES, OP.11 (1914) |
| WEBERN | Anton | THREE SONGS, OP.18 (1925) |
| WEBERN | Anton | THREE SONGS, OP.23 (1934) |
| WEBERN | Anton | THREE SONGS, OP.25 (1935) |
| WEBERN | Anton | THREE TRADITIONAL RHYMES, OP.17 (1924) |
| WEBERN | Anton | TWO PIECES (1899) |
| WEBERN | Anton | TWO SONGS, OP.19 (1926) |
| WEBERN | Anton | TWO SONGS, OP.8 (1910) |
| WEBERN | Anton | VARIATIONEN FUR KLAVIER OP.27 (1937) |
| WEBERN | Anton | VARIATIONEN OP. 27 |
| WEBERN | Anton | VARIATIONEN OP.27 |
| WEBERN | Anton | VARIATIONS FOR ORCHESTRA, OP.30 (1940) |
| WEBERN | Anton | VARIATIONS FOR PIANO, OP.27 (1936) |
| WEHOWSKY | Ralf | ACHT |
| WEHOWSKY | Ralf | NAMELESS VICTIMS (1995) |
| WEHOWSKY | Ralf | VIER VORSPIELE (EXC.) |
| WEI–HAN HO | Fred | CONTRADICTION, PLEASE! THE REVENGE OF CHARLIE CHAN (1992) |
| WEIDENAAR | Reinold | THE THUNDERING SCREAM OF SERAPHIM'S DELIGHT |
| WEIGL | NIGHT FANTASIES | |
| WEIGL | NIGHT FANTASIES | |
| WEILACHER | Michael | BIONIC MAN |
| WEILACHER | Michael | IMPOSED COMPROVISATION |
| WEILACHER | Michael | LECTURE + EXEMPLES |
| WEILACHER | Michael | LET ME TAKE YOU DOWN |
| WEILACHER | Michael | STREETBEATS |
| WEILACHER | Michael | STREETBEATS: HOW'S YOUR PROBLEM VERSION |
| WEILL | Kurt | DIE DREIGROSCHENOPER – HISTORISCHE ORIGINALAUFNAMEN 1928–31 |
| WEILL | Kurt | DIE SIEBEN TODSTUNDEN DES KLEINBURGER (LYRICS BY B. BRECHT) |
| WEILL | Kurt | DREIGROSCHENOPER (LYRICS BY BERTOLD BRECHT) |
| WEILL | Kurt | DREIGROSCHENOPER (SONGS) |
| WEILL | Kurt | MAHAGONNY |
| WEILL | Kurt | SURABAYA JOHNY |
| WEINER | Hannah | CLAIRVOYANT JOURNAL (EXCERPT FROM MARCH 1974) |
| WEINFELD | Jean | IMPROVISATION BY M. SADOWSKY |
| WEIR | Judith | FUTURE PERFECT (PREVIEW) |
| WEIR | Judith | KING HARALD'S SAGA |
| WEIR | Judith | KING HARALD'S SAGA |
| WEISE | Klaus | MARACCABA |
| WEISGALL | Hugo | SIX CHARACTERS IN SEARCH OF AN AUTHOR (1956) |
| WEISS | Sylvius Leopold | PRELUDE, FUGUE AND ALLEGRO (1719) |
| WELCH | Linda Lee | CONVERTORIO |
| WELCHER | Dan | THE VCR VS. CABLE TELEVISION (1988) FROM "HIGH TECH ETUDES" |
| WELLMER | Anne | THE MILLENIUM BUG OR THE BALD AND THE BEAUTIFUL |
| WELSTEAD | Jon | MATRIX: ATOMIC PANTOUM; RING CHANGES; CRYSTAL FORMATIONS; GROUP FACTOR |
| WEN–CHUNG | Chou | SUITE FOR HARP AND WIND QUINTET (1950) |
| WENDEL | E. | CLARIBIOR |
| WENDEL THORNLEY | Kenny | APRIL 4TH IS ARTHUR MURRAY'S BIRTHDAY |
| WENDT | Larry | A PIECE NOT ABOUT OAKLAND (1988) |
| WENDT | Larry | ARROBA FOR GEORGE (1985) |
| WENDT | Larry | GROWING UP IN NAPA |
| WENDT | Larry | GUIDE MISSILE FAVORITES (TEACHING THE CAT TO PLAY THE GUITAR – SAN JOSE SUNRISE –SAN JOSE HOT SPELL –LET'S GO DOWN TO THE NEW MALL) |
| WENDT | Larry | GUIDED MISSILE FAVORITES (ANTS–LAND OF A THOUSAND DENTISTS–RUDE AWAKENINGS–DESPERATE–SOMEONE'S AT THE GODDAMNED DOOR AGAIN) |
| WENDT | Larry | LIVE FROM BAKERSFIELD – SADNESS WITHOUT BRAINS |
| WENDT | Larry | MODEM (1985) |
| WENDT | Larry | MY SUMMER VACATION |
| WENDT | Larry | PERFORMANCE |
| WENDT | Larry | SAN LUIS OBISBO |
| WENDT | Larry | SILICON VALLEY GHOST TOWN (1986) |
| WENDT | Larry | STARTING WITH MAYA (EXCERPT) |
| WENDT | Larry | TEXTSOUND PIECES |
| WENDT | Larry | THE CEREMONIAL OPENING OF THE BOXES |
| WENDT | Larry | THE MURKER NEWS (1985) |
| WENDT | Larry | THE REMEMBRANCE OF A TECHNOLOGICAL PAST (SILICON VALLEY GHOST TOWN –THE GREAT SILICON VALLEY TOAD PLAGUE – GENE CAT TOAD) |
| WENDT | Larry | THE REMEMBRANCE OF A TECHNOLOGICAL PAST (SILICON VALLEY HORROR STORY SILICON VALLEY LOVE STORY – THE END OF SAN JOSE) |
| WENDT | Larry | THE REMEMBRANCE OF A TECHNOLOGICAL PAST (WHERE I AM FROM–THE SOUTH BAY HOMEBREW INVENTORS CLUB–MUFFIE–TOAD FARMING FOR PROFIT) |
| WENDT | Larry | UPPER AND LOWER CALIFORNIA ( MY SUMMER VACATION – GROWING UP IN NAPA ) |
| WENDT | Larry | ZOLMACK THE ZYGON (1983) |
| WENDT | Larry | ZOO – PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| WENK | Thomas | RECORDAME (1997) |
| WERDER | Felix | V–LINE |
| WERDER | Felix | VIOLONCELLO SOLO (1993) |
| WERDER | Felix | VIOLONCELLO SOLO (1993) |
| WERDER | Manfred | KLAVIERSTUCK 4 |
| WERNER | Andre | DEMOSTRATIONSBEISPIEL ZUM PROJEKT "STANZEN 4 A/D I" |
| WERNER | Karl | TIE–BREAK |
| WERNICK | Richard | CADENZAS AND VARIATIONS II |
| WESLEY–SMITH | Marin | QUITO – OTHER SONGS |
| WESLEY–SMITH | Martin | DAH DIT DAH DAH (1983) |
| WESLEY–SMITH | Martin | FOR BASS CLARINET AND TAPE (1982) |
| WESLEY–SMITH | Martin | FOUR SONGS |
| WESLEY–SMITH | Martin | HEATHER FROG |
| WESLEY–SMITH | Martin | KDADALAK "FOR THE CHILDREN OF TIMOR" (1979) |
| WESLEY–SMITH | Martin | MEDIA MUSIC |
| WESLEY–SMITH | Martin | MUSIC FOR BASS CLARINET AND TAPE |
| WESLEY–SMITH | Martin | QUITO (1994) |
| WESLEY–SMITH | Martin | WATTAMOLLA RED : ELECTRONIC MUSIC |
| WESLEY–SMITH | Martin | WHO STOPPED THE RAIN? |
| WESSEL | Tomma | IRMA IM SCHLOSS SILBERSHEIM (FOR IRMA) |
| WESSMANN | Harri | CONCERTO FOR TRUMPET (1987) (EXCERPT) |
| WESTERKAMP | Hildegard | A WALK THROUGH THE CITY |
| WESTERKAMP | Hildegard | A WALK THROUGH THE CITY |
| WESTERKAMP | Hildegard | COOL DROOL + FRAGMENTED THOUGHTS ON RADIO ECOLOGY |
| WESTERKAMP | Hildegard | CORDILLERA |
| WESTERKAMP | Hildegard | CORDILLERA (EXCERPT) |
| WESTERKAMP | Hildegard | CRICKET VOICE |
| WESTERKAMP | Hildegard | CRICKET VOICE |
| WESTERKAMP | Hildegard | CRICKET VOICE (1987) |
| WESTERKAMP | Hildegard | FANTASIE FOR HORNS (1978) |
| WESTERKAMP | Hildegard | FANTASY FOR HORNS I |
| WESTERKAMP | Hildegard | FANTASY FOR HORNS II |
| WESTERKAMP | Hildegard | HARBOUR SYMPHONY |
| WESTERKAMP | Hildegard | HARBOUR SYMPHONY (EXCERPT) |
| WESTERKAMP | Hildegard | HIS MASTER'S VOICE |
| WESTERKAMP | Hildegard | RADIO >CONVERGENCE< (1989) |
| WESTERKAMP | Hildegard | STREETMUSIC |
| WESTERKAMP | Hildegard | TALKING RAIN (1997) |
| WESTERKAMP | Hildegard | TUEREN DES WAHRNEHMUNG (1989) |
| WESTERKAMP | Hildegard | WHISPER STUDY, WITH POEM WRITTEN AND READ BY NORBERT RUEBSAAT |
| WESTERKAMP | Hildegard | ZONE OF SILENCE STORY: DESERT WATER RESERVOIR; CRICKET'S NIGHTVOICE; ROCKSTORIES; SONIC MEDITATIONS; THE TRUTH IS ACOUSTIC |
| WESTERKAMP | Hildegarde | BREATHING ROOM |
| WESTERKAMP | Hildergard | A WALK THROUGH THE CITY; COOL DROOL; POWER SONGS; WHEN THERE IS NO SOUND (EXCERPTS) |
| WESTERLINCK | Wilfried | S |
| WESTERLINCK | Wilfried | S |
| WESTERLINCK | Wilfried | S (FOR TROMBONE AND TAPE) |
| WESTERLINK | Wilfried | EVENING SONG |
| WETTERS | Brent | CHAMBER MUSIC – DEMO CD |
| WETTERS | Brent | SINKBARER REST |
| WEYENS | Sven | SAKE |
| WEYMOUTH | Daniel | RARE EVENTS (1994) |
| WHARTON | Geoffrey | INTRODUCTION UND RONDO DER ZUG (1985) |
| WHEN | BELL I | |
| WHERRY | Don | BELLS |
| WHERRY | Don | NEWFOUNDLAND DOOR PROJECT (WITH ARTIST FRANK LAPOINTE) (EXCERPT) |
| WHERRY | Don | THE LAST BLAST (HARBOUR SYMPHONY) |
| WHITE | B.F. | DESIRE FOR PIETY |
| WHITE | Frances | WALK THROUGH RESONANT LANDSCAPE #2 (1990) |
| WHITE | Gary | 5 SHORT CARILLON PIECES |
| WHITE | Greg | ORCHID (1994) |
| WHITE | John | DRINKING & HOOTING MACHINE |
| WHITE | John | DRINKING AND HOOTING MACHINE |
| WHITE | John | ELEVEN MINUTES TEA–TIME |
| WHITE | John | IN MONO |
| WHITE | John | MACHINE P.T. |
| WHITE | John | NEWSPAPER READING MACHINE |
| WHITE | John | NINETENTIONS |
| WHITE | John | NORDIC REVERIE |
| WHITE | John | PHOTO–FINISH MACHINE |
| WHITE | John | PHOTO–FINNISH MACHINE (1972) |
| WHITE | John | PIANO DUET (1974) / PHOTO–FINISH MACHINE (1971) |
| WHITE | John | PURPLE PASSAGE |
| WHITEHEAD | Gregory | IT MAKES ME BLUSH |
| WHITEHEAD | Gregory | NEEDLE DROP |
| WHITEHEAD | Gregory | PRESSURES OF THE UNSPEAKABLE (1990) |
| WHITEHEAD | Gregory | THE WILLIAM S.BURROUGHS TAPE WORM MUTATION (1991) |
| WHITICKER | Michael | ON SLANTING GROUND |
| WHITICKER | Michael | ON SLANTING GROUND |
| WHITIKER | Michael | IF BUIFS (1981) |
| WHITIKER | Michael | IF BUIFS (1981) |
| WHITING | George E | POSTLUDE OP.53 |
| WHITTENBERG | Charles | VARIATIONS FOR NINE PLAYERS |
| WIDMOSER | Joerg | SHUFFLE FOR FOUR |
| WIDMOSER | Joerg | THAT'S NEW |
| WIELAND | William | TWO MOVEMENTS (1993) |
| WIELS | Wouter | WARS VAN MARS? |
| WIENAWSKI | ROMANCE | |
| WIERINGA | Kees | JANET J (1991) |
| WIESELMAN | Doug | POPPA DANCE |
| WIESELMAN | Doug | SOME WILD WATER |
| WIESELMAN | Doug | TO MUCH TIME IN BROOKLYN |
| WIESSENTHANER | Peter | FORMALE TONBILDUNGSVERSUCHE (DEMO–TAPE) |
| WIESSENTHANER | Peter | UNTITLED I |
| WIESSENTHANER | Peter | UNTITLED II |
| WIGGERS | Indra | SAMPLER |
| WIGGINS | John | 2 WORKS IN PROGRESS |
| WIGGINS | John | 3 WORKS IN PROGRESS |
| WIGGINS | John | ALL THE TRUTH AT ONCE |
| WIGGINS | John | ANAGENIC |
| WIGGINS | John | ANAGENIC |
| WIGGINS | John | ANALOG/ANAGRAM |
| WIGGINS | John | ANALOGS/ANAGRAMS |
| WIGGINS | John | CONCRETE/COMBINES |
| WIGGINS | John | CONCRETES/COMBINES |
| WIGGINS | John | FOR LOGOS: COMPUTER IMPROVISATIONS |
| WIGGINS | John | LOVE SONG OF THE NEO–MEDIA |
| WIGGINS | John | MIXTURE/MUSIC |
| WIGGINS | John | MIXTURES/MUSICS |
| WIGGINS | John | NEO MEDIA; VARIOUS WORKS IN PROGRESS |
| WIGGINS | John | PARTICLE MUSIC |
| WIGGINS | John | PARTICLE MUSIC |
| WIGGINS | John | PARTICLE MUSIC (EXCERPT) |
| WIGGINS | John | PARTICLES/PRACTICES |
| WIGGINS | John | PARTICLES/PRACTICES |
| WIGGINS | John | PIECES/PARTS |
| WIGGINS | John | PIECES/PARTS |
| WIGGINS | John | TIMBRE = MELODY |
| WIGGINS | John | TWO WORKS IN PROGRESS |
| WIGGINS | John | WHIRL WITHOUT END |
| WIGILBERT | Michael | ASCENTS |
| WILDBERGER | Jacques | CONCENTRUM |
| WILKINS | Caroline | MUSIC FOR MECHANICAL INSTRUMENTS |
| WILKINS | Caroline | MUSIC FOR MECHANICAL INSTRUMENTS (EXCERPT) NO.1 CLOCK PIECE |
| WILKINS | Caroline | PIECE FOR ACCORDION WITH SCREENS (EXCERPT) |
| WILKINS | Caroline | PPPPP (PLAYER–PIANO VERSION + TAPE REC. OF LIVE PERFORMANCE) |
| WILKINS | Caroline | SOLO FOR BANDONEON |
| WILKINSON | Alan | THE ROUGH WITH THE SMOOTH |
| WILKINSON | Clive | BREATHSONG (1987–92) |
| WILKINSON | Clive | I, JOSHUA TREE (1991) |
| WILKINSON | Clive | I, JOSHUA TREE (EXTRACT) |
| WILKINSON | Clive | IMAGINED ISLANDS (1986) |
| WILKINSON | Clive | SOFT VERGES, HARD SHOULDERS (1991) |
| WILLCOCK | Ian | IN THE SHADOW OF ANCIENT MUSIC (1988) |
| WILLE | Jonas | DESERT DESSERT |
| WILLIAM | N. Sean | COME WINDOW GOLDS COMING |
| WILLIAMS | Amy | SIX ETUDES (1992) |
| WILLIAMS | Amy | VIOLET AND RED (1993) |
| WILLIAMS | R. Vaughn | TOCCATA MARZIALE |
| WILLIAMS | Tom | LIKE ORANGES |
| WILLIAMS | Tom | LIKE ORANGES |
| WILLIAMS | Tom | LIKE ORANGES |
| WILLIAMS | Tom | LIKE ORANGES (1990) |
| WILLIAMS | Tom | SUNK DEEP IN THE NIGHT |
| WILLIAMS | Vaughan | ROMANCE |
| WILLIAMSON | Robin | A LETTER FROM A STRANGER'S CHILDHOOD (1988) |
| WILLIAMSON | Robin | SCALDLAW |
| WILLINGHAM | Jerry | T'CHU (1978) |
| WILSON | Chesley | HOLY GROUND BLESSING SONG |
| WILSON | Ian | TIMELESSLY THIS (1992) |
| WILSON | James | FOR CLIODHNA (1992) |
| WILSON | Nicholas | DARWIN |
| WILSON | Olly W. | CETUS (1967) |
| WILSON | Richard | ECLOGUE |
| WILSON | Richard | THE BALLAD OF LONGWOOD GLEN (VLADIMIR NABOKOV) |
| WILSON | Robert | THE DINA SORE (1970) |
| WIND | Chris | TO BE LED (1993) |
| WINGELINCKX | Alain–Pierre | VOCALISE: GONDWANA'S PROJECT |
| WINIARZ | John | JACK IN A (MUSIC) BOX |
| WINKLER | Peter | SOLITAIRE (1989) |
| WINKLER | Todd | SNAKE CHARMER (1992) |
| WINSTIN | Robert Ian | EPISODES FOR GUITAR AND MUTED PIANO |
| WINSTIN | Robert Ian | ETUDE |
| WINSTIN | Robert Ian | IMAGES |
| WINSTIN | Robert Ian | PIANO ATTACKS |
| WINSTIN | Robert Ian | ROSES |
| WINSTIN | Robert Ian | STRING SYMPHONY #2 |
| WINSTIN | Robert Ian | THREE PIECES (PIANO SOLO) |
| WINTER | Tom | A FRAYED DOILY OF LUNAR ICE (CO–AUTHORED BY ROD SUMMERS) |
| WINTER | Tom | INTRO, GREEK TWEET, PPC |
| WINTER | Tom | TACKY'S LITHE LEADEN DINGHY (+ ROD SUMMERS) |
| WINTHER | Niels | PANAMAN TOO |
| WISCONSIN CONSERVA | TORY OF NOISE | RHYTHMATIK VIRUSKUS |
| WISHART | Stevie | GAP BELOW SURFACE – LACUNA#2 (MP3) |
| WISHART | Trevor | BEACH SINGULARITY (1977) |
| WISHART | Trevor | FABULOUS PARIS (1997) |
| WISHART | Trevor | JOURNEY INTO SPACE PART 1 |
| WISHART | Trevor | JOURNEY INTO SPACE (1970–72) |
| WISHART | Trevor | JOURNEY INTO SPACE PART 2 |
| WISHART | Trevor | MACHINES (AN ELECTRONICALLY PRESERVED DREAM) |
| WISHART | Trevor | MENAGERIE (1975) (MUSICAL BOX – VISION – STILL LIFE – AQUALUNG – SPAM GUITAR – DREAMER) |
| WISHART | Trevor | RED BIRD |
| WISHART | Trevor | RED BIRD A POLITICAL PRISONER'S DREAM (1973–77) |
| WISHART | Trevor | SCYLLA AND CHARIBDIS |
| WISHART | Trevor | THE VOX CYCLE (EXCERPTS) |
| WISHART | Trevor | VOCALISE |
| WISHART | Trevor | VOX – 5 |
| WISSON | Bernard | MAIS SI, ROBERT |
| WOHLHAUSER | Rene | ENTROPIA (1997–98) |
| WOLD | Erling | CRASH (EXC.) |
| WOLD | Erling | IT WAS IN THE SUMMER... |
| WOLF | Christian | DUETT |
| WOLF | Daniel | PLANXTY (MORTON FELDMAN DIED LAST WEEK AT SIXTY–ONE) (1987) |
| WOLF | Peter Manfred | AB–UMBRUCH... FRAGMENT (1993) |
| WOLFE | Julia | FOUR MARYS (1991) |
| WOLFE | Julia | MUSCLE MEMORY (1992) |
| WOLFE | Julia | THE VERMEER ROOM |
| WOLFF | Christan | BRICH DEN HUNGRICHEN DEIN BROT 1991 |
| WOLFF | Christian | 11 PRELUDES (1980–81) |
| WOLFF | Christian | AFTER A FEW YEARS (1975) |
| WOLFF | Christian | BRAVERMAN MUSIC (1979) |
| WOLFF | Christian | BREAD & ROSES (1976) |
| WOLFF | Christian | BREAD AND ROSES (1976) |
| WOLFF | Christian | BURDOCKS (1971) |
| WOLFF | Christian | DIGGER SONG (1988) |
| WOLFF | Christian | DUET FOR VIOLINIST AND PIANIST (1961) |
| WOLFF | Christian | DUO FOR VIOLINIST AND PIANIST (1961) |
| WOLFF | Christian | EDGES |
| WOLFF | Christian | EDGES |
| WOLFF | Christian | EDGES (1969) |
| WOLFF | Christian | EDGES (EXCERPT) |
| WOLFF | Christian | EIGHT DAYS A WEEK VARIATION (1990) |
| WOLFF | Christian | EISLER ENSEMBLE PIECES (1984) |
| WOLFF | Christian | EISLER ENSEMBLE PIECES (FOR CORNELIUS DIG A HOLE IN THE MEADOW) |
| WOLFF | Christian | EMMA (1989) |
| WOLFF | Christian | EXERCISE #2 (1973–74) |
| WOLFF | Christian | EXERCISE 10 (1973–74) |
| WOLFF | Christian | EXERCISES 15 – 18 (1975) |
| WOLFF | Christian | FOR 1, 2 OR 3 PEOPLE |
| WOLFF | Christian | FOR 1,2 OR 3 PEOPLE |
| WOLFF | Christian | FOR 1,2, OR 3 PEOPLE (1963) |
| WOLFF | Christian | FOR 1–2–3 PEOPLE |
| WOLFF | Christian | FOR 5 OR 10 PEOPLE (1962) |
| WOLFF | Christian | FOR MAGNETIC TAPE I (1952) |
| WOLFF | Christian | FOR MORTY (1987) |
| WOLFF | Christian | FOR PIANIST (1959) |
| WOLFF | Christian | FOR PIANO I (1952) |
| WOLFF | Christian | FROM LEANING FORWARDS |
| WOLFF | Christian | GENT SONG (1999) |
| WOLFF | Christian | HAY UNA MUJER DESAPARECIDA (1979) |
| WOLFF | Christian | I LIKE TO THINK OF HARRIET TUBMAN (1984) |
| WOLFF | Christian | I LIKE TO THINK OF HARRIET TUBMAN (1984) |
| WOLFF | Christian | IN BETWEEN PIECES |
| WOLFF | Christian | IN BETWEEN PIECES |
| WOLFF | Christian | IN BETWEEN PIECES |
| WOLFF | Christian | IN BETWEEN PIECES (1963) |
| WOLFF | Christian | INBETWEEN PIECES FOR THREE PLAYERS |
| WOLFF | Christian | KEGAMA (1991) |
| WOLFF | Christian | LA BANDINIERA ROSSA |
| WOLFF | Christian | LOOKING NORTH |
| WOLFF | Christian | MALVINA (1989) |
| WOLFF | Christian | MERCE (EXC.) |
| WOLFF | Christian | MOVEMENT 7 FROM BURDOCKS (1970–71) |
| WOLFF | Christian | PEACE MARCH 1 (STOP USING URANIUM) |
| WOLFF | Christian | PEACE MARCH I (STOP USING URANIUM) 1983 |
| WOLFF | Christian | PEGGY (1993) |
| WOLFF | Christian | PIANO SONG (I AM A DANGEROUS WOMAN) (1983) |
| WOLFF | Christian | PIANO SONG (I AM A DANGEROUS WOMAN) (1983) |
| WOLFF | Christian | PIANO SONG (I AM A DANGEROUS WOMAN) (1983) |
| WOLFF | Christian | PIANO SONG (I AM A DANGEROUS WOMAN) (1983) |
| WOLFF | Christian | PIANO TRIO (GREENHAM – SENECA – CAMISO) (1985) |
| WOLFF | Christian | PIANO TRIO : GREENHAM – SENECA – CAMISO (1985) |
| WOLFF | Christian | PRELUDES 1 – 11 (1981) |
| WOLFF | Christian | RUKUS (1991) |
| WOLFF | Christian | RUTH (1991) |
| WOLFF | Christian | SERENADE (1950) |
| WOLFF | Christian | SNARE DRUM PEACE MARCH (1989) |
| WOLFF | Christian | SNOWDROP (1970) |
| WOLFF | Christian | STARDUST PIECES (1979) |
| WOLFF | Christian | STARDUST PIECES (1984) |
| WOLFF | Christian | THREE PIECES (1979/80) |
| WOLFF | Christian | THREE STUDIES (1974–76) |
| WOLFF | Christian | TILBURY |
| WOLFF | Christian | TUBA SONG (1992) |
| WOLLSCHEID | Achim | ITINERAIRE |
| WOLLSCHEID | Achim | S.B.T.O.H.I. |
| WOLMAN | Ammon | FORJOHN |
| WOLMAN | Amnon | FORJOHN (EX) |
| WOLMAN | Amnon | HAZARDOUS MTERIAL (TUBA & TAPE) |
| WOLMAN | Amnon | IF THORNS... |
| WOLMAN | Amnon | LADDERS AND PLANES (1988) |
| WOLMAN | Amnon | MAN–BRIDGE |
| WOLMAN | Amnon | MEDEA (1987) |
| WOLMAN | Amnon | MEDEA (1987) |
| WOLMAN | Amnon | MORA |
| WOLMAN | Amnon | NOISES (ENSEMBLE & TAPE) |
| WOLMAN | Amnon | PICNIC SITE |
| WOLMAN | Amnon | ROAD WORK (II.I) (FOR ACCORDION & TAPE) |
| WOLMAN | Amnon | SLOW DOWN – TRAFFIC CIRCLES AHEAD – DETOUR – PIC NIC SITE |
| WOLMAN | Amnon | TWO ASSOCIATIONS (1992) |
| WOLMAN | Amnon | WITCHES I,II,III,IV – RADIO PIECE |
| WOLMAN | Amnon | YIELD (1993) |
| WOLPE | Stefan | BATTLE PIECE (1947) |
| WOLPE | Stefan | FORM FOR PIANO |
| WOLPE | Stefan | FOUR PIECES FOR MIXED CHORUS (AKA THREE PIECES FOR MIXED CHORUS) (1965) |
| WOLPE | Stefan | FROM HERE ON FARTHER (1969) |
| WOLPE | Stefan | MUSIC FOR ANY INSTRUMENTS: INTERVAL STUDIES (1944–49) |
| WOLPE | Stefan | MUSIK ZU HAMLET (1929) |
| WOLPE | Stefan | PIECE IN TWO PARTS FOR SOLO VIOLIN |
| WOLPE | Stefan | QUARTET (1950–54) |
| WOLPE | Stefan | SEVEN PIECES FOR THREE PIANO'S (1951) |
| WOLPE | Stefan | SOLO PIECE FOR TRUMPET (1966) |
| WOLPE | Stefan | SUITE IM HEXACHORD (1936) |
| WOLPE | Stefan | ZWEI CHINESICHE GRABSCHRIFTEN (OP.25 1937) |
| WOLPE | Stephan | FARM (1959) |
| WOLPE | Stephan | PIECE FOR TRUMPET AND SEVEN INSTRUMENTS (1972) |
| WOLPE | Stephan | STEHENDE MUSIK (1925) |
| WOOD | Charles | LAND'S SHADOW, VISIBLE WORLD |
| WOOD | James | SPIRIT FESTIVAL WITH LAMENTATIONS |
| WOOD | James | SPIRIT FESTIVAL WITH LAMENTATIONS |
| WOOD | James | SPIRIT FESTIVAL WITH LAMENTATIONS (1992) |
| WOOD | James | VILLAGE BURIAL WITH FIRE (1986) |
| WOODLEY | E.C. | A WARD OF THE GOVERNMENT (1992) |
| WOODLEY | E.C. | ABIDE WITH ME |
| WOOLF | Randall | DANCETUDES (1982–83) |
| WOOLF | Randall | MY INSECT BRIDE |
| WRAGGET | Wes R.D. | LE JARDIN DES LARMES ROUILLES (1991) |
| WRAGGETT | Wes R D | CHANTS OF THE APOCALYPSE |
| WRECK'S PROGRESS | DEPASSEMENT DE L'ACCUMULATION SILENTIEUSE – CONJONCTION DU DIFFERENT IX | |
| WRIGHT | Jack | SSSHIKEPOKE |
| WRIGHT | Mary | LIZARD BELLY MOON |
| WRIGHT | Maurice | CHAMBER SYMPHONY (1976) |
| WRIGHT | Maurice | NIGHT WATCH (1978) |
| WRIGHT | Maurice | SONATA II (1983) |
| WRIGHT | Maurice | SUITE FOR PIANO (1983) |
| WUNDERLICH | Stephan | KUGELKARTE FÜR DIFFERENZIERTES INSTRUMENTARIUM |
| WUNDERLICH | Stephan | NICHTS GEHT MEHR |
| WUNDERLICH | Stephan | NICHTS GEHT MEHR (ALBUQUERQUE REC.) |
| WUNDERLICH | Stephan | ORIENTIERUNG LIVE–HÖRSPIEL |
| WUNDERLICH | Stephan | TAGESPRODUKTION LIVE–HÖRSPIEL |
| WUNSCH | Christoph | KALEIDOSKOP |
| WUORINEN | Charles | BASSOON VARIATIONS |
| WUORINEN | Charles | CELLO VARIATIONS (1970) |
| WUORINEN | Charles | CELLO VARIATIONS (1970) |
| WUORINEN | Charles | DUO FOR VIOLIN AND PIANO |
| WUORINEN | Charles | MOUVEMENT |
| WUORINEN | Charles | MOVEMENT FOR WOODWINDQUINTET |
| WUORINEN | Charles | SELF–SIMILAR WALTZ (1977) |
| WUORINEN | Charles | THE BLUE BAMBOULA |
| WUORINEN | Charles | THE WINDS |
| WUORINEN | Charles | TIMES ENCOMIUM (68–69) |
| WYATT | Chris | UNTITLED |
| WYATT | Chris | UNTITLED |
| WYATT | Chris | UNTITLED |
| WYATT | Chris | UNTITLED 1980 |
| WYNER | Yehudi | PASSAGE (1983) |
| WYNNE | John | $75 CDN |
| WYNNE | John | ELECTROPATHY |
| WYNNE | John | JAMES KAMOTHO KIMANI |
| WYSCHNEGRADSKY | Ivan | 24 PRELUDES DANS TOUS LES TONS DE L'ECHELLE CHROMATIQUE DIATONISEE A 13 SONS OP.22 (1934)(NRS. 14,16,17,18,19) |
| WYSCHNEGRADSKY | Ivan | COMPOSITION OP.46,NO.1 (1961) |
| WYSCHNEGRADSKY | Ivan | COMPOSITION POUR QUATUOR A CORDES (OP.43)(1960) |
| WYSCHNEGRADSKY | Ivan | DEUXIEME QUATUOR A CORDES (OP.18) (1930/31) (ALLEGRO SCHERZANDO – ANDANTE – ALLEGRO RISOLUTO) |
| WYSCHNEGRADSKY | Ivan | DIALOGUE A TROIS, OPUS 51 (1974) |
| WYSCHNEGRADSKY | Ivan | ETUDE SUR LE CARRE MAGIQUE SONORE OP.40 (1965) |
| WYSCHNEGRADSKY | Ivan | ETUDE SUR LES MOUVEMENTS ROTATOIRES OP.45 (1961) |
| WYSCHNEGRADSKY | Ivan | MEDITATION SUR 2 THEMES DE LA JOURNEE DE L'EXISTENCE OPUS 7 (1958) |
| WYSCHNEGRADSKY | Ivan | PRELUDE ET ETUDE OP.48 (1966) |
| WYSCHNEGRADSKY | Ivan | PRELUDE ET FUGUE OP.21 (1934) |
| WYSCHNEGRADSKY | Ivan | PRELUDE ET FUGUE OPUS 30 (1945) |
| WYSCHNEGRADSKY | Ivan | PREMIER QUATUOR A CORDES (OP.13) (1923/24 REV. 1953) |
| WYSCHNEGRADSKY | Ivan | TRIO POUR VIOLON, ALTO ET VIOLONCELLE (OP.53) (1978/79) |
| WYSCHNEGRADSKY | Ivan | TROISIEME FRAGMENT SYMPHONIQUE OP.32 (1946) |
| WYSCHNEGRADSKY | Ivan | TROISIEME QUATUOR A CORDES (OP.38 BIS) |
| WYSCHNEGRADSKY | Ivan | TROISIEME QUATUOR A CORDES, DEUXIEME MOUVEMENT |
| Wendy Mae | CHAMBERS | 12 2 |