| Comp_name | First_name | Title |
|---|---|---|
| S. | Nano | GALURA (2 VERSIONS) |
| S. | Nano | JEMPLANG POLANSKY |
| SA | Adriana | EDIT S |
| SAARIAHO | Kaija | ...DE LA TERRE |
| SAARIAHO | Kaija | ...DE LA TERRE |
| SAARIAHO | Kaija | ...DE LA TERRE |
| SAARIAHO | Kaija | ...DE LA TERRE |
| SAARIAHO | Kaija | JARDIN SECRET II (1986) |
| SAARIAHO | Kaija | JOURNEY |
| SAARIAHO | Kaija | LACONISME DE L'AILE |
| SAARIAHO | Kaija | LACONISME DE L'AILE (1982) |
| SAARIAHO | Kaija | LACONISME DE L'AILE (1982) |
| SAARIAHO | Kaija | LACONISME DE L'AILE (1982) |
| SAARIAHO | Kaija | LICHTBOGEN |
| SAARIAHO | Kaija | LICHTBOGEN |
| SAARIAHO | Kaija | LICHTBOGEN (1985–86) |
| SAARIAHO | Kaija | LICHTBOGEN (1985–86) |
| SAARIAHO | Kaija | MAA – BALLET MUSIC (3 SCENES) |
| SAARIAHO | Kaija | NEW GATES |
| SAARIAHO | Kaija | NOA–NOA |
| SAARIAHO | Kaija | NOCTURNE |
| SAARIAHO | Kaija | PETALS |
| SAARIAHO | Kaija | PETALS (1988) |
| SAARIAHO | Kaija | PETALS (1988) |
| SAARIAHO | Kaija | SAH DEN VOGELN (1981) |
| SAARIAHO | Kaija | SAH DEN VOGELN (1981) |
| SAARIAHO | Kaija | SIX JAPANESE GARDENS |
| SAARIAHO | Kaija | SPOKEN INTRODUTION BEFORE CONCERT |
| SAARLO | Antti | B–SIDE (1998) |
| SABAT | Marc | FOR MAGISTER ZACHARIAS (1997) |
| SACCI | F.J. | TIME KEYS AND SPIRIT HAMMERS (1982) |
| SACKMAN | Nicholas | TIME–PIECE |
| SACKS | Rick | BATHYSPHERE (1995) |
| SACKS | Rick | BUTTERFLY (EXCERPT) |
| SADRA | I Wayan | KARYA |
| SADRA | I Wayan | STAY A MAVERICK |
| SADRA | I Wayan | STAY A MAVERICK |
| SADRA | I Wayan | TERUS DAN TERUS/ON AND ON! |
| SADRA | I Wayan | WORK IN PROGRESS |
| SAEGUSA | Shigeaki | FLASH–II |
| SAEGUSA | Shigeaki | LA.LA–LA–LA.LA |
| SAEGUSA | Shigeaki | LA.LA–LA–LA.LA |
| SAFRIN | Ute | KLANGOBJEKTE |
| SAFRIN | Ute | LICHTHAUS – PASSAGE I – IV |
| SAGE + VITET | Hélène + Bernard | LE DICTIONNAIRE DES SYNONYMES |
| SAGMEISTER | Andreas | VARIOUS FIGURES, DISTRIBUTED IN THE BRUCKNERHAUS AND THUS AMONG THE AUDIENCE SHOW THE REAL AND UNREAL SCENES THAT VARY ACCORDING... |
| SAHL | Michael | DOINA |
| SAHL | Michael | TANGO FROM THE EXILES CAFE |
| SAHL | Michael | YANKEE DOODLE VARIATIONS |
| SAINDON | Denis | PENTACLE (1992) |
| SAINT–SAENS | Camille | THE SWAN |
| SALA | Oskar | MUSIQUE STEREO |
| SALA | Oskar | MUSIQUE STEREO POUR ORCHESTRE ÉLECTRONIQUE EN CINQ PARTIES |
| SALINAS | Arturo | LA VOZ DEL CRISTAL (1988), MUSICAL MEDITATIONS FOR CRYSTAL GLASSES |
| SALINAS | Arturo | NAWARIMA:THE DANCE OF THE GENERATIONS FOR THE GODDESSES OF THE SACRED WATERS (1988) MUSIC FOR MEXICAN INDIAN INSTRUMENTS AND ELECTRO |
| SALINAS | Arturo | SIN TITULO (1987) MUSIC FOR VOICE AND ELECTROACOUSTIC SYSTEM |
| SALLINEN | Aulis | CADENZA PER VIOLONE SOLO |
| SALLINEN | Aulis | WINTER WAS HARD |
| SALONEN | Esa–Pekka | CONCERTO FOR ALTO SAXOPHONE AND ORCHESTRA (1980–81) (EXCERPT) |
| SALONEN | Esa–Pekka | CONCERTO FOR ALTO SAXOPHONE AND ORCHESTRA (1980–83) |
| SALONEN | Esa–Pekka | YTA IIB (1985–87) |
| SALVA | Tadeas | BALLAD FOR CELLO SOLO |
| SALVA | Tadeas | HARMONICS (1971) |
| SALVATORE | Giovanni | TOCCATA PRIMA DEL PRIMO TUONO FINTO – DUREZZE [E] LIGATURE |
| SALZEDO | Carlos | CHANSON DANS LA NUIT |
| SALZMAN | Eric | THE NUDE PAPER SERMON (1968–1969) |
| SAMAMA | Leo | PLANE DESESPEREMENT D'AILE |
| SAMARTZIS | Philip | OKEFENOKEE 2.0 |
| SAMPSON | David | OUR FATHERS' ROAD: A CANTATA FOR NEW SWEDEN |
| SAMTER | Alice | MONOLOG |
| SAMTER | Alice | MONOLOG |
| SANCTA CRUZ | UNDEFINED | |
| SANCTORUM | Johan | MAUPERTUIS – DEMO CD |
| SANDERS | Ed | THE CUTTING PROW (VIDEO) |
| SANKARAN | Trichy | CATCH 21 (1993) (EXC.) |
| SANKARAN | Trichy | LAGU MISRA (1989) (2 EXC.) |
| SANKARAN | Trichy | MELA TAMBANG (1993) (2 EXC.) |
| SANKARAN | Trichy | MISRA MELA (1993) (EXC.) |
| SANKARAN | Trichy | SVARALAYA (1984) (EXC.) |
| SANTOS | Carles | AUTORETRAT (1981) |
| SANTOS | Carles | CANT ENERGETIC (1979) |
| SANTOS | Carles | CANTO |
| SANTOS | Carles | CONVERSA (1980) |
| SANTOS | Carles | FLAUTA SOLO (1978) |
| SANTOS | Carles | LA SARGANTANETA (1980) |
| SANTOS | Carles | PEPA (1980) |
| SANTOS | Carles | TO–CA–TI–CO–TA–CA–TA(1978) |
| SANTOS | Carles | TRAMONTANA TREMENS |
| SANTOS | Carles | VARIOUS TEXTSOUND, MULTI MEDIA & MINIMAL WORKS |
| SANZ | Gaspar | UNDEFINED |
| SARDO | Aldo | COME CANTO DISTESO |
| SARDO | Aldo | COME CANTO DISTESO |
| SARGON | Simon | EIL NORA ALILAH |
| SAROYAN | Aram | CRICKETS (1965) |
| SARY | PARALLEL MOVEMENTS | |
| SARY | PARALLEL MOVEMENTS FOR FOUR GROUPS OF INSTRUMENTS | |
| SATHYA | DEMOTAPE | |
| SATIE | Erik | ANTHOLOGY |
| SATIE | Erik | CINEMA (ENTR'ACTE SYMPHONIQUE DE RELÂCHE) |
| SATIE | Erik | EN HABIT DE CHEVAL (CHORAL; FUGUE LITANIQUE; AUTRE CHORAL; FUGUE DE PAPIER) |
| SATIE | Erik | GYMNOPEDIE #1 |
| SATIE | Erik | GYMNOPEDIE #3 |
| SATIE | Erik | GYMNOPEDIES I & III |
| SATIE | Erik | HARMONIES (1894) |
| SATIE | Erik | HARMONIES (1894) |
| SATIE | Erik | JE TE VEUX |
| SATIE | Erik | JE TE VEUX (1897) TENDREMENT (1902) LA DIVA DE L'EMPIRE (1904) SIMULTANEOUSLY WITH JOHN CAGE'S FIRST MEETING OF THE SATIE SOCIETY |
| SATIE | Erik | JE TE VEUX ??? |
| SATIE | Erik | KYRIE FROM MESSE DES PAUVRES (1895) |
| SATIE | Erik | LE TANGO PERPETUEL |
| SATIE | Erik | MUSIQUE D'AMEUBLEMENT (1920) (TENTURE DE CABINET PREFECTORAL – TAPISSERIE EN FER FORGE – CARRELAGE PHONIQUE) |
| SATIE | Erik | PARADE (1917) |
| SATIE | Erik | SOCRATE |
| SATIE | Erik | SOCRATE (PART III: LA MORT DE SOCRATE) |
| SATIE | Erik | SPORTS ET DIVERTISSEMENTS |
| SATIE | Erik | TROIS MORCEAUX EN FORME DE POIRE (MANIERE DE COMMENCEMENT; PROLONGATION DU MEME; EN PLUS; REDITE) |
| SATIE | Erik | TROIS PETITES PIECES MONTEES (DE L'ENFANCE DE PANTAGRUEL/REVERIE; MARCHE DE COCAGNE/DEMARCHE; JEUX DE GARGANTUA/COIN DE POLKA) |
| SATIE | Erik | VEXATIONS (PAGES MYSTIQUES) |
| SATOH | Somei | A GATE INTO THE STARS (1982) |
| SATOH | Somei | BIRDS IN WARPED TIME II (1980) |
| SATOH | Somei | COSMIC WOMB (1975) |
| SATOH | Somei | COSMIC WOMB (1975) FOR TWO PIANOS WITH DIGITAL DELAY |
| SATOH | Somei | INCARNATION II (1977) |
| SATOH | Somei | LITANIA (1973) |
| SATOH | Somei | RECITATIVE (1993) |
| SATOH | Somei | SILENCE |
| SATOH | Somei | THE HEAVENLY SPHERES ARE ILLUMINATED BY LIGHTS (1979) |
| SAUGET | Henri | PREMIER ASPECT SENTIMENTAL |
| SAUNDERS | Rebecca | MIRROR, MIRROR, ON THE WALL (1993–94) |
| SAUNDERS | Rebecca | MOLLY'S SONG 3 |
| SAUNDERS | Rebecca | MOLLY'S SONG 3 |
| SAUNDERS SMITH | Stuart | SAID, NEARLY (1996) |
| SAUNDERS SMITH | Stuart | TUNNELS (1981/89) |
| SAVIC | Miroslav Misa | 10 FOR GONG (1976) |
| SAVIC | Miroslav Misa | 10/III–IA (1981) |
| SAVIC | Miroslav Misa | I FROM 10 FOR GONG |
| SAVINIO | Albert | LES CHANTS DE LA MI–MORT PIANOSUITE L'HOMME CHAUVE ET L'HOMME JEUNE L'EXÉCUTION DU GÉNÉRAL,DAISYSSINA,LES ANGES TUÉS,LE ROI AFFOLÉ,. |
| SAVOIE | Monique | L'INCONSOLABLE (1990) |
| SAWAI | Kazue | STRINGS (1992) |
| SAWAI | Tadao | HOMURA (1979) |
| SCARLATTI | Domenico | SONATA IN B MINOR |
| SCARLATTI | Domenico | SONATA IN B MINOR (K.87, L33) |
| SCARNATI | Sandra | CHOEUR A TROIS VOIX |
| SCARRITT | Alan | AFTER LEONARDO |
| SCELSI | Giacinto | AITSI (1974) |
| SCELSI | Giacinto | ANAGAMIN (1965) |
| SCELSI | Giacinto | CANTI DEL CAPRICORNO 1–19 |
| SCELSI | Giacinto | DIATHOME (1957) POUR VIOLONCELLE SOLO (MATURITE–ENERGIE–DRAME) EXTRAIT DE TRILOGY, LES TROIS AGES DE L'HOMME |
| SCELSI | Giacinto | ELOHIM (19??) |
| SCELSI | Giacinto | HYXOS |
| SCELSI | Giacinto | HYXOS (1955) |
| SCELSI | Giacinto | HYXOS (1961) |
| SCELSI | Giacinto | IXOR (1956) |
| SCELSI | Giacinto | KHO–LHO (1976) POUR FLUTE ET CLARINETTE |
| SCELSI | Giacinto | KOTAH |
| SCELSI | Giacinto | KYA |
| SCELSI | Giacinto | KYA (1959) FOR CLARINET AND 7 INSTRUMENTS |
| SCELSI | Giacinto | LE FLEUVE MAGIQUE |
| SCELSI | Giacinto | LE REVEIL PROFOND (1972) |
| SCELSI | Giacinto | MAKNONGAN (1976) |
| SCELSI | Giacinto | MAKNONGAN (1976) VERSION POUR CLARINETTE BASSE |
| SCELSI | Giacinto | NATURA RENOVATUR (1967) |
| SCELSI | Giacinto | OHOI (1966) |
| SCELSI | Giacinto | PRANAMI |
| SCELSI | Giacinto | QUATTRO ILLUSTRAZIONI |
| SCELSI | Giacinto | QUATTRO ILLUSTRAZIONI (1953) |
| SCELSI | Giacinto | QUATTRO ILLUSTRAZIONI (1953) |
| SCELSI | Giacinto | QUATTRO PEZZI |
| SCELSI | Giacinto | QUATTRO PEZZI (SU UNA NOTA SOLA) PER ORCHESTRA (1959) |
| SCELSI | Giacinto | QUATTRO PEZZI POUR COR (1956) (NO. 1, 3 ,4) |
| SCELSI | Giacinto | QUATTRO PEZZI SU UNA NOTA SOLA (1959) |
| SCELSI | Giacinto | SHUNN (1972) |
| SCELSI | Giacinto | SONATE NR. 4 (1941) (CON MOTO; LENTO; ON IMPETO ESTREMA, VIOLENTO) |
| SCELSI | Giacinto | SONATE NR. 4 PER PIANOFORTE (1941) |
| SCELSI | Giacinto | SUITE NR. 10 "KA" (1954) |
| SCELSI | Giacinto | SUITE NR. 10 "KA" (1954) |
| SCELSI | Giacinto | SUITE NR. 10 "KA" (1954) FOR PIANO |
| SCELSI | Giacinto | SUITE NR. 10 "KA" (TWO MOVEMENTS) (1954) |
| SCELSI | Giacinto | SUITE NR. 6 "I CAPRICCI DI TY" (1938–39) |
| SCELSI | Giacinto | SUITE NR. 6 "I CAPRICCI DI TY" (1938–39) |
| SCELSI | Giacinto | SUITE NR. 9 "TTAI" (1953) |
| SCELSI | Giacinto | SUITE NR. 9 "TTAI" (1953) |
| SCELSI | Giacinto | SUITE NR. 9 "TTAI" (1953) FOR PIANO |
| SCELSI | Giacinto | SUITE NR. 9 "TTAI" (1953) POUR PIANO (NO.1, 2, 4, 11) |
| SCELSI | Giacinto | THIRD STRING QUARTET (1963) |
| SCELSI | Giacinto | TO THE MASTER |
| SCELSI | Giacinto | TRE PEZZI |
| SCELSI | Giacinto | TRE PEZZI – IXOR – MAKNONGA |
| SCELSI | Giacinto | UN ADIEU (1978?) |
| SCELSI | Giacinto | UN ADIEU (?1978) |
| SCHAB | Jacques | TRIUMVIART – TRYPTIC |
| SCHACHTER | Daniel | TIEMPO QUEBRADO |
| SCHAEFFER | Pierre | BILUDE |
| SCHAEFFER | Pierre | ETUDE AUX ALLURES |
| SCHAEFFER | Pierre | ETUDE AUX ALLURES |
| SCHAEFFER | Pierre | ETUDE AUX ALLURES (1958) |
| SCHAEFFER | Pierre | ETUDE AUX CHEMINS DE FER (1948) |
| SCHAEFFER | Pierre | ETUDE AUX OBJETS (1959) |
| SCHAEFFER | Pierre | ETUDE AUX OBJETS (OBJETS EXPOSES, OBJETS ETENDUS, OBJETS MULTIPLIES, OBJETS LIES, OBJETS RASSEMBLES) |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES (1958) |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES (1958) (TRANSCR. DENIS DUFOUR) |
| SCHAEFFER | Pierre | ETUDE AUX SONS ANIMES (TRANSCRIPTION PAR D. DUFOUR) |
| SCHAEFFER | Pierre | ETUDE PATHETIQUE |
| SCHAEFFER | Pierre | ETUDE PATHETIQUE (1948) |
| SCHAEFFER | Pierre | ETUDES AUX SONS ANIMES (EXCERPT) |
| SCHAEFFER | Pierre | LES PAROLES GELEES |
| SCHAEFFER | Pierre | LES PAROLES GELEES (1952) |
| SCHAEFFER | Pierre | MASQUERAGE |
| SCHAEFFER | Pierre | MASQUERAGE (1952) |
| SCHAEFFER | Pierre | MORCEAU DE GENRE: OISEAU R.A.I. |
| SCHAEFFER | Pierre | OISEAU R.A.I. (MORCEAU DE GENRE) |
| SCHAEFFER | Pierre | SYMPHONIE POUR UN HOMME SEUL (1950) (W/ HENRY PIERRE) |
| SCHAEFFER | Pierre | SYMPHONIE POUR UN HOMME SEUL (NOUVELLE VERSION) |
| SCHAEFFER | Pierre | SYMPHONIE POUR UN HOMME SEUL (NOUVELLE VERSION) (CO–AUTHORED BY HENRY PIERRE) |
| SCHAEFFER | Pierre | TOUTE LA LYRE, OU LES VESTIGES D'ORPHEE |
| SCHAEFFER | Pierre | TOUTE LA LYRE, OU VESTIGES D'ORPHEE (1951) |
| SCHAFER | Robert Murray | BIRTH OF RA, TABLET ONE, STRING QUARTET NO.2, RA, HARBOUR SYMPHONY (EXCERPTS) |
| SCHAFER | Robert Murray | CARNIVAL OF SHADOWS – SOUNDTRACK BASED ON PATRIA III: THE GREATEST SHOW:LA TESTA D'ARIADNE;BEAUTY AND THE BEAST;THE CROWN OF ARIADNE |
| SCHAFER | Robert Murray | MINIMUSIC (1976) |
| SCHAFER | Robert Murray | NOCTURNE & AUBADE (1996) |
| SCHAFER | Robert Murray | TANTRIKA (EXCERPT) |
| SCHAFFER | Boguslaw | FREE FORM NO.2/EVOCAZIONI |
| SCHAFFER | Boguslaw | HERAKLITIANA (1989) FOR PIANO, PERCUSSION, COMPUTER, ELECTRONIC MEDIA AND TAPE |
| SCHAFFER | Boguslaw | PROIETTO SIMULTANEO |
| SCHAFFER | Boguslaw | PROJECT |
| SCHAFFER | Boguslaw | PROJECT FOR PREPARED TUBA AND TAPE |
| SCHAFFER | Boguslaw | PROJETTO |
| SCHANZER | Jeffrey | BOUNCE |
| SCHANZER | Jeffrey | FACETS |
| SCHANZER | Jeffrey | MOVEMENT |
| SCHANZER | Jeffrey | NO PASARAN |
| SCHANZER | Jeffrey | PIANO ALONE |
| SCHANZER | Jeffrey | TRACINGS |
| SCHANZER | Jeffrey | TRACINGS |
| SCHANZER | Jeffrey | VISTAS |
| SCHAT | Peter | ANATHEMA (1969) |
| SCHAT | Peter | ANATHEMA (1969) |
| SCHAT | Peter | ANATHEMA (1969) |
| SCHAT | Peter | ANATHEMA OP.19 (1969) |
| SCHAT | Peter | CANTO GENERAL OP.24 (1974) |
| SCHAT | Peter | THEMA OP.21 |
| SCHAT | Peter | TO YOU OP.22 (1972) |
| SCHEDL | Gerhard | DER TOTENTANZ VON ANNO NEUN (NACH DEM GEMÄLDE VON ALBIN EGGER–LIENZ) |
| SCHEEN | Michiel | A PART |
| SCHEEN | Michiel | IS |
| SCHEEN | Michiel | NORG |
| SCHEEN | Michiel | SCHADUWEN |
| SCHEEN | Michiel | SLOOT |
| SCHEERBART | Paul | KIKAKOKU (1897) ZAUBERSPRUCH I–II (1898) MONOLOG DES VERRUCKTEN MASTODONS (1902) |
| SCHEERBART | Paul | KIKAKOKU (FROM"ICH LIEBE DICH")(1897)ZAUBERSPRUCH I–II(FROM"NA PROST")(1898)MONOLOG DES VERRUCKTEN MASTODONS(FROM"IMMER MUTIG")1902 |
| SCHEIDT | Daniel | A DIGITAL ECLOGUE (1986) |
| SCHEIDT | Daniel | A DIGITAL ECLOGUE (EXCERPT) (CO–AUTHORED BY SCHRYER CLAUDE) |
| SCHEIDT | Daniel | BIG PIANO : STORM (EX) |
| SCHEIDT | Daniel | NORM'N GEORGE (1990) |
| SCHEIDT | Daniel | OBEYING THE LAWS OF PHYSICS (1987) |
| SCHEIDT | Daniel | OBEYING THE LAWS OF PHYSICS (1987) |
| SCHEIDT | Daniel | SQUEEZE (1990) |
| SCHEIDT | Daniel | STORIES TOLD (1989) |
| SCHEIDT | Daniel | WHAT IF |
| SCHELL | Daniel | AKTIVITAET |
| SCHELL | Daniel | KARO IN CONCERT |
| SCHELL | Michael | AMPHIBIOUS SUNSET IN PRIMARY GREEN |
| SCHELL | Michael | KARMA/FOR CHRIS |
| SCHELL | Michael | KARMA/FOR RICK |
| SCHELL | Michael | SINFONIA DOMESTICA |
| SCHELL | Michael | TANGENTS |
| SCHELL | Michael | TWOS |
| SCHERSTJANOI | Valeri | KCH (1986) |
| SCHERSTJANOI | Valeri | SENSE–NON–SENSE |
| SCHERZINGER | Martin | MASANGA (NO 2 OF 3 SONGS) (1998) |
| SCHERZINGER | Martin | MASANOA (NO 2 OF THREE SONGS) (1998) |
| SCHERZINGER | Martin | NHEMAMUSASA (NO 3 OF 3 SONGS) |
| SCHERZINGER | Martin | NHEMAMUSASA (NO 3 OF THREE SONGS) (1998) |
| SCHIEMER | Greg | POLYPHONIC VARIATIONS (1987–8) |
| SCHIEMER | Greg | SPECTRAL DANCE 2 |
| SCHILL | Ruedi | PARTICIPATION TO THE VEC AUDIO PROGRAM 3 CLEAR COMPILATION |
| SCHILLINGS | Micha | ALPHA – P2 |
| SCHILLINGS | Micha | ALPHA – P3 |
| SCHILLINGS | Micha | TRIMETRIC |
| SCHILLINGS | Micha | Y\4–5 |
| SCHILLINGS | Micha | ZANX |
| SCHIMAMA | Elisabeth | .OFFNUNG |
| SCHLAEGER | Christoph | GERAEUSCH GESTALTEN |
| SCHLAEGER | Christoph | LOGO–FE / LOGO–QA / LOGO–PR |
| SCHLAEGER | Christoph | LOGO–PP |
| SCHLAEGER | Christoph | LOGO–PP |
| SCHLAEGER | Christoph | LOGO–PP |
| SCHLAEGER | Christoph | LOGO–PP |
| SCHLAEGER | Christoph | LOGO–PP |
| SCHLAEGER | Christoph | LOGO–UR |
| SCHLAEGER | Christoph | LOGO–UR |
| SCHLAEGER | Christoph | LOGO–UR |
| SCHLAEGER | Christoph | LOGO–UR |
| SCHLAEGER | Christoph | LOGO–UR / LOGO–PP / LOGO–WI |
| SCHLAEGER | Christoph | LOGO–UR / LOGO–PP / LOGO–WI |
| SCHLAEGER | Christoph | LOGO–UR / LOGO–PP / LOGO–WI |
| SCHLAEGER | Christoph | LOGO–UR / LOGO–PP / LOGO–WI |
| SCHLAEGER | Christoph | LOGO–WI |
| SCHLAEGER | Christoph | LOGO–WI |
| SCHLAEGER | Christoph | LOGO–WI |
| SCHLAEGER | Christoph | LOGO–WI |
| SCHLAEGER | Christoph | LOGO–WI |
| SCHLAEGER+VANNOORD | Christoph+Leon | GGO + REGENPIJPMARIMBA |
| SCHLENK | John | THREE VEDANTIC SONGS |
| SCHLICHT | Ursel | PENSIVE VLADECK |
| SCHMIDT | Daniel W. | ABIES MAGNIFICA MEW (1985) |
| SCHMIDT | Ron | VOX |
| SCHMIDT–OLSEN | Carsten | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| SCHMIDT–OLSON | Carsten | P.A.V.1070 |
| SCHMOTOVA | Marina | HEILLIEDEREN (1989) |
| SCHMOTOVA | Marina | LIEDER AUF DER FLUCHT (1994) |
| SCHNEBEL | Dieter | BAGATELLES |
| SCHNEBEL | Dieter | BAGATELLES (1986) |
| SCHNEBEL | Dieter | DEUTERONOMIUM 31,6 FUR 15 SOLOSTIMMEN |
| SCHNEBEL | Dieter | KI–NO (1963/65) |
| SCHNEBEL | Dieter | LAUT – GESTEN – LAUT (1981–1985) –(REDEUBUNGEN – FANTASIEN – WEISEN – GEDANKENGANGE) |
| SCHNEEMANN | Carolee | MOTHER LEXICON (1981) |
| SCHNITTKE | Alfred | QUARTET NO.3 |
| SCHNITTKE | Alfred | SONATA FOR CELLO AND PIANO (1978) (LARGO; PRESTO; LARGO) |
| SCHNITTKE | Alfred | TROIS MADRIGAUX |
| SCHNITZLER | Conrad | BLUE GLOW |
| SCHNITZLER | Conrad | CON REPETIZIONE |
| SCHOLZ | Carter | LATTICE (3327) |
| SCHOLZ | Carter | RHYTHMICON (1988) |
| SCHOLZ | Carter | TALUS |
| SCHONBERG | Arnold | 6 PETITES PIECES OP. 19 |
| SCHONBERG | Arnold | A SURVIVOR FROM WARSAW OP. 46 (1947) |
| SCHONBERG | Arnold | NO DETAILS AVAILABLE |
| SCHONBERG | Arnold | PIERROT LUNAIRE OP. 21 (LYRICS BY ALBERT GIRAUD) |
| SCHONBERG | Arnold | SECHS KLEINE STÜCKE FÜR KLAVIER |
| SCHONBERG | Arnold | VIOLIN CONCERTO (1936) |
| SCHONBERG | Arnold | ZWEI FRAGMENTE DER SONATE FUER ORGEL (1941) |
| SCHOTTSTAEDT | William | WAIT FOR ME! (1988) |
| SCHRAENEN | Guy | AEROPUS I |
| SCHRECK | Philip, W | LOOSE WIRES AND BURNT IVORY – OTHER PIECES |
| SCHRECK ENSEMBLE | DE DAG – KLANKSCULPTUUR IN TIJD EN RUIMTE | |
| SCHROYENS | Daniel | PIANOKWINTET (1994) |
| SCHRYER | Claude | 3 RADIOLUDES (EX) |
| SCHRYER | Claude | A SOUNDWALK IN THE RAIN OF ST–JOHN'S, NFLD (1992) |
| SCHRYER | Claude | CHASSE (1989) |
| SCHRYER | Claude | DIGITAL ECLOGUE (WITH DANIEL SCHEIDT)(EXCERPT) |
| SCHRYER | Claude | DROIT DE CITE IV:MONTREAL SOUS LA VILLE |
| SCHRYER | Claude | EXCERPTS FROM VARIOUS WORKS |
| SCHRYER | Claude | LES OISEAUX DE BULLION |
| SCHRYER | Claude | LETTRE SONORE II |
| SCHRYER | Claude | LETTRE SONORE MONTREAL SEPT.1992 |
| SCHRYER | Claude | RADIO >PERSPECTIVES< (1991) |
| SCHRYER | Claude | VAGUES D'EXCES |
| SCHRYER | Claude | VANCOUVER SOUNDSCAPE REVISITED : FIRE (2E MOUVEMENT) |
| SCHULLER | Gunther | CONCERTO FOR ORGAN AND ORCHESTRA (1994) |
| SCHULLER | Gunther | MUSIC FOR BRASS QUINTET |
| SCHULLER | Gunther | OF REMINISCENCES AND REFLECTIONS (1993) |
| SCHULLER | Gunther | THE PAST IS IN THE PRESENT (1994) |
| SCHULTZ | Andrew | EKSTASIS |
| SCHULTZE | Ellen | SINGING STONES (ASSEMBLED BY JAMES F COOPER) |
| SCHULZ | Johann A P | LARGO FUR GLASSHARMONIKA |
| SCHUMACHER | Michael | LOGOS–MIX |
| SCHUMANN | Clara | COMPLETE WORKS FOR PIANO |
| SCHUMANN | Robert | DAVIDSBUENDLERTAENZE #4 |
| SCHUMANN | Robert | DAVIDSBUENDLERTANZE N.14 |
| SCHUMANN | Robert | SHEHERAZADE (ARR. J.REMUS) |
| SCHUMANN | Robert | SONATE |
| SCHUMANN | William | 25 OPERA SNATCHES (1979) |
| SCHURIG | Wolfram | CRWTH (1993/94) |
| SCHURMANS | Werner | DUO VOOR VIOOL EN GITAAR |
| SCHURMANS | Werner | DUO VOOR VIOOL EN GITAAR |
| SCHURMANS | Werner | EINDWERK PEDAGOGIE GITAAR |
| SCHURMANS | Werner | RACUNCA (1996) |
| SCHURMANS | Werner | TSAWANDZAS IN (1995) |
| SCHUYT | Nico | TWEE SPEELSTUKKEN |
| SCHWARTZ | Elliott | EQUINOX |
| SCHWARTZ | Elliott | EXTENDED OBOE (1973–74) |
| SCHWARTZ | Elliott | PHOENIX |
| SCHWARTZ | Elliott | ROWS GARDEN |
| SCHWARTZ | Elliott | TAPESTRY |
| SCHWARTZ | Elliott | VIENNA DREAMS |
| SCHWARTZ | Francis | AUSCHWITZ (1968) |
| SCHWARTZMAN | Evan | SOUVENIR |
| SCHWARZENLANDER | Martin | ERST WOLLT IHR DEN PETERSBRUNNHOF, DANN HELLBRUNN UND SCHLIESSLICH GAR SCHLOSS MIRABELL (1976) |
| SCHWARZENLANDER | Martin | REPRESSION |
| SCHWARZENLANDER | Martin | STETS BEREIT |
| SCHWARZENLANDER | Martin | UNTER DEM PFLASTERSTEIN (NOCH IMMER) LIEGT DER STRAND (1977) |
| SCHWEIZER | Frank | FEUERWASSER (1992) |
| SCHWERNER | Armand | PERFORMANCE AT NEW WILDERNESS SUMMER SOLSTICE, NYC |
| SCHWERNER | Armand | PERFORMANCE AT UC SAN DIEGO |
| SCHWERNER | Armand | TABLET 26 |
| SCHWERNER | Armand | TABLETS (EXCERPTS) (PART I) |
| SCHWERNER | Armand | TRANSLATION OF SOPHOCLES' PHILOCTETES |
| SCHWITTERS | Kurt | DIE SONATA IN URLAUTEN |
| SCHWITTERS | Kurt | KUMMERNISSPIELE: "EIN DRAMATISCHER ENTWURF" – DREI – DAS I–GEDICHT – GEDICHT 25 |
| SCHWITTERS | Kurt | LONDON ONION |
| SCHWITTERS | Kurt | LONDON ONION |
| SCHWITTERS | Kurt | NIESSCHERZO & HUSTENSCHERZO (1937) CIGARREN (1921) THE REAL DISUDA OF THE NIGHTMARE (1946) |
| SCHWITTERS | Kurt | SHORT VERBOSONIC PIECES |
| SCHWITTERS | Kurt | SIMULTANGEDICHT KAA GEE DEE (1919) WW (1922) BOO (1926) NAA (1922) BI BULL REE (1936) OBERVOGELSANG (1946) NIESSCHERZO & HUSTENSCHER |
| SCHWITTERS | Kurt | SIMULTANGEDICHT KAA GEE DEE (1919) WW (1922) BOO (1926) NAA (1922) BU BULL REE (1936) OBERVOGELSANG (1946) |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE |
| SCHWITTERS | Kurt | URSONATE (1922–32) |
| SCHYVENS | Gilbert | BAGATELLE 1 |
| SCHYVENS | Gilbert | DRIE BAGATELLEN VOOR BLOKFLUITKWARTET – TROPE: SPIEGELCANON; ORGANUM A 2 SOGGETTI; SCHERZO: FUGHETTA |
| SCHYVENS | Gilbert | TRIO VOOR VIOOL, ALTBLOKFLUIT EN CELLO |
| SCIARINO | Salvatore | I LIMITI DELLA NOTTE |
| SCIARRINO | Salvatore | AI LIMITI DELLA NOTTE |
| SCIARRINO | Salvatore | AI LIMITI DELLA NOTTE (1979) |
| SCIARRINO | Salvatore | COME VENGONO PRODOTTI GLI INCANTESIMI? |
| SCIARRINO | Salvatore | COME VENGONO PRODOTTI GLI INCANTESIMI? |
| SCIARRINO | Salvatore | COME VENGONO PRODOTTI GLI INCANTESIMI? |
| SCIARRINO | Salvatore | COME VENGONO PRODOTTI GLI INCANTESIMI? |
| SCIARRINO | Salvatore | COME VENGUNO PRODOTTI GLI INCANTESIMI? |
| SCIARRINO | Salvatore | HERMES |
| SCIARRINO | Salvatore | LET ME DIE BEFORE I WAKE |
| SCIARRINO | Salvatore | LO SPAZIO INVERSO |
| SCIFFER | Guido | DE BRIEF |
| SCIFFER | Guido | DE BRIEF |
| SCIFFER | Guido | SPEELPLAATS |
| SCOTT | Adam | PARTICIPATION TO THE VEC AUDIO PROGRAM 3 CLEAR COMPILATION |
| SCOTT | John | SHUFFLE PLAY: ELEGIES FOR THE RECORDING ANGEL |
| SCOTT | Piotr Q. Jill | SPIDER WAY |
| SCOTT | Stephen | ARCS (1980, REVISITED 1984) |
| SCOTT | Stephen | MINERVA'S WEB (1985) |
| SCOTT | Stephen | MUSIC ONE FOR BOWED STRINGS |
| SCOTT | Stephen | MUSIC THREE FOR BOWED STRINGS |
| SCOTT | Stephen | NEW MUSIC FOR BOWED PIANO |
| SCOTT | Stephen | RAINBOWS |
| SCOTT | Stephen | RAINBOWS (1981) PARTS 1 AND 2 |
| SCOTT | Stephen | RESONANT RESOURCES |
| SCOTT | Stephen | VIKINGS OF THE SUNRISE |
| SCULTHORPE | Peter | 8TH QUARTET |
| SCULTHORPE | Peter | REQUIEM (1979) |
| SCULTHORPE | Peter | REQUIEM (1979) |
| SEARRA | Roberto | BONGO ZERO |
| SEATON | Laura | KOKA |
| SEATON | Laura | MOVING |
| SEATON | Laura | NEVER /LET IT GO /COCA COLA /DRIVES ME CRAZY |
| SEATON (trad. arr) | Laura | ERGHEN DIADO |
| SEATON/NORTON | Laura/Kevin | TWILIGHTS/WALKING THE DOGMA |
| SEGAFREDDO | Matteo | IANUS (1990) |
| SEGERS | Marianne | OCHTENDKLEUREN – DAGRUMOER – AVONDGELUIDEN |
| SEGERS | Philip | CONTRAST |
| SEGNINI SEQUERA | Rodriao | PAMINE |
| SEIBER | Matyas | FANTASIA CONCERTANTE FOR VIOLIN AND STRING ORCHESTRA |
| SEIBER | Matyas | IMPROVIZATION |
| SEINCMAN | Eduardo | THE DIBUK DANCE (1988) FOR VIBRAPHONE, MARIMBA AND GLOCKENSPIEL |
| SEJOURNE | Emmanuel | KARNAK |
| SEJOURNE | Emmanuel | KARNAK |
| SELLARS | James | FIXED IMPROVISATION |
| SELLARS | James | FOR LOVE OF THE DOUBLE BASS |
| SELLARS | James | FRENCH DREAMS (1981) |
| SELLARS | James | MILLENIAL MUSIC |
| SELLARS | James | ONE MINUTE ... |
| SELLARS | James | ONE MINUTE ... |
| SELLARS | James | ONE MINUTE ... |
| SELLARS | James | ONE MINUTE C MAJ. CHORD |
| SELLARS | James | ONE MINUTE C MAJ. CHORD |
| SELLARS | James | ONE MINUTE C MAJ. CHORD |
| SELLARS | James | ONE MINUTE CONSOLATION |
| SELLARS | James | ONE MINUTE CONSOLATION |
| SELLARS | James | ONE MINUTE CONSOLATION |
| SELLARS | James | ONE MINUTE SCHERZO |
| SELLARS | James | ONE MINUTE SCHERZO |
| SELLARS | James | ONE MINUTE SCHERZO |
| SELLARS | James | ONE MINUTE TOCCATA |
| SELLARS | James | ONE MINUTE TOCCATA |
| SELLARS | James | ONE MINUTE TOCCATA |
| SELLARS | James | ONE MINUTE WALTZ |
| SELLARS | James | ONE MINUTE WALTZ |
| SELLARS | James | ONE MINUTE WALTZ |
| SELLARS | James | PATTERNS ON A FIELD |
| SELLARS | James | PATTERNS ON A FIELD (1985) |
| SELLARS | James | PATTERNS ON A FIELD (1986) |
| SELLARS | James | RADIO SONATA (1992) |
| SELLARS | James | READ THE TEXT |
| SELLARS | James | THE TURING MACHINE |
| SELLARS | James | TOCCATA |
| SELMAN | Joshua | FRIJOLES CANYON |
| SEM | STROBOFOON | |
| SEMEGEN | Daria | ARC, MUSIC FOR DANCERS |
| SEMEGEN | Daria | ARC, MUSIC FOR DANCERS (1977) |
| SEMEGEN | Daria | ELECTRONIC COMPOSITION NO.1 |
| SEMEGEN | Daria | RHAPSODY |
| SEMEGEN | Daria | SPECTRA |
| SEMENIUK | Fred | NEANDERTHALS IN A PHONE BOOTH (1992) |
| SEMENIUK | Fred | SPRAYING |
| SEMJONOV | Wladeslav | DON RHAPSODIE |
| SENN | Dan | BUCKTOOTH BIRD |
| SENN | Dan | FAYFER HARP |
| SENN | Dan | FAYFER SHMOOS ON A FLUTTER HARP |
| SENN | Dan | LILIAN |
| SENN | Dan | MEAN PEOPLE |
| SENN | Dan | NON LINEAR INSTRUMENTS (SAMPLES) |
| SENN | Dan | POWER COAT |
| SENN | Dan | SILLY BUSINESS |
| SEPP | Peeter | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| SERCHEN | Tona | YI (SEPT BREVES IMAGES) |
| SERMILA | Jarmo | ELECTROCOMPOSITION |
| SERMILLA | Jarmo | OPUS IMPROBUM |
| SEROCKI | Kazimierz | A PIACERE |
| SEROCKI | Kazimierz | ARRANGEMENTS |
| SEROCKI | Kazimierz | ARRANGEMENTS (1975) |
| SEROCKI | Kazimierz | ARRANGEMENTS (1975/76) |
| SEROCKI | Kazimierz | ARRANGEMENTS (1976) |
| SEROCKI | Kazimierz | IMPROVISATIONS |
| SERRA | X | SPECTRAL MODELING SYNTHESIS |
| SERVAIS | Adrien–Francois | LA ROMANESCA |
| SESSIONS | Roger | CONCERTINO |
| SESSIONS | Roger | CONCERTO FOR PIANO AND ORCHESTRA (1955–56) |
| SESSIONS | Roger | FROM MY DIARY |
| SESSIONS | Roger | ON THE BEACH AT FONTANA |
| SETHARES | Bill | COMPUTER–GENERATED TIMBRE–TUNING COMBINATIONS |
| SETHARES | Bill | JOYOUS DAY (1990) |
| SETHARES | Bill | SINGING AUTOMOBILE SPERM |
| SETHARES | Bill | SOUND OF CRYSTALS |
| SETOH | Kohji | NOT SPECIFIED – HOGELIC – EXPERIMENT 7 |
| SETTEL | Zack | SKWEEIT–CHUPP |
| SETTER | Terry | APHORISM III: LIKE A COAT OR MASK |
| SETTIMELLI & CORRA | Emilio & Bruno | FACED WITH THE INFINITE |
| SEVERENS | Koen | ROLAND |
| SEZ | Jacob | NOMOS III |
| SFETSAS | Kyriakos | DOCIMOLOGY (1969) |
| SFETSAS | Kyriakos | IMPROVISATION |
| SFETSAS | Kyriakos | STROPHES |
| SHANGE | Ntozake | JOURNAL ENTRY #692 (VIDEO) |
| SHANKAR | Ravi | L'AUBE ENCHANTEE |
| SHAPERO | Harold | FOUR–HAND SONATA FOR PIANO |
| SHAPEY | Ralph | CONFIGURATIONS (1964) |
| SHARMAN | Rodney | APOLLO'S TOUCH |
| SHARMAN | Rodney | CORDES VIDES |
| SHARMAN | Rodney | DARK GLASSES (1988) |
| SHARMAN | Rodney | ERSTARRUNG (2 EXCERPTS) |
| SHARMAN | Rodney | KORE |
| SHARMAN | Rodney | KORE (1980) |
| SHARMAN | Rodney | KORE (1980) |
| SHARMAN | Rodney | NARCISSUS (1981) |
| SHARMAN | Rodney | OPERA TRANSCRIPTIONS: TURANDOT (1989) |
| SHARMAN | Rodney | THE BLACK DOMINO (1982) |
| SHARP | Elliott | HAPPY CHAPPIE POLKA |
| SHARP | Elliott | HAPPY CHAPPIE POLKA |
| SHARP | Elliott | JAG (1996) |
| SHARP | Elliott | OMONOK |
| SHARP | Elliott | V.X. |
| SHARP | Elliott | V.X. |
| SHARP | Elliott | VX |
| SHATIN | Judith | ADONAI ROI |
| SHAWN | Allen | REVERIE (1992) |
| SHEA | David | 5 BITS |
| SHEA | David | BITS: SOUND TRACK(S); THE GOLDEN BOAT; CARTOON; STRING MIX; DOUBLE TIME; DOOWATCHALIKE; BLOOM CHURCH |
| SHEA | David | TRIO FOR SAMPLERS II & III |
| SHEEHY | Kathy | GREEN HUNGARIAN (1978) |
| SHENG LONG | Ma | HAPPY DAYS |
| SHEPHERD | Stu | BIRTHDAY MUSIC (OPENING & CONCLUSION) |
| SHERIDAN | Ted | CITY PASSAGE (1994) |
| SHERMAN | Stuart | FOUR SOUND PIECES: DOORS, WATER, CLICK, PIN–BALL |
| SHIBATA | Minao | YUME–NO–TAMAKURA (1982) |
| SHIBATA | Minao | YUME–NO–TAMAKURA (1982) |
| SHIELDS | Alice | APOCALYPSE – AN ELECTRONIC OPERA |
| SHIELDS | Alice | DANCE PIECE NO.3 |
| SHIELDS | Alice | STUDY FOR VOICE AND TAPE |
| SHIELDS | Alice | THE TRANSFORMATION OF ANI (1970) |
| SHIFRIN | Seymour | THE ODES OF SHANG (NA – KYRIE ELEISON) |
| SHIM | Bonu | PERIPATETIC EXERCISE |
| SHIM | Kunsu | A LASTING SONG FOR GEHA |
| SHIM | Kunsu | SONG OF WIND (1993) |
| SHINOHARA | Makito | BROADCASTING |
| SHINOHARA | Makito | CITY VISIT |
| SHINOHARA | Makito | PERSONNAGE (1973) FOR A MIME,LIGHTING AND TAPE |
| SHINOHARA | Makito | UNDEFINED |
| SHIOMI | Mieko | A CELESTIAL TUNE BY 108 GLASS MARBLES (1991) |
| SHOSTAKOVICH | Dmitri | 24 PRELUDES AND FUGUES OP.87 |
| SHOSTAKOVICH | Dmitri | 24 PRELUDES OP.34 |
| SHOSTAKOVICH | Dmitri | SONATA FOR VIOLONCELLO AND PIANO OP.40 (1934) |
| SHOUP | Wally | STEPS |
| SHRAPNEL | Hugh | RAINDROPS (1968) |
| SHULTIS | Christopher | MOTION/LESS |
| SICILIANOS | Yorgo | EPIKLESIS II (1968) OP.29 B |
| SICILIANOS | Yorgo | EPISODES II |
| SICILIANOS | Yorgo | ETUDES COMPOSITIONELLES OP.32 |
| SIDARTA | Otok Bima | MUBENG BETENG |
| SIDDALL | Jon | THE GREENHOUSE (EXCERPT) |
| SIDDALL | Jon | THE GREENHOUSE – ACT IV |
| SIDDALL | Jon | THE GREENHOUSE – ACT IV |
| SIDDALL | Jon | THE GREENHOUSE – ACT IV (1985) |
| SIDDALL | Jon | THE GREENHOUSE – ACT IV (EXCERPT) |
| SIEGEL | Jules | CALLIOPE (1990) |
| SIEGEL | Wayne | ECLIPSE (EXC.) |
| SIEGEL | Wayne | JACKDAW |
| SIERRA | Roberto | TRIPTICO |
| SIGAL | Rodrigo | BABEL |
| SIGAL | Rodrigo | BABEL |
| SIGAL | Rodrigo | CYCLES |
| SIGAL | Rodrigo | CYCLES |
| SIGAL | Rodrigo | DOLOR EN MI |
| SIGAL | Rodrigo | DOLOR EN MI |
| SIGAL | Rodrigo | EL FIRMAMENTO |
| SIGAL | Rodrigo | FE |
| SIGAL | Rodrigo | LAGARTO |
| SIGURBJORNSSON | Hrodmar | TILBRIGDI (1988) |
| SIGURBJORNSSON | Hrodmar I. | MUSIC FOR CLARINET (1984) |
| SIGURBJORNSSON | Thorkell | AUF MEINEN LIEBEN GOTT (1981) |
| SIGURBJORNSSON | Thorkell | AUF MEINEN LIEBEN GOTT (1981) |
| SIGURBJORNSSON | Thorkell | BUKOLLA (1974) |
| SIGURBJORNSSON | Thorkell | FIORI (1982) |
| SIGURBJORNSSON | Thorkell | FIORI (1982) |
| SIGURBJORNSSON | Thorkell | FIVE NOCTURNES (1982) |
| SIGURBJORNSSON | Thorkell | FIVE NOCTURNES (1982) |
| SIGURBJORNSSON | Thorkell | FYLGJUR (1981) |
| SIGURBJORNSSON | Thorkell | HANS VARIATIONS (1979) |
| SIGURBJORNSSON | Thorkell | HANS VARIATIONS (1979) |
| SIGURBJORNSSON | Thorkell | HANS VARIATIONS (1979) |
| SIGURBJORNSSON | Thorkell | INTRADA (1970) |
| SIGURBJORNSSON | Thorkell | INTRADA (1970) |
| SIGURBJORNSSON | Thorkell | KALAIS (1970) |
| SIGURBJORNSSON | Thorkell | KALAIS (1976) |
| SIGURBJORNSSON | Thorkell | MILD UND (MEISTENS) LEISE (1973) |
| SIGURBJORNSSON | Thorkell | MILD UND (MEISTENS) LEISE (1973) |
| SIGURBJORNSSON | Thorkell | TROLLASLAGUR (1970) – VORID PAD DUNAR (1986) – HEYR, HIMNASMIDUR (1973) – RECESSIONAL (1981) |
| SIGURBJORNSSON | Thorkell | ULISSE RITORNA (1981) |
| SIKORA | Elzbieta | (...) SELON PASCAL (1978) |
| SIKORA | Elzbieta | ARIADNA (1978) |
| SIKORA | Elzbieta | JANEK WISNIEWSKI, DECEMBRE, POLOGNE (1981) |
| SIKORA | Elzbieta | LA NUIT, LE VISAGE CONTRE LE CIEL (1978) |
| SIKORA | Elzbieta | LA NUIT, LE VISAGE CONTRE LE CIEL (1978) |
| SIKORA | Elzbieta | LA TETE D' ORPHEE (1981) |
| SIKORA | Elzbieta | LA TETE D' ORPHEE (1981) |
| SIKORA | Elzbieta | LE RENARD (1975) |
| SIKORA | Elzbieta | LETTRE A M. (1980) |
| SIKORA | Elzbieta | ON THE LINE |
| SIKORA | Elzbieta | ON THE LINE |
| SIKORA | Elzbieta | PAPA STANN (?) (1977) |
| SIKORA | Elzbieta | PAPA STANN (?) (1977) |
| SIKORA | Elzbieta | RAPSODIE POUR LA MORT D'UNE ? (1979) |
| SIKORA | Elzbieta | SABLES (DU PETIT PRINCE) (1979) |
| SIKORA | Elzbieta | THE WASTE LAND (1979) |
| SIKORSKI | Tomasz | AUTOGRAF |
| SILSBEE | Ann | GO GENTLE |
| SILVA | Matteo | AD INFINITUM (1989–91) |
| SILVER | Sheila | CANTO (1979) |
| SILVESTROV | Valentin | ELEGY (1967) |
| SILVESTROV | Valentin | SONATA FOR VIOLONCELLO AND PIANO (1983) |
| SILVESTROV | Valentin | SONATA NR.2 (1975) |
| SILVESTROV | Valentin | SONATE (1983) |
| SIMAI | Pavel | CONCERTINO RUSTICO |
| SIMMS | Ron | SOUNDFIELD PIECES: INLAND ABORIGINAL; BRASSLAND WINDS; RAINFOREST; COASTAL TIME; REAL DEATH |
| SIMONI | Mary | EULOGY (1996) |
| SIMONIS | Jean–Marie | NOTTURNO – EVOCATION – INCANTATIONS – LE SECRET DES IMAGES – PASTOURELLE – HISTORIETTES |
| SIMONS | David | DEMO TAPE : THE SIMONS–KARRER BAND |
| SIMONS | David | TWO LINES |
| SIMONS | Simone | KLEUREN (FADERPARTITUUR VOOR DE INSTALLATIE BAMBOE–LUCHT) CO–COMPOSED BY BOSCH PETER |
| SIMONS | Simone | WAS DER WIND ZUM KLINGEN BRINGT (1989) CO–COMPOSED BY PETER BOSCH |
| SIMONS | Simone | WAS DER WIND ZUM KLINGEN BRINGT (CO–AUTHORED BY PETER BOSCH) |
| SIMONS – KARRER | David – Lisa | DEMO CD |
| SIMS | Ezra | CONCERT PIECE FOR VIOLA (1990) |
| SIMS | Ezra | FLIGHT (1989) |
| SIMS | Ezra | NIGHT PIECE (1989) |
| SIMS | Ezra | QUINTET (1987) |
| SIMS | Ezra | SOLO IN FOUR MOUVEMENTS (1987) |
| SINGER | Malcolm | LULLABY FOR A LOST CHILD |
| SINGER | Malcolm | LULLABY FOR A LOST CHILD |
| SINGH | Gary | WORKS WITH JERKS |
| SINGIER | Jean–Marc | FIGURES, EN PHASES EPARSES,EMPHASES,EPURES (1987) |
| SINGLETON | Alvin | ARGORU V/B |
| SINGLETON | Alvin | ARGORU V/B |
| SINGLETON | Alvin | CINQUE |
| SINOPOLI | Giuseppe | ISORITMI |
| SINOPOLI | Giuseppe | VOLTE |
| SIPPEL | Andreas | SAD SAM MUSIC (CO–AUTHORED BY JENS BRAND) |
| SIREN | Pekka | TOUCH (1980) |
| SISTERMANNS | Johannes S. | AUF BLAU ZUGEHEN |
| SISTERMANNS | Johannes S. | JUST AND THONGS |
| SITSKY | Larry | VARTARUN |
| SITSKY | Larry | ZUQUERQ |
| SIWULA | Blaise | SAXSOLOSAX |
| SKALKOTTAS | Nikos | 2ND SONATINA (1929) |
| SKALKOTTAS | Nikos | 4EME SONATINE POUR VIOLON ET PIANO |
| SKALKOTTAS | Nikos | BERCEUSE (1936) |
| SKALKOTTAS | Nikos | BOLERO FOR CELLO AND PIANO (1948–49) |
| SKALKOTTAS | Nikos | DUO FOR VIOLIN AND VIOLA (1939–40) |
| SKALKOTTAS | Nikos | EIGHT VARIATIONS ON A GREEK FOLK THEME (1937–39) |
| SKALKOTTAS | Nikos | EIGHT VARIATIONS ON A GREEK FOLK TUNE FOR PIANO TRIO |
| SKALKOTTAS | Nikos | FIRST QUARTET FOR PIANO AND WINDS (1941–43) |
| SKALKOTTAS | Nikos | FIVE GREEK DANCES (1933–36) |
| SKALKOTTAS | Nikos | FROM THE THIRD PIANO SUITE (1940–41) PART II AND III |
| SKALKOTTAS | Nikos | LARGO FOR CELLO AND PIANO (1941) |
| SKALKOTTAS | Nikos | LITTLE SERENADE FOR CELLO AND PIANO (1949) |
| SKALKOTTAS | Nikos | OCTET |
| SKALKOTTAS | Nikos | OCTET (1931) |
| SKALKOTTAS | Nikos | SECOND QUARTET FOR PIANO AND WINDS (1941–43) |
| SKALKOTTAS | Nikos | SONATINA FOR CELLO AND PIANO (1949) |
| SKALKOTTAS | Nikos | SONATINA NO.4 FOR PIANO AND VIOLIN (1935) |
| SKALKOTTAS | Nikos | SONATINE NO.3 FOR PIANO AND VIOLIN (1935) |
| SKALKOTTAS | Nikos | STRING QUARTET NO.3 |
| SKALKOTTAS | Nikos | STRING QUARTET NO.3 (1935) |
| SKALKOTTAS | Nikos | TEN SKETCHES FOR STRINGS (1940) |
| SKALKOTTAS | Nikos | TENDER MELODY FOR CELLO AND PIANO (1949) |
| SKEMPTON | Howard | A HUMMING SONG (1967) |
| SKEMPTON | Howard | CAKES AND ALE |
| SKEMPTON | Howard | DRUM NO. 1 (1970) |
| SKEMPTON | Howard | DRUM NO. 1 FOR THE SCRATCH ORCHESTRA |
| SKEMPTON | Howard | EVEN TENOR |
| SKEMPTON | Howard | FISH TALK (1971) |
| SKEMPTON | Howard | GEMINI DANCES I–III |
| SKEMPTON | Howard | IMAGES |
| SKEMPTON | Howard | LULLABY |
| SKEMPTON | Howard | MAY POLE (1971) |
| SKEMPTON | Howard | MONOGRAM – PENUMBRA – GESTALT |
| SKEMPTON | Howard | MONOGRAM – PENUMBRA – GESTALT |
| SKEMPTON | Howard | OF LATE |
| SKEMPTON | Howard | OF LATE (1993) |
| SKEMPTON | Howard | OF LATE (FOR JOHN CAGE) |
| SKEMPTON | Howard | SMALL CHANGE |
| SKEMPTON | Howard | WALTZ (1970) |
| SKI–A–DELICS | WE ARE WHAT YOU EAT | |
| SLONIMSKY | Nicolas | PIECE INFANTINE (1951) |
| SMAGGHE | Stefaan | COMPOSITIES VOOR VIOOL, GAMBA & LIVE ELECTRONICS |
| SMAGGHE | Stefaan | COMPOSITIONS |
| SMAGGHE | Stefaan | DE AANKOMST VAN DE SPECHTJES (1995) |
| SMAGGHE | Stefaan | EEN POEL BIJ VALAVOND |
| SMAGGHE | Stefaan | EEN POEL BIJ VALAVOND |
| SMAGGHE | Stefaan | MELODYWAVES |
| SMAGGHE | Stefaan | MELODYWAVES |
| SMALLEY | Dennis | DARKNESS AFTER TIMES COLOURS |
| SMALLEY | Dennis | GRADUAL (1974) |
| SMALLEY | Dennis | WIND CHIMES (EX) |
| SMALLEY | Roger | ECHO III (1978) |
| SMETANIN | Michael | LADDER OF ESCAPE (IN MEMORY OF JOAN MIRO) (1984) |
| SMETANIN | Michael | NONDISCORDARMIME I (1991) |
| SMEYERS | Philippe | TAPE TO ACCOMPANY IMPROVISATION BY JACQUES DEDEKEN |
| SMEYERS | Philippe | VIDEO PERFORMANCE (3 LIVE SOLI FOLLOWED BY TRIO PERFORMANCE OF THE VIDEO RECORDINGS) |
| SMILEY | Pril | ECLIPSE (1967) |
| SMILEY | Pril | KOLYOSA (1970) |
| SMIRNOV | Dmitri | LENTO FROM SONATA NR.2 (1980) |
| SMIT | Andre–Jean | PETITE SUITE POUR LE PIANO (1966) 1:PRELUDE 2:DANSE DANS UN STYLE POPULAIRE 3:...STYLE PRÉCIEUX 4:...STYLE ÉLÉGIAQUE 5:FINAL. |
| SMITH | Bill | GOATS HILL ROAD |
| SMITH | Brian | THE PANTHER |
| SMITH | Chas | BEATRIX |
| SMITH | Claude T. | FESTIVAL VARIATIONS |
| SMITH | Dave | AL CONTRARIO (STUDY IN G# MINOR) 1992 |
| SMITH | Geoff | A GOOD SWISS WATCH AN' A WOMAN FROM ANYWHERE (I) |
| SMITH | Geoff | A GOOD SWISS WATCH AN' A WOMAN FROM ANYWHERE (II) |
| SMITH | Geoff | AAT O BROKEN SHELLS |
| SMITH | Geoff | BIG TROMBONE (CO–AUTHORED BY WALKER–SMITH NICOLA) |
| SMITH | Geoff | BLACK FLOWERS |
| SMITH | Geoff | FIFTEEN WILD DECEMBERS |
| SMITH | Geoff | LIKE ME, WANT ME, PAY ME |
| SMITH | Geoff | NO PURCHASE NECESSARY |
| SMITH | Geoff | PRAYER |
| SMITH | Geoff | THE TANGLED HAIR POEMS |
| SMITH | Geoff | THE TANGLED HAIR POEMS (1991) |
| SMITH | Geoff | THE TANGLED HAIR POEMS (1991) |
| SMITH | Geoff | THI COOMIN' |
| SMITH | Geoff | THI COOMIN' (1991) |
| SMITH | Greg | STEPS (EXCERPT) |
| SMITH | Hazel | LOWERING THE SKY |
| SMITH | Larry D. | OCTOBER INCIDENT |
| SMITH | Linda C. | LITTLE VENICE (1985) |
| SMITH | Linda C. | PERIPHERY (EXCERPT) |
| SMITH | Linda Catlin | SCROLL |
| SMITH | Martin Wesley | FOR BASS CLARINET AND TAPE |
| SMITH | Michel | L'ORCHESTRE–VELO:LE BLOC TOTAL |
| SMITH | Michel | L'ORCHESTRE–VELO:SEPT VELOCIPEDES SONORES |
| SMITH | Michel | STYLE DE BOUGALOU |
| SMITH | Randall | CONTINENTAL DRIFT |
| SMITH | Randall | FLEETING WHEELS OF CHANGES (EX) |
| SMITH | Randall | THE BLACK MUSEUM |
| SMITH | Robert T | ESSENTIAL TORQUE (1995) |
| SMITH | Roger | ANOTHER UNEXPECTED TURN |
| SMITH | Steven R. | FACTORY |
| SMITH | Stuart Saunders | AUSSIE BLUE (1985) |
| SMITH | Stuart Saunders | AUSSIE BLUE (1985) |
| SMITH | Stuart Saunders | BY LANGUAGE EMBELLISHED (1984) |
| SMITH | Stuart Saunders | CALIFORNIA DRIVING (1995) |
| SMITH | Stuart Saunders | FAMILY PORTRAITS (1992) |
| SMITH | Stuart Saunders | FAMILY PORTRAITS : BRENDA (1994) |
| SMITH | Stuart Saunders | GIFTS (1974) |
| SMITH | Stuart Saunders | HAWK (1991) |
| SMITH | Stuart Saunders | HERE AND THERE |
| SMITH | Stuart Saunders | HERE AND THERE (1971) |
| SMITH | Stuart Saunders | IN BINGHAM (1985) |
| SMITH | Stuart Saunders | IN BINGHAM (1985) |
| SMITH | Stuart Saunders | NOTEBOOK (1980) |
| SMITH | Stuart Saunders | NOTEBOOK (1980) |
| SMITH | Stuart Saunders | NOTEBOOK (1980) |
| SMITH | Stuart Saunders | PINETOP (1976–7) |
| SMITH | Stuart Saunders | RETURN AND RECALL (1976–77) |
| SMITH | Stuart Saunders | SAID, NEARLY (1996) |
| SMITH | Stuart Saunders | SOME HOUSEHOLD WORDS |
| SMITH | Stuart Saunders | SONG I–IX FOR ACTOR/PERCUSSIONIST |
| SMITH | Stuart Saunders | SONG VI (EXC.) |
| SMITH | Stuart Saunders | TUNNELS (1982) |
| SMITH | Stuart Saunders | WIND IN THE CHANNEL (1994) |
| SMITH | William O. | ETERNAL TRUTHS |
| SMITH | William O. | FANCIES FOR CLARINET ALONE (1969) |
| SMITH | William O. | SOLO FOR CLARINET & DIGITAL DELAY |
| SMITH–BRINDLE | Reginald | EL POLIFEMO DE ORO |
| SMITS | George | ISOMOKONSTRUKTIES |
| SNOW | Mary | HALLUCINATIONS (1979) |
| SNOW | Michael | BLUES WITH BEER, MAGAZINES, TABLE AND CHAIR |
| SNOW | Michael | MBOWUNSA MPAHIYA |
| SNOW | Michael | SI NOPO DA |
| SODERBERG | Jonas | SIXTY SECONDS |
| SODERBERG | Jonas | SIXTY SECONDS (1987) |
| SOEMAROKOV | V. | PARTITA OP.7 |
| SOENEN | Geert | ???? |
| SOENEN | Henk | VIER KLEINE METAMORPHOSEN |
| SOENEN | Willy | OOSTERSE SCHETS |
| SOENEN | Willy | QUARTETTO PER ARCHI "LA VITA" |
| SOENEN | Willy | TRIO PER CLARINETTO, PIANOFORTE E TROMBA |
| SOERENSEN | William Louis | EXTRACTS FROM SOUND PRODUCTIONS: A–A–A–ARRHHUUS IN C–C–CONCERT;VANGEBO PUBLIC SCHOOL TRAINING;INSTALLATION FAGERGREN;MUSIC FOR BIKES |
| SOERENSEN | William Louis | EXTRACTS FROM SOUNDSCULPTURES: LA FONCTION SONORE;SOUNDPROJECT FOR WIND AND WATER;THE SOUNDWALL;SCANIAN SOUNDCAGES;SPACESTRING & SAX |
| SOLA PRODUKTIES | PRE–STELLINGNAME | |
| SOLAL | Martial | IMPROVISATION POUR LES CORDES PINCEES NO. 1 & 2 |
| SOLDIER | David | FIVE LITTLE MONSTERS |
| SOLDIER | David | IF I HAD IT TO GIVE (I'D GIVE IT TO HIM) |
| SOLDIER | David | PRELUDE (FROM THREE PRELUDES) |
| SOLDIER | David | ROMANCES FROM THE SECOND LINE (1986–9) |
| SOLDIER | David | RONDO AMOS TUTUOLA |
| SOLDIER | David | SEQUENCE GIRLS |
| SOLER | Antonio | NO DETAILS ON TAPE – SOLO HARPSICHORD MUSIC |
| SOLIS | Andras | YANTA (1999) |
| SOLLBERGER | Harvey | DOUBLE TRIPTYCH |
| SOLLBERGER | Harvey | DOUBLE TRIPTYCH (1984) |
| SOLLBERGER | Harvey | SUNFLOWERS (1976) |
| SOLOTAREV | Wladimir | FERRAPONT MONASTYR |
| SOLURSH | Dave | WE (1998) |
| SONAMI | Laetitia | PERFUME |
| SONAMI | Laetitia | WHAT HAPPENED |
| SOR | Fernando | DEUXIEME FANTAISIE OP.4 |
| SOTUYO | Pablo | BERESHIT 1.2 |
| SOUFFRIAU | Arsne | LA MURAILLE EVANOUIE |
| SOULES | Dale S. | BLUE (1980) |
| SOUSTER | Tim | HEAVY REDUCTIONS (PART I) |
| SOUSTER | Tim | HEAVY REDUCTIONS (PART II) |
| SOUSTER | Tim | THE TRANSISTOR RADIO OF ST. NARCISSUS |
| SOUSTER | Tim | THE TRANSISTOR RADIO OF ST. NARCISSUS FOR TRUMPET,SAMPLING KEYBOARD AND TAPE (1983) |
| SOUTHAM | Ann | BROKEN SYMMETRY (1986) |
| SOUTHAM | Ann | FLUKE SOUND (1989) |
| SOUTHAM | Ann | THE EMERGING GROUND (EXCERPT); THE REPRIEVE (EXCERPT) |
| SOUZA | Alfonso | CANTICO |
| SOVERAL | Isabel | ANAMORPHOSES V |
| SOWASH | Bradley | ELEMENTS (1986) WATER, EARTH, AIR, FIRE |
| SOWASH | Bradley | NEAR MISS |
| SOWASH | Bradley | NEAR MISS (1986) 4 PARTS |
| SOWASH | Bradley | OUT WEST |
| SOWASH | Bradley | OUT WEST (1984) (2 OF 6 PARTS: HIGH COUNTRY – WHITE WATER) |
| SOWASH | Bradley | WHITE WATER |
| SPARNAAY | Harry | BOUWSTENEN |
| SPASSOV | Bojidar | OGA (1981) |
| SPASSOV | Bojidar | OGA (1981) |
| SPASSOV | Bojidar | OGA (1981) |
| SPATOLA | Adriano | AUTOROUTE (CO–AUTHORED BY GIAN PAOLO ROFFI) |
| SPATOLA | Adriano | HOMMAGE A ERIC SATIE (1976) |
| SPATOLA | Adriano | HOMMAGE A ERIC SATIE (1976) |
| SPEACH | Bernadette | A PAGE UPON WHICH... |
| SPEACH | Bernadette | A PAGE UPON WHICH... |
| SPEACH | Bernadette | INSIDE OUT |
| SPEACH | Bernadette | MOTO (1982) |
| SPEACH | Bernadette | MOTO (1982) |
| SPEACH | Bernadette | PENSEES (1983) |
| SPEACH | Bernadette | PENSEES (1983) |
| SPEACH | Bernadette | SHATTERED GLASS (1987) |
| SPEACH | Bernadette | SHATTERED GLASS (1987) |
| SPEACH | Bernadette | SONATA (1986) |
| SPEACH | Bernadette | SONATA (1986) |
| SPEACH | Bernadette | SPERO |
| SPEACH | Bernadette | SPIRAL |
| SPEACH | Bernadette | TELEPATHY: POETRY/MUSIC SUITE (1987) 1. CONTESSAS & CARDSHARKS 2. TELEPATHY 3. BOPPIN' IS SAFER THAN GRINDIN' (POET:T.DAVIS) |
| SPEACH | Bernadette | TELEPATHY: POETRY/MUSIC SUITE (1987) 1. CONTESSAS & CARDSHARKS – B/TELEPATHY – C/BOPPIN' IS SAFER THAN GRINDIN' TEXT BY DAVIS THULAN |
| SPEACH | Bernadette | TRAJET (1983) |
| SPEACH | Bernadette | TRAJET (1983) |
| SPEICHER | Marin | EDRTOENE – NOTATION DES LOTS (KRETA) |
| SPIE | Merlin | THE GARDEN OF EDEN / BE CAREFUL, I'M GONNA LIKE MYSELF |
| SPIEGEL | Laurie | A HARMONIC ALGORITHM |
| SPIEGEL | Laurie | APPALACHIAN GROVE (1974) |
| SPIEGEL | Laurie | APPALACHIAN GROVE I (1974) |
| SPIEGEL | Laurie | THE UNQUESTIONED ANSWER (1974–76) |
| SPIEGEL | Laurie | UNSEEN WORLDS |
| SPIEGELMAN | Lon | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| SPIES | Claudio | TAGYR |
| SPOERRI | Bruno | CONTROLLED RISK |
| SPOERRI | Bruno | FOR PAPA |
| SPONCK | Jo | SONATE NR.2 IN ONE MOVEMENT (1980) |
| SPORCK | Jo | CALDERON |
| SPORCK | Jo | CALDERON |
| ST. GEORGE TUCKER | Tui | SANCTUS |
| ST. JOHN | Kathleen | THE SACRIFICE OF IPHIGENIA (1978) |
| ST.FAUTH | Ulrich | ODYSSEUS (VOOR 2 SOLI, SPREEKKOOR, KOOR EN 5 INSTRUMENTALE GROEPEN) |
| ST.GEORGE TUCKER | Tui | MY MELANCHOLY BABY |
| ST.GEORGE TUCKER | Tui | SECOND PIANO SONATA ("THE PEYOTE") |
| STABLER | Gerhard | KRUSTEN/CRUSTS (1998) |
| STACHOWSKI | Marek | AUDITION (1970) |
| STADIG | James | BARIS BARAT (1979) |
| STAEBLER | Gerhard | TWILIGHTS/WINDOWS |
| STAHMER | Klaus | ZOETE DOOD, HET EINDE VAN EEN KAMERVLIEG |
| STAHMER | Klaus Hinrich | SOUNDSCAPE |
| STAHNKE | Manfred | MALAITA |
| STAHNKE | Manfred | PLEASE COUNTERSIGN (1986) (THE SCALES IN MY MIND – LISTEN TO THE SOFT BEATING – STRANGE CHANGE – LIKE A REMOTE REMEMBRANCE – REFRAIN |
| STALENHOEF | Erik | UAAHTAKA (1999) |
| STALEY | Jim | WHISKERY |
| STALLINGS | Carl | PORKY'S GARDEN (1937) |
| STALTERI | Arturo | ARABESQUE |
| STANLEY | John | SPIRE |
| STAROBIN | Michael | CHASE |
| STAUB | Volker | 1ST AND 2ND MOVEMENT (?) (1989/90) |
| STAUB | Volker | DREI SOLI NR. 37: RUTENSTUECK |
| STAUB | Volker | FUENF STUECKE NR. 29 (1987) |
| STAUB | Volker | FUENF STUECKE NR. 29 (1987) |
| STAUB | Volker | FUENF STUECKE NR. 29 TEIL I |
| STAUB | Volker | KOMPOSITIONEN FUER STAHLSAITEN BAUMSTAEMME UND GLASGLOCKEN |
| STAUB | Volker | VOR METALLEN TROMMELN NR. 36 (I&II) |
| STAUB | Volker | WALDSTUECKE NR. 24 & FUENF STUECKE NR. 29 (1987/94) |
| STAUB | Volker | WALDSTUECKE NR. 24 & FUENF STUECKE NR. 29 (1987/94) |
| STAVOSTRAND | Mikael | SWEDISH LIVE ELECTRONIC MUSIC |
| STAVOSTRANS | M | DEMO |
| STEELE | Jan | GAMELAN DISCO |
| STEELE | Jim | SPLATTER EXPERIENCE OF THE GREEN GODS |
| STEEN | Ken | SHADOWS AND LIGHT (1989) |
| STEENHUISEN | Paul | POLAND IS NOT YET LOST (1992) |
| STEIGER | Rand | DOUBLE CONCERTO (1986) |
| STEIGER | Rand | QUINTESSENCE (1980) |
| STEIGER | Rand | Z–LOOPS (1989) |
| STEIN | Don | AZTEC DREAMS (EXCERPTS)(CO–AUTHORED BY RICK ROBERTS) |
| STEIN | Gertrude | PABLO PICASSO |
| STEINER | Gitta | 3 BAGATELLES (1990) |
| STEINER | Gitta | FANTASY PIECE (1978) |
| STEINER | Gitta | TRIO 69 |
| STEINKE | Guenter | NACHKLANG (1990) |
| STEPTOE | Roger | KNIGHT OF THE SUN (SONATE NR.3) |
| STERKEN | Sven | FLUIT (SOUNDSCAPE BACKUP) |
| STERN | A. | ROMANS PERU (FRAG) (1919–22) |
| STERNBERG | Barbara | TRANSITIONS |
| STEVENSON | Robert | IT'S ABOUT TIME (EXCERPT) |
| STEWART | Amanda | # |
| STEWART | Amanda | I/T SELECTED POEMS |
| STEWART | Jesse | SILKSTONE IN THREE MOUVEMENTS (1999) – JONCTURES (1999) – SHELL GAME (1999) – STUDY FOR INVERTED SNARE DRUM (1999) |
| STEWART | Mark | DRUMMING |
| STIEBLER | Ernstalbrecht | SEQUENZ 2 |
| STOCKHAUSEN | Karlheinz | AMOUR (POUR SUSY) |
| STOCKHAUSEN | Karlheinz | AUS DEM TIERKREIS (WASSERMAN – STIER – ZWILLINGE – KREBS – JUNGFRAU – WAAGE – SKORPION) |
| STOCKHAUSEN | Karlheinz | DR. K. – SEXTET (1969) |
| STOCKHAUSEN | Karlheinz | ES |
| STOCKHAUSEN | Karlheinz | ETUDE (1952) |
| STOCKHAUSEN | Karlheinz | EVA'S SPIEGEL |
| STOCKHAUSEN | Karlheinz | GESANG DER JUNGLINGE |
| STOCKHAUSEN | Karlheinz | GESANG DER JUNGLINGE (1955–56) |
| STOCKHAUSEN | Karlheinz | GESANG DER JUNGLINGE (1956) |
| STOCKHAUSEN | Karlheinz | GESANG DER JUNGLINGE (1956) |
| STOCKHAUSEN | Karlheinz | GESANG DER JUNGLINGE 1 (1955–56) |
| STOCKHAUSEN | Karlheinz | GRUPPEN (1955) (EXCERPT) |
| STOCKHAUSEN | Karlheinz | HYMNEN (REGION 4) |
| STOCKHAUSEN | Karlheinz | HYMNEN REGION I,II,III |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT (1977) |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT (1977) |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT (1977–84) |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT (1982) |
| STOCKHAUSEN | Karlheinz | IN FREUNDSCHAFT (1982) |
| STOCKHAUSEN | Karlheinz | INTERVALL (1969) (EX. FUER KOMMENDE ZEITEN OP.33) |
| STOCKHAUSEN | Karlheinz | INTERVALL (1969) (EX. FUER KOMMENDE ZEITEN) |
| STOCKHAUSEN | Karlheinz | JAPAN (1970) (EX. FUER DIE KOMMENDE ZEITEN OP.33) |
| STOCKHAUSEN | Karlheinz | JAPAN (1970) (EX. FUER KOMMENDE ZEITEN) |
| STOCKHAUSEN | Karlheinz | KLAVIERSTUCK IX |
| STOCKHAUSEN | Karlheinz | KLAVIERSTUCK IX |
| STOCKHAUSEN | Karlheinz | KLAVIERSTUCK IX (1961) |
| STOCKHAUSEN | Karlheinz | KLAVIERSTUCK NO.9 |
| STOCKHAUSEN | Karlheinz | KLAVIERSTUCKE I–XI (1952–53) |
| STOCKHAUSEN | Karlheinz | KLAVIERSTÜCK IX |
| STOCKHAUSEN | Karlheinz | KONTAKTE (1958–60) |
| STOCKHAUSEN | Karlheinz | KONTAKTE (1959–60) |
| STOCKHAUSEN | Karlheinz | KONTAKTE (1960 – EXCERPT) |
| STOCKHAUSEN | Karlheinz | KONTAKTE FUER ELEKTRONISCHE KLAENGE, KLAVIER UND SCHLAGZEUG |
| STOCKHAUSEN | Karlheinz | MANTRA (1970) |
| STOCKHAUSEN | Karlheinz | MICROPHONIE I (1964) |
| STOCKHAUSEN | Karlheinz | MICROPHONIE I (1964) |
| STOCKHAUSEN | Karlheinz | MICROPHONIE I (1964) |
| STOCKHAUSEN | Karlheinz | MIKROPHONIE 1 & 2 |
| STOCKHAUSEN | Karlheinz | MISSION UND HIMMELFAHRT (1978) |
| STOCKHAUSEN | Karlheinz | MOMENTE FUR SOPRAN, 4 CHORGRUPPEN UND 13 INSTRUMENTALISTEN (1965) |
| STOCKHAUSEN | Karlheinz | PROZESSION |
| STOCKHAUSEN | Karlheinz | SETZ DIE SEGEL ZUR SONNE (AUS DEN SIEBEN TAGEN) |
| STOCKHAUSEN | Karlheinz | SOLO |
| STOCKHAUSEN | Karlheinz | SOLO FUR MELODIEINSTRUMENT MIT RUCKKOPPLUNG |
| STOCKHAUSEN | Karlheinz | SPIRAL (1968) |
| STOCKHAUSEN | Karlheinz | STUDIE 1 & 2 (1953/54) |
| STOCKHAUSEN | Karlheinz | STUDIE I (1953) |
| STOCKHAUSEN | Karlheinz | STUDIE I (1953) |
| STOCKHAUSEN | Karlheinz | STUDIE II (1953–54) |
| STOCKHAUSEN | Karlheinz | STUDIE II (1954) |
| STOCKHAUSEN | Karlheinz | TIERKREIS |
| STOCKHAUSEN | Karlheinz | TIERKREIS |
| STOCKHAUSEN | Karlheinz | TIERKREIS |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975) |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975) |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975) BEGINNING WITH SKORPIO, ALTERNATING WITH OTHER WORKS (DAT42/3,5,8,10,12,14,17,20,22,25,28,30,32). |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975) VOOR CLAVICHORD EN DANS |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975/76) |
| STOCKHAUSEN | Karlheinz | TIERKREIS (1975/83) |
| STOCKHAUSEN | Karlheinz | UEBEREINSTIMMUNG (1968) (EX. FUER KOMMENDE ZEITEN) |
| STOCKHAUSEN | Karlheinz | UEBEREINSTIMMUNG (EX. FUER DIE KOMMENDE ZEITEN OP.33) |
| STOCKHAUSEN | Karlheinz | UNANIMITY – FOR TIMES TO COME |
| STOCKHAUSEN | Karlheinz | UNANIMITY – FOR TIMES TO COME |
| STOCKHAUSEN | Karlheinz | UNIDENTIFIED WORK |
| STOCKHAUSEN | Karlheinz | VERKUERZUNG (1968) |
| STOCKHAUSEN | Karlheinz | VERKUERZUNG (1968) (EX. FUER KOMMENDE ZEITEN) |
| STOCKHAUSEN | Karlheinz | XI (1986) |
| STOCKHAUSEN | Karlheinz | ZYKLUS |
| STOCKHAUSEN | Karlheinz | ZYKLUS |
| STOCKHAUSEN | Karlheinz | ZYKLUS (EXCERPT) |
| STOCKHAUSEN | Karlheiz | IN FREUNDSCHAFT |
| STOCKHAUSEN | Karlheiz | SUSANI (1984) |
| STOEPLER | Emiel | SPINRAG |
| STOEPLER | Emiel | VERMICELLI MET WENKBRAUWEN |
| STOKES | Eric | SUSQUEHANNAS 1.NOSTRUM; 2.BUFFALO BONE; 3.RANG DOODLE |
| STOLET | Jeffrey | CONCERTO FOR ORCHESTRA, CHAINSAW & COW (1982) |
| STOLET | Jeffrey | EN MANGEANT LE DERNIER MESSIE (EXC.) (1992) |
| STOLET | Jeffrey | GREGORIAN (1988) |
| STOLET | Jeffrey | SONATA FORMICATION (1986) |
| STOLET | Jeffrey | STRAINS (IN TWO MOVEMENTS) (1986) |
| STOLET | Jeffrey | THE MAIN EVENT (ROUNDS IV AND V) (1990) |
| STOLET | Jeffrey | WORMS AND DESOLATION (1983) |
| STOLLERY | Pete | ABZ/A (1998) |
| STOLLERY | Pete | ONSET/OFFSET |
| STOLLERY | Pete | PEEL |
| STONE | Carl | DONG IL JANG |
| STONE | Carl | DONG IL JANG |
| STONE | Carl | HOP KEN (1987) |
| STONE | Carl | KAMIYA BAR |
| STONE | Carl | KUK IL KWAN |
| STONE | Carl | KUK IL KWAN |
| STONE | Carl | KUK IL KWAN |
| STONE | Carl | NO DATA AVAILABLE |
| STONE | Carl | SAMANALUANG |
| STONE | Carl | SHE SAID, SHE SAID |
| STONE | Carl | SHING KEE |
| STONE | Carl | THANH MY |
| STONE | Carl | UIM |
| STONE | Carl | UNTHAILED |
| STONE | Carl | WALL ME DO (1987) |
| STONE | Carl | WOO LEAK OAK/ TWO SONGS |
| STONE | Phil | BORROWING AND STEALING (1987) |
| STONE | Susan | HOUSE WITH A VIEW |
| STONE | Susan | RUBY'S STORY |
| STOPLER | Emiel | " " |
| STRAESSER | Joep | A SOLO FOR ALKAIOS |
| STRAESSER | Joep | FIVE CLOSE UPS (1966) |
| STRAESSER | Joep | GEDANKEN DER NACHT |
| STRAESSER | Joep | INTERSECTIONS V–2 |
| STRAESSER | Joep | INTERSECTIONS V–3 (1989) |
| STRAESSER | Joep | INTERSECTIONS V–3 (1989) |
| STRAESSER | Joep | RAMASASIRI |
| STRAESSER | Joep | SIGNALS AND ECHOES |
| STRAESSER | Joep | SPRING QUARTET |
| STRAESSER | Joep | SYMPHONY NO.3 |
| STRANGE | Allen | SLEEPING BEAUTY (1988–92) |
| STRANGE | Richard | THE WHITE HOTEL |
| STRATOS | Demetrio | O TZITSIRAS O MITZIRAS (1976) |
| STRAUSS | Johan | BLUE DANUBE WALTZ OP. 314 |
| STRAUSS | Johann | BLUE DANUBE WALTZ |
| STRAUSS | Richard | ALSO SPRACH ZARATHUSTRA |
| STRAUSS | Richard | ALSO SPRACH ZARATHUSTRA OP.30 |
| STRAUSS | Richard | ALSO SPRACH ZARATHUSTRA OP.31 |
| STRAUSS | Richard | CONCERTO OP.11 |
| STRAUSS | Richard | DON JUAN OP.20 |
| STRAUSS | Richard | TOD UND VERKLAERUNG OP.24 |
| STRAUSS | Richard | UNDEFINED |
| STRAVINSKY | Igor | BERCEUSE |
| STRAVINSKY | Igor | CANTATE FOR SOPRANO,TENOR,WOMEN'S CHOIR AND SMALL INSTRUMENTAL ENSEMBLE |
| STRAVINSKY | Igor | CANTIQUE FROM THREE PIECES FOR STRING QUARTET (1914) |
| STRAVINSKY | Igor | DUMBARTON OAKS – CONCERTO IN E FLAT MAJ. FOR CHAMBER ORCHESTRA 1938 |
| STRAVINSKY | Igor | ELEGIE |
| STRAVINSKY | Igor | FOUR RUSSIAN SONGS (EXCERPT) |
| STRAVINSKY | Igor | LE SACRE DU PRINTEMPS (2 DELEN) |
| STRAVINSKY | Igor | ORKESTVARIATIES (1965) |
| STRAVINSKY | Igor | TANGO |
| STRAVINSKY | Igor | THREE EASY PIECES (1914/5) |
| STRAVINSKY | Igor | TILIMBOM (ARR. BY JAUNIAUX CATHERINE) |
| STRAVINSKY | Igor | TROIS HISTOIRES POUR ENFANTS (1915/7) |
| STROBL | Bruno | TANGO DER NACHT UND DES MORGENS (1988) |
| STROE | Aurel | LE CHEMIN VERS LA FLAMME (UIT DE OPERA 'ORESTIA') |
| STROJNY JR. | Ron | MASTER CIRCLES |
| STROJNY JR. | Ron | MASTER CIRCLES 2 |
| STRONG | Philip | PLUNDERPHILE (1992,94) |
| STROSCHEN | Lars | THE GARDEN |
| STUCKENS | Guy | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| STUCKENS | Guy | RYOKAN: O DE BURN; KOCHA MIRURN; MIZU KUDAZAI; SATO; SUPAGETTI KETCHAPPU; DEZATO |
| STUDENY | Frédéric | MICROLETTRIES |
| SUBLETTE | Ned | A PALINDROMIC OPERA |
| SUBONO | Blacius | GRITTING RASA (PART 1/2) |
| SUBOTNICK | Morton | AFTER THE BUTTERFLY |
| SUBOTNICK | Morton | ALL MY HUMMINGBIRDS HAVE ALIBIS (1991) |
| SUBOTNICK | Morton | AND THE BUTTERFLIES BEGIN TO SING (1988) |
| SUBOTNICK | Morton | HUNGERS (WITH FILM BY ED EMSHWILLER) |
| SUBOTNICK | Morton | RETURN – A TRIUMPH OF REASON |
| SUBOTNICK | Morton | RETURN – A TRIUMPH OF REASON |
| SUBOTNICK | Morton | THE KEY TO SONGS |
| SUBOTNIK | Morton | SILVER APPLES OF THE MOON (1967) |
| SUC | UNE ESCADRILLE DE SORCIERES (ARR. BY JAUNIAUX CATHERINE) | |
| SUCHODOLSKI | Krzystof | QUMBA |
| SUESSE | Ulrich | LUFT (1986) |
| SUESSE | Ulrich | NO PLAYER (1982) |
| SUESSE | Ulrich | OBOE (1974/81) |
| SUESSE | Ulrich | ZWISCHEN FRUEHLING UND HERBST (1983) |
| SUEYOSHI | Yasuo | CORRESPONDENCE V (1982) |
| SUKERTA | Pande Made | MANA 689 |
| SUKORSKI | Wilson | TEMPERAMENTAL |
| SULLIVAN | Charles R | EXTENDED ELECTRIC GUITAR TIMBRES |
| SULLIVAN | Timothy | NUMBERS, NAMES (1979) |
| SUMMERFIELD | Jacqueline | MN.2 (1980) |
| SUMMERS | Rod | "X"–CASSETTES 1/NOR/84 (WITH STUDENTS OF THE STADSAKADEMIE, OSLO) |
| SUMMERS | Rod | 15–LOVE AUDIO FOR AN ABANDONED TENNIS COURT |
| SUMMERS | Rod | A FRAYED DOILY OF LUNAR ICE (CO–AUTHORED BY TOM WINTER) |
| SUMMERS | Rod | ALL ROUND AUDIO |
| SUMMERS | Rod | AN OCCLUDED FRONT AT FULL MOON:FULMAR FLIES BY; CITY OF THE RED NIGHT; SAD NEWS; PURELY FOR VITTORE; RAT SENCE; RAIN II; CHANCE POEM |
| SUMMERS | Rod | ARID LIKE THE OCEAN: COMPUSPEAK 1 (A FUTURIST JOURNEY ON A MOVING PAVEMENT FROM THE SUBURBS TO THE CITY CENTRE) |
| SUMMERS | Rod | ARID LIKE THE OCEAN: EIDER DUCK OR TERN (ICELAND 2) |
| SUMMERS | Rod | CHANCE POEM '80 |
| SUMMERS | Rod | DON'T |
| SUMMERS | Rod | ELEMENTAL LOOM |
| SUMMERS | Rod | GEDDA GRIP! |
| SUMMERS | Rod | GEDDA WAY!! FANTASY C/V PROJECT #2 |
| SUMMERS | Rod | HEARING FROM US |
| SUMMERS | Rod | HELGISAGA |
| SUMMERS | Rod | ICELAND SYMPHONY |
| SUMMERS | Rod | INTRO, GREEK TWEET |
| SUMMERS | Rod | LOGOS & THE KOTO |
| SUMMERS | Rod | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| SUMMERS | Rod | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| SUMMERS | Rod | POLISH ENVIRONMENTAL REACTION '78 |
| SUMMERS | Rod | ROOTS REPRISE |
| SUMMERS | Rod | SEVERELY SPLICED |
| SUMMERS | Rod | SHOWER |
| SUMMERS | Rod | SYMPHONY FOR NOSE, TISSUE PAPAER & WASTE PAPER BIN |
| SUMMERS | Rod | TACKY'S LITHE LEADEN DINGHY (+ TOM WINTER) |
| SUMMERS | Rod | THE AGNES THAT SAT ON MY TENT |
| SUMMERS | Rod | THE EXECUTION OF EARL MAGNUS & OTHER DEMO–MATERIAL |
| SUMMERS | Rod | V.E.C. AUDIO SAMPLER '96 |
| SUNAZAKI | Tomoko | TEGOTO |
| SUPANGAH | Rahayu | PARAGRAPH |
| SUPPER | Martin | DH2 |
| SURINACH | Carlos | RITMO JONDO AND OTHER PIECES |
| SUTRISNA | A.W. | MEETING |
| SUYOTO | Haryo Yose | MESSIAENAS INDONESIAS |
| SUZUKI | Teruaki | THE CHAIN OF PLECIOS |
| SVAROVSKY | Petr | AMNESTY |
| SVEINBJORNSSON | Sveinbjorn | IDYLLE – VIKIVAKI (1924) |
| SVEINSSON | Atli Heimir | HAUSTMYNDIR (1982) |
| SVEINSSON | Atli Heimir | HEILRADI (1980) – MADRIGALETTO (1974) |
| SWAAN | Egmont | ABODAMFOS DROBEN ENAN (1997) |
| SWARTZ | Christopher | SOLO RECORDINGS (1983–1988) |
| SWEARINGEN | Donald | SALVATION AT 1 AM. |
| SWEENEY | Eric | DUO (1991) |
| SWIFT | Richard | PRIME (1973) |
| SWINCHOSKI | Mike | TOMORROW |
| SWSW THRGHT | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT | |
| SWYNGEDOUW | Johan | KAPRELITAGIEL |
| SZALONEK | Witold | PIERNIKIADA |
| SZALONEK | Witold | PIERNIKIANA PER TUBA SOLO |
| SZALONEK | Witold | PIERNIKIANA PER TUBA–SOLO |
| SZALONEK | Witold | SCENY I DIALOGI NA CZTERY RECE I CZTERY NOGI (Z PRZYKAZANIAMI, LUB BEZ) (1988) |
| SZEGHI | Iris | AFFORISMUS (1990) |
| SZEMZO | Tibor | AIN'T NOTHING BUT A LITTLE BIT OF MUSIC FOR MOVING PICTURES |
| SZEMZO | Tibor | AIRY WEDDING (1991) |
| SZEMZO | Tibor | CUBA |
| SZEMZO | Tibor | RELATIVE THINGS (1994–97) |
| SZEMZO | Tibor | THE CONSCIENCE (1992) |
| SZEMZO | Tibor | THE SEX APPEAL OF DEATH (1981) |
| SZEMZO | Tibor | TRACTATUS |
| SZEMZO | Tibor | TRACTATUS (1991–95) |
| SZEMZO | Tibor | WATER WONDER (1982) |
| SZIGETI | Istvan | ELKA |
| SZLAVNICS | Chioko | PAPYRUS BENDING (1994) |
| SZPORER | Philip | RADIO >PERSPECTIVES< (1991) |
| SZYMANOWSKI | Karol | CONCERT OVERTURE, OP.12 IN E MAJOR FOR ORCHESTRA |
| SZYMANOWSKI | Karol | SYMPHONY NO. 2, OP.19 IN B FLAT MAJOR |