| Comp_name | First_name | Title |
|---|---|---|
| EAGLE | David | HSUAN (1992) |
| EAGLE | David | TOCCARE |
| EAKIN | Charles | FRAMES (1977) |
| EASTLEY | Max | RODS–MIXER–AMP |
| EASTLEY–TOOP | Max–David | FE–TSHUN–TI–FE (BURIAL RITES) |
| EATON | John | CONCERT PIECE FOR SYNKET AND ORCHESTRA |
| EATON | John | PRELUDE TO MYSHKIN |
| ECKERT | Gerald | DIAPHANE (1995) |
| EDWARDS | Terry | STACK (EXC.) |
| EECKHAUTE | Peter | INTERMEZZO (FOR IRMA) |
| EECKHAUTE | Peter | PETER EN DE HOND |
| EHRLICH | Marty | JUST BEFORE THE DAWN |
| EHRLICH | Marty | THE OPEN AIR CONCERT |
| EICHMANN | Dietrich | FUR A.D. (1990) |
| EIMERT | Herbert | 6 STUDIEN (1962) |
| EIMERT | Herbert | 6 STUDIEN (1962) |
| EIMERT | Herbert | EPITAPH FUR AIKICHI KUBOYAMA (SPRECHER UND SPRACHKLANGE) |
| EIMERT | Herbert | EPITAPH FUR AIKICHI KUBOYAMA (1962) |
| EIMERT | Herbert | ETUDE UBER TONGEMISCHE (1954) |
| EIMERT | Herbert | FUNF STUCKE (1963) |
| EIMERT | Herbert | KLANGSTUDIE I (1952) |
| EIMERT | Herbert | KLANGSTUDIE II (1952) |
| EIMERT | Herbert | KLANGSTUDIE II 2E VERSION (1952) |
| EIMERT | Herbert | OSTINATE FIGUREN UND RHYTHMEN 1ST VERSION (1952) |
| EIMERT | Herbert | OSTINATE FIGUREN UND RHYTHMEN 2E VERSION (1952) |
| EIMERT | Herbert | SELEKTION I |
| EIMERT | Herbert | SELEKTION I (1960) |
| EIMERT | Robert | GLOCKENSPIEL (1953) |
| EIMERT | Robert | KLANG IM UNBEGRENZTEN RAUM (1952) |
| EINAUDI | Ludovico | ECHI |
| EINAUDI | Ludovico | LENTO |
| EINHORN | Nicolaus | DON'T YOU MAY BE, THE ESSENTIAL INTERVIEW (1975) |
| EINHORN | Nikolaus | DON'T YOU MAYBE,THE ESSENTIAL INTERVIEW (1975) |
| EINSTURZENDE | NEUBAUTEN | WALPURGISNACHTFESTCHEN |
| EIRIKSDOTTIR | Karolina | FIMM LOG FYRIR KAMMERSVEIT (1986) |
| EIRIKSDOTTIR | Karolina | FIVE PIECES FOR CHAMBER ORCHESTRA (1986) |
| EIRIKSDOTTIR | Karolina | IN VULTU SOLIS (1980) |
| EIRIKSDOTTIR | Karolina | IN VULTU SOLIS (1980) |
| EIRIKSDOTTIR | Karolina | LAND POSESSED BY POEMS (1988) |
| EIRIKSDOTTIR | Karolina | LJODNAMULAND (1988) |
| EIRIKSDOTTIR | Karolina | NAGON HAR JAG SETT – II.PATTUR (1988) |
| EIRIKSDOTTIR | Karolina | RENKU |
| EIRIKSDOTTIR | Karolina | RENKU (1992) |
| EIRIKSDOTTIR | Karolina | RHAPSODY (1986) |
| EIRIKSDOTTIR | Karolina | RHAPSODY (1986) |
| EIRIKSDOTTIR | Karolina | SINFONIETTA (1985) |
| EIRIKSDOTTIR | Karolina | SINFONIETTA (1985) |
| EIRIKSDOTTIR | Karolina | SOMEONE I HAVE SEEN – ACT II (1988) |
| EIRIKSDOTTIR | Karolina | TRIO (1987) |
| EIRIKSDOTTIR | Karolina | TRIO (1987) |
| EIRIKSSON | Thorolfur | MAR (1987) |
| EISLER | Hans | GERMAN DEMOCRATIC REPUBLIC ANTHEM |
| EISLER | Hans | LIEDEREN VOOR SOPRAAN EN PIANO (LIBRETTO, BERTOLD BRECHT) |
| EISLER | Hans | THIRD PIANO SONATA |
| EISMA | UNIDENTIFIED TITLE | |
| EISMA | Wil | CONCERT A VAPEUR |
| EISMA | Will | PRAU LAS CAGLIAS (1977) |
| EISMA | Will | STRIPPED OF OUTER STRING QUOTES |
| EKAGUSTDIMAN | Dody Satya | DIYA |
| EKEBERG | Frank | (DIS)INTEGRATION – EBB – INTRA |
| EL SUENO DE HYPARC | CUANDO X SE SIENTE HERIDO | |
| EL–DABH | Halim | MEKTA' IN THE ART OF KITA' (BOOKS 1,2,3) (1961) |
| EL–DABH | Halim | MEKTA' IN THE ART OF KITA' (BOOKS 1,2,3) (1961) |
| ELEKTRO–JEN | SARANGI, DIT ELLE / PALAIS DES GLACES / WROUM–WROUM | |
| ELENES | Laura | ATELEN POESIA VISUAL Y SONORA |
| ELGGREN | Leif | TALKING TO A DEAD QUEEN |
| ELIAZ | Lisa N. | MAQUETTE |
| ELIAZ | Liza N. | SENSECRUISE |
| ELIMELECH | Dror | MY DESERT III (1991) |
| ELLINGTON | Duke | COME SUNDAY |
| ELLINGTON | Duke | EARL HINES PLAYS DUKE ELLINGTON VOL.2 ( IN A MELLOTONE, SOLITUDE, IT DON'T MEAN A THING,...) |
| ELLINGTON | Duke | KLOP |
| ELLINGTON | Duke | SOLITUDE |
| ELLINGTON/STRAYHOR | Duke/Billy | TONK (1940) |
| ELLIS | Rob | WIND–UP / BLACK BULLET FIESTA |
| ELOY | J.Cl. | EQUIVALENCES |
| ELSON | Steve | FROM HERE TO PATERNITY POLKA |
| ELWOOD | Paul | L'ETUDE DES ASTRES |
| EMBLING | Will | STEAMIN' AT THE BEES ( ZOZA–MOLES BY MOONLIGHT–DOWN A CHIMNEY UP– STOMP FOR SISULU–AMALIO–NORNAM'S SONG) |
| EMERALD WEB | LIGHTS OF THE IVORY PLAIN | |
| EMERY | James | HARMONIC SKETCHES |
| EMERY | James | KATHARSIS IN REAL TIME |
| EMERY | James | MICROWAVE |
| EMERY | James | MODULAR REPETITION |
| EMMER | Huib | CRAWLING UP THE WALL (1992) |
| EMMER | Huib | POINT BLANK (1990) |
| EMMER | Huib | SOFT GRIPPER |
| EMMER | Huub | MONTAGE |
| EMMERSON | Simon | OPHELIA'S DREAM II (EXC.) |
| EMMERSON | Simon | POINTS OF DEPARTURE |
| EMMERY | Jan | AUTO–MOVIE–L (1989) |
| EMMERY | Jan | B–52 |
| EMMERY | Jan | DIE SCHULE DES LINKES FUSSES |
| EMMERY | Jan | KOMPOSITIE VOOR 4 TUBA'S EN ELEKTRISCHE GITAAR |
| EMMERY | Jan | MECHANISMUS |
| EMMERY | Jan | SAMBA |
| EMMERY | Jan | TANGO NO.1 |
| EMMERY | Jan | VORSCHULE DES ROCKFERTIGKEIT |
| ENDRICH | Tom | SAVARI III |
| ENGELMANN | Ulrich | MOBILI (1971) |
| ENGLISH | Jon | FILM MUSIC |
| ENGLISH | Jon | WHOSE CIRCUMFERENCE IS NOWHERE... |
| ENRIQUEZ | Manuel | ONCE UPON A TIME (1975) |
| ENSTROM | Rolf | IN ICE, MIRROR (1993) |
| ENSTROM | Rolf | SEQUENCE IN BLUE (1978) |
| EPPS | Susan | STREETS OF RECOVERY |
| EPSTEIN | Marti | WATERBOWLS (1989 – 92) |
| EPSTEIN | Paul A. | CHAMBER MUSIC: THREE SONGS FROM "HOME" (1986) |
| ERB | Donald | AND THEN TOWARD THE END... (1971) |
| ERB | Donald | CENOTAPH (FOR E.V.) (1979) |
| ERB | Donald | DRAWNING DAWN THE MOON (1991) |
| ERB | Donald | QUINTET (1982) |
| ERB | Donald | SONATA FOR CLARINET AND PERCUSSION (1980) |
| ERB | Donald | SONATA FOR HARPSICHORD AND STRING QUARTET (1962) |
| ERB | Donald | SYMPHONY FOR WINDS (1989) |
| ERB | Donald | THE DEVIL'S QUICKSTEP (1983) |
| ERB | Donald | THE LAST QUINTET (1982) |
| ERB | Donald | THE RAINBOW SNAKE (1984) |
| ERB | Donald | TRIO FOR TWO |
| ERB | Donald | WOODY (1988) |
| ERB | Elke | VERSTANDIGUNG; DIE SCHWARZEN WEISS REDENDEN/DIE WEISSEN SCHWARZ REDENDEN; HALTE AUF DICH |
| ERBER | James | ABIYA |
| ERBER | James | ABIYA |
| ERBER | James | LE COLONNE D'ERCOLE (1996) |
| ERBER | James | LE COLONNE D'ERCOLE (1996) |
| ERDING | Susanne | DELIRIO FOR SOLO TUBA |
| ERDMAN | Helmut W. | VERDICHTEN – ERWEITERN |
| ERDMANN | Helmut W. | VERDICHTEN – ERWEITEN |
| ERICKSON | Kim | MAPT & MARCH (EXCERPTS) |
| ERICKSON | Kim | PICK IT UP (EXCERPT) |
| ERICKSON | Lotta | PLEASE MR. COLDSTREAM |
| ERICKSON | Robert | GERNERAL SPEECH (1969) |
| ERRANTE | F. Gerard | MUSING FOR CLARINET LEFT HAND AND TAPE DELAY (1981) |
| ERRANTE | F. Gerard | SHADOWS OF ANCIENT DREAMS (1995) |
| ERRANTE | F. Gerard | SILENT TEARS |
| ERRANTE | F. Gerard | SOUVENIR DE NICE |
| ESCHER | Rudolf | KLARINETSONATE (DELEN 1 & 2) |
| ESCOBAR | Aylton | PEQUENO TRECHO DE DISCORSO |
| ESCODAME | CROCICCHIO PLASTICO VELOCE DI DONNE | |
| ESSENDON | Airport | BEATING OFF |
| ESSENDON AIRPORT | A MINOR PROBLEM | |
| ESSL | Karlheinz | CHAMP D'ACTION (VERSIE 1) |
| ESSL | Karlheinz | CHAMP D'ACTION (VERSIE 2) |
| ESSL | Karlheinz | CLOSE THE GAP (1990) |
| ESSL | Karlheinz | ENTSAGUNG (1991–93) |
| ESSL | Karlheinz | HELIX 1.0 (1986) |
| ESSL | Karlheinz | LEXICON–SONATE (1992/93) |
| ESSL | Karlheinz | MET HIM PIKE TROUSERS (1987) |
| ESSL | Karlheinz | RUDIMENTS (1989/90) |
| ETANT DONNES | CETTE ROSE QUI TOURNE SANS CESSE AU DESSUS DE MON COEUR | |
| ETKIN | Mariano | AQUELLO (1982) |
| ETKIN | Mariano | ARENAS (1988) (IN MEMORIAM MORTON FELDMAN) |
| ETKIN | Mariano | PERPETUAL TANGO (CAGE) |
| EVANGELISTA | Jose | MERAPI (1986) |
| EVANGELISTI | Franco | DIE SCHACHTEL/ TRE STRUTTURE (NRS. 2 & 3) |
| EVANS | Bill | (EXCERPT)? |
| EVETT | Robert | BILLY IN THE DARBIES |
| EXHAUSTION | EXHAUSTION | |
| EXTENSIONS | 1,37 | |
| EYSACKERS | Erwin | COLORIBUS (2 TAKES) |
| EYZAGUIRRE | Nicolas Suarez | CHICA ARUMA (1994) |