| Comp_name | First_name | Title |
|---|---|---|
| D'ARIENZO | Juan | LA PUNALADA |
| D'HAENE | Frederic | BRIEF AAN KANDINSKY |
| D'HAENE | Frederic | COMMUNIO (1987) (IN MEMORIAM JOSEPH BEUYS) |
| D'HAENE | Frederic | FOR DECLINING TIMES |
| D'HAENE | Frederic | PESSOA REVISITED (1991) |
| D'HAENE | Roel | TEMA E VARIAZIONI PER CHITARRA |
| D'HAESE | Dirk | 7 EROTIC SONGS |
| D'HAESE | Dirk | INTRODUCTION–MUSIC |
| D'HONDT | Vincent | DE ZANGER, DE COMPONIST,... |
| DADSON | Phil | 24 PCS. WOOD, METAL, PVC TOSSED AND STRUCK; PACIFIC 321 ZERO |
| DADSON | Philip | 3 PIECES FROM GUNG HO 1–2–3–D (1982) (8,9,10 – 5,6,7 – 6,7,8) |
| DAELE | Jan–Emiel | BERICHTEN EN BERECHTEN DEEL 1. ZUIDZEE–EILANDEN – USSR (1970–71) |
| DAELE | Jan–Emiel | BERICHTEN EN BERECHTEN DEEL 2. ISRAEL–EGYPTE – HIER |
| DAELE | Jan–Emiel | LIED OP HET TOILET |
| DAFELDECKER | Werner | BOGENGAENGE |
| DAL FARRA | Ricardo | .. DUE GIORNI DOPO (1988) |
| DAL FARRA | Ricardo | ...DUE GIORNI DOPO |
| DAL FARRA | Ricardo | ASHRAM |
| DAL FARRA | Ricardo | ASHRAM (1991) |
| DAL FARRA | Ricardo | MEMORIAS (1992) |
| DAL FARRA | Ricardo | WORDS TROUGH THE WORLDS |
| DAL FARRA | Ricardo | XASTOCK |
| DALABA | Lesli | CORE SAMPLE (SYLVAN) |
| DALL'OSTA | Diego | DIALODIADI |
| DALLA PORTA | Paolino | DREAMING OF YOU |
| DALLA PORTA | Paolino | HUAYNITA BANANA |
| DALLAPICCOLA | Luigi | CIACONA, INTERMEZZO & ADAGIO |
| DALLAPICCOLA | Luigi | CIACONA, INTERMEZZO E ADAGIO |
| DALLAPICCOLA | Luigi | CIACONA, INTERMEZZO E ADAGIO (1945) |
| DALLAPICCOLA | Luigi | INTERMEZZO (1945) |
| DAN / KRIWACZEK | Lance / Rohan | WE LOVE YOU DAVE |
| DANEELS | Francois | SUITE POUR SAXOPHONE ALTO SOLO |
| DANKO | Aleks | THE SOUND OF THE BATHROOM WALL (COMPOSING FOR RADIO) |
| DANNA | Michael | FOREVER AND THE EARTH (CO–AUTHORED BY TIM CLEMENT) |
| DANTAS LEITE | Vania | DI STANCES (1982) |
| DAO | Nguyen–Thien | LES ENFANTS D'IZIEU |
| DAOUST | Yves | ADAGIO (1986) |
| DAOUST | Yves | ADAGIO (1986) |
| DAOUST | Yves | ADAGIO (1987) |
| DAOUST | Yves | ADAGIO (1987) |
| DAOUST | Yves | DROIT DE CITE VII:MONTREAL SACRE |
| DAOUST | Yves | JOIE (1992) |
| DAOUST | Yves | L'ENTREVUE (1991) |
| DAOUST | Yves | MI BEMOL |
| DAOUST | Yves | PETITE MUSIQUE SENTIMENTALE (1984) |
| DAOUST | Yves | QUATUOR |
| DAOUST | Yves | SUITE BAROQUE (1989) |
| DAOUST | Yves | SUITE BAROQUE: "QU'AI–JE ENTENDU?" |
| DAOUST | Yves | SUITE BAROQUE: L'EXTASE |
| DAOUST | Yves | SUITE BAROQUE: LES "AGREMENS" |
| DAOUST | Yves | SUITE BAROQUE: TOCCATA |
| DARBOVEN | Hanna | OPUS 17A |
| DARBY | Bruce | 4 SHORT PIECES: TALISMANS; AH OUI!; BRICKWALL; SOFT TALL YOUNG GREEN TREE |
| DARBY | Bruce | BABY SUITE |
| DARGE | Moniek | 3 SUNBEAMS |
| DARGE | Moniek | 3 SUNBEAMS |
| DARGE | Moniek | 3 SUNBEAMS |
| DARGE | Moniek | 3 SUNBEAMS |
| DARGE | Moniek | 3 SUNBEAMS |
| DARGE | Moniek | 3 SUNBEAMS (TRY OUT) |
| DARGE | Moniek | ABBEYSOUNDS |
| DARGE | Moniek | ABBEYSOUNDS (1986/87) |
| DARGE | Moniek | ABBEYSOUNDS I DUIVEN & WATER |
| DARGE | Moniek | ABBEYSOUNDS II – IMPRESSIES BEZOEKERS |
| DARGE | Moniek | ABBEYSOUNDS II – IMPRESSIES BEZOEKERS |
| DARGE | Moniek | ABBEYSOUNDS II IMPRESSIES BEZOEKERS |
| DARGE | Moniek | ABBEYSOUNDS II–MATERIAL |
| DARGE | Moniek | ABBEYSOUNDS–MATERIAL |
| DARGE | Moniek | ALVI CEBA |
| DARGE | Moniek | ALVI CEBA |
| DARGE | Moniek | ALVI CEBA |
| DARGE | Moniek | ALVI CEBA |
| DARGE | Moniek | ALVI CEBA |
| DARGE | Moniek | ALVI CEBA (1990) |
| DARGE | Moniek | ALVI CEBA (1990) REHEARSAL |
| DARGE | Moniek | ALVI CEBA (1990) REHEARSAL |
| DARGE | Moniek | ALVI CEBA (COPY) |
| DARGE | Moniek | ALVI CEBA, VERSION FOR VIDEO RINGSLOT/RINGSLOOT BY BENN & DAMIEN DECEUNINCK |
| DARGE | Moniek | ANTAGONISM |
| DARGE | Moniek | ANTAGONISM |
| DARGE | Moniek | ANTAGONISM |
| DARGE | Moniek | ANTAGONISM |
| DARGE | Moniek | ANTAGONISM |
| DARGE | Moniek | ARTWARMYTHOLOGY (PERFORMANCE TAPE TO TALKING FLAMES BY GODFRIED WILLEM RAES) |
| DARGE | Moniek | ARTWARMYTHOLOGY – TALKING FLAMES |
| DARGE | Moniek | BAUHAUS PROJEKT (CO–COMPOSED BY SSKI STUDENTS) |
| DARGE | Moniek | CAETA |
| DARGE | Moniek | CAETA (1998) |
| DARGE | Moniek | CAETA SOUNDSCAPE BACKUP |
| DARGE | Moniek | CAETE |
| DARGE | Moniek | CAETE |
| DARGE | Moniek | CAETE |
| DARGE | Moniek | CAETE |
| DARGE | Moniek | CHANCE |
| DARGE | Moniek | CLOUDS |
| DARGE | Moniek | CLOUDS (1986) |
| DARGE | Moniek | CLOUDS (SOURCE MATERIAL) |
| DARGE | Moniek | CONTRIBUTION TO HYMNS TO THE SPIRAL MOTHER (CHARLIE MORROW PROJECT) |
| DARGE | Moniek | CROWD |
| DARGE | Moniek | CROWD (1976) |
| DARGE | Moniek | CROWD (MATERIAALBAND) |
| DARGE | Moniek | DARK WAVES |
| DARGE | Moniek | DARK WAVES |
| DARGE | Moniek | DARK WAVES (1981) |
| DARGE | Moniek | DIE BRATSCHEBRAUT |
| DARGE | Moniek | DIE BRATSCHEBRAUT |
| DARGE | Moniek | DIE BRATSCHEBRAUT |
| DARGE | Moniek | DIE BRATSCHEBRAUT |
| DARGE | Moniek | DIE BRATSCHEBRAUT |
| DARGE | Moniek | ELECTRICITY |
| DARGE | Moniek | FAIRY TALE |
| DARGE | Moniek | FAIRY TALE |
| DARGE | Moniek | FAIRY TALE |
| DARGE | Moniek | FAIRY TALE |
| DARGE | Moniek | FAIRY TALE DEEL 1: KOALA |
| DARGE | Moniek | FAIRY TALE, PART I |
| DARGE | Moniek | FANTASY C/V : AURORA (97/98) |
| DARGE | Moniek | FOR M.D. FROM M.D. |
| DARGE | Moniek | HARP |
| DARGE | Moniek | HARP |
| DARGE | Moniek | HARP |
| DARGE | Moniek | HARP |
| DARGE | Moniek | HARP (FEBR.–AUG. '95) |
| DARGE | Moniek | HARP – SOUNDSCAPE BACKUP |
| DARGE | Moniek | HARPJE–FANTASY C/V |
| DARGE | Moniek | HARPJE/CVAURORA/HARPJE |
| DARGE | Moniek | HASHIKURA |
| DARGE | Moniek | HASHIKURA (MASTERTAPE) |
| DARGE | Moniek | HEX |
| DARGE | Moniek | HOND EET BEEN (AKE) |
| DARGE | Moniek | I LOVE NEW YORK IV (CHARLIE MORROW) |
| DARGE | Moniek | I LOVE NY (PART 2) |
| DARGE | Moniek | I LOVE NY – LOGOS/VARESE |
| DARGE | Moniek | I LOVE NY – MACLOW & TARDOS |
| DARGE | Moniek | I LOVE NY: 1.PHILL NIBLOCK (PART 1) |
| DARGE | Moniek | I LOVE NY: 1.PHILL NIBLOCK (PART 2); 2.JACKSON MACLOW & ANNE TARDOS (EXCERPT) |
| DARGE | Moniek | I LOVE NY: 4.CHARLIE MORROW |
| DARGE | Moniek | IK HAD NET ZO GOED KUNNEN DOORLOPEN |
| DARGE | Moniek | KASIK |
| DARGE | Moniek | KASIK |
| DARGE | Moniek | KASIK |
| DARGE | Moniek | KLANKBOEK |
| DARGE | Moniek | KLANKBOEK |
| DARGE | Moniek | KLANKBOEK (STEREO VERSION) |
| DARGE | Moniek | KLANKBOEK MATERIAALBAND |
| DARGE | Moniek | KLANKBOEK MATERIAALBAND PAPIER |
| DARGE | Moniek | KLANKBOEK, SPOREN 1 & 2 (SAMEN MET DE VISSCHER ERIC) |
| DARGE | Moniek | KLANKBOEK, SPOREN 3 & 4 (MET DE VISSCHER ERIC) |
| DARGE | Moniek | KLOKKEN GENT '93 |
| DARGE | Moniek | KONBAN WA JOHN |
| DARGE | Moniek | KONBANWA JOHN |
| DARGE | Moniek | KREATIEF SPEL |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO |
| DARGE | Moniek | MAN–MO (1ST VERSION) PERFORMANCE TAPE |
| DARGE | Moniek | MAN–MO (2ND VERSION) |
| DARGE | Moniek | MAN–MO (EXCERPT) |
| DARGE | Moniek | MAN–MO (MATERIAL TAPE) |
| DARGE | Moniek | MAN–MO (RESERVE UITVOERINGSTAPE VOOR LIVE–PARTIJEN 3 & 4) |
| DARGE | Moniek | MAN–MO 3 |
| DARGE | Moniek | MIYOSHI & SHANGHAI |
| DARGE | Moniek | MOKAGUY (SOUNDSCAPE BACKUP) |
| DARGE | Moniek | MON.AR1 (1997) SOUNDSCAPE BACKUP |
| DARGE | Moniek | MUZIEKDOZEN: LOVE SONG – ORKESTDIRIGENT – KERKUILEN |
| DARGE | Moniek | OHRE |
| DARGE | Moniek | PLASTIEK MUZIEKSLANG |
| DARGE | Moniek | RAIN |
| DARGE | Moniek | RAIN |
| DARGE | Moniek | RAIN |
| DARGE | Moniek | RAIN |
| DARGE | Moniek | RAIN (1980) |
| DARGE | Moniek | RAIN (1980/82) |
| DARGE | Moniek | RAPE '79 |
| DARGE | Moniek | RAPE (1978–79) |
| DARGE | Moniek | RHEO |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND |
| DARGE | Moniek | SAND (1980) |
| DARGE | Moniek | SELF PORTRAIT IN SOUND : HARPJE (94/98) |
| DARGE | Moniek | SERIES |
| DARGE | Moniek | SERIES II FOR 2 VOICES AND SLIDES |
| DARGE | Moniek | SERIES NR.2 |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH |
| DARGE | Moniek | SHSH (SHIKOKU–SHANGAI) |
| DARGE | Moniek | SOLSTICE BELFRY SAMPLER |
| DARGE | Moniek | SOLSTICE BELFRY SAMPLER |
| DARGE | Moniek | SOLSTICE SAMPLE (1985) |
| DARGE | Moniek | SOLSTICE SUN |
| DARGE | Moniek | SOME OF THE LOGOS INSTRUMENTS (DEMO–TAPE) |
| DARGE | Moniek | SONORISATION OF ANIMATED MOVIE BY DE JONCKHEERE JEROEN |
| DARGE | Moniek | SOUNDS OF SACRED PLACES |
| DARGE | Moniek | SOUNDS OF SACRED PLACES (COPY OF LP) |
| DARGE | Moniek | SOUNDS OF SACRED PLACES (COPY OF LP) : TURKISH SQUARE, RAIN, SOLSTICE SAMPLE, THREE SUNBEAMS |
| DARGE | Moniek | SOUNDS OF SACRED PLACES – MUZIEKDOZEN |
| DARGE | Moniek | SOUNDTRACK FOR VIDEO SOLSTICE (PART 1) |
| DARGE | Moniek | STORMFUGLE |
| DARGE | Moniek | STORMFUGLE |
| DARGE | Moniek | STORMFUGLE |
| DARGE | Moniek | STORMFUGLE |
| DARGE | Moniek | STORMFUGLE |
| DARGE | Moniek | STORMFUGLE (1982) |
| DARGE | Moniek | STORMFUGLE (1982) |
| DARGE | Moniek | STORMFUGLE (PERFORMANCE TAPE) |
| DARGE | Moniek | STORMFUGLE UV 1& 2 |
| DARGE | Moniek | THREE SUNBEAMS |
| DARGE | Moniek | THREE SUNBEAMS |
| DARGE | Moniek | THREE SUNBEAMS |
| DARGE | Moniek | THREE SUNBEAMS (1985) |
| DARGE | Moniek | TIMEFRAMES |
| DARGE | Moniek | TOHYO, EEN ZINGEND JAPANS WOORD |
| DARGE | Moniek | TURKISH SQUARE |
| DARGE | Moniek | TURKISH SQUARE |
| DARGE | Moniek | TURKISH SQUARE |
| DARGE | Moniek | TURKISH SQUARE |
| DARGE | Moniek | TURKISH SQUARE (1984) |
| DARGE | Moniek | TURKISH SQUARE (1984/86) |
| DARGE | Moniek | TURKISH SQUARE (A77–DUB) |
| DARGE | Moniek | TURKISH SQUARE (PR99–DUB) |
| DARGE | Moniek | TURKISH SQUARE–MATERIAL |
| DARGE | Moniek | VERBONDENHEID |
| DARGE | Moniek | VERBONDENHEID |
| DARGE | Moniek | VROUWENDAG 11.17.74 – GENT |
| DARGE | Moniek | WATERGELUIDEN VOOR WET CAR |
| DARGE | Moniek | WET CAR |
| DARGE | Moniek | WET CAR (MONTAGE) |
| DARGE | Moniek | WHITE (1980) |
| DARGE | Moniek | WIND |
| DARGE | Moniek | ZELFPORTRET – HARPJE (SOUNDSCAPE BACKUP) |
| DARGE | Moniek | ZWALM |
| DARGE | Moniek | ZWALM (MIXED 4–TRACK VERSION) |
| DARGE | Moniek | ZWALMPROJEKT |
| DARGE | Moniek | ZWALMPROJEKT (DEFINITIVE VERSION) |
| DARGE – RAES | Moniek – Godfried– | FOR GROOVES |
| DARGE–DE VISSCHER | Moniek–Eric | KLANKBOEK 1988 |
| DARI | Luciano | LAPIDE MINERALE IV |
| DARREG | Ivor | DETWELVULATE |
| DARREG | Ivor | PRELUDE IN D MAJOR (1942) |
| DASHOW | James | EFFETTI COLLATERALLI (1976) |
| DASKE | Martin | FOLIANT 09/10 (1987) |
| DASKE | Martin | FOLIANT 2B (1987) |
| DAU | Harald | ALBUFEIRA |
| DAU | Harald | ANYTIME |
| DAU | Harald | CHANGING THE BARS |
| DAVE & PHIL DUO | D 9 DIVINE | |
| DAVE & PHIL DUO | D–9 DIVINE | |
| DAVE & PHIL DUO | DA DA DA DA DA DA | |
| DAVE & PHIL DUO | DA DA DA DA DA DA | |
| DAVID | Anne | DE LERAAR EN DE LERARES : EEN KARAKTERSTUDIE |
| DAVIDOVSKY | Mario | ROMANCERO (1983) |
| DAVIDOVSKY | Mario | SYNCHRONISMS NO.3 (1963) |
| DAVIDOVSKY | Mario | SYNCHRONISMS NO.5 (1969) |
| DAVIDOVSKY | Mario | SYNCHRONISMS NO.6 FOR PIANO AND ELECTRONIC TAPE |
| DAVIDOVSKY | Mario | SYNCHRONISMS NO.9 (1988) |
| DAVIDOW | Joe | ORCHESTRATION I |
| DAVIDSON | Tina | 7 MACABRE SONGS (1979) |
| DAVIDSON | Tina | 7 MACABRE SONGS (EXCERPTS) |
| DAVIDSON | Tina | BLEACHED THREAD, SISTER THREAD (1991) |
| DAVIDSON | Tina | BLUE DAWN (THE PROMISED FRUIT) (1990) |
| DAVIDSON | Tina | CASSANDRA SING (1988) |
| DAVIDSON | Tina | FIRE ON THE MOUNTAIN (1993) |
| DAVIDSON | Tina | I HEAR THE MERMAID SINGING (1990) |
| DAVIDSON | Tina | LULLABY (1986) |
| DAVIDSON | Tina | LULLABY (1987) |
| DAVIDSON | Tina | NEVER LOVE A WILD THING (1986) |
| DAVIDSON | Tina | PHANTASY: I AM THE LAST WITNESS (1984) |
| DAVIDSON | Tina | STAR MYTHS |
| DAVIDSON | Tina | STAR MYTHS |
| DAVIDSON | Tina | TRANSPARENT VICTIMS (1987) |
| DAVIDSON | Tina | TRANSPARENT VICTIMS (1987) |
| DAVIDSON | Xopher | ANTIMATTER |
| DAVIES | Hugh | GENTLE FIRES (EXCERPT) |
| DAVIES | Hugh | JIGAMAREE (1977) |
| DAVIES | Hugh | MUSIC FOR BOWED DIAFRAGMS |
| DAVIES | Hugh | MUSIC FOR BOWED DIAPHRAGMS |
| DAVIES | Hugh | SALAD |
| DAVIES | Hugh | SHOZYG I & II |
| DAVIES | Hugh | SHOZYG SEQUENCE II |
| DAVIES | Hugh | SHOZYG SEQUENCE NO.1 |
| DAVIES | Hugh | SPRING SONG |
| DAVIES | Hugh | SPRING SONG (1971 REV.1980) |
| DAVIES | Peter Maxwell | QUINTET |
| DAVIES | Sheila | WHAT IS THE MATTER IN AMY GLENNON ? (1988) |
| DAVIS | Anthony | HEMISPHERES |
| DAVIS | Anthony | LOST MOON SISTERS |
| DAVIS | Anthony | MIDDLE PASSAGE |
| DAVIS | Bob | BLINDMANS CHAIN FILM |
| DAVIS | Bob | BRIDGE DWELLER (FROM THE PLAY MA–JI BY SOON 3 THEATRE) |
| DAVIS | Bob | POISON HOTEL (CO–AUTHORED BY JON RASKIN) |
| DAVIS | Bruce | NIGHTCHANT (EXCERPT) |
| DAVIS | Graeme | UNTITLED |
| DAVIS | Graeme | UNTITLED |
| DAVIS | Miles | FLAMENCO SKETCHES |
| DAVIS | Miles | FLAMENCO SKETCHES |
| DAVIS | Miles | FLAMENCO SKETCHES |
| DAVIS | Miles | SOLAR |
| DAVIS | Sydney | STAR AXIS |
| DAVIS & MITCHELL | ARR.LEISHMAN | YOU ARE MY SUNSHINE |
| DAVISSON | Ananias | IDUMEA (1815) |
| DAVORIN JAGODIC | Martin | ENVIRONNEMENT |
| DAVORIN JAGODIC | Martin | INCIDENT |
| DAVORIN–JAGODIC | Martin | TEMPO FURIOSI (TOLLES WETTER) |
| DAYAN | Jerome | HARCELEMENT (1997) |
| DAZZI | Gualtiero | SABLE |
| DE ALVEAR | Maria | DE PURO AMOR (EXC.) (1991) |
| DE ALVEAR | Maria | EN AMOR DURO (1991) |
| DE ALVEAR | Maria | EN AMOR DURO (EXC.) (1991) |
| DE ALVEAR | Maria | EN AMUR DURO (1991) |
| DE ALVEAR | Maria | INTENSO |
| DE BACKER | Gunther | DELIBERATIEMUZIEK |
| DE BAERDEMACKER | Kris | BAGATELLE (1999) |
| DE BAERDEMACKER | Kris | BAGATELLE (1999) |
| DE BAERDEMACKER | Kris | FLOW |
| DE BAERDEMACKER | Kris | FLOW (1998) |
| DE BAERDEMACKER | Kris | KIPKAP (SOUNDSCAPE BACKUP) |
| DE BAERDEMACKER | Kris | NETMUSIC |
| DE BAERDEMACKER | Kris | SPLASH |
| DE BAERDEMACKER | Kris | SPLASH |
| DE BAERDEMACKER | Kris | SPLASH (1998) |
| DE BAERDEMACKER | Kris | SPLASH (1998) |
| DE BAERDEMACKER | Kris | SPLASH – SOUNDSCAPE BACKUP |
| DE BAERDEMACKER | Kris | TRIO NO.1 |
| DE BAERDEMACKER | Kris | XPLOSIV |
| DE BAERDEMACKER | Kris | XPLOSIV (1999) |
| DE BEUL | Helena | ENKELE KORTE STUDIES VOOR GITAAR |
| DE BIEVRE | Guy | 300 MILLIONS DE CHINOIS ET MOI, ET MOI... |
| DE BIEVRE | Guy | 300 MILLIONS DE CHINOIS, ET MOI, ET MOI, ET MOI... |
| DE BIEVRE | Guy | 5 X 4 OSCILLATORS |
| DE BIEVRE | Guy | ALL YOU NEVER WANTED TO KNOW ABOUT JS BACH |
| DE BIEVRE | Guy | ANOMALIES 1,2,3 ANOMALIES 1,2,3 (1991–92) |
| DE BIEVRE | Guy | BASEMENT POSITIVE ANOMALIES (FROM ANOMALIES FOR GUITAR) (1991) |
| DE BIEVRE | Guy | BASEMENT POSITIVE ANOMALIES (FROM ANOMALIES) |
| DE BIEVRE | Guy | BIEDERMEYER HILLBILLIES (1991) |
| DE BIEVRE | Guy | BIEDERMEYER HILLBILLIES (1991) (3 OUT OF 4) |
| DE BIEVRE | Guy | BIEDERMEYER HILLBILLIES (3 OUT OF 4: 1.RICH 2.LIEBEVOLL 3.BERT) |
| DE BIEVRE | Guy | BOP TILL IT DROPS |
| DE BIEVRE | Guy | DE KEUKENROBOT (1987) |
| DE BIEVRE | Guy | DE OILFANT STEKEN WILDE JE NIET |
| DE BIEVRE | Guy | DE OLIFANT STEKEN WILDE JE NIET |
| DE BIEVRE | Guy | DE OLIFANT STEKEN WILDE JE NIET (1992) |
| DE BIEVRE | Guy | DE VERANDERENDE STATEN VAN EUROPA VOOR 10 INSTRUMENTEN EN ELEKTRISCHE DIRIGENT |
| DE BIEVRE | Guy | FOR ME AND MY GALS |
| DE BIEVRE | Guy | GRANDE OUVERTURE, HISTORIQUE ET COMMENTAIRE (1988) |
| DE BIEVRE | Guy | I WONDER WHY, A LITTLE |
| DE BIEVRE | Guy | I WONDER WHY, A LITTLE (1993) |
| DE BIEVRE | Guy | I WONDER WHY,A LITTLE (1993) |
| DE BIEVRE | Guy | IMPROVISATIONS |
| DE BIEVRE | Guy | JAZZMASTER CRASH (1987) |
| DE BIEVRE | Guy | KOMPAKT KLASSIEK (1986) |
| DE BIEVRE | Guy | MUSIC, THINGS, MOUNTAIN ROADS & INTERLUDES |
| DE BIEVRE | Guy | MUSIC, THINGS, MOUNTAIN ROADS & INTERLUDES |
| DE BIEVRE | Guy | NOT WHAT NOR HOW BUT WHEN |
| DE BIEVRE | Guy | OF SNOW AND FINE DUST |
| DE BIEVRE | Guy | PLAYING SOLITAIRE ('TILL DAWN, WITH A DECK OF FIFTY–ONE) |
| DE BIEVRE | Guy | PLAYING SOLITAIRE (1988) |
| DE BIEVRE | Guy | PLAYING SOLITAIRE (1988/89) |
| DE BIEVRE | Guy | PLAYING SOLITAIRE (1989) |
| DE BIEVRE | Guy | PLAYING SOLITAIRE (1989) |
| DE BIEVRE | Guy | PNEUMATOMETRICS |
| DE BIEVRE | Guy | POLKA DOTS AND LASER BEAMS |
| DE BIEVRE | Guy | POLKA DOTS AND LASER BEAMS |
| DE BIEVRE | Guy | POLKA DOTS AND LASER BEAMS |
| DE BIEVRE | Guy | POLKA DOTS AND LASER BEAMS |
| DE BIEVRE | Guy | POLKA DOTS AND LASER BEAMS |
| DE BIEVRE | Guy | REVE D'AMOUR RE–ORGANISE |
| DE BIEVRE | Guy | REVE D'AMOUR RE–ORGANISE (1986) |
| DE BIEVRE | Guy | REVE D'AMOUR RE–ORGANISE (1986) |
| DE BIEVRE | Guy | REVE D'AMOUR, RE–ORGANISE |
| DE BIEVRE | Guy | RUMMING DRUNNERS |
| DE BIEVRE | Guy | TEENAGE MUTANT NINJA TETRAHEDRONS (4 PARTS) |
| DE BIEVRE | Guy | TEENAGE MUTANT NINJA TETRAHEDRONS (VERDI – PUCCINI – ROSSINI – LEONCAVALLO) |
| DE BIEVRE | Guy | THE A–TEAM (TUNING THE ORCHESTRA BY NUMBERS) (1987) |
| DE BIEVRE | Guy | THE FLIGHT OF THE BUBBLE BEE |
| DE BIEVRE | Guy | THE GREAT CRATE CRASH |
| DE BIEVRE | Guy | THE MANY GIPSIES IN ME (1.ARMS, 2.CHEEKS, 3.AAH!) |
| DE BIEVRE | Guy | THE MANY GIPSIES IN ME (1990) 1.ARMS – 2.CHEEK – 3.AAH! |
| DE BIEVRE | Guy | THE MANY GYPSIES IN ME (1990) |
| DE BIEVRE | Guy | THE MANY GYPSIES IN ME (1990) |
| DE BIEVRE | Guy | THE PARADE OF THE ANIMAL KINGDOM |
| DE BIEVRE | Guy | THE VERMONT AFFAIR (1987) |
| DE BIEVRE | Guy | TO A RESURECTED KITTEN A/ANDANTE MODERATO; B/ALLEGRO (1983) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBIT (1989) – VERSION FOR SOLO INSTRUMENT |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (1988) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (1989) FOR SOLO INSTRUMENT AND TAPE |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (2 VERSIONS) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (2 VERSIONS) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (5 VERSIONS) |
| DE BIEVRE | Guy | WHO FRAMED MILTON BABBITT? (TAPE PART) |
| DE BLASIO | Chris | ALL THE WAY THROUGH EVENING (1990) |
| DE BLASIO | Chris | DANCES FOR CLAVICHORD |
| DE BLASIO | Chris | DANCES FOR CLAVICHORD |
| DE BLASIO | Chris | DANCES FOR CLAVICHORD |
| DE BLASIO | Chris | THREE DANCES FOR CLAVICHORD (1986) |
| DE BLASIO | Chris | THREE DANCES FOR CLAVICHORD (1986) |
| DE BOECK | August | NOCTURNE |
| DE BONDT | Cornelius | DE DEUREN GESLOTEN |
| DE BONDT | Cornelius | DE DEUREN GESLOTEN |
| DE BRABANDERE | John | THE PASSION OF OUR LORD ACCORDING TO ST.MATTHEW |
| DE BRUYNE | Etienne | IKOVE |
| DE BRUYNE | Stefaan | BURNIN' JELLYFISH (1998) |
| DE BRUYNE | Stefaan | BURNIN' JELLYFISH (1998) |
| DE BRUYNE | Stefaan | WONDER STRANGE DEAM |
| DE BUSSCHERE | Bruno | BOWING (1996) |
| DE BUSSCHERE | Bruno | ECHTSCHEIDING |
| DE BUSSCHERE | Bruno | FLOW |
| DE BUSSCHERE | Bruno | NETMUSIC |
| DE CERRO | Emiliano | EARTH GODS |
| DE COCK | Nicolas | LE SILENCE |
| DE COINTET | Guy | AXTHERASTICAL (1973) |
| DE COMPIEGNE SONAM | Laetitia | PIE JESU – SOUNDS FROM EMPTY SPACES NO.3(1987) |
| DE DECKER | Georges | C'EST AINSI QUE L'ON MESURE |
| DE DECKER | Georges | TSJOEN |
| DE FABRIEK | NEVELEILAND | |
| DE FABRIEK | THE CLOSED DEPARTMENT | |
| DE FALLA | Manuel | PANTOMIME |
| DE FANTI | Eddy | DJEMBE' |
| DE FESCH | Willem | CONCERTO IN F OPUS II/5 |
| DE FILIPPIS | Alain | TON DIEU NE S'APPELLE–T–IL PAS EGO (1993) |
| DE FLEYT | Karin | DUETTO VOOR 2 PIANO'S |
| DE FLEYT–MAES | Karin–Marc | MUIDULERP |
| DE GRAAFF | Huba | CORENICKEN |
| DE GRAAFF | Huba | CORENICKEN |
| DE GRAAFF | Huba | CORENICKEN |
| DE GRAAFF | Huba | OEFENING 1–2, 3, 4 (1986) FOR PIANO |
| DE GRAEF | Rudy | ALLEGRO DOMESTICO |
| DE GRAEF | Rudy | TWEE ORGELSTUKJES |
| DE GROEVE | Inge | 3 DUOS VOOR 2 VIOLEN |
| DE GROEVE | Inge | PIECE FOR TWO VIOLINS |
| DE GROEVE | Inge | THE ONLY THING |
| DE GROOTE | Bruno | BOSSA NOVA |
| DE GROOTE | Bruno | BOSSA NOVA |
| DE HAAS | Polo | IMPROVISATION & HARMONIES (1985) |
| DE HAAS | Polo | IMPROVISATIONS AND HARMONICS (1985) |
| DE HAAS | Polo | IMPROVISATIONS AND HARMONIES (1991) |
| DE JAER | Baudouin | ECLERECTIC ATTRACTA (EXC) |
| DE JONG | Paul | BERG (1998) |
| DE JONGHE | Koen | TIME FOR A QUARTET |
| DE JOODE | Wilbert | EXTREMEN |
| DE KEMP | Bart | LIETO (1990) |
| DE LA VEGA | Aurelio | THE INFINITE SQUARE |
| DE LAAT | Marion | "STILLS" |
| DE LAAT | Marion | 1.20M (X2) (1989) |
| DE LAAT | Marion | DE STOLP |
| DE LAAT | Marion | DE STOLP |
| DE LAAT | Marion | MOMENT |
| DE LAAT | Marion | SPEELDOOSJE |
| DE LAAT | Marion | ZWARTE TRANEN |
| DE LAET | Joris | EFFECT 5 (CO–COMPOSED BY PAUL GELADI) |
| DE LAET | Joris | ENVELOPES |
| DE LAET | Joris | ENVELOPES |
| DE LAET | Joris | FRAGMENTS AND TRANSPOSITIONS (CO–COMPOSED BY VERTSTUYFT MAURICE) |
| DE LAET | Joris | IRREVERSIBLE |
| DE LAET | Joris | IRREVERSIBLE |
| DE LAET | Joris | IRREVERSIBLE (1985) |
| DE LAET | Joris | IRREVERSIBLE FOR TROMBONE AND TAPE |
| DE LAET | Joris | KHENE DIMENSIONED |
| DE LAET | Joris | KHENE–DIMENSIONED |
| DE LAET | Joris | MEANDERS |
| DE LAET | Joris | NADEREN |
| DE LAET | Joris | NADEREN |
| DE LAET | Joris | NADEREN (EXCERPT) |
| DE LAET | Joris | PARAMETRISCH |
| DE LAET | Joris | PIGON PIEGE (1997) |
| DE LAET | Joris | SOLEIL SILENCIEUX (1996) |
| DE LAET | Joris | TAPE EN TRIO |
| DE LAET | Joris | TOEN IK AANKWAM WAS ER NIETS.DAN GEBEURDE ER IETS DAT LANGZAAM VERANDERDE IN NIETS.IK BEN DAN VERDERGEGAAN. |
| DE LAET | Joris | WIGWAM (1991) |
| DE LAET | Joris | WIGWAM (1991) |
| DE LASSUS | Orlando | 3 MOTETS |
| DE LAUBIER | Serge | OUVERTURE, ORGANA, SONNERIE DE L'ARC DE CERCLE, ETC... |
| DE LEEUW | Ton | AND THEY SHALL REIGN FOREVER |
| DE LEEUW | Ton | APPARENCES |
| DE LEEUW | Ton | INTERLUDE (1985) |
| DE LEEUW | Ton | KLARINETKWARTET (1987) |
| DE LEEUW | Ton | KLARINETKWARTET (1987) |
| DE LEEUW | Ton | LES ADIEUX (1988) |
| DE LEEUW | Ton | LES ADIEUX (1988) |
| DE LEEUW | Ton | MIDARE |
| DE LEEUW | Ton | MO–DO (1974) |
| DE LEEUW | Ton | MOUNTAINS |
| DE LEEUW | Ton | POLYSTRUCTURES |
| DE LEEUW | Ton | STRING QUARTET NO.2 FIRST VERSION WITHOUT ELECTRONICS |
| DE LIL | Luc | DIT IS BELGISCH |
| DE LIL | Luc | METAFIEZIESE JAZZ (TEXT VAN OSTAIJEN) |
| DE LIL | Luc | METAFIZIESE JAZZ, SPIELEREI VOOR GEMENGD KOOR |
| DE LIL | Luc | MUZIEK VOOR PIANO NR.1 |
| DE LIL | Luc | PREMIER BOUT EN FORME DE CHOSE (TEXT BY A. BRUTUS) |
| DE LIL | Luc | SONATE IN VORLAUTEN |
| DE MACHAUT | Guillaume | MESSE DE NOTRE–DAME |
| DE MAEYER | Mieke | GRUS GRUS |
| DE MAREZ | Cas | SOUNDSHIFT (EXCERPT) (1988) |
| DE MAREZ–OYENS | Tera | NAM SAN |
| DE MAREZ–OYENS | Tera | NAM SAN |
| DE MAREZ–OYENS | Tera | SOUND & SILENCE |
| DE MARINIS | Paul | |
| DE MARINIS | Paul | 4 SONGS (MINDPOWER – I WANT YOU – SONG OF THE SUBURBAN SALESMEN – KOKOLAY) |
| DE MARINIS | Paul | I WANT YOU (1986) |
| DE MARINIS | Paul | KOKOLE (1985) |
| DE MARINIS | Paul | SOUND FOUNTAIN (WITH DAVID BEHRMAN) |
| DE MARINIS | Paul | THE LECTURE OF COMRADE STALIN ... |
| DE MASI | Andrew | CINCO VERSOS SOBRE SALMO 34 (1980) |
| DE MASI | Andrew | EDDY 8S 4S – VERSE 1 (1978); VERSE 2 & 1.5 (1988) |
| DE MASI | Andrew | EDDY, VERSE 1.5 (1988) ON A MELODY BY LYMAN BRACKETT (CHRISTIAN SCIENCE HYMNAL, 1892) |
| DE MASI | Andrew | EDDY, VERSE 3 (1988) |
| DE MASI | Anrdew | CINCO VERSOS SOBRE SALMO 34 (1980) |
| DE MEERSMAN | Gustaaf | ALS EEN VIS DIE LEERT GAAN |
| DE MEERSMAN | Gustaaf | CHAOS |
| DE MEESTER | Louis | DE GROTE VERZOEKING VAN SINT–ANTONIUS |
| DE MEESTER | Louis | MIMODRAMA |
| DE MEESTER | Louis | SPIELEREI (1970) |
| DE MESTRAL | Charles | ARBRE |
| DE OLIVEIRA | Jocy | ENCONTRODESENCONTRO (1985) |
| DE OLIVEIRA | Jocy | WAVE SONG (1977) |
| DE PABLO | Luis | LA PIERRE – DIEU SUR LA TERASSE (1975) FOR PERCUSSION |
| DE PABLO | Luis | PARDON |
| DE PABLO | Luis | UNE COULEUR... (EXC.)(1988) |
| DE PIRRO | Carlo | TRIPLICAZIONE SECONDA (1986) |
| DE REGT | Hendrik | SUMMER MUSIC (1975) |
| DE RIDDER | Willem | REPORT |
| DE RIDDER / MCKENZ | Willem / Andrew | RESONANCE |
| DE RUYTER | An | DRIE BAGATELLEN |
| DE SCHUYTENEER | David | SOUNDSCAPE |
| DE SMET | Johan | IN HET FOYER |
| DE SMET | Raoul | 5 TENSEMAS |
| DE SMET | Raoul | A LA RECHERCHE DE...II |
| DE SMET | Raoul | BOEKET |
| DE SMET | Raoul | DRUGS |
| DE SMET | Raoul | GAM |
| DE SMET | Raoul | JERDANGO |
| DE SMET | Raoul | MONOLOOG |
| DE SMET | Raoul | NOCHE SERENA |
| DE SMET | Raoul | PETITE MUSIQUE |
| DE SMET | Raoul | SCHETS EN HOUTSNEDE |
| DE SMET | Raoul | SHOTS |
| DE SMET | Raoul | SHOTS (1974) |
| DE SMET | Raoul | STUDIE II (1973) |
| DE SMET | Raoul | STUDIE IV (1973) |
| DE SMET | Raoul | STUDIE V (1973) |
| DE SMET | Raoul | THREE MEDITATIONS (1965) |
| DE SMET | Raoul | THREE MEDITATIONS (1965) |
| DE SMET | Raoul | TRES PIEZAS PARA KARL LENSKI |
| DE SMET | Raoul | TRIOLOGIE |
| DE TROCH | Peter | STRIJKKWINTET – LENTO |
| DE VISEE | Robert | UNDEFINED |
| DE VISSCHER | Eric | FROM SCRATCH (WITH WATER MUSIC) |
| DE VISSCHER | Eric | GRACEFUL DURATIONS |
| DE VISSCHER | Eric | INCIDENTS I |
| DE VISSCHER | Eric | INCIDENTS I (1987) |
| DE VISSCHER | Eric | INCIDENTS II |
| DE VISSCHER | Eric | KLANKBOEK |
| DE VISSCHER | Eric | KLANKBOEK (STEREO VERSION) |
| DE VISSCHER | Eric | KLANKBOEK, SPOREN 1 & 2 (MET DARGE MONIEK) |
| DE VISSCHER | Eric | KLANKBOEK, SPOREN 3 & 4 (MET DARGE MONIEK) |
| DE VISSCHER | Eric | LANDSCAPE (1985) |
| DE VISSCHER | Eric | ONE MORE THAN THREE (1) |
| DE VISSCHER | Eric | ONE MORE THAN THREE (2) |
| DE VISSCHER | Eric | ONE MORE THAN THREE (3) |
| DE VISSCHER | Eric | ONE MORE THAN THREE (4) |
| DE VISSCHER | Eric | THE IVES MEMORIAL PORTABLE SPATIAL HALL (1988–89) FOR CLARINET |
| DE VISSCHER | Eric | THE IVES MEMORIAL PORTABLE SPATIAL HALL (TAPE PART EXCERPT) |
| DE VISSCHER | Eric | WITH HIDDEN NOISE |
| DE VISSCHER | Eric | WITH HIDDEN NOISE TROIS SUITES POUR PIANO, SONS ÉLECTRONIQUES ET BRUITS EN TROIS PARTIES |
| DE VISSCHER–DARGE | Eric–Moniek | KLANKBOEK |
| DE VOS | Ed | DEMOTAPE |
| DE VREE | Freddy | FIKTIEVE DOKUMENTAIRE–GUILLAUME APOLLINAIRE |
| DE VREE | Paul | EEN ROOS A ROSE |
| DE VREE | Paul | KLEINE CAROLI |
| DE VREE | Paul | OGENBLIK |
| DE VREE | Paul | TERRENA TROU BAHI (1965) ORGANON (1965) APRIL AM RHEIN (1966) KIDS (1974) |
| DE VREE | Paul | TERRENA TROU BAHI (1965); ORGANON (1965); APRIL AM RHEIN (1966); KIDS (1974) |
| DE VREE | Paul | VERTIGO GLI |
| DE VRIES ROBBE | Willem | BUMBLE BEES (1975) |
| DE WAARD | Frans | ITINERAIRE |
| DE WINDT | Kaat | DEMOTAPE |
| DE WIT | Harry | MAX |
| DE WIT | Harry | SIX SONGS |
| DE WIT | Harry | SONG FOR THE PIGEONS |
| DEAK | John | COLOR STUDIES |
| DEAK | John | OWL IN LOIVE (EXCERPT) |
| DEAK | Jon | READINGS FROM STEPPENWOLF |
| DEAN | Roger | 515A MADISON AVENUE |
| DEAN | Roger | DEBRIS OF ALL CERTAINTIES |
| DEAN | Roger | HETERONOMY |
| DEANE | Raymond | AFTER–PIECES 1 (1989–90) |
| DEATHRANCH | COUNTESS LUCIA | |
| DEBAECKE–CROENE | Igor–Frederik | DOY |
| DEBAETS | Franky | THIS WOMAN WAS ALL TORTURE (FOR IRMA) |
| DEBRAS | Louis | SEQUENZA 3 (1971) |
| DEBRUYNE | Stefaan | APOSTEF, IJSLOLLY, LEXDROOM, STEF (SOUNDSCAPE BACKUP) |
| DEBUSSY | Claude | ETUDES , DEUXIEME LIVRE (EXC.) |
| DEBUSSY | Claude | SYRINX |
| DEBUSSY | Claude | SYRINX |
| DEBUSSY | Claude | SYRINX |
| DECADT | Jan | HABANERA (ARR. WIM BELAEN) |
| DECOUST | Michel | LE CYGNE (1982) |
| DECOUST | Michel | OLOS |
| DECOUST | Michel | RELEVE D'ESQUISSE (1965–81) POEMES DE CLAUDE MINIERE ET JOÉ BOSQUET |
| DECOUST | Michel | SINFONIETTA (1983) |
| DECRAENE | Steven | STRIJKTRIO |
| DEE | Richard | SUITE FOR VIOLIN AND AMERICAN GAMELAN (1973) COMPOSED WITH HARRISON LOU |
| DEFLEYT | Karin | MARS VOOR PICCOLO EN HELIKON |
| DEFORCE | Arne | DE PERCEPTIE VAN DE TIJD |
| DEFORCE | Arne | DE PERCEPTIE VAN DE TIJD |
| DEFORCE | Arne | DE PERCEPTIE VAN DE TIJD (1998) |
| DEFORCE | Arne | IIOJC'SM 26' 1. 1499 |
| DEFORCE | Arne | IIOJC'SM 26' 1. 1499 |
| DEFORCE | Arne | RITUELLE |
| DEFORCE | Arne | RITUELLE |
| DEFORCE | Arne | RITUELLE |
| DEFORCE | Arne | SOUNDSCAPE BACKUPS |
| DEFORCE | Arne | STRATIFIED MEMORIES |
| DEFORCE | Arne | STRINGING GOLD SWARMS |
| DEFORCE | Arne | UPON RE |
| DEFORCE | Arne | UPON RE |
| DEFORCE | Arne | UPON RE |
| DEFRANCQ | Stijn | ALLEGRO ROBUSTO |
| DEGAZIO | Bruno | HEATNOISE (1987) |
| DEGAZIO | Bruno | HUMORESQUE 901534 |
| DEGAZIO | Bruno | JOLLY |
| DEGAZIO | Bruno | TESLA'S DREAM (1992) |
| DEKNIGHT | J. | ROCK AROUND THE CLOCK (1953) |
| DEL BUONO | Robert | HARMONICA |
| DEL BUONO | Robert | SOLARSYSTEMLESS (1992) |
| DEL MONACO | Alfredo | SYNTAGMA (A) (1972) |
| DEL MONACO | Alfredo | SYNTAGMA A (1972) |
| DELAERE | J. | HEIMWEE – ALS EEN KAARSEVLAMME – HET EERSTE MORGENLICHT – WATERLELIE |
| DELAISTIER | Maurice | EXIL (1988) |
| DELFRERE | F. | CONCERTO |
| DELIO | Thomas | "BECAUSE THE... (1995) |
| DELIO | Thomas | PINE, BAMBOO, PLUM (1994) |
| DELISA | Gene | CONCERTAL (1984) |
| DELISA | Gene | SANCTUS (1984) FROM MISSA FRACTALIS (84–86) |
| DELL' ISOLA | Flavio | PE DE FLORE – DOM DE NAVEGAR – NOS, SEM BANDEIRAS – MENTIRA MORENA |
| DELLA NAVE | Maurizio | CUT VOICES & FOUND SOUNDS |
| DELLO JOIO | Norman | THE LISTENERS |
| DELOUVROY | Jean | Y GUO VALOS |
| DELYS | Sherre | TRANSPOES |
| DEMBELE | Moussa | FARAFINA NYANGOYA |
| DEMNIG | Gunter | SCHWARZER KLANGWAGEN |
| DEMNIG | Gunter | SCHWARZER KLANGWAGEN (EXCERPT) |
| DEMNIG | Gunther | PROJEKT INFRASCHALL |
| DEMNITZ | David | GRAFITTI REMOVAL (1983) – SECOND HAND (1985) |
| DEMPSTER | Stuart | DIDJERIDERVISH (1976) |
| DEMPSTER | Stuart | MORNING LIGHT (1994) |
| DEMPSTER | Stuart | STANDING WAVES (EXC.) (1976) |
| DEMPSTER | Stuart | STANDING WAVES 1976 |
| DEMPSTER | Stuart | STANDING WAVES 78/87 |
| DEN OUDEN | Christine | TWEE BLAUWE MATROZEN |
| DENCKER | Klaus Peter | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| DENHAM | Trevor | IN COLOR (1971) |
| DENHOFF | Michael | EPITAPH FUER KARL–HEINZ SONIUS |
| DENIO | Amy | OHIO RHYMING SEQUEL |
| DENIO | Amy | OHIO RHYMING SEQUEL |
| DENIS | Claudine | DESIRE |
| DENIS | Claudine | L'ABEILLE D'HUDSON |
| DENIS | Claudine | LA TRILOGIE D'ODETTE KASIM |
| DENIS | Claudine | SANZA |
| DENIS | Claudine | SOUNDJOKE & LE LIT |
| DENIS | Jean–Francois | 4 IMAGES (1990) |
| DENIS | Jean–Francois | EXPRESSION OF A DREAM |
| DENIS | Jean–Francois | POINT–VIRGULE |
| DENIS | Jean–Francois | STONEHENGE |
| DENIS/BROWN | Jean–Francois/Eric | FREQUENTS PASSAGES (1987) |
| DENISOV | Edison | 2 MELODIES SUR DES POEMES DE BOUNINE |
| DENISOV | Edison | 3 PIECES FOR CELLO & PIANO (1967) |
| DENISOV | Edison | A FLORE, TROIS MELODIES SUR DES POEMES D'ATTILA JOSEF |
| DENISOV | Edison | BLÄTTER |
| DENISOV | Edison | LE BRASIER DE NEIGE, 24 MELODIES SUR DES POEMES DE BLOK |
| DENISOV | Edison | LE SIGNE EN BLANC |
| DENISOV | Edison | NUAGES NOIRS |
| DENISOV | Edison | PLEURS |
| DENISOV | Edison | PLEURS (1ER MOUV.) |
| DENISOV | Edison | QUATUOR |
| DENISOV | Edison | SONATA FOR CELLO AND PIANO (RECITATIVO; TOCCATA) |
| DENISOV | Edison | SONATA FOR FLUTE AND GUITAR (1977) (EXCERPTS: TRANQUILLO, POCO RUBATO) |
| DENISOV | Edison | SONATA FOR SAXOPHONE AND PIANO (1970) (ALLEGRO; LENTO; ALLEGRO MODERATO) |
| DENISOV | Edison | SONATE |
| DENISOV | Edison | SURPRISE |
| DENISOV | Edison | THREE PIECES FOR CELLO AND PIANO (1967) |
| DENISOV | Edison | VARIATIONS (1961) |
| DENYER | Frank | A FRAGILE THREAD (1979) |
| DENYER | Frank | A MONKEY'S PAW (1987/88) |
| DENYER | Frank | AFTER THE RAIN (1983) |
| DENYER | Frank | ARCHEOLOGY (1991) |
| DENYER | Frank | BENEATH THE FIRED CITY |
| DENYER | Frank | I AWAIT THE SEA'S RED HIBISCUS (1975) |
| DENYER | Frank | MUSIC FOR TWO PERFORMERS |
| DENYER | Frank | MUSIC FOR TWO PERFORMERS (1986) |
| DENYER | Frank | MUSIC FOR TWO PERFORMERS (1986) |
| DENYER | Frank | ON,ON–IT MUST BE SO (1977) |
| DENYER | Frank | QUICK,QUICK,THE TAMBERAN IS COMING |
| DENYER | Frank | QUITE WHITE |
| DENYER | Frank | STALKS (1986) |
| DENYER | Frank | THE HANGED FIDDLER |
| DENYER | Frank | THE HANGED FIDDLER |
| DENYER | Frank | THE HANGED FIDDLER |
| DENYER | Frank | VOICES (MELODIES NO.14) |
| DENYER | Frank | WHEAT |
| DENYER | Frank | WINGED PLAY (1984) |
| DENYER | Frank | WINGED PLAY OF THE RAINBIRD (83/84) |
| DENYS | Chris | FLINK GEDAAN |
| DENYS | Chris | LA CONSCIENCE DIMINUEE D'HENRY |
| DEPERO | Fortunato | CANZONE RUMORISTA |
| DEPERO | Fortunato | COLORS |
| DEPERO | Fortunato | TRAMVAI (1916) SIIO VLUMMIA TORRENTE (1916) VERBALIZZAZIONE ASTRATTA DI SIGNORA (1916) |
| DERBYSHIRE | Delia | AIR |
| DERBYSHIRE | Delia | BLUE VEILS AND GOLDEN SANDS |
| DERBYSHIRE | Delia | DOOR TO DOOR |
| DERBYSHIRE | Delia | MATTACHIN |
| DERBYSHIRE | Delia | POT AU FEU |
| DERBYSHIRE | Delia | QUIZ TIME |
| DERBYSHIRE | Delia | THE DELIAN MODE |
| DERBYSHIRE | Delia | TOWARDS TOMORROW |
| DERBYSHIRE | Delia | ZIWZIH ZIWZIH OO–OO–OO |
| DEREGNEAUCOURT | Jacques | MIGRATIONS |
| DEROME | Jean | CANTATE GRISE (EXCERPTS) |
| DERYCKE | Johan | DID YOU SEE MY PANASONIC – PART II |
| DERYCKE | Johan | FOR A FEW FINGERS MORE |
| DERYCKE | Johan | LA SONATE (I) |
| DERYCKE | Johan | LA SONATE (II) |
| DERYCKE | Johan | LA SONATE ET LES TROIS MESSIEURS |
| DERYCKE | Johan | TELL ME, DID YOU SEE MY PANASONIC |
| DES PRES | Josquin | AVE MARIA (CA. 1500) |
| DESACCORD MAJEUR | EN CONTRE–PARTIE | |
| DESCHENES | Marcelle | BIG BANG II (1987) |
| DESCHEPPER | Juergen | BUILDING ECHOES (FOR IRMA) |
| DESCHEPPER/LAREU | Juergen/Rudy | HET WEZEN VAN BENOIT |
| DESCHYNK | Rik | DE REGERING |
| DESCHYNK | Rik | DE REGERING |
| DESCHYNK | Rik | DE REGERING (1988) |
| DESCHYNK | Rik | VITESSE POLKA |
| DESMOND | Paul | TAKE FIVE |
| DESPORTES | Yvonne | LA NAISSANCE D'UN PAPILLON |
| DESPREZ | Josquin | ALLEGEZ–MOI/FAULTE D'ARGENT/BAISIEZ–MOI |
| DESPREZ | Josquin | SANCTUS FROM MISSA LA SOL FA RE MI |
| DESROCHERS | Pierre | CINEMA – MODE D'EMPLOI |
| DESROCHERS | Pierre | EUDOXIA |
| DESSAU | Paul | CHANSON DE LA FRATERNISATION |
| DESSAU | Paul | IN MEMORIAM BERTOLD BRECHT |
| DESSY | Mario | I THINK IT WOULD BE CORRECT TO DO IT THIS WAY |
| DESSY | Mario | WAITING |
| DETLEFSEN | Hans Christian | ANKURAN |
| DETLEFSEN | Hans Christian | ANKURAN |
| DETONI | GRAPHICS IV | |
| DETONI | Dubravko | GRAPHIK IV |
| DETONI | Dubravko | GRAPHIK IV (REHEARSAL, ONLY BEGINNING) |
| DEVAERE | Tom | CINQUE LETTERE D'AMORE |
| DEVAERE | Tom | FINALE (FOR IRMA) |
| DEVAERE | Tom | GEBAS IN DE GELE ZEE |
| DEVAERE | Tom | LES APARTES |
| DEVRIESE | L. | PUZZLE |
| DHOMONT | Francis | AVATARSSON |
| DHOMONT | Francis | CHIAROSCURO |
| DHOMONT | Francis | CPH PENDLER MUSIC |
| DHOMONT | Francis | ENCUERDAS |
| DHOMONT | Francis | ESPACE/ESCAPE |
| DHOMONT | Francis | L'ELECTRO |
| DHOMONT | Francis | LES MOIRURES DU TEMPS |
| DHOMONT | Francis | METEORES |
| DHOMONT | Francis | MOURIR UN PEU (1984–1987) |
| DHOMONT | Francis | NOVARS |
| DHOMONT | Francis | PHORURGIE |
| DHOMONT | Francis | POINTS DE FUITE |
| DHOMONT | Francis | POINTS DE FUITE (1991) |
| DHOMONT | Francis | QUI EST LA? |
| DHOMONT | Francis | QUI EST LA? (1990) |
| DHOMONT | Francis | SIGNE DYONISOS |
| DHOMONT | Francis | STUDIO DE NUIT (1992) |
| DHOMONT | Francis | THEME DE LA FUITE (1985) |
| DHONDT | Geert | ??? |
| DI SCIPIO | Agostino | KAIROS |
| DIAMOND | David | PRELUDES AND FUGUES |
| DIAMOND | David | QUINTET |
| DIAMOND | David | SONATA NO.1 |
| DIAMOND | David | SONATA NO.2 |
| DIAMOND | David | VOCALISES |
| DIAMOND | Jody | PANKUR N.Z. |
| DIANDA | Hilda | DESPUES EL SILENCIO |
| DICICCO | Oliver | MOBIUS OPERANDI INSTRUMENTS |
| DICK | Robert | 39 STARS |
| DICK | Robert | A BLACK LAKE WITH A BLUE BOAT ON IT |
| DICK | Robert | AFTERLIGHT |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES |
| DICK | Robert | FLAMES MUST NOT ENCIRCLE SIDES (EXCERPT) |
| DICK | Robert | FLYING LESSONS |
| DICK | Robert | FLYING LESSONS (6 CONTEMPORARY CONCERT STUDIES) |
| DICK | Robert | FORCE |
| DICK | Robert | FURTHER DOWN |
| DICK | Robert | GLIMPSE FROM THE BLIMPSE |
| DICK | Robert | GREENHOUSE |
| DICK | Robert | IT'S STILL LIKE IT WOULDN'T BE YESTERDAY |
| DICK | Robert | LAPIS BLUES |
| DICK | Robert | NEWS |
| DICK | Robert | OR FOR ALEXANDER MURRAY |
| DICK | Robert | PIECE IN GAMELAN STYLE |
| DICK | Robert | RECOMBINANT LANDSCAPES |
| DICK | Robert | SAMENESA (1981) |
| DICK | Robert | T=C10 |
| DICK | Robert | TIMES |
| DICK | Robert | TYCHO |
| DICK | Robert | VENTURI SHADOWS |
| DICK | Robert | WHISPERS AND LANDINGS |
| DICK | Robert | YOUNG TEETH |
| DICKMAN | Stephen | FOUR FOR TOM (1997) |
| DICKMAN | Stephen | INDIAN WELLS (1985) |
| DICKMAN | Stephen | RABBI NATHAN'S PRAYER (1995) |
| DICKMAN | Stephen | THE MUSIC OF ERIC ZANN (1998) |
| DICKMAN | Stephen | WHO SAYS WORDS (1992) |
| DICKO | Ibrahim Hama | |
| DIDKOVSKY | Nick | ...SLIPPERS OF STEEL |
| DIDKOVSKY | Nick | AIR PLAYER IX |
| DIDKOVSKY | Nick | COMPUTER GENERATED PIECE NO.2 |
| DIDKOVSKY | Nick | DEAD SILENCE |
| DIDKOVSKY | Nick | FLEXED CLONE FOR LIVE PERFORMER AND HMSL ACTION SCREEN |
| DIDKOVSKY | Nick | FLYKILLER |
| DIDKOVSKY | Nick | FOURIER MUSIC (1. FOR SOLO PIANO, 2. FOR LIVE PERFORMER AND AMIGA LOCAL SOUND) |
| DIDKOVSKY | Nick | I KICK MY HAND |
| DIDKOVSKY | Nick | INTERFERENCE (CRANKED AND CRAMMED) FOR LIVE PERFORMER AND NERVE FRAGMENTS |
| DIDKOVSKY | Nick | MEAT |
| DIDKOVSKY | Nick | METAMUSIC/METATEXT |
| DIDKOVSKY | Nick | MUSIC FOR A MATERIAL TIME (CO–AUTHORED BY YVES DUBOIN) |
| DIDKOVSKY | Nick | MUSIC FOR A MATERIAL TIME CO–INSTALLED BY YVES DUBOIN |
| DIDKOVSKY | Nick | NOW I DO THIS |
| DIDKOVSKY | Nick | OUR SOLDIERS ARE SOFT AS BABIES AND THEY SQUANDER THEIR STIPENDS A–WHORING |
| DIDKOVSKY | Nick | RAINY DAY MARKOV CHAINS FOR LIVE PERFORMER AND MARKOV ACCOMPANIMENT |
| DIDKOVSKY | Nick | THE TWITTERING MACHINE |
| DIDKOVSKY | Nick | TIME BOMB (PART 1) CO–AUTHORED BY YVES DUBOIN |
| DIDKOVSKY | Nick | TIMEBOMB (CO–AUTHORED BY YVES DUBOIN) |
| DIEDERICHS | Yann | DIVERGENCES (1980–87) |
| DIEDERICHS | Yann | DIVERGENCES (1980/87) |
| DIEDERICHS | Yann | ESLO (1988) |
| DIEDERICHS | Yann | ESLO (1988) |
| DIEDERICHS | Yann | IT SHOULD NOT BE FORGOTTEN (1981) |
| DIEDERICHS | Yann | L'ETE LE SYCOMORE |
| DIEDERICHS | Yann | L'ETE, LE SYCOMORE (1984) |
| DIEDERICHS | Yann | SERVENE (1983–84) FOR TAPE AND VIOLIN |
| DIEDERICHS | Yann | SERVENE (1984) |
| DIEDERICHS | Yann | SHRILLS (1982) |
| DIEDERICHS | Yann | SPC 834 (1984) |
| DIEDERICHS | Yann | TROIS INTERPOLATIONS (1981) |
| DIEDERICHS | Yann | TROIS INTERPOLATIONS (1981) |
| DIEDERICHS | Yann | UZYON (1976) |
| DIEDERICHS | Yann | YAS 789 (1978–79) |
| DIEMENTE | Edward | AETNA SOUNDSCAPE (1984) |
| DIEMENTE | Edward | MIRRORS III (1985) |
| DIJKSTRA | Mark | LET THE PEOPLE TALK – SOUNDLOOPEXPERIMENT |
| DILLON | James | CROSSING OVER |
| DILLON | James | EVENING RAIN (1981) |
| DIMITRIEV | G. | PERCUSSIONATA (1978) |
| DIMTHINGS | A WORLD OF SEGREGATION/TUNES FROM THE GARBAGE | |
| DIMTHINGS | DISCIPLINED TO A SPONTANEOUS WAY OF LIFE | |
| DIMTHINGS | GOING BACK TO THE INSANE | |
| DIMTHINGS | IN SPITE OF WHAT THEY SAY | |
| DIMTHINGS | ULTERIOR LUX | |
| DINESCU | Violeta | "...WENN DER FREUDE TRAENEN FLIESSEN..." (1990) |
| DINESCU | Violeta | ALTERNANCES |
| DINESCU | Violeta | ALTERNANZEN BLAESERQUINTETT |
| DINESCU | Violeta | ANNA PERENNA |
| DINESCU | Violeta | ANNA PEZENNA |
| DINESCU | Violeta | ARABESQUES |
| DINESCU | Violeta | ARETUSA (1990) |
| DINESCU | Violeta | AU COEUR DU SILENCE... (1995) |
| DINESCU | Violeta | CIME LOINTAINE |
| DINESCU | Violeta | CONCERTO |
| DINESCU | Violeta | DIALOGO |
| DINESCU | Violeta | DIALOGO |
| DINESCU | Violeta | DIES DIEM DOCET |
| DINESCU | Violeta | DIN CIMPOIU |
| DINESCU | Violeta | DIN CIMPOIU II |
| DINESCU | Violeta | DIN CIMPOLU I (1986) |
| DINESCU | Violeta | DONA NOBIS PACEM |
| DINESCU | Violeta | ECHOS I |
| DINESCU | Violeta | ECHOS I (1980) |
| DINESCU | Violeta | ECHOS II |
| DINESCU | Violeta | ECHOS III FUER ORGEL SOLO |
| DINESCU | Violeta | EURACULOS |
| DINESCU | Violeta | EURACULOS |
| DINESCU | Violeta | EURACULOS |
| DINESCU | Violeta | EURACULOS FUER MEZZOSOPRAN UND KLARINETTE |
| DINESCU | Violeta | FIGUREN III (1989) |
| DINESCU | Violeta | IMMAGINABILE |
| DINESCU | Violeta | IMMAGINI PER FLAUTO |
| DINESCU | Violeta | LICHTWELLEN |
| DINESCU | Violeta | LICHTWELLEN (1991) |
| DINESCU | Violeta | LOC MARIA |
| DINESCU | Violeta | MEMORIES |
| DINESCU | Violeta | MONDNACHT FUER MEZZOSOPRAN UND ORGEL |
| DINESCU | Violeta | NEW ROCHELLE |
| DINESCU | Violeta | NEW ROCHELLE |
| DINESCU | Violeta | NEW ROCHELLE |
| DINESCU | Violeta | OSTROV II |
| DINESCU | Violeta | OSTROV II (1989) |
| DINESCU | Violeta | OSTROV II FOR CLARINET–QUARTET |
| DINESCU | Violeta | QUATRAIN |
| DINESCU | Violeta | QUATRAIN (1986) |
| DINESCU | Violeta | QUATRAIN (1986) |
| DINESCU | Violeta | SATYA 1 |
| DINESCU | Violeta | SATYA I |
| DINESCU | Violeta | SATYA I |
| DINESCU | Violeta | SATYA I FUER VIOLINE SOLO |
| DINESCU | Violeta | SATYA II |
| DINESCU | Violeta | SATYA II FUER FAGOTT SOLO |
| DINESCU | Violeta | SATYA IV |
| DINESCU | Violeta | SATYA IV |
| DINESCU | Violeta | SATYA IV (1981) |
| DINESCU | Violeta | SATYA IV FOR CLARINET |
| DINESCU | Violeta | SCHERZO DA FANTASIA |
| DINESCU | Violeta | SCHERZO DA FANTASIA FUER VIOLINE UND VIOLONCELLO |
| DINESCU | Violeta | SONATE |
| DINESCU | Violeta | TAUTROPFEN (1992) |
| DINESCU | Violeta | TERRA LONDHDANA – STREICHQUARTETT (1984) |
| DINESCU | Violeta | VERZAUBERE MICH IN EINEM SILBERVOGEL |
| DINESCU | Violeta | VERZAUBERE MICH IN EINEN SILBERVOGEL |
| DINESCU | Violeta | ZEBAOTH |
| DINESCU | Violeta | ZEBAOTH |
| DITTRICH | Heinz–Paul | ASSISI (1985) |
| DIYICI | Senem | DEMO |
| DJOUROV | Plamen | ELEGY |
| DJOUROV | Plamen | SONATA FOR PIANO |
| DJOUROV | Plamen | SYMPHONY NO.1 |
| DLUGORAJ | Wojciech | VILLANELLA (FROM THESAURUS HARMONICUS) (16TH/17TH CENTURY) |
| DLUGOSZ | Magdalena | AT THE ROOTS (1991) |
| DLUGOZEWSKI | Lucia | SPACE IS A DIAMOND FOR SOLO TRUMPET |
| DOATI | Roberto | 70 VITI DA LEGNO (1991) |
| DOATI | Roberto | DONNA CHE SI COPRA LE ORECCHIE.. (1992) |
| DOATI | Roberto | FORMA DI NEBBIA (1995) |
| DOATI | Roberto | PIGRA GIORNATA (1994) |
| DOATI | Roberto | TESTA ARCAICA (1993–94) |
| DOATI | Roberto | UN'ARMATURA DI COTONE (1996) |
| DOBIE | Jon | B–SHOPS FOR THE POOR |
| DOBLE | Jim | ELEMENTAL MALLET INSTRUMENTS |
| DOBREV | Tsvetan | FOLK SKETCHES |
| DOBREV | Tsvetan | MARIONNETTES |
| DOBREV | Tsvetan | METAMORPHOSES |
| DOBREV | Tsvetan | POEME ANTIQUE |
| DOBROWOLSKI | Andrezj | MUSIC FOR TAPE AND OBOE (1965) |
| DOBROWOLSKI | Andrzej | MUSIC FOR TUBA SOLO |
| DOBROWOLSKY | Andrzej | MUSIC FOR SOLO TUBA |
| DOCKSTADER | Tod | APOCALYPSE (1961) |
| DOCKSTADER | Tod | APOCALYPSE, PART THREE (1961) |
| DOCKSTADER | Tod | DRONE (1962) |
| DOCKSTADER | Tod | FOUR TELEMETRY TAPES (1965) |
| DOCKSTADER | Tod | LUNA PARK (1961) |
| DOCKSTADER | Tod | LUNA PARK (EXCERPT) (1961) |
| DOCKSTADER | Tod | QUATERMASS (1964) |
| DOCKSTADER | Tod | TANGO FROM QUATERMASS (1964) |
| DOCKSTADER | Tod | TRAVELING MUSIC (1960) |
| DOCKSTADER | Tod | TWO FRAGMENTS FROM APOCALYPSE (1961) |
| DOCKSTADER | Tod | TWO MOONS OF QUATERMASS (1964) |
| DOCKSTADER | Tod | WATER MUSIC (1963) |
| DODGE | Charles | A POSTCARD FROM THE VOLCANO (TEXT WALLACE STEVENS) |
| DODGE | Charles | ANY RESEMBLANCE IS PURELY COINCIDENTAL |
| DODGE | Charles | ANY RESEMBLANCE IS PURELY COINCIDENTAL |
| DODGE | Charles | ANY RESEMBLANCE IS PURELY COINCIDENTAL (1984) |
| DODGE | Charles | CASCANDO (EXCERPT) |
| DODGE | Charles | EARTH'S MAGNETIC FIELD |
| DODGE | Charles | IN CELEBRATION (1975) |
| DODGE | Charles | PROFILE/ROUNDELAY (EXCERPTS) |
| DODGE | Charles | SPEECH SONGS (1973) EXCERPTS: WHEN I AM WITH YOU – HE DESTROYED HER IMAGE |
| DOERNER | Axel | MARCHUGK |
| DOERRFELD | William | EVENING CHANT |
| DOHNANYI | Erno | SUITE IN F# OP.19 |
| DOLDEN | Paul | BELOW THE WALLS OF JERICHO (1988–89) |
| DOLDEN | Paul | CHIAROSCURO II (1982/83) |
| DOLDEN | Paul | IN THE NATURAL DOORWAY I CROUCH |
| DOLDEN | Paul | IN THE NATURAL DOORWAY I CROUCH (1986/87) |
| DOLDEN | Paul | L'IVRESSE DE LA VITESSE (EXC.) (1992/3) |
| DOLDEN | Paul | MEASURED OPALESCENCE (1987/88) |
| DOLDEN | Paul | OCTOGON |
| DOLDEN | Paul | PHYSICS OF SEDUCTION – INVOCATION #1 (1991) |
| DOLDEN | Paul | PHYSICS OF SEDUCTION – INVOCATION #1 (1991) |
| DOLDEN | Paul | PHYSICS OF SEDUCTION – INVOCATION #1(1991) |
| DOLDEN | Paul | PHYSICS OF SEDUCTION – INVOCATION #2 (1991) |
| DOLDEN | Paul | SONARCHY II |
| DOLDEN | Paul | THE MELTING VOICE |
| DOLDEN | Paul | THE MELTING VOICE THROUGH MAZES RUNNING (EXCERPTS) |
| DOLDEN | Paul | THE MELTING VOICE THROUGH MAZES RUNNING (1983/84) |
| DOLDEN | Paul | VEILS: STUDIES IN TEXTURAL TRANSFORMATIONS |
| DOLDEN | Paul | VEILS: STUDIES IN TEXTURAL TRANSFORMATIONS (1984/85) |
| DOLPHY | Eric | GOD BLESS THE CHILD |
| DOLPHY | Eric | GOD BLESS THE CHILD |
| DOLPHY | Eric | GOD BLESS THE CHILD |
| DOLPHY | Eric | GOD BLESS THE CHILD |
| DOLPHY | Eric | GOD BLESS THE CHILD (1961) |
| DOLPHY | Eric | MISS ANN, OUT TO LUNCH AND MANY OTHERS |
| DOMBROWSKI | Bob | CHELSEA HOTEL REUNION |
| DOMBROWSKI | Bob | LIVE AT NO SE NO |
| DOMBROWSKI | Bob | PALIMSECT |
| DOMBROWSKI | Bob | THE LAST ACT |
| DONATONI | Franco | ARPEGE (1986) |
| DONATONI | Franco | CLAIR |
| DONATONI | Franco | CLAIR (1980) |
| DONATONI | Franco | LAME 1 |
| DONATONI | Franco | LAME I |
| DONATONI | Franco | OMAR |
| DONATONI | Franco | OMAR |
| DONATONI | Franco | OMBRA (1984) |
| DONATONI | Franco | REFRAIN |
| DONATONI | Franco | SOFT |
| DONATONI | Franco | SOFT |
| DONATONI | Franco | SOFT (1989) |
| DONATONI | Franco | SOFT (1989) FOR BASS CLARINET |
| DORSEY | Jimmey | OODLES OF NODDLES (1933) |
| DORSEY | Tommy | NO DETAILS |
| DOSTIE | Pierre | RETOUR SUR LES ONDES |
| DOTY | David B. | GENDING: A WANING MOON (1979) |
| DOTY | David B. | INCIDENTS OUT OF CONTEXT |
| DOTY | David B. | MUSIC WITH FOUR TONES (1980) |
| DOTY | David B. | MUSIC WITH TOO MANY PARTS |
| DOTY | David B. | RECOM III/RIVER OF DREAMS (1979) |
| DOUGLAS | Dave | A THOUSAND EVENINGS |
| DOUGLAS | Robert | AZIMUT |
| DOUGLAS | Robert | HOMAGE TO BESSEMER (1986) |
| DOW | Robert | SEASON OF MIST |
| DOW | Robert | WHEN ALL IS SILENT |
| DOWE | Jane | BUST A MOVE |
| DOWLAND | John | LACHRIMAE OR SEAVEN TEARES FIGVURED IN SEAVEN PASSIONATE PAUANS... |
| DOWNSBOROUGH | Peter | ENROLLEN |
| DOWNSBOROUGH | Peter | FROM |
| DOYLE | Roger | UNDER THE GREEN TIME (EXC.) (1995) |
| DR. MENGELHOUSE | NOODLESOUP | |
| DRAGATAKIS | Dimitris | DUO |
| DRAGATAKIS | Dimitris | REPORT TO ELECTRA (1968) |
| DRAGATAKIS | Dimitris | ZALOUH (1971) |
| DRAMM | David | BY |
| DRAMM | David | BY (1986) |
| DRAMM | David | COME TRUE (1991) |
| DRAMM | David | F/V |
| DRAMM | David | F/V |
| DRAMM | David | F/V |
| DRAMM | David | INTO MY HEART |
| DRAMM | David | NOISY KID |
| DRAMM | David | SHUFFLED |
| DRAMM | David | SLEEP (1991) EXCERPT |
| DRAMM | David | WINDOW BLOW–OUT (1993) |
| DRAPER | Dave | COLCHESTER |
| DRASKOVIC | Milimir | DA CAMERA (EXTRACT) |
| DRASKOVIC | Milimir | I–12 (1980) |
| DRASKOVIC | Milimir | TAPE ORCHESTRATION RECORD |
| DRESE | Ingrid | HORLOGE A FEU |
| DRESHER | Paul | MIRRORS (1989/91) |
| DRESHER | Paul | OTHER FIRE (1987) |
| DRESHER | Paul | SLOW FIRE |
| DRESHER | Paul | UNDERGROUND (1982) |
| DRESHER | Paul | WATER DREAMS (1987) |
| DREVER | John Levack | RECENT WORKS: BUTTERFLY LOVERS, CRABFISH, SAND RIDGES, EMPTY BALANCE, CLOUD OF FORGETTING, HIPPOCAMPUS, HOPE |
| DREYBLATT | Arnold | BOWING |
| DREYBLATT | Arnold | BOWING |
| DREYBLATT | Arnold | BRUSSELS CONCERT, UNDEFINED PROGRAM |
| DREYBLATT | Arnold | HARMONICS |
| DREYBLATT | Arnold | HARMONICS |
| DREYBLATT | Arnold | HIGH LIFE |
| DREYBLATT | Arnold | LUCKY STRIKE |
| DREYBLATT | Arnold | LUCKY STRYKE |
| DREYBLATT | Arnold | MUSIC FOR EXCITED STRINGS |
| DREYBLATT | Arnold | NODAL EXCITATION |
| DREYBLATT | Arnold | NODAL EXCITATION (1979–82) |
| DREYBLATT | Arnold | NODAL EXITATION (1979) |
| DREYBLATT | Arnold | ODD & EVEN |
| DREYBLATT | Arnold | ODD & EVEN |
| DREYBLATT | Arnold | PEDAL TONE DANCE |
| DREYBLATT | Arnold | PEDAL TONE DANCE |
| DREYBLATT | Arnold | PROPELLERS IN LOVE |
| DREYBLATT | Arnold | PROPELLORS IN LOVE |
| DRIEDGER | Curtis | HOOK IN ME (EXCERPT) |
| DRISCOLL | John | A GIFT FUER DEN GEIST |
| DRISCOLL | John | A HALL IS ALL |
| DRISCOLL | John | LISTENING OUT LOUD |
| DRISCOLL | John | SECOND MESA (1983) (EXCERPT) |
| DRISCOLL | John | SPUTTERING ENERGY (AT 500 TIMES THE TRUE SIZE) |
| DROESAERT | Ellen | IMPRESSIE |
| DRUCKMANN | Jacob | ANIMUS 3 (1969) |
| DRUCKMANN | Jacob | VALENTINE (1969) |
| DRUMMOND | Dean | COLUMBUS (1980) |
| DRUMMOND | Dean | COLUMBUS (EXCERPT) FOR 2 FLUTES & 2 SUMOSAPHONES |
| DRUMMOND | Dean | DIFFERENT DRUMS FOR DIFFERENT STROKES (1988) |
| DRUMMOND | Dean | INCREDIBLE TIME (TO LIVE AND DIE)(1988) |
| DRUMMOND | Dean | THEN OR NEVER (1984) |
| DRUMMOND | Jon | SEA, FROGS AND MAGPIES (1994) |
| DU BOIS | Rob | HELIOTROOP (10–11–12) |
| DU BOIS | Rob | PASTORALE |
| DU BOIS | Rob | PASTORALE IV |
| DU BOIS | Rob | RANTA MUSIC |
| DU BOIS | Rob | THE CARETAKER (1986) |
| DUARTE | John | 5 QUIET SONGS |
| DUBACH | Petra | BEWEGING – PERFORMANCE |
| DUBEDOUT | Bertrand | AUX LAMPIONS (1981) |
| DUBOIN | Yves | MUSIC FOR A MATERIAL TIME (CO–AUTHORED BY NICK DIDKOVSKY) |
| DUBOIN | Yves | MUSIC FOR A MATERIAL TIME CO–INSTALLED BY NICK DIDKOVSKY |
| DUBOIN | Yves | TIME BOMB (PART 1) CO–AUTHORED BY NICK DIDKOVSKY |
| DUBOIN | Yves | TIMEBOMB (CO–AUTHORED BY NICK DIDKOVSKY) |
| DUBOIS | Rene–Daniel | DON'T BLAME THE BEDOUINS (EXCERPTS) |
| DUBRIS | Maggie | HOMER EROTIC DEMO |
| DUBUFFET | Jean | AGUICHEMENTS |
| DUBUFFET | Jean | BATEAU COULE |
| DUBUFFET | Jean | DELIBERANTS |
| DUBUFFET | Jean | DILIGENCES FUTILES |
| DUBUFFET | Jean | GAI SAVOIR |
| DUBUFFET | Jean | HUMEUR INCERTAINE |
| DUBUFFET | Jean | L'EAU |
| DUBUFFET | Jean | PLEURE ET APPLAUDIT |
| DUCH | Leonard F. | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| DUCH | Leonard Frank | KUNST IS RITMUS |
| DUCHAMP | Marcel | ERRATUM MUSICAL (1913) |
| DUCHAMP | Marcel | ERRATUM MUSICAL (1913) |
| DUCHAMP | Marcel | ERRATUM MUSICAL (FOR THREE VOICES) (1913?) |
| DUCHAMP | Marcel | LA MARIEE MISE A NU PAR SES CELIBATAIRES MEME. ERRATUM MUSICAL (1912?) |
| DUCHAMP | Marcel | LA MARIEE MISE A NU PAR SES CELIBATAIRES MEME. ERRATUM MUSICAL (PIANOLA VERSION) (1912?) |
| DUCHAMP | Marcel | LA MARIEE MISE A NU...MEME |
| DUCHAMP | Marcel | SCULPTURE MUSICALE (1913?) |
| DUCHAMP | Marcel | THE BRIDE STRIPPED BARE BY HER BACHELORS, EVEN |
| DUCHAMP | Marcel | THE BRIDE STRIPPED BARE BY HER BACHELORS, EVEN – ERRATUM MUSICAL |
| DUCHENNE | Jean–Marc | FEUILLETS D'ALBUM |
| DUCKWORTH | William | BLUE RHYTHM (1990) |
| DUCKWORTH | William | IMAGINARY DANCES (1985, REV.1988) (#7,8,9) |
| DUCKWORTH | William | IMAGINARY DANCES (1985–8) |
| DUCKWORTH | William | POLKING AROUND |
| DUCKWORTH | William | POLKING AROUND |
| DUCKWORTH | William | POLKING AROUND |
| DUCKWORTH | William | SLOW DANCING IN YOUGOSLAVIA |
| DUCKWORTH | William | THE TIME CURVE PRELUDES |
| DUCOL | Bruno | HORIZON VERTIGINEUX (1978) |
| DUDEK–DUERER | Andrzej | SOMEWHERE ELSE |
| DUDEK–DUERER | Andrzej | YOUR DESTINY |
| DUDON | Jacques | BIOMAGNETIC CARRESS |
| DUDON | Jacques | PHOTOSONIC MUSIC: BACK TO THE VESSEL – INTERPLANETARY LIAISON – WELCOME TO MUZZARBALIBAR – A SUN IN YOUR HEART |
| DUDON | Jacques | PHOTOSONIC MUSIC: BIOMAGNETIC CARESS – HARMONIC ALTITUDE – SANDS OF TIME – LITTLE CLOUD 342 – THE SWEETNESS OF THE TREES |
| DUDON | Jacques | SUR TA PEAU SILICE |
| DUDON | Jacques | SYNTHESE PHOTOSONIQUE |
| DUESENBERRY | John | WAVEBREAK |
| DUFAY | Guillaume | L'HOMME ARME (MELODY, FOLLOWED BY THE KYRIE FROM THE FOUR PART SUNG MASS L'HOMME ARME) (CA. 1460) |
| DUFAY | Guillaume | SE LA FACE AY PALE (MELODY, CHANSON AND KYRIE FROM THE MASS BY THAT NAME) |
| DUFRENE | Francois | CONCERTINO POUR HIVER ET PRINTEMPS |
| DUFRENE | Francois | CRIRYTHMES |
| DUFRENE | Francois | TRIPTICRIRYTHME |
| DUFRENE | Francois | U 47 |
| DUFRENE | Francois | UN RETOUR A MES SOURCES (1971) LA VALSE (1958) |
| DUGGAN | Kevin | METAMORPHOSIS |
| DUGGAN | Mark | EVOCATION...GENTLE FALLING RAIN (1989) |
| DUKE | John | RICHARD CORY – LUKE HAVERGAL – MINEVER CHEEVY |
| DUMAS | Chantal | LE SPECTACLE DES HABIL(I)ELETES (1994) |
| DUMITRESCU | Iancu | 5 IMPLOSIONS (1993) |
| DUMITRESCU | Iancu | A PRIORI (1994) |
| DUMITRESCU | Iancu | APOGEUM (1972) |
| DUMITRESCU | Iancu | AU DELA DE MOVEMUR (1990) |
| DUMITRESCU | Iancu | AULODIE MIORITICA (GAMMA) (1984) |
| DUMITRESCU | Iancu | BASORELIEFS SIMPHONIQUES (1977) |
| DUMITRESCU | Iancu | COGITO/TROMPE L'OEIL (1982) |
| DUMITRESCU | Iancu | EON – DANS UN DESORDRE ABSOLU (II) (1998) |
| DUMITRESCU | Iancu | FLUXUS II, LIVE |
| DUMITRESCU | Iancu | GALAXY (1993) |
| DUMITRESCU | Iancu | GNOSIS (1988) |
| DUMITRESCU | Iancu | GRANDE OURSE (1983) |
| DUMITRESCU | Iancu | HARRYPHONIES (ALPHA) (1985) |
| DUMITRESCU | Iancu | HARRYPHONIES (EPSILON) (1986) |
| DUMITRESCU | Iancu | MEDIUM III (1982) |
| DUMITRESCU | Iancu | MEMORIAL / ALTERNANCES (1967–68) |
| DUMITRESCU | Iancu | MONADES (GAMMA & EPSILON) |
| DUMITRESCU | Iancu | MOVEMUR ET SUMUS (III) (1978) |
| DUMITRESCU | Iancu | MYTHOS (1994) |
| DUMITRESCU | Iancu | ORION I & ORION II (1978) |
| DUMITRESCU | Iancu | OURANOS II (1997) |
| DUMITRESCU | Iancu | PERSPECTIVES AU MOVEMUR (1978) |
| DUMITRESCU | Iancu | PIERRES SACREES (1991) |
| DUMITRESCU | Iancu | RELIEFS (II) (1975) |
| DUMITRESCU | Iancu | TEMPS CONDENSES (1999) |
| DUMITRESCU | iancu | EON – DANS UN DESORDRE ABSOLU (I) (1998) |
| DUN | Tan | CIRCLE WITH FOUR TRIOS, CONDUCTOR AND AUDIENCE (1992) |
| DUN | Tan | EIGHT COLORS FOR STING QUARTET (1986–88) |
| DUN | Tan | ELEGY: SNOW IN JUNE (1991) |
| DUN | Tan | IN DISTANCE (1987) |
| DUN | Tan | NINE SONGS – RITUAL OPERA |
| DUN | Tan | SILK ROAD (1989) |
| DUNAWAY | Judy | BALLOON MARCH |
| DUNAWAY | Judy | BALLOON MUSIC |
| DUNAWAY | Judy | BALLOON PIECE |
| DUNAWAY | Judy | BALLOON QUINTET |
| DUNAWAY | Judy | BALLOON TRIO |
| DUNAWAY | Judy | BALLOON TRIO |
| DUNAWAY | Judy | DEMO: BALLOON–PIECES |
| DUNAWAY | Judy | EL NORTE |
| DUNAWAY | Judy | FIFTY |
| DUNAWAY | Judy | JUDY DUNAWAY & THE E.G.L.B. |
| DUNAWAY | Judy | PIECE FOR WEATHERBALLOON |
| DUNAWAY | Judy | STRUCTURED BALLOON IMPROVISATION |
| DUNAWAY | Judy | VARIOUS SOLO AND ENSEMBLE PIECES FOR BALLOONS |
| DUNCAN | John | MAYDAY (1983) |
| DUNN | David | CHAOS & THE EMERGENT MIND OF THE POND |
| DUNN | David | CHAOS & THE EMERGENT MIND OF THE POND (EXCERPT) |
| DUNN | David | CHAOS & THE EMERGENT MIND OF THE POUND |
| DUNN | David | MADGRICAL (THE LANGUAGE OF THE ENVIRONMENT IS ENCODED IN THE PATTERNS OF ITS LIVING SYSTEMS) |
| DUNN | David | TABULA ANGELORUM BONORUM 49 |
| DUPUY | Jean | ELLE AIMAIT BIEN LES FRITES, MARGUERITE (1977) |
| DURA | Thom | CLOWN AROUND |
| DURAND | Werner | RIGHT HEMISPHERE/SHADOWS |
| DURIS | Juraj | DREAMS (1987) |
| DUROCHER | Jean Sebastien | LAISSEZ UNE VOIX |
| DURY | Remi | OCTO–VOCE, LE CHANT DE L'HEXAEDRE, AUTOMOBILE, ETC... |
| DUSAPIN | Pascal | INCISA |
| DUSAPIN | Pascal | ITOU (1985) |
| DUSMAN | Linda | AND A VOICE WAS HEARD IN RAMA (1994) |
| DUSMAN | Linda | AND A VOICE WAS HEARD IN RAMA (1994) |
| DUSMAN | Linda | PERSEPHONE AND DEMETER (EX FUSTINE, SCENE 5) |
| DUSMAN | Linda | THUNDER, PERFECT MIND (EX FUSTINE, SCENE 6) |
| DUTTON | Paul | A NIGHT IN NOSE GORGE |
| DUTTON | Paul | BEYOND DOO WOP,... |
| DUTTON | Paul | BLUE REED'S |
| DUTTON | Paul | FOR THE LETTER THAT BEGINS THEM ALL, H |
| DUTTON | Paul | IMP'S ROVE |
| DUTTON | Paul | IMP'S ROVE #21 |
| DUTTON | Paul | METALOGOS: SUITE IN TWO PARTS (A & B) |
| DUTTON | Paul | MONDRIAN BOOGIE WOOGIE |
| DUTTON | Paul | STEREO HEAD |
| DUTTON | Paul | STEREO MOUTH |
| DUTTON | Paul | STEREO NOSE |
| DUTTON | Paul | TIME |
| DUYCK | Johan | LAUDA JERUSALEM |
| DUYVES | Michel | INTERLUDE 2 |
| DUYVES | Michel | TRIO 3 |
| DUYVES | Michel | TRIO I, II |
| DVORAK | Antonin | ZIGEUNERMELODIEEN |
| DYKSTRA | Jorrit | TIKKERTJE |
| DYLAN | Bob | SUBTERRANEAN HOMESICK BLUES |
| DYSON | Frances | VOICES LOST AND CALLING (1990)(EXCERPT) |
| DYSON | Frances | WINDOW PAIN |
| DYZEWSKI | Marek | COMME UN FLOCON DE NEIGE |
| DYZEWSKI | Marek | STABAT MATER DOLOROSA |
| DZIADEK | Andrzej | TWO BAGATELLES (1992) |
| DZIUBAK | Janusz | BEZUCZUCIOWOSC MASZYNY |
| DZIUBAK | Janusz | BRUTALNOSC MILOSCI |
| DZIUBAK | Janusz | CZYE SERCE TAK BIJE? – NAJPIEKNIEJSZY UTWOR 'SWIATA – TANIEC CHLOPKA Z KAPUSTA – W POSZUKIWANIU TROCJY SWIETEJ |
| DZIUBAK | Janusz | DROGA DO SAMOZAGLADY |
| DZIUBAK | Janusz | JA I CZAS |
| DZIUBAK | Janusz | KORESPONDENCIA Z FANNY TRAN |
| DZIUBAK | Janusz | MALO CZY DUZO – TRUDNY WYBOR |
| DZIUBAK | Janusz | MARSZ TRYTONOW W DIABELSTWO – JEDNA Z MINIPIESNI – MIKRO I MAKRO KOSMOS – JAK ODMIERZAM CZAS |
| DZIUBAK | Janusz | MARZS TRYTONOW W DIABELSTWO |
| DZIUBAK | Janusz | MASTODONTY |
| DZIUBAK | Janusz | RADOSC WIELCANOCNEGO PORANKA |
| DZIUBAK | Janusz | SERENADA MISIA DLA WROBELKI |
| DZIUBAK | Janusz | TANIEC CHLOPKA Z KAPUSTA |
| DZIUBAK | Janusz | TRYPTYK (EXCERPTS) |
| DZIUBAK | Janusz | TRYPTYK (EXCERPTS) |
| DZIUBAK | Janusz | TRYPTYK (PRZASNICZKA AD 1981 – PRZASNICZKA AD 1982 – PRZASNICZKA AD 1983) |
| DZIUBAK | Janusz | W TREZECIM KREGU PIEKIEL |