[Nederlandstalige versie]

Robot: <Bono>

This musical robot consists of an old but extremely well made valve trombone, found on the Ghent flea market. It was build by the famous brass instrument builders V.F.Cerveny and Sons in Hradec Kralove (Tchechia) We equipped it with an automated playing head and four automated valves. Wind supply -we use a small rotating compressor- is also automated. Controlling this robot is realized using a standard midi protocol. This instrument has four rotary valves. Normally these valves rotate over a 90 degree angle under finger operation. The drawing illustrates the internal workings of this type of valve: When we started the automation of this mechanism we had many technical choices with regard to the way the valves could be operated:

1. The most trivial solution seemed to be to preserve the existing mechanism and replace the human fingers with push type solenoids pushing on the existing fingerplates. The problem with this approach is that operation of the valves is very sluggish, mainly because the return spring now also has to lift up the anchor of the solenoid. A second problem is that due to the many mechanical parts, the action tends to be rather noisy. For these reason we abandoned this track.

2. A second possibility consists of activating the axis of the valves directly using angular displacement solenoids. The problem here is that angular displacement solenoids operating over full 90 degrees angles are difficult to find, 45 degrees being the most common standard. Also, the 90 degree types are pretty noisy whenever they reach their end positions. One could of course go with a design using two 45 degree rotary solenoids for each valve, each operating on another side of the axis. At rest all valves would then be in a halfway depressed state. In this case we would need eight solenoids.

3. A third possibility was to use motors (stepper or servo) to rotate the valves on their axis in steps of 90 degrees. The advantage of this last approach being the unsurpassed speed that can be achieved from the valves, however at the detriment of complexity: position sensors become a mandatory requirement. With stepper motors, small types doing 7.5 degrees per step could be used. These require 12 steps for a 90 degree angle and are pretty silent in operation. However their torque is marginal if they have to rotate worn out or not to well greased valves.

4. A fourth possibility consist of using eight pull-type tubular solenoids working on the eccentric pivot point on the valve shafts. Here we get rid of the entire original mechanism and replace it with traction wires made of 1.6 mm stainless steel rods.

During the research phase we tried out the third and the fourth possibility. We rejected the third mainly because the acceleration of the steppers could never be made fast enough for a good and lively response of the keys. The fourth possibility was realized using Black Knight pull type solenoids. In order to get fast response we drive them using our pulse/hold PIC controller boards as developed for our <player piano> , for <Bako> and for <Qt>. The force they are able to develop is only marginal for smooth operation in this robot. The circuit principle is shown in the schematic below:

In total, three PIC-microcontroller boards are used in this robot: A first one placed on the midi-input and hub board, controlling the motor functions, the expression valve and the visual effects. A second one takes care of the valve combinations used for resonance on the required notes. A third one, -equipped with a dsPIC, type 30F3010, controlling the artificial mouth assembly and the pitch generation. This board also has two digit decimal displays, showing the midi note playing. We used a TIL311 display, because this type has an on chip BCD to 7-segment decoder. When no note is playing, the display will read 'FF'. (Not zero, because 0 is a valid midi note!).

For the construction of the artificial mouth we could build further on the experience gained when realizing our automated sousaphone, <So>. However, we also tried out a few other sound generating mechanisms prior to taking up the <So> design again. Thus we tried a servo motor driven rotary valve working on compressed air. This worked soundwise excellently - we could obtain really impressive fortissimos for instance over the entire compass. We finally rejected the application of this technology because we were unable to control the servo fast enough in going from the one speed to the other as required for proper generation of musical pitches. The second problem had to with the difficulty in finding really silent compressors.

The overview of the total circuitry looks like:

The <Bono> robot was designed to be suspended, thus reducing floor space requirements for the <M&M> robot orchestra. All mechanical parts were made from stainless steel, welded together using the manual TIG process. All serviceable parts can be taken apart however.

Power supply voltages and currents:

• +12V/ 4A power supply for solenoids (hold voltage) - non stabilized (17.8V max) Also used for lights.
• -24V/ 4A for solenoid pulses. (velo voltage, non stabilized).
• +28V/-28V dc power for amp. (toroidal transformer)
• +5V/ 500mA for processor boards

Midi Mapping and implementation:

Midi note range: [0-33] 34 - 63 [64-72]. Note on with velocity is implemented and has a wide control range. For a good attack, low values for velo and a high setting for controller 17 should be used. (see further in this implementation tabel).

Note Off commands are required, but can be dropped for pure legato playing. Note-off stops the mouthpiece driver and de-energizes the valve solenoids.

Lights:

• Note 85 = Yellow LED cascade left
• Note 86 = Yellow LED cascade right
• Note 87 = Yellow LED's frontal left
• Note 88 = Yellow LED's frontal right

Controller 1: [version 1 & 2 to only] wind pressure (motor speed), Note that this is not a volume control, but the wind pressure greatly affects the realism of the produced trombone sound. Users should set this controller to the highest possible value wherewith a good sound is produced. Soft sounds require less wind. Note that the wind also serves as a cooling mechanism for the mouthpiece driver. Therefore it is illegal to play notes without supplying wind.

Controller 7: General volume control. There is a build in integrator, such that very fast changes for this controller are averaged out. Integration time is in the order of 15ms. This is the controller to use for crescendo and descrescendo playing. It also can be used as an excellent tremolo controller as well as for advanced enveloppe control.

Controller 17 is used for the attack level and thus contributes to the volume scaling. Note that this setting affects greatly the effect of the velocity byte as well as that off the attack-time controller (controller nr.18). The intrinsic relation is shown in the graph below:

Controller 13 changes the lookup table for the valve-pitch correspondence

Controller 18: attack time (see graph under controller 17). This sets the time the volume will remain at the level set by controller 17, before falling back to the value set with the velocity byte.

Controller 20: tuning (diapason, default is 440Hz). The range is limited to maximum 50 cents (a quartertone) upwards.

Controller 21: second partial amount (for expert use only)

Controller 22: Third partial amount (for expert use only)

Controller 25: Valve solenoid pulse duration (for research and development only)

Controller 66: Machine power on/off switch (mandatory). As long as controller 66 is not set to on (any non-zero value), <Bono> will not play anything.

Controller 123 switches all notes off. Releases the solenoid valves. Resets the controllers, except nr.20. Also switches off the lights.

Program change: implemented. Program changes are used to let 'quick and dirty' users set presets for certain limited musical applications. It saves them the burden to get into the interpretation level of music, at the detriment of nuance. The implementation and program numbering scheme will we analogous to the ones developed for <So>.

Pitch bend implemented. The range is limited to +/- a semitone. Pitch bend can be used for microtonal music as well as for vibrato control.

Technical specifications:

• size: height: 450mm, length: 1050mm, depth: 350mm
• weight: to be determined (estimate: 30kg)
• transportation: <Bono> should only be transported in its special flightcase.
• power: 230V ac / 100W
• Tuning: based on A = 440 Hz (within 1%). The tuning can be adjusted.
• Ambitus: [10- 21] 22 - 63 [64-82]
• Insurance value: 9.500 Euro

Design and construction: dr.Godfried-Willem Raes

Collaborators on the construction of this robot:

• Kristof Lauwers (GMT implementation)
• Xavier Verhelst (research)
• Johannes Taelman (PIC coding)

Music composed for <Bono>:

• Godfried-Willem Raes "Calls for Bono"

Back to composers guide to the M&M robot orchestra.

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Nederlands:

Robot: <Bono>

In het M&M robot orkest hadden we behoefte aan wat meer variatie in de lage blaasinstrumenten, in dit tessituurgebied domineerden immers alleen <So> en de toch wat minder responsieve <Bako>. Voor deze automatische ventieltrombone gebruikten we bij onze eerste experimenten -waarbij we zochten naar een alternatief voor het mechanisme dat we ontwikkelden voor <So>- een persluchtmotor met drie schoepen als klankopwekkingsmechanisme. Deze persluchtmotor -hier gebruikt als kompressor - werd daarbij aangedreven door een uiterst nauwkeurige servo motor. De korrektheid van de intonatie staat of valt immers met de precizie van deze motor en zijn aansturing. Zouden we een dergelijk systeem zonder meer toepassen, dan zou de luidheid van de voortgebrachte tonen een funktie zijn van de toonhoogte. Dit is muzikaal uiteraard niet erg wenselijk. Daarom is ook een regeling van de windinlaat van de kompressor hier een absolute vereiste. Het mechanisme werkte naar toonkwaliteit erg goed en was in staat impressionante fortissimos te genereren, maar leed aan een niet te vermijden traagheid bij het snel wisselen van tonen. Een na enige tijd onuitstaanbaar portamento bleef een inherente eigenschap van het koncept. Daarom pasten we in de tweede versie opnieuw een moving coil driver toe, een in een aantal opzichten verbeterde versie van die toegepast in <So>. De rezultaten in de hoogte van de tessituur bleven echter onbevredigend, zodat we in versie drie -de meest recente- overstapten naar het gebruik van een akoestische impedantietransformator gekoppeld aan een 100W kompressiedriver. Hierdoor werd het oorspronkelijk ontwikkelde windmechanisme overbodig. Van meet af aan bouwden we <Bono> zo, dat het instrument ook probleemloos overweg kan met kwarttoonsmuziek en muziek in andere stemmingen in het algemeen.

De ventielen op deze bijzonder goed gebouwde trombone zijn draaiventielen. De Boheemse oorsprong van het instrument, gebouwd door V.F.Cerveny in Hradec Kralove in het huidige Tchechie, is daar uiteraard niet vreemd aan. Daardoor kon echter niet hetzelfde mechanisme worden toegepasten als bij <So>, die met drie duwventielen is uitgerust. Deze ventielen moeten immers over een hoek van 90 graden verdraaid worden om het ventiel te schakelen. In de ontwerpfaze onderzochten we grondig de verschillende mogelijkheden:

1.- Toepassing van duwmagneten op de bestaande hefbomen voor de vingers. Deze triviale mogelijkheid dienden we te verwerpen vanwege de te grote traagheid: de terugslagveren moeten nu immers ook het gewicht van de magneetkern omhoogduwen. Bovendien leidde de overmaat aan hefboompjes en draaipunten tot veel bijgeluiden, wrijvingsverliezen, traagheid en onbetrouwbaarheid.

2.- Toepassing van draai-elektromagneten. Deze hebben echter standaard een hoekverdraaiing beperkt tot 45 graden. Negentig graden types zijn zeldzaam en extreem duur. Bovendien zijn ze lawaaierig bij het bereiken van hun eindpositie.

3.- Toepassing van stappenmotoren. Hiermee kunnen de ventielen telkens over een hoek van 90 graden worden verdraaid. Maar, door torsie en wrijving bestaan de mogelijkheid dat de motoren op gezette tijden een of meer stappen missen waardoor de afregeling verloren gaat. Om dit te kompenseren zijn dan weer positiebepalingssensoren nodig. We hebben een proefprojektje opgezet met stappenmotoren met een stapgrootte van 7.5 graden, maar de versnellings mogelijkheden van deze motoren bleek te klein om erg soepel met de ventielen te kunnen omgaan.

4.- Toepassing van dubbele trek of duw magneten aangrijpend in het excenter punt van de oorspronkelijke vertielen, waarbij dan het gehele originele hefboommechanisme wordt verwijderd. Hiervoor pasten we Black Knight trekmagneten toe, voorzien van uit inox staaf geplooide trakturen. om die te plooien ontwikkelden we een speciale plooimal. De trakturen dienen immers onderling identisch te zijn. De lineaire verplaatsing wordt nu 10mm voor een draaihoek van 45 graden.

Deze robot maakt voor zijn interne besturing gebruik van drie mikroprocessoren: twee 18F2525 PIC's en een 30F3010 dsPIC. Gedetailleerde schakelschemas zijn aan het einde van deze pagina toegevoegd. Om het nodige podiumoppervlak voor het <M&M> robotorkest niet nog verder te vergroten, besloten we deze automaat te bouwen voor ophanging, hoewel opstelling op de bodem ook mogelijk is.

Godfried-Willem Raes

Pictures taken during the building of the <Bono> robot:

Construction Diary:

• 15.10.2005: first ideas and practical sketches.
• 16.10.2005: experiments with sound production mechanism.
• 18.12.2005: discussion on PIC implementation possibilities with Johannes Taelman.
• 17.01.2006: calculations for a design using a Dunker servo motor (70-4000rpm) coupled to a rotary compressor and a valve controlled wind-inlet mechanism.
• 19.01.2006: experimental disassembly of a dentists compressor in order to check its suitability as sound producing device in a bass brass instrument. Brand name: Fricar A.G., Zuerich.
• 20.01.2006: The air does not pulse enough at the output. The device seems to be optimized for suction rather than compression. Oddly enough, but blowing or sucking does not make a serious difference if it comes to sound production and projection. The sound stems mostly from the resonance in the instrument and not from the windflow.
• 22.01.2006: Search for axis coupling of horn-compressor to servo motor.
• 20.03.2006: trombone back from repair and tuning in instrument building workshop Bernard d'Harte.
• 23.03.2006: calculation and measurement of required activation forces for the valves. The valves require a force of 15N to become completely depressed. Thus the normal Lucas-Ledex STA type, diameter 26mm, (7.8N @ 100%, 5mm travel) cannot be used without overdrive! The Laukhuff types (blue double coils on 24V) specify 10N as maximum force.
• 31.07.2006: experiments with stepping motors on <Qt> in order to find out their useability as valve drivers in <Bono>. They were evaluated as too noisy for application in musical instruments including a 'soft' dynamic range.
• 18.12.2006: experiments with ball-head valves as sound generators. The sound is nice and can attain extremely high pressure levels, but we fear extreme wear very fast on the ball-head valve...
• 27.07.2007: building further on the experience gained with the renovation of the <So> robot circuitry, we developed a new board for the mouthpiece driver, using a microchip dsPIC microcontroller.
• 30.07.2007: TIG welding works on the artificial mouth assembly. This was an extremely difficult job, since the stainless steel pots used to form the container are less then 0.5mm thick. Wind inlet 30mm stainless steel tube, through hole for electrical wire (4mm) , mouthpiece holder with clamping and adjustment mechanism.
• 
• 31.07.2007: Research work on automation of the rotary valves: stepper motors or pull type solenoids. Frame welded for eigth Black Knight tubular solenoids. (Frame size: 250 x 150 x 30, material thickness 3mm)
• 01.08.2007: First design of support structure: base plate 300 x 600mm, stainless steel plate 3mm thick. Vertical support pieces for the trombone: 100 x 10 x 120, to be welded on base plate. The pieces have 5mm drilled holes for mounting the trombone witch clamps. The solenoid assembly should be removable for maintenance and adjustment. Mounting the robot on large wheels (such as used for <Bako>) is an option.
• 02.08.2007: Bottom plate cut out and bend. Base plate size: 700 x 260. Thickness 2mm, AISI 316. TIG welding works on bottom plate. We decided to suspend the robot upside down (so, the bottom mounting plate, will become the 'ceiling' plate from which the instrument should be hung.) Mains power entry (3-prong euroconnector) sawn out and switch hole drilled. Support and carrying plates for trombone welded on chassis plate. If anyone follows us on this track: dont use 2mm plate! Its an invitation to warping problems in the welding process. We went for 2mm plate only to save some weigth, considering the robot was to be suspended. 3mm stainless steel works really a lot easier!
• 03.08.2007: Compressor mounting components welded on chassis plate. Reinforcing ribs cut out. Design of adjustable valve solenoid holder on chassis plate.
• 05.08.2007: Mouth assembly holder constructed. It mounts on the base plate with an M12 bolt and nut. Spacers should be used for precize vertical adjustment of the mouthpiece. Bending former constructed for the making of the tractures for the valves. Valve solenoid holder, part 1, welded.
• 06.08.2007: First tentative placement of artificial mouth assembly. Air inlet to the mouth and air outlet from the compressor can be seen on the picture. Drilling of all mounting holes for the electronic circuitry. Drilling of 12mm holes on the sides for either large wheels or suspension hooks. Moving coil driver prepared and mounted in the mouth cavity container. Research on pad material for the lip subtitute. Saxophone leather pads might be to soft for a good sound in the trebble.
• 07.08.2007: diverse prototypes gemaakt van moving coil drivers voor koperblaasembouchures. Diverse materialen: neopreen, styrofoam, latex, siliconenrubber, acetaat. Om 18u alle werk stilgelegd wegens chirurgische ingreep op linkerwijsvinger. Het bono werk wordt voor minstens een week stilgelegd. [due to a surgical treatment of my left index finger, I cannot do any mechanical kind of job for at least a week or so].
• 08.08.2007: Metal cable glands ordered from Farnell. These are for adjustable mounting of the mouthpiece on the moving coil assembly.
• 09.08.2007: Moving coil driver audio amp ordered from Farnell: ILP's HY2001 type should be more then powerfull enough. Power transformer required: 20-0-20V ac - 30Watt. This is similar than the HY30 type used in <So>.
• 10.08.2007: Extensive tests with expanded neoprene as lip material. These tests seem to lead to an entire world of applications of speakers as precision analogue valve drivers for low air pressure.
• 14.08.2007: Playing head reassembled and tested with sound generator. Power amp build up with toroidal transformer 2x18V.
• 15.08.2007: Mounting holes drilled for PC boards and power supplies. Old brass wheels found, for horizontal mounting of the robot. Construction chassis components for mounting of Siemens Sinamics motor controller.
• 16.08.2007: rewiring of Laukhuff motor for 3-phase operation. Test session with moving coil driver: as for now, it seems very difficult to get it to speak notes higher than 64. In order to be compatible with normal trombone writing, we should extend this to at least note 74. At 7V rms drive, the coil gets pretty hot, so it seems essential to apply wind, even alone for cooling. As usual, loudspeaker spec sheets from manufacturers appear to be completely unreliable.
• 17.08.2007: Wheel spindles in brass drilled out. M12 thread welded to chassis. More mounting holes drilled in chassis for placement of electronic components and circuitry. Yellow LED spotlites purchased.
• 18.08.2007: Mounting and wiring of power supply related components on chassis. Adjustment of mounting hole for moving coil assembly. Motor compressor mounted, One single M8 bolt and blue loctite silicon kit. Siemens Sinamics motor controller mounted.
• 19.08.2007: Test assembly of all parts.
• 20.08.2007: Electric tests of power supplies. Tone generator tests.
• 21.08.2007: Design prototype board for the dsPIC circuit with display. We use TIL311 types, because they have an integrated BCD to 7-segment decoder.
• 25.08.2007: Rough assembly of components: It looks like we will need to design some kind of protective structure around the backside of the robot, such that it can be placed on a surface without risk of damaging essential components.
• 27.08.2007: Spec sheet for the the PIC firmware, version 1.0.
• 30.08.2007: Bono ds-pic board passed to Johannes Taelman for code development.
• 23.11.2007: Support for suspension and protection bend in 10mm thick stainless steel (25mm wide). This part can be taken off by loosening the M12 inbus bolts.
• 24.11.2007: Welding finished on support. Mounting under a 75° degree angle (60+15). For attaching suspension hooks, we drilled two 10mm holes in the end points. Midi-hub and motor control board mounted and wired,
• 25.11.2007: Bright yellow LED lights through base panel mounted and wired. Motor controller programmed. (Siemens Sinamics, same settings as used in <So>) . Power supply voltages checked. Hub board powered up. There is a noticable mechanical hum from the transformers. Maybe we should damp it either by mounting them with silicone compound or immersion in epoxy resin.
• 27.11.2007: Mounting valve control board.This is the same board as we have used for our <Harma> robot (Board version 1.0). Wiring finalized. Connector X3 steers the pull-off solenoids, connector X4 the pull-on solenoids. Wire color coding is: red=positive power supply voltage, orange= left solenoid/valve, yellow= second left, green= second right, purple= right solenoid/valve. Two outputs remain as yet unused.
• 28.11.2007: Construction of the solenoid connecting rods reconsidered. M2x20 stainless steel bolts ordered.
• 29.11.2007: New connecting rods bend from stainless steel wire.
• 30.11.2007: Working session on PIC firmware. PIC1, midihub board programmed. This PIC has lookups for wind-pressure in function of note (pitch) comparable to what we implemented for <So>.
• 01.12.2007: On pulse/hold board output X3/4 disabled by cutting out the connection to the mosfet base and the PNP transistor. This was required in order to use the in circuit debugger with this board. So, now the fourth off-solenoid is connected to X3-5. Output X4-10 is now the only unused and available output. PIC2 programmed with a first code version by Johannes Taelman. Velo implemented but now kept at a constant value of 20ms.
• 02.12.2007: Mechanical work on the solenoid driven rotary valves finalised. DS-PIC board finalised with the VCA circuitry and transformer coupling. The audio transformer used is a pre-world war two type taken from old professional audio equipment with vacuum tubes. It measured out perfectly o.k. for our application here. It's very well screened and shows up a very lineair frequency response. There is no type number nor marks other than ROLO 295 on the part. The reason a transformer is used is mainly as a filter to block of the high frequency components in the PWM signal. DC-restoration and blocking was a secondary bonus.
• 04.12.2007: Transformer mounting finalized. Solenoid anchors fixed to tracture wires with stainless steel M2 bolts and nuts.
• 07.12.2007: Programming session with Johannes Taelman on the DS-PIC. Some hardware bugs and DS-PIC pin incompatibilities solved. Bono can play its first notes...
• 08.12.2007: DS-PIC board not responding when motor is activated.... This sounds like induction from motor PWM into sensitive input of the PIC preventing it to operate properly... With the motor disabled, the DS pic does work. Controllers 7 and 66 work fine, controllers 17 and 18 need different scaling factors. Controller 66 does not seem to work at all on PIC1 (no activity at all on PIC pin 16. Stuck on zero... Nothing wrong with the hardware here). Moving coil driver burned out... (probably because we let it work with the motor disabled. The wind does in fact cool the voice coil in the driver!). Old driver was an ITT model rated for 20W rms. All M2 nuts on the solenoid valves secured with crazy glue (cyanacrylate).
• 09.12.2007: Mouth driver completely rebuild. Now with a more powerfull Aciko bass driver rated 50W. We have to wait at least 24h now for the silicon compound to cure. Mouthpiece reshaped on the lathe to allow for a somewhat larger regulating traject. Controller 66 not working was a bug in the PIC1 code. It used X17-3 instead of X11-2. By soldering an IRL640 mosfet in at the appropriate spot on the midihub board this was solved. The tuning controller (nr.20) should be set to 5 for a tuning to 440Hz within 1 cent. The range is a quartertone upwards (for ctrl 20 = 127). Test code in GMT rewritten. Controller 14 is not working... maybe ctrl 25 was implemented instead... None are working. When we revize the PIC2 firmware, we should implement this as controller 25, since that will make compatibility with music written for <So> better. Another bug now in the PIC2 code, is that the valve solenoids do not hold for the duration of the requested note.
• 10.12.2007: New test session after silicone compound curing. Sound production works fine in the note range 10-32. Between 33 and 48 the mouthpiece adjustment becomes very critical and at some positions, it octaves an octave down, so it functions as a mechanical frequency divider. Wind pressure should be adjusted as high as possible. Pitch bend seems already implemented but does not work symmetrical around the 64 value for the msb. The tremolo test using the optor works absolutely fine. It's response is actually better than what we hoped to get from the design. It seems that a controller for the DC offset of the wave form (wave symmetry control) would be very welcome. We came to the same conclusion in the design of <So>.
• 13.12.2007: Further work on the allignment of the playing head.
• 20.12.2007: New head submitted to new tests after mounting and regulating. Sound demo given to Sebastian Bradt.
• 21.12.2007: Bono seems to play an octave higher than what the midi note command says. This should be remedied in the DS pic code. For the higher notes (from note 60 -real pitch- on, a waveform assymmetry or a positive DC offset is really required. For the extreme low, a negative DC offset seems required.
• 22.12.2007: Continued research on the sound mechanism. Although the pitch generator is not in error, we will have to map all notes an octave higher, since the mechanical construction of the mouthpiece causes the sound to play an octave higher. Now we adjusted the mouthpiece such as to render the best possible range for the mid-low notes on the trombone.
• 24.12.2007: Bono speelt zijn eerste echte muzikale kompositie...
• 25.12.2007: Wegwerken mechanische resonanties van de metalen onderdelen en schoefverbindingen.
• 26.12.2007: Aanmaak testfiles voor Bono. Praktijktests met tremolo en vibrato mogelijkheden.
• 28.12.2007: Werksessie PIC programmering met Johannes Taelman. Op PIC2 is nu controller 25 geimplementeerd voor de sturing van de pulsduur op de ventielen.
• 03.01.2008: Uitwerking GMT player implementatie voor Bono.
• 05.01.2008: Further hardware tests.
• 08.01.2008: Golfvorm-assymetrie blijkt essentieel voor een goede toonvorming.
• 11.01.2008: ds-PIC crashes zijn persistent... Konstruktie tussenplaat onder het ds-PIC board.
• 16.01.2008: Bono speelt voor het eerst mee in het M&M orkest...
• 30.05.2008: Twee LED-strips (geel) toegevoegd aan de binnenzijde van de hangbeugel.
• 27.07.2008: Mondholte van Bono opnieuw geopend. Ontevreden met de klank. Deze keer kleefden we een precizie-geslepen stalen legring op de kunststof lipplaat. De pot werd nu met blauwe Loctite gasking silicone zorgvuldig luchtdicht gemaakt.
• 28.07.2008: De klank blijft onbevredigend, al is de extreme laagte (noten 12 tot 26) nu wel goed. De aansturing met zuivere blokgolven klinkt in elk geval beter dan de modified-sine wave die nu wordt gegenereerd (ds-PIC board) . Controller 25 blijkt niet te werken. De lookups voor de vingerzettingen werken ook nog niet (pulse-hold board).
• 29.07.2008: Hele dag expimenten uitgevoerd met diverse alternatieve opbouwwijzen voor de mondstukdriver.
• 30.07.2008: Ontwerp en konstruktie van een nieuwe mondholtepot. Rezultaat: de noten 12 tot en met 32 klinken goed nu, maar de klinkende noten zijn een oktaaf hoger. Controller settings nu: ctrl 7: 127 (mag varieren), ctrl 17: 127, ctrl 18: 120 (variatie mogelijk tussen 110-127), ctrl 66: 127 (ON), ctrl 1: ca.50 (wind). Bruikbare waarde voor de velocities zijn nu 48 tot 127. De dynamiek is evenwel nog steeds te klein.
• 29.08.2008: Aansluiting van de gele ledjes krans in de ophangboog. (12V)
• 12.10.2008: Herbeschouwing van het mondstukstuurmechanisme. Het huidige mechanisme werkt maar haalt niet het verwachte geluidsvolume. Wellicht kunnen we hier voordeel halen uit de research verricht rond robots zoals <Ob> en de op stapel staande <Heli>.
• 30.10.2008: Trombonemondstuk afgedraaid op de draaibank voor test met een kompressiedriver zoals gebouwd voor <Korn>, <Heli> en <Ob>. De uitsturing is nu echter te klein. De amplitude neemt toe met de toonhoogte, wat hier niet wenselijk is. Wellicht zit er ook een bug in het schakelschema rond de uitgangstransfo en moet die primair wel degelijk een middenaftakking hebben, te verbinden met hetzij massa hetzij +5V. Om dit te onderzoeken vervingen we de transfo door een nieuwe 1:1 audio transfo met middenaftakking (600 Ohm impedantie, Farnell 117-2421). De 390 Ohm belastingsweerstand na de optors moest nu worden weggeknipt. Het al of niet met massa verbinden van de middenaftakking blijkt absoluut geen verschil uit te maken. Met deze wijzigingen is de klank in elk geval al heel wat beter. Resterende fouten: er moet een ruiskomponent in het signaal worden toegevoegd, de tokken bij het in- en uitschakelen van de noten moeten worden weggewerkt en de oktaveringsfout moet verbeterd worden. Nu speelt Bono alle noten een oktaaf hoger dan wat uitgestuurd wordt via midi. Een gewenst neveneffekt is dat de audiotransfo nu ruim in verzadiging kan worden gestuurd wat tot een gewenst cuivre effekt aanleiding kan geven.
• 31.10.2008: Ook de midihub PIC heeft nog een tekort: een van beide gele kransLED's op de beugel is niet geimplementeerd. Er zit ook nog een bug in de dsPIC firmware of in de GMT testkode: de amplitude controller werkt omgekeerd... Om een of andere duistere reden durft de dsPIC ook wel vastlopen. Na ontvangst van controller 66 blijkt hij het echter steevast opnieuw te doen.
• 01.11.2008: Hele werkdag rond de toonvorming in Bono. Het rezultaat is nu redelijk goed, al is de klank eerder die van een trombone uit de oude muziek dan wel die van het symfonisch orkest. De motor kan nu eigenlijk geelimineerd worden, of gebruikt voor een speciaal effekt... We zitten wel nog met een hinderlijke brom. Wellicht afkomstig van de 5V voeding. Uit te zoeken met de skoop.
• 02.11.2008: Brom weggewerkt door toevoeging van twee 4.7mF elkos na de gelijkrichter op het midihub board. GMT test kode aangepast aan de nieuwe specifikaties.
• 05.11.2008: Bono speelt zijn eerste partijen in het oude muziekrepertoire met Marcel Ketels, Dirk Moelants en Stefaan Smagghe...
• 06.11.2008: Zoektocht naar een geschikte montagebeugel voor de motor driver. Uiteindelijk zelf beugel, omtrek 384mm, vervaardigd uit inox met opgelaste M12 x 80 bout. Traktuur van het vierde ventiel hersteld. Alle nu overbodig geworden draden en konnektoren verwijderd.
• 07.11.2008: Konstruktie van een beschermplaat in glashelder 8mm dik polykarbonaat voor de bovenzijde ter bescherming van de schakelingen bij ophanging. Afmetingen: 260 x 700mm. Voor het programmeren van de beide PIC processors moet deze plaat weggenomen worden.

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Naar katalogus instrumenten gebouwd door Godfried-Willem Raes

Last update: 2008-11-07 by Godfried-Willem Raes

Technical drawings and data sheets:

Midi input board and PIC controller:

Midi buffers and thru ports:

Microprocessor section (motor control & lights):

Solenoids used for the valve mechanism:

Black Knight 121 420 610 620, 12V nominal @100% duty cycle, Rdc=20.4 Ohm. diameter 20mm (25 Euro a piece, in 2006) Farnell order code: 4207439 . Positive hold voltage: 9V, negative pulse voltage: -17V. Force for a displacement of 15mm, at 12V: 0.49N (50gf), for a 1mm displacement at 12V: 7.84N (800 gf). Maximum allowable voltage: 160V

Moving coil driver:

ITT PB128 65.13-1-370-998 49101 10545 W.Germany, 8 Ohm, 20W. (modified: perforated cone and silicon mounted saxophone leather pad). Amplifier: ILP HY2001 module. Power supply transformer: ILP type 1UR18, toroidal, 230V ac @ 2 x 18V , 0.83A. Power: 30VA.

Trombone:

Vaclav Franticek Cerveny & Sons, Hradec Kralove (Tchechia). Probably from ca. 1928 or earlier. The factory closed in 1945. Equiped with 4 rotary valves. (1/2t, 1t, 1 1/2t, 2 1/2t).

Mouthpiece connection to artificial head (Version 2.0):

Cable gland, Lapp Cable, Skintop MSR. Manufacturer type number: 52015810 PG16, clamping range 6-13mm. Farnell order code:117-8964. Locknut: PG16, 52003530 order code:117-8923. This piece has to be adapted in order to fit bono: mount the male-male thread piece the other way round so that the longest thread sticks into the stainless steel pot. This driver was replaced on 30.10.2008 with a motor compressor driver coupled to an acoustic impedance converter turned on the lathe from a real trombone mouthpiece. This is now version 3.0.

Potmeter on the DS-PIC board:

This multiturn potentiometer is used to adjust the maximum output level such that no harm can occur to the moving coil assemby or the compression driver. The setting should not be changed by users. Only qualified technicians should be allowed to interfere with this adjustment. The potmeter (the large blue component on the DS-PIC board) is a Bourns high quality wirewound potmeter with value 5k and forms the input attenuator for the HY2001 amp module. The input voltage to this module should not exceed 500mVrms.

Audio transformer:

This is a 1:1 audio transformer with impedance 600 Ohms. Brand: Oxford Electrical Products Ltd. Rdc is 109 Ohms : 134 Ohms. Frequency response: 30Hz - 25kHz. Power: 2mW. Farnell order nr.:117-2421. The theoretical maximum power, for a secondary voltage of 10V with a load of 4k7 is 21mW. Largely more than the specs. This will cause THD distortion at high levels. This is not a mistake but intended in the design. The original Rola transformer (version 2.0, out of use since 30.10.2008) was left in place but has no function any more. We are now at version 3.0. Note the single BA220 diode over one of the primary windings as well as the 150nF cap over the secondary: these components are essential for obtaining a trombone like sound from the instrument. The cap forms a formant filter (resonator) and the diode creates an asymetrical and non-linear (amplitude dependent) waveform. These component values were not calculated but found after many hours of experimenting with different arrangements and component values.

LED spotlite specs:

• White: Type LAMPL12W - 18 LED's. (not yet mounted)
• Yellow LED's: TLCY5100, 5mm, 9° (operated at 20mA max.)
• LED-strips: 12V, LM-FB26Y-12, flexible. (250mA per strip)

Programming information and settings for the Siemens Sinamics G110 motor controller:

Wiring motor controller connections (Version 1.0 and 2.0):

Technical ASCII description files for PIC-specs and lookups:

• bono-pics.txt
• bono_valves.txt

High resolution (300dpi) pictures of <Bono> for download:

• bono frontal
• bono side 1
• bono side 2
• bono side 3