| Comp_name | First_name | Title |
|---|---|---|
| MAAS | Koen | QUATUOR NO.1 |
| MABRY | Drake | MOORLANDS |
| MAC LOW | Jackson | 1ST MILAREPA GATHA |
| MAC LOW | Jackson | 1ST MILAREPA GATHA |
| MAC LOW | Jackson | 21 21 29 5TH BIBLICAL POEM (1955) |
| MAC LOW | Jackson | 38TH AND 39TH 'MERZGEDICHTE' IN MEMORIAM KURT SCHWITTERS |
| MAC LOW | Jackson | A VOCABULARY FOR ANNE TARDOS |
| MAC LOW | Jackson | A WORD EVENT FOR BICI FORBES ON THE WORD 'BICENTENNIAL' |
| MAC LOW | Jackson | A WORD EVENT FOR BICI FORBES ON THE WORD 'ENVIRONMENTALLY' |
| MAC LOW | Jackson | ANNOTATED VOCABULARY FOR EVE ROSENTHAL |
| MAC LOW | Jackson | FIRST MELORAPAGATHA |
| MAC LOW | Jackson | FIRST MILAREPA GATHA |
| MAC LOW | Jackson | FIRST MILAREPA GATHA (1976) |
| MAC LOW | Jackson | FOR JOHN CAGE, RIGHT AFTER HIS 70TH BIRTHDAY OUT OF "ACATINO'S" II POEMS |
| MAC LOW | Jackson | FREE GATHA |
| MAC LOW | Jackson | FREE GATHA 1 AND FREE GATHA 2 |
| MAC LOW | Jackson | FROM THE VIRGINIA WOOLF POEMS |
| MAC LOW | Jackson | HAPPY BIRTHDAY |
| MAC LOW | Jackson | HETEROPHONY (FROM HEREFORD BOSONS 1 – 1981) |
| MAC LOW | Jackson | HOMAGE TO LEONA BLEIWEIS |
| MAC LOW | Jackson | HOMAGE TO LEONA BLEIWEIS (EXCERPT) |
| MAC LOW | Jackson | HOMAGE TO LEONA BLEIWEISS (2ND VERSION – CONT'D) |
| MAC LOW | Jackson | HOMAGE TO LEONA BLEIWEISS (2ND VERSION) |
| MAC LOW | Jackson | HUMAN GEOGRAPHY (1988–89) CO–AUTHORED BY TARDOS ANNE |
| MAC LOW | Jackson | IS THAT WOOL HAT MY HAT |
| MAC LOW | Jackson | IS THAT WOOL HAT MY HAT |
| MAC LOW | Jackson | LABORATORY FANTASTICATION |
| MAC LOW | Jackson | LET (FROM THE "P.F.R. 3 POEMS) (1969) |
| MAC LOW | Jackson | LETT |
| MAC LOW | Jackson | LUCAS 1 TO 29 ONE OR MORE INSTRUMENTALISTS |
| MAC LOW | Jackson | MEMORIAL TO A.J. MUSTE |
| MAC LOW | Jackson | MILAREPA QUARTET FOR FOUR LIKE INSTRUMENTS |
| MAC LOW | Jackson | PHONEME DANCE IN MEMORIAM JOHN CAGE |
| MAC LOW | Jackson | PHONEMICON (FROM HEREFORD BOSONS 1) |
| MAC LOW | Jackson | PHONEMICON (FROM HEREFORD BOSONS 1) |
| MAC LOW | Jackson | PIECES OF SIX 27 |
| MAC LOW | Jackson | RATIONAL RINGO LINK |
| MAC LOW | Jackson | RATIONAL RINGO LINK (FOR UDO KASEMETS 'COUNTERBOMB RINGO') |
| MAC LOW | Jackson | SOME POEMS FROM "ASYMMETRIES" (1960) |
| MAC LOW | Jackson | TARA GATHA |
| MAC LOW | Jackson | TARA GATHA (1975) |
| MAC LOW | Jackson | THANKS |
| MAC LOW | Jackson | THE |
| MAC LOW | Jackson | THE (FROM "P.F.R. 3–POEMS" )(1969) |
| MAC LOW | Jackson | THE BLACK TARANTULA CROSSWORD GATHAS |
| MAC LOW | Jackson | THE BLACK TARRANTULA CROSSWORD GATHA (BASED ON CATHY ACKER'S "THE CHILDLIKE LIFE OF THE BLACK TARRANTULA") |
| MAC LOW | Jackson | THE TEXT ON THE OPPOSITE PAGE MAY BE USED IN ANY WAY AS A SCORE FOR SOLO OR GROUP READINGS, MUSICAL OR DRAMATIC PERFORMANCES,... |
| MAC LOW | Jackson | THE TEXT ON THE OPPOSITE PAGE MAY BE USED IN ANY WAY AS A SCORE FOR SOLO OR GROUP READINGS, MUSICAL OR DRAMATIC PERFORMANCES... |
| MAC LOW | Jackson | UNDEFINED GATHA |
| MAC LOW | Jackson | VOCABULARY GATHA FOR ANNE TARDOS |
| MAC LOW | Jackson | VOCABULARY GATHA FOR MALCOLM GOLDSTEIN |
| MAC LOW | Jackson | WINDS/INSTRUMENTS |
| MAC LOW | Jackson | WORD EVENT IN MEMORIAM JULIAN BECK |
| MAC LOW | Jackson | WORDS AND ENDS FROM EZ (EXCERPTS) |
| MAC LOW | Jackson | WORDS AND ENDS FROM GOETHE |
| MAC LOW | Jackson | WORDS ND ENDS FROM EZ (1983–89) |
| MAC LOW/TARDOS | Jackson/Anne | AUM GATHA, PLAYED WITH REAL SLEEPER, REAL DREAMER |
| MACBRIDE | David | CHARTRES (1989) |
| MACBRIDE | David | THREE DANCES FOR STRING QUARTET (1987) |
| MACCORMAC | Sylvi | SPIRIT WHEELS: JOURNEY (PART ONE OF A PUPPET OPERA) (1997) |
| MACCORMAC | Sylvi | VOICES OF A PLACE : HILDEGARD WESTERKAMP INSIDE THE SOUNDSCAPE (1998) |
| MACCORMAC | Sylvi | WAVES OF KOKORO (1999) |
| MACDONALD | Alistair | DREEL |
| MACDONALD | Alistair | MEETING POINT |
| MACHAJDIK | Peter | 78 KLEINE KOMPOSITIES (EXCERPTS, SIMULTANEOUS WITH POETISCHE LIEDEREN) |
| MACHAJDIK | Peter | INTIEME MUZIEK |
| MACHAJDIK | Peter | KLANKKLEUREN |
| MACHAJDIK | Peter | TROMPETER |
| MACHAS | Patricia | CICLO #1 & #2 |
| MACHE | Francois Bernard | TERRE DE FEU |
| MACHE | Francois–Bernard | AULODIE |
| MACHE | Francois–Bernard | AULODIE |
| MACHE | Francois–Bernard | AULODIE |
| MACHE | Francois–Bernard | ERIDAN (1986) |
| MACHE | Francois–Bernard | KORWAR (1972) |
| MACHE | Francois–Bernard | LETHE (1985) |
| MACHE | Francois–Bernard | NOCTURNE (1981) |
| MACHE | Francois–Bernard | SYNERGIES |
| MACHE | Francois–Bernard | VOLUMES (1960) |
| MACHE | Francois–Bernard | VOLUMES (1960) |
| MACHINE FOR MAKING | SENCE | DISSECT THE BODY |
| MACHOVER | Ted | FLORA |
| MACIUNAS | George | PIANO PIECE 13 (CARPENTER'S PIECE) (1962) |
| MACKAY | Robert | VOICEWIND – POSTCARDS FROM THE SUMMER – FLUTE MELT (1998–1999) |
| MACKEY | Steven | A MATTER OF LIFE AND DEATH |
| MACKEY | Steven | A MATTER OF LIFE AND DEATH (PARTS 3 & 4) |
| MACKEY | Steven | RHONDO VARIATIONS (1983) |
| MACLEAN | Steven | PIANO DROP & PIECES 1–4 |
| MACLEOD | Kevin | PACIFIC (1998) |
| MACPHERSON | Karen | A POND AT DUSK |
| MADAME OCTAVIA | A VOCAL MONOLOGUE (2 PARTS) | |
| MADERNA | Bruno | AULODIA PER LOTHAR |
| MADERNA | Bruno | VIOLA (CLOSED–FORM VERSION) |
| MADERNA | Bruno | VIOLA (OPEN–FORM VERSION) |
| MAES | Laura | MACHINENDANS |
| MAES | Marc | DE TUIN DER DISKONSONANTE LUSTEN |
| MAES | Marc | DUET: LOVE MAKING TABLES (FOR IRMA) |
| MAES | Marc | HANDICAPS FOR PREPARED MUSICIANS (1991) |
| MAES | Marc | HET ULTIEME VLAAMSE LIED |
| MAES | Marc | LUCHTDOOP |
| MAES | Marc | P.O.S.T. |
| MAES | Marc | P.O.S.T. |
| MAES | Marc | QUIET HIGH–INTONATION DIVINE (FOR IRMA) |
| MAES | Marc | REVELATION MAX REGER (1993) |
| MAES | Marc | SOUNDS (FOR IRMA) |
| MAES | Marc | VIJFLUIK VOOR THEREMIN–DUO MET RADAR MONDHARP AD LIBITUM (1993) |
| MAES | Marc | VIJFLUIK VOOR THEREMIN–DUO MET RADAR–MONDHARP AD LIBITUM |
| MAGGI | Ruggero | MENHIR MAKERS |
| MAGGI | Ruggero | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MAGNY | Bernard | COMME UNE OMBRE QUI BOITE (1994) |
| MAGUIRE | Alex | TERMTIMES (EXC.) |
| MAGUIRE | Alex | THE SCOOP! – A MUSICAL DRAMA (BY MAGUIRE, KOLKOWSKI, HONSINGER) |
| MAHIEU | Cleve | LOVE IS MAKING (FOR IRMA) |
| MAHIEU | Jo | STUKKEN VOOR E–GITAAR SOLO |
| MAHLER | David | THE 22ND STREET ACCORDEON BAND |
| MAHLER | David | THE 22ND STREET ACCORDION BAND |
| MAHLER | David | THE SOUND OF THE POET – WORKS ON TAPE 1972–1986 |
| MAHLER | Gustav | ADAGIETTO |
| MAHLER | Gustav | ICH BIN DER WELT ABHANDEN GEKOMMEN (AUS "FÜNF LIEDER NACH GEDICHTEN VON FRIEDRICH RÜCKERT) |
| MAHNKOPF | CS | SUCCULARITY (1989) |
| MAHON | Dermot | HEAVEN & HELL |
| MAIOLI | Walter | AN ANTHOLOGY |
| MAIOLI | Walter | ANTHOLOGY: THE FIRST MUSICAL INSTRUMENTS, THE FLUTE OF ANCIENT CIVILAZATIONS, SOUNDS OF NATURE, RADIOSOUNDS, ELECTRONICS |
| MAIOLI | Walter | EAGLE BONE |
| MAIOLI | Walter | ESPLORAZIONE |
| MAIOLI | Walter | FUTURO ANTICO |
| MAIOLI | Walter | MAIOLI OP DE WANDELENDE TAK |
| MAIOLI | Walter | SONOROUS ORIGINS |
| MAJAKOVSKIJ | Vladimir | RUMORI,RUMORINI,RUMORACCI (1913) DI STRADA IN STRADA (1913) ORDINANZA ALL'ESERCITO DELL'ARTE (1918) |
| MAKAM | MAKAM | |
| MAKINO | Katori | ECART (1977) POUR FLUTE, CLARINETTE, VIOLON, VIOLONCELLE ET PIANO |
| MALEC | Ivo | REFLETS |
| MALEC | Ivo | TUTTI |
| MALFATTI | Radu | BESTIMMUNG (1991) |
| MALFATTI | Radu | BESTIMMUNG (1991) |
| MALFATTI | Radu | BESTIMMUNG (1991) |
| MALIK | Wittwulf Y | AFORISMS FOR CELLO–SOLO |
| MALIK | Wittwulf Y | FARBKLANG – MUSIKEN |
| MALIK | Wittwulf Y | LICHT– MUSIKEN |
| MALIK | Wittwulf Y | MUSIKEN FUR VIOLONCELLO |
| MALIK | Wittwulf Y | MUSIKEN NACH NOTATIONEN |
| MALIK | Wittwulf Y | REGISTRATION NR. 43, FOR CELLO AND TAPE (ORGAN) |
| MALIK | Wittwulf Y | SINGING WITH WHALES |
| MALIK | Wittwulf Y | SINGING WITH WHALES OP.60 (1986) |
| MALIK | Wittwulf Y | STERNENLICHT OP.83 (1993) |
| MALIK | Wittwulf Y | TRANSART OP.87 (1994) |
| MALIK | Wittwulf Y | VIOLONCELLO SOLO, NR.59, PART 3 |
| MALIK | Wittwulf y | KATALOG–CD MIT TEXTEN, FOTOS, VIDEO, AUDIO–CD, AUDIO MP3 |
| MALLOZZI | Lou | WHOLE OR BY THE SLICE |
| MALOVEC | Jozef | CRYPTOGRAM I (1964) |
| MALOVEC | Jozef | ORTHOGENESIS (1966) |
| MALOVEC | Jozef | ORTHOGENESIS (1967) |
| MALOVEC | Jozef | STRING QUARTET NO.4 |
| MALOVEC | Jozef | THEOREM (1971) |
| MALZNER | Erik | ICHISANGOSICHI |
| MAMANGAKIS | Nikos | ANTINOMIES (1968) ON A POEM BY MITROPOULO M. |
| MAMANGAKIS | Nikos | DIE KRAEHEN SCHREIEN |
| MAMANGAKIS | Nikos | OLOFYRMOS |
| MAMANGAKIS | Nikos | OLOFYRMOS (LAMENTATION) |
| MAMANGAKIS | Nikos | PARASTASIS |
| MAMANGAKIS | Nikos | PENTHIMA IN MEMORIAM J. CHRISTOU |
| MAMANGAKIS | Nikos | PENTHIMA IN MEMORIAM J. CHRISTOU (1970–71) |
| MAMANGAKIS | Nikos | TRITTYS (1966) |
| MAN'S HATE | MEN AND WOMEN ON HORSES WITH DOGS | |
| MANCA | Gabriele | DAGLI ANNALI DIAFANI VENTO (1987) |
| MANCA | Gabriele | DUO DI FOLLIA |
| MANCINI | Henry | PETER GUNN (1958) (ARR.M.PUGLIESE) |
| MANDOLINI | Ricardo | CIRCULOS FOSFORESCENTES EN FONDO NEGRO (1982) |
| MANDOLINI | Ricardo | EL LUADERNO DEL ALCHEMISTES |
| MANLEY | Ben | EXCERPTS OF PERFORMANCES |
| MANLEY | Ben | PERFORMANCE EXCERPT |
| MANLEY | Ben | THE MANLEY FAMILY TRIO LOGOS PERFORMANCE |
| MANN | Chris | A MACHINE FOR MAKING SENSE |
| MANN | Chris | BITS OF PIECES |
| MANN | Chris | BRUSSELS CONCERT, UNDEFINED PROGRAM |
| MANN | Chris | CHANGING THE SUBJECT |
| MANN | Chris | DOIN 2S – 14'03" 5'06" 17'44" 10'37" 27'43" |
| MANN | Chris | LA DE DA |
| MANN | Chris | LANGUAGE IS THE MECHANISM... |
| MANN | Chris | LOGOS PERFORMANCE |
| MANN | Chris | MACHINE FOR MAKING SENSE |
| MANN | Chris | OF COURSE |
| MANN | Chris | OF COURSE/ANYWAY YOU CAN ALWAYS PUT LANGUAGE DOWN TO EXPERIENCE (EXCERPT) (CO–AUTHORED BY WARREN BURT) |
| MANN | Chris | OTHER |
| MANN | Chris | PIECE FOR VOICE & DELAY |
| MANN | Chris | PIECE FOR VOICE & PIANO |
| MANN | Chris | POSITION AS ARGUMENT |
| MANN | Chris | SIMPLE ACTIONS/RULES OF COMPOSSIBILITY (1989) (CO–AUTHORED BY LARRY POLANSKY) |
| MANN | Chris | SNODGER LIP LAP |
| MANN | Chris | TALKING ABOUT HEALESVILLE |
| MANN | Chris | TEXT FOR LOGOS SOUNDTRACKER (1983) |
| MANN | Chris | THE FROG PEAK COLLABORATIONS PROJECT |
| MANNEKE | Daan | ARCHIPEL 3 |
| MANNEKE | Daan | ARCHIPEL III |
| MANNEKE | Daan | CLAIR OBSCUR (1978) |
| MANNEKE | Daan | CLAIR OBSCUR (1987) |
| MANNEKE | Daan | GESTURES |
| MANNEKE | Daan | RAMIFICATIONI |
| MANNEKE | Daan | SEPT POEMES SUR LA TERRE IMMOBILE |
| MANNIS | Jose Augusto | CYCLONE (1983) |
| MANNIS | Jose Augusto | REFLEXOS |
| MANNIS | Jose Augusto | SYNERGIE |
| MANOURY | Philippe | LE LIVRE DES CLAVIERS |
| MANOURY | Phillippe | LE LIVRE DES CLAVIERS |
| MARAIS | Marin | 5 DANCES |
| MARANHA | Andre | CORRIMAO/COMUNIDADE DAS MAOS |
| MARANHA | David | 9 ESTEIRAS PARA 1 ACORDE DE PIANO |
| MARANHA | David | FUGA DOMESTICA |
| MARBE | Myriam | CONCERTO POUR DANIEL KIENTZY ET SAXOPHONE (EXC.)(1986) |
| MARBE | Myriam | CONCERTO POUR DANIEL KIENTZY ET SAXOPHONE(S) |
| MARBE | Myriam | RENAISSANCE (1997) |
| MARBE | Myriam | TROMMELBASS |
| MARBE | Myriam Lucia | DIE UNVERMEIDLICHE ZEIT '94 (1994) |
| MARCHETTI | Lionel | MUE |
| MARCHETTI | Walter | DA NULLA E VERSO NULLA |
| MARCHETTI | Walter | DA NULLA VERSO NULLA |
| MARCHETTI | Walter | PER LA SETE DELL'ORECCHIO |
| MARCLAY | Christian | MARIA CALLAS (1988) |
| MARCLAY | Christian | PING PONG POLKA |
| MARCLAY | Christian | PING PONG POLKA |
| MARCLAY | Christian | PING PONG POLKA (1987) |
| MARCO | Tomas | FLOREAL |
| MARCUS | Bunita | ADAM & EVE |
| MARGE | Bellee Etienne | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MARGOLIS | Al | CLARA NOSTRA |
| MARIGO | Francesco | SOLILOQUIO |
| MARINA | Christian | FATIDIQUE |
| MARINA | Christian | VAE (1998) |
| MARINETTI | F.T. | DEFINIZIONE DI FUTURISMO |
| MARINETTI | F.T. | SINTESI MUSICALI FUTURITICHE |
| MARINETTI | Filippo Tomaso | DEFINIZIONE DI FUTURISMO |
| MARINETTI | Filippo Tomaso | DEFINIZIONE DI FUTURISMO |
| MARINETTI | Filippo Tomaso | LA BATTAGLIA DI ADRIANOPOLI (1924) |
| MARINETTI | Filippo Tomaso | LA BATTAGLIA DI ADRIANOPOLI (1924) |
| MARINETTI | Filippo Tomaso | MACHINICA LIRICA; SI, SI, COSI, L'AURORA SUL MARE |
| MARINETTI | Filippo Tomaso | SINTESI MUSICALE FUTURISTE (1931): GLI EROI DELLA NOSTRA GUERRA (CO–AUTHORED BY ALDO GIUNTINI) |
| MARINETTI | Filippo Tomaso | SINTESI MUSICALE FUTURISTE (1931): GLI EROI DELLA NOSTRA GUERRA (CO–AUTHORED BY ALDO GIUNTINI) |
| MARINETTI | Filippo Tommaso | BATTAGLIA,PESO + ODORE (1912) DUNE (1914) |
| MARINETTI | Filippo Tommaso | CINQUE SINTESI RADIOFONICHE (1933) (UN PAESAGGIO UDITO – DRAMMA DI DISTANZE – I SILENZI PARLANO TRA DI LORO – BATTAGLIA DI RITMI – L |
| MARINETTI | Filippo Tommaso | CINQUE SINTESI RADIOFONICHE (1933) (UN PAESAGGIO UDITO – DRAMMA DI DISTANZE – I SILENZI PARLANO TRA DI LORO – BATTAGLIA DI RITMI – L |
| MARINETTI | Filippo Tommaso | DEFINIZIONE DI FUTURISMO (1924) |
| MARINETTI | Filippo Tommaso | I SILENZI PARLANI FRA DI LORO (1909) |
| MARINETTI | Filippo Tommaso | LA BATTAGLIA DI ADRIANOPOLI (1924) |
| MARINETTI | Filippo Tommaso | SINTESI MUSICALI FUTURISTE (1931) |
| MARINETTI | Filippo–Tomaso | BATAGLIA DI PESO E ODORE (1912) |
| MARIONI | Tom | 3 PAST WORK |
| MARONEY | Denman | A JAZZ TUNE |
| MARONEY | Denman | SHORT SOLOS (LIVE) FOR ENSONIQ MIRAGE DIGITAL SAMPLING |
| MAROS | Miklos | MANIPULATION I |
| MARQUARDT | Paul | TEST PATTERN |
| MARQUETTI | Andre | MUSIC FOR A SIMPLE CONCERT (1998) |
| MARQUETTI | Andre | SONGS (TO AN ISLE IN THE WATER – A WOMAN HOMER SONG – THE SALLEY GARDENS – WORDS) |
| MARQUEZ | Luiz | LA SIERRA – MANOLITO – EL COYOTE |
| MARSANYI | Robert | STUDY FOR LURCH |
| MARSHALL | Ingram | ALCATRAZ |
| MARSHALL | Ingram | ALCATRAZ (1984) |
| MARSHALL | Ingram | CORTEZ |
| MARSHALL | Ingram | CORTEZ (1972) |
| MARSHALL | Ingram | FOG TROPES FOR BRASS SEXTET, FOG HORNS & AMBIENT SOUNDS |
| MARSHALL | Ingram | FOGTROPES |
| MARSHALL | Ingram | FRAGILITY CYCLES |
| MARSHALL | Ingram | GAMBUH I |
| MARSHALL | Ingram | GRADUAL REQUIEM |
| MARSHALL | Ingram | GRADUAL SICILIANO (FOR GUS) |
| MARSHALL | Ingram | IKON AND OTHER EARLY WORKS |
| MARSHALL | Ingram | THE FRAGILITY CYCLES |
| MARSHALL | Stuart | A SAGGING & READING ROOM |
| MARTEIN | Roland | AMRITAKALA |
| MARTEIN | Roland | CHROMA |
| MARTEIN | Roland | LE SACRE DE LA NUIT |
| MARTEIN | Roland | PHYSALIA |
| MARTIN | Judith | CELEBRATION SONG |
| MARTIN | Judith | CELEBRATION SONG |
| MARTIN | Judith | CENTER OF THE WEEL |
| MARTIN | Judith | ONE |
| MARTIN | Judith | PENG |
| MARTIN | Judith | PREDICTIONS RE: WORLD'S END |
| MARTIN | Judith | THE MIND OF DR. FRANKENSTEIN (1976) |
| MARTIN | Judy | SUNRISE |
| MARTIN | Philip | SERENDIPITY (EXC.) (1993) |
| MARTINCEK | Dusan | SONATA NO.6 |
| MARTINEZ | Ariel | EL GLOTON DE PEPERLAND |
| MARTINEZ | Jorge | OJOROJO |
| MARTINO | Donald | A JAZZ SET (1957/90) |
| MARTINO | Donald | B,A,B,B,I,T,T (1966) |
| MARTINO | Donald | BABBITT |
| MARTINO | Donald | CANZONE E TARANTELLA (1984) |
| MARTINO | Donald | PARISONATINA (1964) |
| MARTINO | Donald | PARISONATINA AL'DODECAFONICA (1963) |
| MARTINO | Donald | SET FOR MARIMBA (1995) |
| MARTINO | Donald | SUITE OF VARIATIONS ON MEDIEVAL MELODIES (1952) |
| MARTINO | Donald | TWELVE PRELUDES (1991) |
| MARTINSSON | Rolf | TRIPTYK (1987) |
| MARTIRANO | Salvatore | BALLAD (1966) |
| MARTIRANO | Salvatore | BALLADS (1963) VOOR NACHTKLUBZANGER EN 7 INSTRUMENTEN |
| MARTIRANO | Salvatore | CHANSONS INNOCENTES (1957) |
| MARTIRANO | Salvatore | COCKTAIL MUSIC |
| MARTIRANO | Salvatore | COCKTAIL MUSIC |
| MARTIRANO | Salvatore | COCKTAIL MUSIC (1962) |
| MARTIRANO | Salvatore | O, O, O, O, THAT SHAKESPEHERIAN RAG (1959) |
| MARTIRANO | Salvatore | OCTET (1963) |
| MARTIRANO | Salvatore | STUCK ON STELLA (1979) |
| MARTIRANO | Salvatore | THROWN VOOR BLAZERS EN SLAGWERK–SEXTET |
| MARTLAND | Steve | RE–MIX |
| MARTLAND | Steve | RE–MIX |
| MARTLAND | Steve | TERRA FIRMA (EXC.) |
| MARTON | Eugen M. | SOLO FUER VIOLONCELLO (1971) |
| MARTON | Eugen M. | SOLO FUR VIOLONCELLO (1971) |
| MARTON | Eugen M. | SOLO PER VIOLONCELLO (1971) |
| MARTON | Eugen M. | SOLO PER VIOLONCELLO (1971) |
| MARXHAUSEN | Reinhold | SOUND SCULPTURE DEMO |
| MARXHAUSEN | Reinhold Pieper | THRONE DOME |
| MARY | Mario Marcello | DEL OTRO LADO DEL SILENCIO |
| MARY | Mario Marcello | PORTRAIT TEMOINS |
| MARZIDOVSEK | Mario | SMALL GREEN MAN IN MY BATHROOM (SERIAL VERSION) (1988) |
| MASLIAH | Leo | LLANTO |
| MASON | William | SILVER SPRING OP.6 / A PASTORAL NOVELLETTE |
| MASSON | Askell | CLARINET CONCERTO (1980) |
| MASSON | Askell | PARTITA (NOCTURNE) FOR GUITAR AND PERCUSSION (1984) |
| MASSON | Askell | PRIM FOR SOLO SNARE DRUM (1984) |
| MASSON | Askell | SNJOR (SNOW) |
| MASSON | Askell | SONATA FOR SOLO MARIMBA (1981, REV. 1985) |
| MASSON | Askell | TRIO FOR CLARINET, VIOLIN & VIOLA (1983) |
| MASTER | Carolyn | EN MASSE |
| MASTROGIANNI | Antonio | SECUENCIAL II |
| MASUMOTO | Kikuko | PASTORALE (1973) FOR RECORDER |
| MASUMOTO | Kikuko | PASTORALE FOR RECORDER SOLO |
| MATE | Victor | EXPIATION |
| MATE | Victor | EXPIATION |
| MATE | Victor | EXPIATION POUR VIOLON SEUL |
| MATEJ | Daniel | "NIKABRIK" OR "TRUMPKIN"? |
| MATEJ | Daniel | GLORIA (1992) |
| MATEJ | Daniel | MUSICA AETERNA |
| MATHER | Bruce | EINE KLEINE BLASERMUSIK |
| MATHER | Bruce | FANTASY (1967) |
| MATHER | Bruce | IN MEMORIAM ALEXANDRE UNINSKY (1974) |
| MATHER | Bruce | POEME DU DELIRE (1982) |
| MATHER | Bruce | SAUMUR |
| MATHER | Bruce | VOUVRAY |
| MATHEWS | Max | BICYCLE BUILT FOR TWO (1961) |
| MATICIC | Janez | PALPITATIONS (1973) |
| MATSUDAIRA | Yoriaki | AND I LOVE...–AND I LOVE HER |
| MATSUMOTO | Hinoharu | DAWN BIRD (1994) |
| MATSUSHITA | Isao | ASHI–NO–HA–NI (1983) |
| MATSUSHITA | Isao | HINGASHI–NO (1987) |
| MATSUSHITA | Isao | HINGASHI–NO (1987) |
| MATSUSHITA | Isao | KAGIRO–NOI – NOHKAN (1985) |
| MATSUSHITA | Isao | KAGIRO–NOI – THREE HAIKU FROM BASHO (1985) |
| MATSUSHITA | Isao | KOCHI (1983) |
| MATSUSHITA | Isao | L'AURORE (1985) |
| MATSUSHITA | Isao | TOKI–NO–ITO I (1984) |
| MATSUSHITA | Isao | TOKI–NO–ITO II (PIANO CONCERTO) (1987) |
| MATTHEWS | Kaffe | HOW MANY PLANES ARE THERE IN THE SKY AT ANY ONE TIME? |
| MATTHEWS | Kaffe | MAGIC VIOLIN |
| MATTHIJS | Marc | ??? |
| MATTOX | Janis | BOOK OF SHADOWS (EXC.) (1989) |
| MATUZ | Istvan | DUO FOR 1 FLUTE |
| MATUZ | Istvan | DUO FOR ONE FLUTE |
| MATUZ | Istvan | ETUDE – MULTIPHONICS |
| MATUZ | Istvan | ETUDE MULTIPHONICS |
| MATUZ | Istvan | ETUDE MULTIPHONIQUE |
| MATUZ | Istvan | ETUDE MULTIPHONIQUE |
| MATUZ | Istvan | HEADLESSNESS |
| MAUTE | Matthias | TANTO QUANTO |
| MAXFIELD | Richard | AMAZING GRACE (1960) |
| MAXFIELD | Richard | BACCHANALE (1963) |
| MAXFIELD | Richard | NIGHT MUSIC |
| MAXFIELD | Richard | NIGHT MUSIC |
| MAXFIELD | Richard | PASTORAL SYMPHONY (1960) |
| MAXFIELD | Richard | PASTORAL SYMPHONY (1960) |
| MAXFIELD | Richard | PIANO CONCERT FOR DAVID TUDOR (1961) |
| MAXWELL DAVIES | Peter | FAREWELL – A FANCYE (DOWLAND) |
| MAXWELL DAVIES | Peter | FOUR LESSONS FOR TWO KEYBOARDS (1978) |
| MAXWELL DAVIES | Peter | SONATA |
| MAXWELL DAVIES | Peter | SONATA FUR TRUMPET AND PIANO |
| MAXWELL DAVIES | Peter | THE SEVEN BRIGHTNESSES (1975) |
| MAYES | Martin | GEWS OF GEMS |
| MAYES | Martin | SUMMER IS ICUMEN IN (TRAD. MEDIAEVAL ENGLISH) |
| MAYR | Albert | B.R.D.O. |
| MAYR | Albert | BRDO (EXCERPT) |
| MAYR | Albert | DURATION PIECES |
| MAYR | Albert | HORA HARMONICA |
| MAYR | Albert | HOROS HARMONICA (EXCERPT), WITH AN EXCERPT FROM RYTHME TROUVE – ONDE MARINE 2 (A RHYTHM FOUND AT THE SEA) |
| MAYR | Albert | PROPOSTA SONORA (1967) |
| MAYR | Albert | SUONO AMBIENTE |
| MAYR | Albert | TAPE FOR LIVE MUSICIANS |
| MAZIMOTO | Kikuko | PASTORALE |
| MAZUREK | Bohdan | BOZETTI (1967) |
| MAZUREK | Ron | IN SEARCH OF... |
| MAZZA | Italo | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MAZZACANE | Loren | COME NIGHT |
| MAZZACANE | Loren | HELL'S KITCHEN PARK |
| MAZZACANE | Loren | ROOMS (GRIP MY HAND (*), BLUES 25–10–12–13–15–16–19–23–24–26–27–28–29–30, CAN'T FORGET (*), BLUES 31) |
| MC DERMOTT | Vincent | A PERPETUAL DREAM |
| MC DONALD | Ian | COLLAGES FOR SUNDAY MORNING (1968) |
| MC DONALD | Ian | KEA COUNTRY (1973) |
| MC LEAN | Barton | THE LAST TEN MINUTES |
| MC LEAN | Barton | THE LAST TEN MINUTES |
| MC LEAN | Priscilla | BENEATH THE HORIZON |
| MC LEAN | Priscilla | THE INNER UNIVERSE 1) LANDSCAPE OF A COLEUS 2)FLOWER POWER 3)SALT CANYONS |
| MC TEE | Cindy | "M"MUSIC (1991–92) |
| MCCAFFERY | Steve | HERODOTUS: THE HISTORIES (EXCERPT) |
| MCCARTNEY | Andra | ARCADE '94 |
| MCCARTNEY | Andra | SOUNDWALKING QUEEN ELISABETH PARK |
| MCCARTNEY | Andra | SWIMMING THE REEF (FOR PATRICK) |
| MCDERMOTT | Vincent | A PERPETUAL DREAM (1978–79) |
| MCGOWAN | Ned | MOONRISE |
| MCGOWAN | Ned | STEPS |
| MCGOWAN | Ned | SUMERIAN SANDALS |
| MCGOWAN | Ned | TALE OF THE MAHABHARATA |
| MCGOWAN | Ned | THE TALE OD THE MAHABHARATA |
| MCGOWAN | Ned | WHY? |
| MCGOWAN | Ned | WHY? |
| MCGUIRE | Eddie | ROMANCE FOR CELLO AND GUITAR |
| MCGUIRE | Edward | ROMANCE FOR CELLO AND GUITAR (EXC.) |
| MCGUIRE | John | 48 VARIATIONS FOR 2 PIANOS |
| MCGUIRE | John | 48 VARIATIONS FOR TWO GRAND PIANOS |
| MCGUIRE | John | A CAPELLA |
| MCGUIRE | John | A CAPELLA (1997 – WDR) |
| MCGUIRE | John | FRIEZE FOR FOUR PIANO'S |
| MCGUIRE | John | PULSE MUSIC III |
| MCGUIRE | John | VANISHING POINTS |
| MCGUIRE | John | VANISHING POINTS (1988 – STUDIO FUER ELEKTRONISCHE MUSIK, WEST GERMAN RADIO) |
| MCINTOSH | Diana | CLIMB TO CAMP ONE (1998) |
| MCINTOSH | Diana | PROCESSIONS (EX) |
| MCINTOSH | Diana | PROCESSIONS (EXC.) |
| MCINTOSH | Diane | AND 8:30 IN NEWFOUNDLAND |
| MCKEAN | Randy | FALLING FROM GRACE – SON OF SPLORB – ETC... |
| MCKINNON | Dugal | HORIZONT IM OHR (EXC.) (1998) |
| MCLEAN | Barton | DIMENSIONS II (1974) |
| MCLEAN | Barton | EARTH MUSIC (EXC.) |
| MCLEAN | Barton | ETUNYTUDE (1982) |
| MCLEAN | Barton | SPIRALS (1973) |
| MCLEAN | Priscilla | DANCE OF DAWN (1974) LIFENOISES–THUNDEROUS–SUN ROLLING–LEERS WHITE LIGHT |
| MCMASTER | Susan | RESTLESSNESS |
| MCNEELY | Jim | LICKETY SPLIT |
| MCQUEEN | Ian | BREAKWELL'S CIRCUS (1979) |
| MCQUEEN | Ian | INSIGHT INTO THE NIGHT |
| MEANS | David | IN THE GARDEN OF VOICES |
| MEANS | David | LOGOS PERFORMANCE |
| MEANS | David | STRANGE ATTRACTORS |
| MEDEC | Tilo | EINE STELE FUER B.A.ZIMMERMANN (1976) |
| MEDEK | Tilo | EINE STELE FUER B.A. ZIMMERMANN (1976) |
| MEDEK | Tilo | EINE STELE FUER BERND ALOIS ZIMMERMANN (1967) |
| MEFANO | Paul | PERIPLE |
| MEHRING | Walter | WEDLOOP TUSSEN NAAI– EN SCHRIJFMACHINE |
| MEHTA | Rajesh | HELICOPTER |
| MEHTA | Rajesh | TRANSPARENT MESSENGER SYMPOSIUM |
| MEIJERING | Chiel | DISCHARGE |
| MEIJERING | Chiel | QUADTAERDIGE UYTSETSELEN (1989) EXCERPT |
| MEILLIER | Bruno | A WILD EGO |
| MEILLIER | Bruno | ALICE, BENITO ET MOI |
| MEILLIER | Bruno | B–FLAT IRON |
| MEILLIER | Bruno | B–FLAT IRON (2ND VERS.) |
| MEILLIER | Bruno | DEHORS, LE VAUDOU! |
| MEILLIER | Bruno | MEENAKSHI |
| MEILLIER | Bruno | MON PETIT COQ ROUGE |
| MEILLIER | Bruno | NI TREVE NI RELACHE (COLLECTION OF SHORT PIECES CO–AUTHORED BY DANIEL BROTHIER) |
| MEILLIER | Bruno | NI TREVE NI RELACHE: L'AFFAIRE EST DANS LE SAX – REBOND – DEHORS LE VAUDOU – ET 50 QUI FONT 100 – BANC D'EPREUVE – SALVES – UN CHEVA |
| MEILLIER | Bruno | SALVES |
| MEILLIER | Bruno | TRAIT |
| MEILLIER | Bruno | UN CHEVAL A PETITS PRINCIPES |
| MEILLIER | Bruno | UNE CHARMANTE GOELETTE DE 20 TONNEAUX (A) |
| MEILLIER | Bruno | UNE CHARMANTE GOELETTE DE 20 TONNEAUX (B) |
| MEILLIER | Bruno | VIRAGO |
| MELBOURNE | Hirini | TE KU TE WHE |
| MELCHIORRE | Alessandro | FABLES, THAT TIME INVENTS (1986) |
| MELIS | Laszlo | ETUDE FOR THREE MIRRORS (1982) |
| MELLITS | Marc | POLYSORBATE 60 |
| MELLNAS | Arne | 31 VARIATIONS ON CAGE (1982) |
| MELLNAS | Arne | FAR OUT (FOR LAURA NYRO) |
| MELLNAS | Arne | SOLILOQUIUM IV |
| MELNYK | Lubomir | ROK |
| MELNYK | Lubomir | RPF |
| MELNYK | Lubomir | STONECRAFT AND THE STONE KNIGHTS |
| MELNYK | Lubomir | STONECRAFT AND THE STONE KNIGHTS |
| MELNYK | Lubomir | TO THE LIVING, THE DEAD, AND TO THOSE YET UNBORN |
| MELNYK | Lubomir | WATERSIGHT |
| MELNYK | Lubomyr | BAN 19B84 (1984) |
| MELNYK | Lubomyr | CONCERT–REQUIEM (REQUIEM OF THE 7 MILLION) |
| MELNYK | Lubomyr | ISLANDS (1984) |
| MELNYK | Lubomyr | KMH PIANO MUSIC IN THE CONTINUOUS MODE |
| MELNYK | Lubomyr | LEGEND |
| MELNYK | Lubomyr | LEGEND FROM THE SONG OF GALADRIEL |
| MELNYK | Lubomyr | REMNANTS OF A MAN (1985) |
| MELNYK | Lubomyr | ROK (1982) |
| MELNYK | Lubomyr | RPF (1982) |
| MELNYK | Lubomyr | SONG OF GALADRIEL |
| MELNYK | Lubomyr | SONG OF GALADRIEL (1984) |
| MELNYK | Lubomyr | SONNET #4 |
| MELNYK | Lubomyr | SONNET #4 (1982) |
| MELNYK | Lubomyr | STONECRAFT & THE STONE KNIGHT |
| MELNYK | Lubomyr | THE FOUNTAIN |
| MELNYK | Lubomyr | THE FOUNTAIN (1985) |
| MELNYK | Lubomyr | THE FOUNTAIN FOR 2 PIANO'S |
| MELNYK | Lubomyr | THE LUND – ST.PETRI SYMPHONY NKR:24 |
| MELNYK | Lubomyr | THE LUND – ST.PETRI SYMPHONY NKR: 24/22 |
| MELNYK | Lubomyr | THE REMNANTS OF A MAN (1985) |
| MELNYK | Lubomyr | THE REMNANTS OF A MAN (1985), FOR TWO PIANOS |
| MELNYK | Lubomyr | THE VOICE OF THE TREES (1985) |
| MELNYK | Lubomyr | THE VOICE OF TREES (1985) |
| MELNYK | Lubomyr | WATERSIGHT (1982) |
| MELNYK | Lubomyr | WAVE–LOX |
| MELNYK | Lubomyr | WAVE–LOX (1984) |
| MELOCHE | Chris | ELECTRIC INTERLUDE (1992) |
| MELOCHE | Chris | EXTENSIONS V |
| MENARD | Philippe | REEL–A–PHIL (1974) |
| MENDELSSOHN | Fanny | LIEDER |
| MENDELSSOHN | Fanny | TRIO OP.11 |
| MENDELSSOHN BARTHO | Felix | ALLEGRO BRILLANT OP.92 |
| MENDELSSOHN–HENSEL | Fanny | KLAVIERQUARTET AS–DUR (1822) |
| MENDES | Gilberto | A MULHER E O DRAGAO (1967) |
| MENDES | Gilberto | A MULHER E O DRAGAO (1967) |
| MENDES | Gilberto | DIZEI, SENHORA (1966) |
| MENDES | Gilberto | DIZEI, SENHORA (1966) |
| MENDES | Gilberto | EPISODIO (1949) |
| MENDES | Gilberto | EPISODIO (1949) |
| MENDES | Gilberto | ESTUDO MAGNO (193) |
| MENDES | Gilberto | IL NEIGE...DE NOUVEAU ! (1985) |
| MENDES | Gilberto | IL NEIGE...DE NOUVEAU! (1985) |
| MENDES | Gilberto | ISTAMBUL'S COMB (1990), FOR VIBRAPHONE, MARIMBA AND VARIOUS PERCUSSION INSTRUMENTS |
| MENDES | Gilberto | ISTANBUL'S COMB |
| MENDES | Gilberto | LAGOA (1957) |
| MENDES | Gilberto | LAGOA (1957) |
| MENDES | Gilberto | LAMENTO (1956) |
| MENDES | Gilberto | LAMENTO (1956) |
| MENDES | Gilberto | MOTET EM RE MENOR (BEBA COCA–COLA)(1966) |
| MENDES | Gilberto | MOTET EM RE MWNOR (BEBA COCA–COLA) (1966) |
| MENDES | Gilberto | O MEU AMIGO KOELLREUTTER (1984) |
| MENDES | Gilberto | O MEU AMIGO KOELLREUTTER (1984) |
| MENDES | Gilberto | O PENTE DE ISTAMBUL. UM OUTRO (1995) |
| MENDES | Gilberto | O PENTE DE ISTANBUL (1990) |
| MENDES | Gilberto | O PENTE DE ISTANBUL (1990) |
| MENDES | Gilberto | SANTOS FOOTBALL MUSIC (1969) |
| MENDES | Gilberto | SANTOS FOOTBALL MUSIC (1969) |
| MENDES | Gilberto | ULIYSSES EM COPACABANA SURFANDEO COM JAMES JOYCE E DOROTHY LAMOUR (1988) |
| MENDES | Gilberto | ULYSSES EM COPACABANA SURFANDO COM JAMES JOYCE E DOROTHY LAMOUR (1988) |
| MENDES | Gilberto | UM ESTUDIO ? EISLER E WEBERN CAMINHAM NOS MARES DO SUL (1989) |
| MENDES | Gilberto | UM ESTUDIO ? EISLER E WEBERN CAMINHAM NOS MARES DO SUL (1989) |
| MENDES | Gilberto | UM ESTUDO? EISLER E WEBERN CAMINHAN NOS MARES DO SUL...(1984) |
| MENDES | Gilberto | VERS LES JOYEUX TROPIQUES, AVEC UNE MUSIQUE VIVANTE, THEATRALE (1988) |
| MENDES | Gilberto | VIVA VILLA (1987) |
| MENDES | Gilberto | VIVA VILLA (1987) |
| MENESES | Jim | A MAN WHO SAW VERY QUICKLY |
| MENESES | Jim | A MAN WHO SAW VERY QUICKLY |
| MENTER | Will | COMMUNITY |
| MENTER | Will | OVERFLOW PIECES: SONG OF THE SLUGS – JUDE ON A STRING – MBIRA PIECE – THIN & HETEROPHONY – EXOTICISM – OVERFLOW |
| MENTER | Will | OVERFLOW, IMPROV, EXOTICISM, THIN & HETEROPHONY, SONG OF THE SLUGS, JUDE ON A STRING, MBIRA PIECE... |
| MENTER | Will | SONG OF THE SLUGS;JUDE ON A STRING;IMPROV.;MBIRA PIECE;THIN & HETEROPHONY;EXOTICISM; OVERFLOW |
| MENTOR | Will | CHWARELI / QUARRIES |
| MERCIER | Mel | (MUST BE MORE) CRISPY |
| MERIKANTO | Aarre | KONZERSTUCK (1926) (EXCERPT) |
| MERIKANTO | Aarre | VIOLIN CONCERTO NO.2 (1925) (EXCERPT) |
| MERILAEINEN | Usko | ZIMBAL (1983) |
| MERILAINEN | Usko | PARTITA FOR BRASS |
| MERILAINEN | Usko | SUMMER SOUNDS FOR FLUTE AND GRASSHOPPERS (1979) |
| MERTEL (?) | Elias | EIN GAR SO TRAURIGES LIEDELEIN |
| MERTENS | Wim | FLIPPERTRONICS |
| MERTENS | Wim | SLAM |
| MERTENS | Wim | TWEE STUKKEN VOOR FLUIT EN HARP (1983) |
| MERTENS | Wim | USURA (EXCERPTS) FOR KEYBOARD AND VOICE (TEXTS BY POUND EZRA) |
| MESA | Luis | GOLEM |
| MESA | Luis | TUNEL I |
| MESENS | Eduard L.T. | DANCE POUR PIANO (1920) |
| MESENS | Eduard L.T. | LA PARTITION COMPLETE COMPLETEE |
| MESENS | Eduard L.T. | LA PARTITION COMPLETE COMPLETEE |
| MESENS | Eduard L.T. | LA PARTITION COMPLETE COMPLETEE |
| MESSIAEN | Olivier | AMEN DE LA CREATION (FROM VISIONS DE L'AMEN (1943)) |
| MESSIAEN | Olivier | CANTEYODJAYA (1949) |
| MESSIAEN | Olivier | FETE DES BELLES EAUX |
| MESSIAEN | Olivier | FETE DES BELLES EAUX |
| MESSIAEN | Olivier | FETE DES BELLES EAUX (1937) |
| MESSIAEN | Olivier | L'ABIME DES OISEAUX |
| MESSIAEN | Olivier | L'ABIME DES OISEAUX (UIT "QUATUOR POUR LA FIN DU TEMPS") |
| MESSIAEN | Olivier | O SACRUM CONVIVIUM |
| MESSIAEN | Olivier | PREMIERE COMMUNION DE LA VIERGE |
| MESSIAEN | Olivier | QUATUOR POUR LA FIN DES TEMPS (1940) |
| MESSIAEN | Olivier | QUATUOR POUR LA FIN DES TEMPS (1940) (EXCERPT) |
| MESSIAEN | Olivier | QUATUOR POUR LA FIN DES TEMPS: LOUANGE À L'ÉTERNITÉ DE JÉSUS; LOUANGE À L'IMMORTALITÉ DE JÉSUS (1940) |
| MESSIAEN | Olivier | REGARDS DES ANGES (FROM VINGT REGARDS DE L'ENFANT JESUS) (1941) |
| MESSIAEN | Olivier | TROIS PETITES LITURGIES DE LA PRESENCE DIVINE (1944) |
| MESSIAEN | Olivier | TURANGALILA SYMPHONIE (1946) POUR PIANO SOLO, ONDE MARTENOT ET GRANDORCHESTRE (PARTS 1 TO 7) |
| MESSIAEN | Olivier | TURANGALILA SYMPHONIE (1946) POUR PIANO SOLO, ONDE MARTENOT ET GRANDORCHESTRE (PARTS 8 TO 10) |
| MESSIAEN | Olivier | VISIONS DE L'AMEN |
| MESSIAEN | Olivier | VISIONS DE L'AMEN: AMEN DE LA CRÉATION (1943) |
| MESSMER | Martin | PLASMA (1993) |
| MESTRAL | Patrice | SENTIER (1988) |
| METAMOROS | Gustavo | PORTRAIT: BOB GREGORY |
| MEW | Tony | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| MEYER | Krzysztof | TRIO NA SKRZYPCE, WIOLONCZELE I FORTEPIAN OP. 50 (1980) |
| MEYER | Peter | M (1983) |
| MEYER | Peter R. | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MEYER | Rudiger | CARAPACE 23.7 (2000) |
| MEYERING | Chiel | LA BELLE DAME SANS MERCI |
| MEYERING | Chiel | PRIKKELOVERDRACHT |
| MEYERING | Chiel | RODE VLEKJES |
| MEYERING | Chiel | RODE VLEKJES |
| MEYERING | Chiel | VERGEELD WIT (1984) |
| MEYERS | Roger | AFTER THE POND (1979) |
| MEYERS | Roger | SILVER SCREEN (1975) |
| MICHAEL | David Moritz | THE WATER JOURNEY |
| MICHANS | Carlos | SONATA |
| MICHAUD | Andree | RADIO FOLIE/CULTURE |
| MICHEL | Paul Baudouin | PHONOMOTEUR |
| MICHI | Francesco | OH! CINQUE PEZZI BREVI! |
| MICHI | Francesco | POLARIS |
| MICHI | Francesco | QUARTETTO |
| MIEREANU | Costin | AKSAX |
| MIEREANU | Costin | AKSAX (1984) |
| MIEREANU | Costin | DO MI SI LA DO RE |
| MIEREANU | Costin | DO, MI, SI, LA, DO, RE |
| MIEREANU | Costin | LE ROYAUME DE LA REINE PELLAPOUF – PSEUDO–FINAL POUR TCHEKOV (EXCERPTS) |
| MIEREANU | Costin | LIMPING ROCK |
| MIEREANU | Costin | LUNA CINESE A ET B |
| MIEREANU | Costin | MUSIQUE CLIMATIQUE |
| MIEREANU | Costin | TRILOGIE TRAJECTOIRE |
| MIGONE | Christof | CKUT KART FOR THE 7E PRINTEMPS ELECTROACOUSTIQUE |
| MIGONE | Christof | MUSCLE SOLEAIRE |
| MIGONE | Christof | RADIO FOLIE/CULTURE |
| MIGONE | Christof | SOLAR PLEXUS (1994) |
| MIGONE | Christof | VOICES INSIDE MY HEAD, REWIND MEMORY, MIC LIBERATION (1991)(EXCERPT) |
| MIHALIC | Alexander | ATOMS |
| MIHALIC | Alexander | DNA |
| MIHALIC | Alexander | FRACTALS I |
| MIHALIC | Alexander | FUNCTIONS |
| MIHALIC | Alexander | PHONETIC |
| MIKHASHOFF | Yvar | THE LONG EYES OF EARTH (1975–81) |
| MILHAUD | Darius | 4 PRELUDES FROM NEUF PRELUDES POUR GRANDE ORGUE (1942) |
| MILHAUD | Darius | LA CREATION DU MONDE |
| MILHAUD | Darius | SUITE PARIS (1959) |
| MILHAUD | Darius | SUITE POUR MARTENOT ET PIANO |
| MILHAUD | Darius | SUITE POUR MARTENOT ET PIANO |
| MILLER | Dennis H | CONCERT MUSIC (6 PIECES) |
| MILLER | Edward | ANACRUSIS |
| MILLER | Edward | QUARTET VARIATIONS (1972) |
| MILLER | Read | WEDDINGS, FUNERALS, AND CHILDREN WHO CANNOT SLEEP |
| MILLER | Stuart–Fritz | UNTITLED (BEGINNING–MIDDLE–END) |
| MILMERSTADT | Christopher | FIVE PIANO PIECES (1991) AFTER PAINTIGS BY PAUL KLEE |
| MILNER | Nicole | NORTH COAST: GLIDING – HIGH MEADOW – PEDAL POINT – DURGA – FOUND INNOCENCE – ON THE MOVE – COMING THROUGH – ASIA BLUE – CLOUD READIN |
| MIMAROGLU | Ilhan | AGONY (1965) VISUAL STUDY NR. 4 FOR ARSHILE CORKY |
| MIMAROGLU | Ilhan | ANACOLUTHA: ENCOUNTER AND EPISODE II (1965) |
| MIMAROGLU | Ilhan | COUCOU BAZAR |
| MIMAROGLU | Ilhan | ELECTRONIC MUSIC FOR JEAN DUBUFFET'S COUCOU BAZAR |
| MIMAROGLU | Ilhan | HYPERBOLES (1971) |
| MIMAROGLU | Ilhan | INTERLUDE II |
| MIMAROGLU | Ilhan | L'OFFRANDE (1979) |
| MIMAROGLU | Ilhan | PRELUDE NO.8 (1965–66) |
| MIMAROGLU | Ilhan | PRELUDE NO.8 (TO THE MEMORY OF EDGARD VARESE) |
| MIMAROGLU | Ilhan | PROVOCATIONS (1971) |
| MIMAROGLU | Ilhan | ROSA |
| MIMAROGLU | Ilhan | ROSA (AFTER ROSA LUXEMBURG) |
| MIMAROGLU | Ilhan | SLEEPSONG FOR SLEEPERS |
| MIMAROGLU | Ilhan | WHITE COCKATOO (1966) |
| MIMAROGLU | Ilhan | WINGS OF THE DELIRIOUS DEMON (1969) |
| MIMAROGLU | Ilhan | WINGS OF... |
| MINARELLI | Enzo | ALISON, IL POEMA DELLE QUATTRO STAGIONI (PER ALISON KNOWLES) |
| MINARELLI | Enzo | LA STRADA (1987) |
| MINARELLI | Enzo | POEMS IN WORDS (1983) |
| MINARELLI | Enzo | POLYPOETRY ONE/POLIPOESIA UNO 1983 |
| MINARELLI | Enzo | VOYEUR 2 (1981–86) |
| MINCHEV | Georgi | SONOGRAMMES–FIVE CONCERTO REMINISCENCES FOR PIANO |
| MINCHEV | Georgi | SYMPHONIC PROLOGUE |
| MINCHEV | Georgi | THREE POEMS FOR SOPRANO, STRINGS AND PERCUSSIONS–AFTER ETCHINGS BY ROUMEN SKORCHEV/LYRICS BY PAVEL SLAVYANSKI |
| MINEZAKI–KOHTOH | AZUMA – JISHI (18TH CENT.) | |
| MINEZAKI–KOHTOH | AZUMA – JISHI (CA. 1800) | |
| MING | Lee Pui | AFLAME IN SONG (1996) |
| MINGUS | Charles | GOODBYE PORK PIE HAT |
| MINGUS | Charles | GOODBYE PORK PIE HAT |
| MINGUS | Charles | GOODBYE PORK PIE HAT |
| MINGUS | Charles | GOODBYE PORK PIE HAT |
| MINOY | SCHEPZT | |
| MINTON | Phil | SOLO SINGING (15 SONGS) |
| MION | Philippe | CONFIDENCE |
| MIRANDA | E. Reck | ELECTROACOUSTIC SAMBA X (1995) |
| MIRANDA | Eduardo R. | SANCTUS–BENEDICTUS – AGNUS DEI (FROM REQUIEM PER UNA VEU PERDUDA) |
| MIRANDA | Fatima | CONCIERTO IN CANTO |
| MIRANDA | Fatima | ENTRE NOSOTROS – EPITAFIO A LAS BALLENAS |
| MIRANDA | Fatima | HALITO |
| MIRANDA | Fatima | IN PRINCIPIO |
| MIRANDA | Fatima | LA VOZ CANTANTE (SEIS PARTES) |
| MIRANDA | Marlui | TODOS OS SONS |
| MIRO | Bazlik | TRYPTIK |
| MITCHELL | Roscoe | BECAUSE IT'S / THIS / DIM |
| MITCHELL | Roscoe | PEOPLE IN SORROW |
| MITCHELL | Roscoe | PRELUDE |
| MITCHELL | Roscoe | VARIATIONS ON SKETCHES FROM BAMBOO NO 1 & 2 |
| MITI | Luca | ABENDLIED (1990) |
| MITI | Luca | IL MANOSCRITTO BRESCIANO (1990–91) |
| MITI | Luca | LA DEDICA CATODICA (LOOP VERSION) |
| MITI | Luca | NOMADI (1989–90) |
| MITI | Luca | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MITROS | David | WOMAN OF JAPAN (1987) |
| MITTERER | Wolfgang | AMUSIE (1993) |
| MITTERER | Wolfgang | GRAND JEU |
| MITTERER | Wolfgang | RELUCTANT GAMES |
| MITTERER | Wolfgang | TASTATURA (1993) |
| MITTERER | Wolfgang | TURMBAU ZU BABEL (STIMMEMSINFONIE) |
| MITTERER | Wolfgang | VIOLETTES GRAS |
| MIWA | Masahiro | MY FAVERITE FEW OF COLTRANE'S (1994) |
| MIX | Silvio | DUE PRELUDI (1922) (DA "STATI D'ANIMO") |
| MIX | Silvio | DUE PRELUDI (1922) (DA "STATI D'ANIMO") |
| MIX | Silvio | PROFILO SINTETICO MUSICALE DI MARINETTI (1923) |
| MIX | Silvio | PROFILO SINTETICO MUSICALE DI MARINETTI (1923) |
| MIX | Silvio (De Re) | DUE PRELUDI (DA GLI STATI D'ANIMO); PROFILO SINTETICO MUSICALE DI F.T.MARINETTI (DAL NUOVO TEATRO FUTURISTA) |
| MIYAKE | Haruna | THE ELEGY OF THE ABANDONED CHILD |
| MIYAKE | Haruna | YESTERDAY |
| MIZELLE | Dary John | CONCERT AT LOGOS (EXCERPT) |
| MIZELLE | Dary John | DIAMONDS |
| MIZELLE | Dary John | FOTRUGH |
| MIZELLE | Dary John | MICROCOMPOSITION OF NOISE |
| MIZELLE | Dary John | PAIRS |
| MIZELLE | Dary John | POLYPHONIES (1975) |
| MIZELLE | Dary John | POLYTEMPUS II FOR MARIMBA AND COMPUTER GENERATED TAPE (1980) |
| MIZELLE | Dary John | PRIMAVERA |
| MIZELLE | Dary John | RADIAL ENERGY I |
| MIZELLE | Dary John | SAMADHI |
| MIZELLE | Dary John | SOUNDSCAPE FOR PERCUSSION ENSEMBLE |
| MIZELLE | Dary John | SPECTRA FOR BASS AND COMPUTER TAPE (1975–79) |
| MIZELLE | Dary John | UNDEFINED |
| MIZELLE | Dary John | VIBRATIONS I |
| MLODOZENIEC | S. | XX WIEK; MOSKWA; RADIOROMANS (1919–22) |
| MOCHIZUKI | Misato | ALL THAT IS INCLUDING ME (1996) |
| MOEVS | Robert | PHOENIX |
| MOFUNGO | SONG ABOUT AIDS | |
| MOGLIA | Michel | FIRE ORGAN |
| MOHOLY–NAGY | Laszlo | DIE MECHANISCHE EXZENTRIK (EXCERPTS: 2 SOUND POEMS) |
| MOJOLA | Celso | STUDY ON A DEBUSSY ESQUISSE (1988) |
| MON | Franz | ARTIKULATIONEN 62 (MONTAGE AUS) |
| MON | Franz | DA DU DER BIST (1973) |
| MON | Franz | DA DU DER BIST (1973) |
| MONAHAN | Gordon | LARGE PIANO MAGNIFIED |
| MONAHAN | Gordon | LARGE PIANO MAGNIFIED |
| MONAHAN | Gordon | LARGE PIANO MAGNIFIED |
| MONAHAN | Gordon | LOUDSPEAKER SWINGING PROJECT |
| MONAHAN | Gordon | MUSIC FOR MECHANICAL METAL (1995) |
| MONAHAN | Gordon | PIANO MECHANICS |
| MONAHAN | Gordon | PIANO MECHANICS |
| MONAHAN | Gordon | PIANO MECHANICS |
| MONAHAN | Gordon | PIANO MECHANICS |
| MONAHAN | Gordon | PIANO MECHANICS (EXCERPTS) |
| MONAHAN | Gordon | SOLITARY WAVES FROM PIANO MECHANICS (EXCERPT) |
| MONAHAN | Gordon | SPEAKER SWINGING |
| MONAHAN | Gordon | SPEAKER SWINGING (EXCERPT) |
| MONAHAN | Gordon | SPEAKER SWINGING (EXCERPT) |
| MONAHAN | Gordon | TAPE PULLING |
| MONAHAN | Gordon | THE LONG AEOLIAN PIANO (CO–AUTHORED BY THADDEUS HOLOWNIA) |
| MONK | Meredith | DOLMEN MUSIC (EXCERPT) |
| MONK | Meredith | DOUBLE FIESTA |
| MONK | Meredith | DOUBLE FIESTA (1986) |
| MONK | Meredith | DOUBLE FIESTA (1988) |
| MONK | Meredith | ELLIS ISLAND (1981) |
| MONK | Meredith | GAME MASTER SONG (1975) |
| MONK | Meredith | KEY (1967–70) |
| MONK | Meredith | MEREDITH MONK |
| MONK | Meredith | ONE MAN CHA CHA (FROM TURTLE DREAMS) |
| MONK | Meredith | ONE MAN CHA CHA (FROM TURTLE DREAMS): THE GAME MASTER SONG; THE MEMORY SONG; THE ONE MAN CHA CHA |
| MONK | Meredith | PARIS |
| MONK | Meredith | PHANTOM WALTZ (1989) |
| MONK | Meredith | SONGS FROM THE HILL (1976) |
| MONK | Meredith | ST. PETERSBURG WALTZ (1994) |
| MONK | Meredith | TABLET |
| MONK | Meredith | THE TALE |
| MONK | Meredith | TRAVEL SONG (1973) |
| MONK | Meredith | UNIDENTIFIED COMPOSITIONS(1979) |
| MONK | Thelonious | PANNONICA |
| MONK | Thelonious | ROUND 'BOUT MIDNIGHT |
| MONK | Thelonious | ROUND MIDNIGHT |
| MONK | Thelonious | ROUND MIDNIGHT (ARR.D.DRUMMOND 1993) |
| MONK | Thelonious | WELL YOU NEEDN'T |
| MONK–FELDMAN | Barbara | MICHELLE |
| MONNA | Marialisa | CON NOSTALGIA (1987) |
| MONNA | Marialisa | D.I. – DEDALO E ICARO (1988) |
| MONNET | Marc | STRANGE (1989) |
| MONOHAN | Gordon | PIANO MECHANICS (1986) |
| MONREAL | Juan P. | SINTERED |
| MONREAL | Juan P. | WATER ALLOY – ESSAY NO1 |
| MONRO | Gordon | MANDALA 1086 (1996) |
| MONRO | Gordon | THE VOICE OF THE PHOENIX (1996) |
| MONTAGUE | Stephen | AEOLIAN FURIES (1992) |
| MONTAGUE | Stephen | AMBUSH (PERFORMANCE TAPE: MONO VERSION, STEREO VERSION) |
| MONTAGUE | Stephen | HAIKU |
| MONTAGUE | Stephen | INTRODUCTION |
| MONTAGUE | Stephen | PARAMEL III |
| MONTAGUE | Stephen | QUARTET |
| MONTAGUE | Stephen | SLOW DANCE ON A BURIAL GROUND |
| MONTAGUE | Stephen | SLOW DANCE ON A BURIAL GROUND (1982–84) |
| MONTAGUE | Stephen | SLOW DANCE ON A BURIAL GROUND (1982/84) |
| MONTAGUE | Stephen | STRUMMIN |
| MONTAGUE | Stephen | THE EYES OF AMBUSH |
| MONTAGUE | Stephen | THE EYES OF AMBUSH (1973) |
| MONTAGUE | Stephen | TIGIDA PIPA (3 FRAGMENTS) |
| MONTAGUE | Steve | AMBUSH |
| MONTAGUE | Steve | AMBUSH (1973) |
| MONTAGUE | Steve | THE EYES OF AMBUSH |
| MONTAL | Fabrice | RADIO FOLIE/CULTURE |
| MONTGOMERY | Jim | AFFINITY GROUPS |
| MONTGOMERY | Jim | AFFINITY GROUPS (1989) |
| MONTGOMERY | Jim | HUT (1987) |
| MONTGOMERY | Jim | SAIGON (1984) |
| MONTGOMERY | Jim | WILDFIRE (EXCERPT) |
| MOODY | James | LITTLE SUITE |
| MOOKE | Martha | PIECES |
| MOOKE | Martha | RAINDANCE AND OTHER PIECES |
| MOONDOG | SURF SESSION | |
| MOONDOG | VARIOUS WORKS, RADIO DOCUMENTARY (PART 3) | |
| MOORE | Adrian | SOUNDBODIES: BODYPART (1998) |
| MOORE | Carmen | SHADOWS (1982) |
| MOORE | R. Stevie | PART OF THE PROBLEM |
| MOORE | Sandy | WINDS OF LYRA |
| MORALES–MANZANARES | Roberto | SERVICIO A DOMICILIO (1991) |
| MORAN | Robert | L'APRES–MIDI D'UN DRACULA |
| MORAN | Robert | SPIN AGAIN (1980) |
| MORAN | Robert | THE LAST STATION OF THE ALBATROSS (1978) |
| MORAN | Robert | TWO PIECES FOR A POSSIBLE PIANO (1976) |
| MORAN | Robert | WALTZ |
| MORANDI | Sergio–Emilio | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| MORANDI CONSPIRACY | COMBINATION RAG | |
| MORANDI CONSPIRACY | EGGS TIME; SUSPENDU; TAPIS ROULANT | |
| MORAVEC | Paul | CIRCULAR DREAMS (1991) |
| MORAVEC | Paul | KINGDOM WITHIN (1987) |
| MORAVEC | Paul | MUSIC REMEMBERS (1985) |
| MORAVEC | Paul | THE OPEN SECRET (1985) |
| MORE | Glenn | THREE STEP DANCE |
| MORGAN | Guy | ANDROIDAL DESIGN (1989) |
| MORGAN | Jeffrey | LIBRARY OF CROWS |
| MORGAN | Jeffrey | OPERA FOR THE MILLIARD MILLENIUM |
| MORGAN | Scott R | PARADE |
| MORGAN–FISHER (ed) | MINIATURES BY 51 ARTISTS, COMPILED BY MORGAN–FISHER (THE RESIDENTS,R.WYATT,M.NYMAN,G.BRYARS,F.FRITH,J.WHITE,T.WISHART,THE WORK,...) | |
| MORGENSTERN | Christian | DAS GROSSE LALULA (1890) DAS GEBET (1905) DER RABE RALF (1905) IGEL UND AGEL (1905) FISCHES NACHTGESANG (1905) |
| MORGENSTERN | Christian | DAS GROSSE LALULA(1890) DAS GEBET(1905) DER RABE RALF (1905) IGEL UND AGEL(1905) FISCHES NACHTGESANG(1905) |
| MORI | Ikue | DEATH PRAXIS |
| MORI | Ikue | FEEDING FRENZY |
| MORLEY | Thomas | GALIARDA |
| MORLEY | Thomas | PAVANA |
| MORPUGO | Nelso | AMORE; SPASIMIE E DELIRI DI DEURI E DI SPASIMI |
| MORRILL | Dexter | FANTASY QUINTET |
| MORRILL | Dexter | FANTASY QUINTET |
| MORRILL | Dexter | SIX DARK QUESTIONS (1979) |
| MORRILL | Dexter | SIX DARK QUESTIONS (LYRICS BY GEORGE HUDSON) |
| MORRIS | Butch | CONDUCTION 59 E2: HOLY SEA, THE DEVIL'S MUSIC |
| MORRIS | Butch | CONDUCTION NR 88 X 1–5, NR 89 1, NR 90 1–3 |
| MORRIS | Butch | DUST TO DUST |
| MORRIS | Jeff | RAIN (1987) |
| MORRIS | Laurence D 'Butch' | CONDUCTION #25 & 26,E |
| MORRIS | Robert | MOTET ON DOO–DAH (1973) |
| MORRIS | Sharon | REQUIEM |
| MORROW | Charlie | |
| MORROW | Charlie | 4TH INTERNATIONAL RADIO SOLSTICE: SUMMER SOLSTICE 1984 PART II |
| MORROW | Charlie | 5TH INTERNATIONAL RADIO SOLSTICE (1985) NYC BROADCAST (WITHOUT ANNOUNCER) |
| MORROW | Charlie | 5TH INTERNATIONAL RADIO SOLSTICE (1985) NYC BROADCAST WITH ANNOUNCER(CONNIE KIELTYKA) |
| MORROW | Charlie | A DOG'S LIFE: THE BRIDE'S A DOG OR "YO! BITCH" |
| MORROW | Charlie | AFRICAN HORNS |
| MORROW | Charlie | ARCTIC (EXCERPT – FIRST SEVEN MINUTES) |
| MORROW | Charlie | ASCENDING MUSIC |
| MORROW | Charlie | ASCENDING MUSIC |
| MORROW | Charlie | ASCENDING MUSIC |
| MORROW | Charlie | ASCENDING MUSIC (VERSION 1 & 2) |
| MORROW | Charlie | BIRTH OF THE WARGOD |
| MORROW | Charlie | BP FOR BP |
| MORROW | Charlie | BP FOR BP |
| MORROW | Charlie | C0MMERCIAL DEMO |
| MORROW | Charlie | CANTICLE FOR BROTHER SUN |
| MORROW | Charlie | CENTRALITY MALADIES |
| MORROW | Charlie | CHOPIN PRELUDES |
| MORROW | Charlie | COUNTING TO TEN THE LONG WAY |
| MORROW | Charlie | CREATION & DEVELOPMENT |
| MORROW | Charlie | DOG GLADIATORS (VERDI/MORROW) |
| MORROW | Charlie | EMERGENCY |
| MORROW | Charlie | EVENING STAR CHANT (1970) |
| MORROW | Charlie | FAR OUT AT SEA |
| MORROW | Charlie | FAREWELL SY'PHONY |
| MORROW | Charlie | GREETING SONG |
| MORROW | Charlie | HISTORY OF THE JEWS |
| MORROW | Charlie | HYMN TO THE GREAT SPIRAL (EXCERPTS) |
| MORROW | Charlie | HYMNS TO THE SPIRAL MOTHER: OPENING; MOVEMENTS INWARD; CENTER; MOVEMENTS OUTWARD; CLOSING |
| MORROW | Charlie | INTERLUDES 1–7 (1990) |
| MORROW | Charlie | INTERVIEWS/WORKS AS PART OF A BRITTISH NEW YORK REPORT |
| MORROW | Charlie | JEW'S HARP; DREAM SINGING; SINGING; CONCH SHELL PLAYING; TORTOISE OCARINA; EAGLE VOICE; SONG OF DEBORAH |
| MORROW | Charlie | KHURBN – KHURBN – KHURBN THE EMPTYING – THE SCREAM – PERORATION (WORDS BY JEROME ROTHENBERG) |
| MORROW | Charlie | MANHATTAN SUNRISE |
| MORROW | Charlie | MARKERS IN GHENT |
| MORROW | Charlie | MEDITATIONS IN AN EMERGENCY |
| MORROW | Charlie | MEDLEY'S |
| MORROW | Charlie | MORROW IN ROESELAERE |
| MORROW | Charlie | PERFORMANCE SAMPLER: A CONTINUOUS MONTAGE OF EXCERPTS |
| MORROW | Charlie | PRE–INAUGURATION OF THE LOGOS TETRAHEDRON |
| MORROW | Charlie | PRELUDES #5 21 2 6 (CHOPIN/MORROW) |
| MORROW | Charlie | PTANNAGON SONG |
| MORROW | Charlie | RADIO SOLSTICE EVENT NR.4 (1984) PART 1 |
| MORROW | Charlie | REFLECTIONS OF REFLECTIONS |
| MORROW | Charlie | SOLSTICE '86 |
| MORROW | Charlie | SOLSTICE EVENT 1986 |
| MORROW | Charlie | SPIRAL INVOCATION |
| MORROW | Charlie | SPIRAL MOTHER (PART OF HYMNS TO THE SPIRAL MOTHER) (WORK IN PROGRESS) |
| MORROW | Charlie | STANDARD COMMERCIAL DEMO |
| MORROW | Charlie | STEPHANIE ROSE "MIDI" |
| MORROW | Charlie | THE BIRTH OF THE WAR GOD (SEVEN PARTS + PROLOGUE) |
| MORROW | Charlie | THE SONG OF DEBORAH |
| MORROW | Charlie | THEME & VARIATIONS (MORROW/MOZART) |
| MORROW | Charlie | UNIVERSITAS (EVENT) |
| MORROW | Charlie | VARIOUS WORKS BRUSSELS CONCERT |
| MORROW | Charlie | VIDEO + LIVE JEWSHARP MUSIC |
| MORROW | Charlie | VOICES |
| MORROW | Charlie | VOICES |
| MORROW | Charlie | WAVE 1 |
| MORROW | Charlie | WAVE 1 (1977) |
| MORROW | Charlie | WAVE 7 |
| MORROW | Charlie | WAVE 7 (1984) |
| MORROW | Charlie | WAVE MUSIC FOR 6 HARPSICHORDS |
| MORROW | Charlie | WHALE MUSIC FROM THE SKY |
| MORTARI | Virgilio | FOX TROT DEL TEATRO DELLA SORPRESA (1921) |
| MORTARI | Virgilio | FOX TROT DEL TEATRO DELLA SORPRESA (1921) |
| MORTIFICATION OTF | LOVE IS A YELLOW CAKE | |
| MOSCHELES | Ignaz | GRANDE SONATE OP.47 |
| MOSCONI | Davide | 3 FOR |
| MOSCONI | Davide | B A B – C A C |
| MOSCONI | Davide | DIES IRAE |
| MOSCONI | Davide | ELISE FUR... |
| MOSCONI | Davide | FLUXUS EVENT CO–AUTHORED BY HIDALGO JUAN AND CARDINI GIANCARLO |
| MOSCONI | Davide | FUR ELISE |
| MOSCONI | Davide | GRANDE ACCORDE CROMATICO |
| MOSCONI | Davide | GRANDE ACCORDO CROMATICO |
| MOSCONI | Davide | ITALIAN FLUXUS EVENT |
| MOSCONI | Davide | MATCHES |
| MOSCONI | Davide | P.P.P.P. |
| MOSCONI | Davide | PEZZI PER ARPA DONNA SEDIA E LANA, PER PIANOFORTE PIANISTA E MARMO –PER VIOLINO E ARMATURA, PER FISARMONICA E NASTRO ADESIVO |
| MOSCONI | Davide | PEZZI PER TROMBE AD ARIA COMPRESSA, PER PIANOFORTE E STRUMENTI PER ACCORDARE, PER ARIA GOLA POLPA STRELO |
| MOSCONI | Davide | PEZZO PER |
| MOSCONI | Davide | PEZZO PER |
| MOSCONI | Davide | SCOTTISH CONCERT |
| MOSCONI | Davide | SONNO PER PIANOFORTE E METRONOMI |
| MOSCONI | Davide | SOUNDTRACK |
| MOSES | Bob | LOST IN YOUR EYES |
| MOSHIER | Steve | SIRENS |
| MOSKO | Stephen L. | FOR MORTON FELDMAN (1987) |
| MOSKO | Stephen L. | INDIGENOUS MUSIC II : FLUTE (1985) |
| MOSKOW | Lisa | SONGS FOR SAROD |
| MOSS | David | CONJURE |
| MOSS | David | LANGUAGE LINKAGE |
| MOSS | David | THAT TEMPEST |
| MOSS | David | TOGETHER BEFORE JUMPING |
| MOSS | Lawrence | DARKHARBOR |
| MOSS | Lawrence | TOOT SWEET |
| MOSSOLOV | Alexander | TURKMENISCHE NACHTE (1928) |
| MOSTEL | Raphael | BEATLES SWEET |
| MOSZKOWSKI | Moritz | FUENF WALZER OP.8 |
| MOSZKOWSKI | Moritz | NEUE SPANISCHE TAENZE OP.65 |
| MOTA | Manuel | I WISH I'D NEVER MET YOU (1999) |
| MOTA | Manuel | PRE–TRANSMISSION |
| MOTT | David | PAGANINI FLIES WITH DRAGONS, MOUTH OF THUNDER, REGARDING STARLIGHT (EXCERPTS) |
| MOUNTAIN | Rosemary | INTERSECTIONS |
| MOYZES | Alexander | MUSICA ISTROPOLITANO |
| MOZART | Wolfgang A | RONDO KV485 & RONDO KV 511 |
| MOZART | Wolfgang Amadeus | ADAGIO FUR GLASHARMONIKA |
| MOZART | Wolfgang Amadeus | DIE ZAUBERFLOTE (I) |
| MOZART | Wolfgang Amadeus | DIE ZAUBERFLOTE (PART II) |
| MOZART | Wolfgang Amadeus | DIFFICILE/BONA NOX/KISS MY BACKSIDE |
| MOZART | Wolfgang Amadeus | NO DETAILS AVAILABLE ABOUT TITLE |
| MOZART | Wolfgang Amadeus | REQUIEM KV. 626 – INTROITUS – KYRIE – SEQUENTIA – OFFERTORIUM – SANCTUS – BENEDICTUS – AGNUS DEI – COMMUNIO |
| MOZETICH | Marian | CONCERTO FOR OBOE AND STRINGS (1991) |
| MOZETICH | Marian | DANCE OF THE BLIND |
| MOZETICH | Marian | EL 22 DORADO (1981) FOR HARP AND STRING ORCHESTRA |
| MOZETICH | Marjan | DANCE OF THE BLIND |
| MOZETICH | Marjan | DESIRE AT TWILIGHT (1986) |
| MOZETICH | Marjan | EL DORADO |
| MOZETICH | Marjan | FANTASIA...SUL UN LINGUAGGIO PERDUTO |
| MOZETICH | Marjan | LAMENT IN THE TRAMPLED GARDEN (1992) |
| MOZETICH | Marjan | PROCESSION |
| MOZETICH | Marjan | SURVIVAL (1979) |
| MOZETICH | Marjan | THREE PIECES FOR PIANO (1984) |
| MULHOLLAND | Drew | NOVA |
| MUMFORD | Jeffrey | A DIFFUSE LIGHT THAT KNOWS NO PARTICULAR HOUR (1990/93) |
| MUMFORD | Jeffrey | A POND WITHIN THE DRIFTING DUSK (1989) |
| MUMFORD | Jeffrey | AMID FLEETING POCKETS OF BILLOWING RADIANCE (1990) |
| MUMFORD | Jeffrey | FILAMENTS (1990) |
| MUMFORD | Jeffrey | HER EASTERN LIGHT AMID A CAVERNOUS DUSK (1983/87) |
| MUMFORD | Jeffrey | LINEAR CYCLES VII (CAMBIAMENTI II) |
| MUMFORD | Jeffrey | THE FOCUS OF BLUE LIGHT (1987/88) |
| MUMMA | Gordon | 11 NOTE PIECES AND DECIMAL PASSACAGLIA (1978) |
| MUMMA | Gordon | ECHO–D |
| MUMMA | Gordon | EPIFONT (1984) |
| MUMMA | Gordon | FROM THE SUSHI BOX |
| MUMMA | Gordon | FWYYN |
| MUMMA | Gordon | HORN (1965) |
| MUMMA | Gordon | HORNPIPE (1967) |
| MUMMA | Gordon | MEGATON FOR WM. BURROUGHS (1963) |
| MUMMA | Gordon | MESA (1966) |
| MUMMA | Gordon | MESA, FOR CYBERSONIC BANDONEON |
| MUMMA | Gordon | MUSIC FROM THE VENEZIA SPACE THEATRE (1964) |
| MUMMA | Gordon | PONTPOINT (1980) |
| MUMMA | Gordon | RETROSPECT (1959–1982): DENSITIES; PHENOMENON UNARTICULATED; WOODEN PAJAMAS; SPECTRAL PORTRAIT |
| MUMMA | Gordon | SCHOOLWORK (1970) |
| MUMMA | Gordon | SENALES OLVIDADAS |
| MUMMA | Gordon | THE DRESDEN INTERLEAF 13 FEBRUARY 1945 (1965) |
| MUNN | Zae | INTERFACE |
| MURNAU | Lieutenant | MEET LIEUTENANT MURNAU |
| MUSGRAVE | Thea | FIVE LOVE SONGS |
| MUSGRAVE | Thea | IMPROMPTU NO.1 |
| MUSSORGSKY | Modest | PICTURES AT AN EXHIBITION |
| MUSSORGSKY – VERBE | Modest – Theo | SUNLESS (1874 – 1989) |
| MUTSCHLER | Florian | SARADANSE (1993) |
| MYERS | David | LATHE |