| Comp_name | First_name | Title |
|---|---|---|
| KAEGI | Werner | ROULETTE (1.CLARINET SOLO; 2.CLARINET & TAPE) |
| KAGEL | Mauricio | "DER TRIBUN" (1979) FUER EINEN POLITISCHEN REDNER, MARSCHLAENGE UND LAUTSPRECHER |
| KAGEL | Mauricio | ACHT ORGELSTUCKE (1980–81) |
| KAGEL | Mauricio | ACUSTICA (1969) |
| KAGEL | Mauricio | ACUSTICA (1970) |
| KAGEL | Mauricio | AN TASTEN (1977) |
| KAGEL | Mauricio | AN TASTEN (1977) |
| KAGEL | Mauricio | AN TASTEN (1977) – KLAVIERETUDE |
| KAGEL | Mauricio | AN TASTEN (1977) – KLAVIERETUDE – ARIOSO |
| KAGEL | Mauricio | ANTITHESE (1962) |
| KAGEL | Mauricio | ATEM (1970) |
| KAGEL | Mauricio | ATEM FUR EINEN BLASER |
| KAGEL | Mauricio | CAECILIA:AUSGEPLUENDERT EIN BESUCH BEI DER HEILIGEN |
| KAGEL | Mauricio | CON VOCE |
| KAGEL | Mauricio | CON VOCE (1973) |
| KAGEL | Mauricio | DIE STUECKE DER WINDROSE (1989/91) |
| KAGEL | Mauricio | DIE UMKEHRUNG AMERIKAS EPISCHES HOERSPIEL |
| KAGEL | Mauricio | FINALE MIT KAMMERORCHESTER (1981) |
| KAGEL | Mauricio | FRAGMENT 3 AUS MITTERNACHSSTUECK |
| KAGEL | Mauricio | FUENF MAERSCHE UM DEN SIEG ZU VERFEHLEN (HEFT 1)(1979) |
| KAGEL | Mauricio | FUENF MAERSCHE UM DEN SIEG ZU VERFEHLEN (HEFT 2)(1979) |
| KAGEL | Mauricio | FURST IGOR, STRAWINSKY (1982) |
| KAGEL | Mauricio | GENERAL BASS |
| KAGEL | Mauricio | GUTEN MORGEN HOERSPIEL AUS WERBESPOTS (1971) |
| KAGEL | Mauricio | HETEROPHONIE (1959–1961) |
| KAGEL | Mauricio | IMPROVISATION AJOUTEE |
| KAGEL | Mauricio | IMPROVISATION AJOUTEE (1961–62) |
| KAGEL | Mauricio | KLANGWOELFE (1978/79) |
| KAGEL | Mauricio | LES IDEES FIXES (1988–89) RONDO FUER ORCHESTER |
| KAGEL | Mauricio | LITURGIEN (1989–90) |
| KAGEL | Mauricio | MATCH FUER 3 SPIELER (1964) |
| KAGEL | Mauricio | MIMETICS (1961) |
| KAGEL | Mauricio | MITTERNACHTSTUEK |
| KAGEL | Mauricio | MM 51 (1977) |
| KAGEL | Mauricio | MM 51 (EIN STUECK FILMMUSIK FUER KLAVIER) |
| KAGEL | Mauricio | MUSIK FUER RENAISSANCE–INSTRUMENTE (1965–66) |
| KAGEL | Mauricio | MUSIK FUER TASTENINSTRUMENTE UND ORCHESTER (1987–88) |
| KAGEL | Mauricio | OPUS 1.991 (1990) KONZERTSTUECK FUER ORCHESTER |
| KAGEL | Mauricio | PAS DE CINQ (1965) |
| KAGEL | Mauricio | PHANTASIE FUER ORGEL (PERFORMANCE TAPE (1–8) KANAAL II – REALISATION YVES SENDEN) |
| KAGEL | Mauricio | PHANTASIE FUER ORGEL (PERFORMANCE TAPE (1–9) KANAAL I – REALISATION: YVES SENDEN) |
| KAGEL | Mauricio | PHANTASIESTUECK (1988) |
| KAGEL | Mauricio | PLAYBACK PLAY (1997) |
| KAGEL | Mauricio | PRIMA VISTA (1964) |
| KAGEL | Mauricio | PRIMA VISTA – GROUP 1 |
| KAGEL | Mauricio | PRIMA VISTA – GROUP II |
| KAGEL | Mauricio | PRIMA VISTA VOOR TWEE TRIO'S, 2 BANDOPNEMERS EN TWEE DIAPROJEKTOREN |
| KAGEL | Mauricio | RECITATIVARIE (1972) |
| KAGEL | Mauricio | RECITATIVARIE FUER SINGENDE KLAVICHORDISTIN (1970/71) |
| KAGEL | Mauricio | REPERTOIRE |
| KAGEL | Mauricio | REZITATIVERIE FUR SINGENDE KLAVICHORDISTIN (1971–72) |
| KAGEL | Mauricio | RRRRRRR... (1981/82) |
| KAGEL | Mauricio | RRRRRRR... (1981/82) |
| KAGEL | Mauricio | RRRRRRR... (1981/82) |
| KAGEL | Mauricio | RRRRRRR... (1981/82) (BOEK 1) |
| KAGEL | Mauricio | RRRRRRR... (1981/82) (BOEK 2) |
| KAGEL | Mauricio | RRRRRRR... (5 STUECKE FUER JAZZ–ENSEMBLE) |
| KAGEL | Mauricio | RRRRRRR... (6 STUECKE FUER SCHLAGZEUGER)(1981–82) |
| KAGEL | Mauricio | RRRRRRR... HOERSPIEL UEBER EINE RADIOPHANTASIE (1982) |
| KAGEL | Mauricio | RRRRRRR.... 8 ORGELSTUECKE (THREE PIECES FROM) (1981) |
| KAGEL | Mauricio | SANKT BACH PASSION (PART 1) |
| KAGEL | Mauricio | SANKT BACH PASSION (PART 2) |
| KAGEL | Mauricio | SOUNDTRACK |
| KAGEL | Mauricio | TACTIL (1970) |
| KAGEL | Mauricio | TANGO ALEMAN (1976) |
| KAGEL | Mauricio | TANTZ–SCHUL |
| KAGEL | Mauricio | TANTZ–SCHUL |
| KAGEL | Mauricio | TRANSITION I |
| KAGEL | Mauricio | TRANSITION I (1958) |
| KAGEL | Mauricio | TRIO IN DREI SAETZEN (1984/85) |
| KAGEL | Mauricio | UNGUIS INCARNATUS EST–FÜR KLAVIER UND ORGEL (1972) |
| KAGEL | Mauricio | VARIETE (1977) |
| KAGEL | Mauricio | ZEHN MARSCHE UM DEN ZIEG ZU VERFEHLEN (1978–79) |
| KAHN | Douglas | THE TROMPEBONE OF CHRIS SCHIFF (1989)(EXCERPT) |
| KAHN | Frederic | TOUS AZIMUTS |
| KAHONDO STYLE | TOKYO ONDO; GAMES WITH LIGHT; BARBARIA; LAST–MINUTE JINGLE; PROGRAMS ON THE AIR | |
| KAIPAINEN | Jouni | SINFONIA (1980–85) |
| KAIPAINEN | Jouni | SYMPHONY (1980–85) (EXCERPT) |
| KAIPAINEN | Jouni | TRIO I OP.21 (1983) |
| KAIZER | Georg | TOCCATA |
| KAKO | Takashi | CONCERTO FOR KOTO AND ORCHESTRA (1985) |
| KALMA | Ariel | ASTRAL MUSIC |
| KALMA | Ariel | FOREST' BALLAD |
| KALMA | Ariel | GONGMO |
| KALMA | Ariel | MANEGE |
| KALMA | Ariel | MESSAGE 181077 |
| KALMA | Ariel | PLANET–AIR |
| KALMA | Ariel | SAXO PLANETARIAL |
| KAMEI | Jin | FANTASIA |
| KAMEI | Jin | TRIO |
| KAMENSKIJ | Vasilij | L'USIGNOLO (1916) |
| KAMEVAAR | John | NEGATIO (1992) |
| KAMIN | Franz | BEHAVORIAL DRIFT II (1975) |
| KAMIN | Franz | RUGUGMOOL (1979) |
| KAMINSKY | Laura | AND TROUBLE CAME : AN AFRICAN AIDS DIARY (1993–6) |
| KAMINSKY | Laura | TWILIGHT SETTINGS (1985/88) |
| KANACH | Sharon | VA |
| KANE | Mike | DARKER SIDE OF AMERICAN POLITICS |
| KANEI | Yin | MM60 |
| KANEKO | Hitomi | ESPACE/BRUME |
| KANN | Peter | DE BACTERIE (1989) (CO–COMPOSED BY DOMINY CLEMENTS & JOOST VAN BALKOM) |
| KARKOSCHKA | Erhard | MIT/GEGEN SICH SELBST |
| KARKOSCHKA | Erhard | MIT/GEGEN SICH SELBST (1970) |
| KARLSSON | Erik Mikael | ANCHORINGS/ARROWS |
| KARLSSON | Erik Mikael | ANCHORINGS/ARROWS (1992) |
| KARLSSON | Erik Mikael | CONCORDES AND CONSEQUENCES (1996) |
| KARLSSON | Erik Mikael | EPITAPHE POUR IQBAL MASIH (1995) |
| KARLSSON | Erik Mikael | HOTEL D'UN COLLECTIONNEUR (1196) |
| KARLSSON | Erik Mikael | LA LUNE COMMENCE OU AVEC LE CITRON FINIT LA CERISE (1995) |
| KARLSSON | Erik Mikael | SCAR (1992) (COMP.SAMEN MET J.HEDMAN) |
| KARLSSON | Erik Mikael | THREADS AND CORDS (1990–91) |
| KARTADINATA | Sukandar | RADIO GAGA (MP3) |
| KASEMETS | Udo | C(AG)ELEBRATION MESSAGEMIX (1977) |
| KASEMETS | Udo | CELESTIAL TIMESCAPES |
| KASEMETS | Udo | EARTHSPIN (EXCERPTS) |
| KASEMETS | Udo | HEXAGRAM #14 FOR JOHN CAGE: A YI JING JITTERBUG VOCOCTET (1991) |
| KASEMETS | Udo | TIMETRIP TO THE BIG BANG AND BACK |
| KASEMETS | Udo | YI JING JITTERBUG STEREOCTET (1991) |
| KASINKAS | Joseph | PEEK–A–BOO POLKA |
| KASINKAS | Joseph | PEEK–A–BOO POLKA |
| KASINSKAS | Joseph | PEEK–A–BOO POLKA |
| KASINSKAS | Joseph | THE RIDER (1991) |
| KASSEL | Richard | CELEBRATING... (1989) |
| KASSEL | Richard | GATHERING (1987/88) |
| KASSEL | Richard | RES FACTA (1988) |
| KATCHATURIAN | Aram | TOCCATA |
| KATSOULIS | Vangelis | TERRORTORIUM (1975) |
| KATTS–CHERNIN | Elena | TOTSCHKI |
| KATUNDA | Eurinice | EXPRESSAO ANIMICA (1979) |
| KATZER | Georg | STREICHQUINTETT |
| KAUHL | Matthias | FUR EINEN SPRECHENDEN SCHLAGZEUGER UND EHEMAHL FUTURISTISCHE GERATE (TEXT: MAYAKOVSKI) (1989) |
| KAVASCH | Deborah | MISERERE (1983) |
| KAWAMOTO | Hideko | NIGHT ASCENDS FROM THE EAR LIKE A BUTTERFLY |
| KAWAMOTO | Hideko | NIGHT ASCENDS FROM THE EAR LIKE A BUTTERFLY (1999) |
| KAWASHIMA | Motoharu | MANIPSYCHOISIS (1991–92) |
| KAYN | Roland | CYBERNETICS III (1969) |
| KAZOOPHONY | INTERVIEWS/WORKS AS PART OF A BRITTISH NEW YORK REPORT | |
| KEANE | David | CANON (1983) |
| KEANE | David | DWELLING (1990) |
| KEANE | David | DWELLING (1990) |
| KEANE | David | EPIPHANIES (1987–90) |
| KEANE | David | HARBOUR SYMPHONY (EXCERPT) |
| KEANE | David | HARMONION II (1980) |
| KEANE | David | IN MEMORIAM: HUGH LE CAINE (1978) |
| KEANE | David | IN MEMORIAM: HUGH LE CAINE (1978) |
| KEANE | David | LA CASCADE ENCHANTEE (1982) |
| KEANE | David | LUMINA (1988) |
| KEANE | David | NAUTILUS (1988) |
| KEANE | David | PARTHENOPE |
| KEANE | David | PIANOCENTRIX (1988) |
| KEANE | David | PULSAR (1992) |
| KEANE | David | SAXOPHONICS |
| KEANE | David | SOUND LODGE |
| KEANE | David | TANGO |
| KEANE | David | TANGO |
| KEANE | David | TARANTELLE |
| KEANE | David | TURBO TOCCATA |
| KEANE | David | WERVELWIND |
| KEANE | David | WERVELWIND (1991) |
| KEANE | David | WERVELWIND (1991) |
| KEBERLE | David | INCANTATION |
| KEEFE | Robert Michael | FRACTALIS BALINESUS (1985) |
| KEELING | Andrew | DISTANT SKIES, MOUNTAINS AND SHADOWS |
| KEENAN | Adrian | EX TERRA (1977) |
| KEEREMAN | Peter | ANEKDOTE |
| KEEREMAN | Peter | CONTRADANSKEN |
| KEEREMAN | Peter | THREE OF DANNY'S JOKES |
| KEEREMAN | Peter | THREE OF DANNY'S JOKES |
| KEEV | Gil | ETUDES |
| KEFALA–KERR | John | JUKE–BOX FOR THE END OF TIME |
| KEIDING | Anders | MUR |
| KEIDING | Anders | TEKNOLOGIA |
| KEIDING | Anders | TEKNOLOGIA |
| KEIDING | Anders | TEKNOLOGIA |
| KEIDING | Anders | URSPIL |
| KELEMEN | Milko | JUDITH (1966) |
| KELIEHOR | Jon | PEACHES OF IMMORTALITY (1991) |
| KELLER | Max Eugen | ACHAUPA/NICARAGUA (1986) |
| KELLER | Max Eugen | CUM PROCESSIO TUM MISSA NON EST... – FUR DREI... |
| KELLER | Max Eugen | DORNENBAHN (1983) |
| KELLER | Max Eugen | EGONIA |
| KELLER | Max Eugen | EGONIA (1982) |
| KELLER | Max Eugen | FONTAMARA, SCENIC CANTATA, LIBRETTO BY DENISSEN FRANK AFTER IGNAZIO SILONE |
| KELLER | Max Eugen | FREIE IMPROVISATION AUF KLAVIER & SYNTHESIZER (1983) |
| KELLER | Max Eugen | FRIEDENSLIED EINES OBOISTEN (1983) |
| KELLER | Max Eugen | GESANGE |
| KELLER | Max Eugen | GRUNDGESETZE III LIVE VERSION |
| KELLER | Max Eugen | GRUNDGESETZE III RUNDFUNKVERSION |
| KELLER | Max Eugen | HYMNEN |
| KELLER | Max Eugen | HYMNEN (1979) |
| KELLER | Max Eugen | KONFIGURATIONEN II (1989) |
| KELLER | Max Eugen | MINIMA |
| KELLER | Max Eugen | MUSIK UBER MUSIK |
| KELLER | Max Eugen | MUSIK UBER MUSIK |
| KELLER | Max Eugen | MUSIK UBER MUSIK |
| KELLER | Max Eugen | MUSIK UBER MUSIK |
| KELLER | Max Eugen | MUSIK UBER MUSIK |
| KELLER | Max Eugen | MUSIK UBER MUSIK CHANNELS 1 & 2 |
| KELLER | Max Eugen | MUSIK UBER MUSIK CHANNELS 3 & 4 |
| KELLER | Max Eugen | PSYCHOGRAMM |
| KELLER | Max Eugen | PULS UND TRIGGER |
| KELLER | Max Eugen | PULS UND TRIGGER (1984) |
| KELLER | Max Eugen | SICHER SEIN |
| KELLER | Max Eugen | SICHER SEIN (1976) |
| KELLER | Max Eugen | SICHER SEIN...(1976) |
| KELLER | Max Eugen | SIE (1978) |
| KELLER | Max Eugen | SIE (1978) |
| KELLER | Max Eugen | VERANDERUNGEN (VERSUCHSVERSION OHNE TEXT) |
| KELLER | Max Eugen | ZUSTAND I – VII (1984) |
| KELLER | Max–Eugen | MINIMA |
| KELLY | Fergus | DRINKING INFORMATION / INDUSTRIENTAL |
| KELLY | Fergus | FOREIGN BODIES (1991/6) |
| KEMP | Penn(y) | SIMULTANEOUS TRANSLATION |
| KENGYO | Fukakusa | SARASHI (18TH. CENT.) |
| KENGYO | Yatsuhashi | MIDARE (17TH CENT.) |
| KENNEDY | John | CHANT |
| KENNEDY | Kathy | IDLINGO |
| KENNEDY | Kathy | MUSIC BOX II |
| KENNEDY | Kathy | NEVER/ALWAYS (1994) |
| KENNEDY | Kathy | SOUNDWALK 1 (1993) |
| KENNEDY | Kathy | TAKING STEPS (1993) |
| KEPPLER | Mike | VOX |
| KERNIS | Aaron Jay | BRILLIANT SKY, INFINITE SKY (1990) |
| KERNIS | Aaron Jay | CIACONNA (1981) |
| KERNIS | Aaron Jay | LOVE SCENES (1987) |
| KERNIS | Aaron Jay | LULLABY (FOR THE EARTH) |
| KERNIS | Aaron Jay | MORNINGSONGS (1983) |
| KERNIS | Aaron Jay | PHANTOM POLKA (1988) |
| KERNIS | Aaron Jay | SUITE IN THREE PARTS (1981) CIACONA; PASSACAGLIA; TOCCATA |
| KERNIS | Aaron Jay | SUITE IN THREE PARTS : PRAEAMBULUM; PASSACAGLIA; PRESTO (1983) |
| KERNIS | Aaron Jay | TEACH ME THY WAY, O LORD |
| KETELS | Filiep | OCTOPUS |
| KETELS | Filiep | ORIENTAL MOOD |
| KETELS | Filiep | PHRYGIAN LADY |
| KETTING | Otto | FOR MOONLIGHT NIGHTS (1973) |
| KETTING | Otto | MONUMENTUM (1983) |
| KETTING | Otto | SYMPHONY FOR SAXOPHONES AND ORCHESTRA (1977–78) |
| KETTING | Otto | TIME MACHINE (1972) |
| KEURIS | Tristan | KLARINETKWARTET (1983) |
| KEURIS | Tristan | KLARINETKWARTET (1983) |
| KEURIS | Tristan | MOVEMENTS (1981) |
| KEURIS | Tristan | SINFONIA (1974) |
| KEURIS | Tristan | VIOLIN CONCERTO (1983–84) |
| KGB | SHINING | |
| KHUMALO | Mzilikazi | USHAKA REMIX (1994/99) |
| KHUMALO | Mzilikazi | USHAKA REMIX (1994/99) |
| KIEFFER | Jean–Marie | RONDO (1985) |
| KIEFFER | Jean–Marie | RONDO (1985) |
| KIEGELAND | Burkhardt | KANON |
| KIENTZY | Daniel | SEPT SAXOPHONES CENT MODES DE JEU (1990) |
| KIEVMAN | Carson | HARPO (1986) |
| KIEVMAN | Carson | SONATA NR.1 (1992) |
| KIEVMAN | Carson | THE TEMPORARY–TENTATIVE EXTENDED PIANO (1976) |
| KIM | Earl | EARTHLIGHT (1973) |
| KIM | Jin Hi | KOMUNGO PERMUTATIONS |
| KIM | Jin Hi | LINKING |
| KIM | Jin Hi | NONG ROCK (1992) |
| KIM | Jin Hi | PIRI QUARTET (1993) |
| KIM | Jin Hi | TCHONG (1995) |
| KIM | Suk Jun | SUDDEN CRY (EXC) (1998) |
| KIMI | Jin Hi | YOEUM (1995) |
| KIMURA | Mari | PERFORMANCE EXCERPTS |
| KINEYA | Seiho | ICHIJO (1970) |
| KING | John | AFRICA SONGS |
| KING | John | ALL TOGETHER NOW (1990) |
| KING | John | GLISS IN SIGHS (EXCERPT) |
| KING | John | IMMEDIATE MUSIC TEETH,MOVE,CORN,CHOP,SLASH,VISA |
| KING | John | SOLIDARITY POLKA SONG |
| KING | John | SOLIDARITY POLKA SONG |
| KING | John | WHITE BUFFALO CALF WOMAN BLUES |
| KINSELLA | John | NOCTURNE (1990) |
| KIRALY | Laszlo | PIANO PIECE |
| KIRKWOOD | Antoinette | INTERMEZZI 4–5 (1959) |
| KITAEFF | Richard | STAR OF INDIA |
| KITZKE | Jerome | BREATH AND BONE (1996) |
| KITZKE | Jerome | REGINA TAKES THE HOLY ROAD, 3 DECEMBER 1994 |
| KIVOROMI | Yoshizaki | EIN HASCHEN NACHTWIND |
| KLATZOW | Peter | FIGURES IN A LANDSCAPE |
| KLATZOW | Peter | FIGURES IN A LANDSCAPE |
| KLEBE | G. | 2ND SONATA OP.20 (3 MOVEMENTS) |
| KLEBE | Gilseher | INTERFERENZEN (1955) |
| KLEIN | Immanuel | IRIS (1989) |
| KLEIN/HOSLER | Richard/Mark | WILDMAN |
| KLINE | Phil | A FANTASY ON ONE NOTE |
| KLINE | Phil | BACHMAN'S WARBLER (1992) |
| KLUCEVSEK | Guy | "VIAVY ROSE" VARIATIONS |
| KLUCEVSEK | Guy | ACCORDION MISDEMEANORS |
| KLUCEVSEK | Guy | ALTERED LANDSCAPES |
| KLUCEVSEK | Guy | ALTERED LANDSCAPES (1994) |
| KLUCEVSEK | Guy | AN AIR OF GATHERING PIPERS (1988) |
| KLUCEVSEK | Guy | AND THEN THERE WERE NONE |
| KLUCEVSEK | Guy | AWAKENING |
| KLUCEVSEK | Guy | BANDONEONS, BASIL AND BAY LEAVES |
| KLUCEVSEK | Guy | BLUE WINDOW |
| KLUCEVSEK | Guy | BLUE WINDOW (1985) |
| KLUCEVSEK | Guy | DINING IN THE ROUGH IN THE BUFF |
| KLUCEVSEK | Guy | DONUT ASK, DONUT TELL |
| KLUCEVSEK | Guy | FEEDING FRENZI |
| KLUCEVSEK | Guy | FEZ UP (1988) |
| KLUCEVSEK | Guy | FLYING VEGETABLES OF THE APOCALYPSE |
| KLUCEVSEK | Guy | FLYING VEGETABLES OF THE APOCALYPSE |
| KLUCEVSEK | Guy | LOOSENING UP THE QUEEN (1987) |
| KLUCEVSEK | Guy | MOUNTED ON THE FAIRGROUND'S MAGIC HORSES |
| KLUCEVSEK | Guy | OLD WOMAN WHO DANCES WITH THE SEA |
| KLUCEVSEK | Guy | OLD WOMAN WHO DANCES WITH THE SEA |
| KLUCEVSEK | Guy | PERUSAL |
| KLUCEVSEK | Guy | PERUSAL (1988) |
| KLUCEVSEK | Guy | REGUNKITATION |
| KLUCEVSEK | Guy | REPRIEVE (1988) |
| KLUCEVSEK | Guy | RUMBLING |
| KLUCEVSEK | Guy | SAMBA D HICCUP (1986) |
| KLUCEVSEK | Guy | SCENES FROM A MIRAGE |
| KLUCEVSEK | Guy | SCENES FROM A MIRAGE |
| KLUCEVSEK | Guy | SCENES FROM A MIRAGE |
| KLUCEVSEK | Guy | SKATING ON THIN AIR |
| KLUCEVSEK | Guy | STOLEN MEMORIES |
| KLUCEVSEK | Guy | TESKNOTA |
| KLUCEVSEK | Guy | THE FLYING PIPE ORGAN |
| KLUCEVSEK | Guy | THE GRASS, IT IS BLUE (AIN'T NOTHIN' BUT A POLKA) |
| KLUCEVSEK | Guy | THE GRASS, IT IS BLUE (AIN'T NOTHIN' BUT A POLKA) |
| KLUCEVSEK | Guy | THE GRASS, IT IS BLUE (AIN'T NOTHING BUT A PLOKA) |
| KLUCEVSEK | Guy | THE GRASS, IT IS BLUE (AIN'T NOTHING BUT A POLKA) |
| KLUCEVSEK | Guy | THE GRASS, IT IS BLUE (AIN'T NOTHING BUT A POLKA) |
| KLUCEVSEK | Guy | THE GUNKS |
| KLUCEVSEK | Guy | THE LADY THAT'S DANCING WITH THE SEA |
| KLUCEVSEK | Guy | THREE "MICROIDS" |
| KLUCEVSEK | Guy | TORONTO |
| KLUCEVSEK | Guy | TRANSYLVANIAN SOFTWARE |
| KLUCEVSEK | Guy | UNION HALL (1989) |
| KLUCEVSEK | Guy | URBAN RITE |
| KLUCEVSEK | Guy | WALTZING ABOVE GROUND (1988) |
| KLUCEVSEK | Guy | WAVE HILL |
| KNAACK | Donald | JUNK MUSIC |
| KNAAK | Donald | VARIOUS PIECES |
| KNEHANS | Douglas | NIGHT CHAINS (1991) |
| KNIEPER | Jurgen | WINGS OF DESIRE: DER HIMMEL UBER BERLIN – THE CATHEDRAL OF BOOKS – GLACIAL VALLEY |
| KNITTEL | Krzystof | GLUCK PAVILLON |
| KNITTEL | Krzystof | UTWOR DLA JEDNEGO – PIEC GLOSOW |
| KNITTEL | Krzysztof | BLACK WATER, WHITE WATER, OLD STREAM,... (PERFORMANCE TAPE) |
| KNITTEL | Krzysztof | BULE I DESZCS |
| KNITTEL | Krzysztof | COS Z ZYCIA (1988) |
| KNITTEL | Krzysztof | JINGLE JANGLE (87/89) CO–AUTHORED BY BIKONT PIOTR |
| KNITTEL | Krzysztof | LAPIS (PERFORMANCE TAPE, TO BE PLAYED WITH ANY 1 OR 2 INSTR.) |
| KNITTEL | Krzysztof | MAN ORCHESTRA II (1982/89) |
| KNITTEL | Krzysztof | NORCET 2ND VERSION |
| KNITTEL | Krzysztof | OLD STYLE PIECES |
| KNITTEL | Krzysztof | STILL SPRING...(FRAGMENT) |
| KNIZAK | Milan | N! (1973) |
| KNOCKAERT | Yves | EEN SNEL MOMENT |
| KNOCKAERT | Yves | INSIDE |
| KNOCKAERT | Yves | PORTRAITS |
| KNOCKAERT | Yves | REDUCTION I |
| KNOLES | Amy | BIG AND CHEAP (1990) |
| KNOWLES | Alison | AFTER RYOANGI |
| KNOWLES | Alison | BEAN SEE ALSO BEIN (FOR GEORGE MACIUNAS) |
| KNOWLES | Alison | FISHES OF THE PHILIPPINE SEAS |
| KNOWLES | Alison | FISHES OF THE PHILIPPINE SEAS |
| KNOWLES | Alison | FISHES OF THE PHILIPPINE SEAS |
| KNOWLES | Alison | FRIJOLES CANYON |
| KNOWLES | Alison | JAPANESE BEAN GARDEN |
| KNOWLES | Alison | LOOSE PAGES |
| KNOWLES | Alison | LOOSE PAGES ACCOMPANIED BY PHIL CORNER'S GAMELAN THINGS (TAPE) |
| KNOWLES | Alison | MANTRA FOR JESSICA |
| KNOWLES | Alison | MANTRA FOR JESSIE |
| KNOWLES | Alison | MANTRA FOR JESSIE |
| KNOWLES | Alison | MANTRA FOR JESSIE (SOME HELP IN SLEEPING) |
| KNOWLES | Alison | NAATTC |
| KNOWLES | Alison | SOUNDS FROM THE TRUE CROW |
| KNOWLES | Alison | SOUNDS FROM THE TRUE CROW |
| KNOWLES | Alison | THE BOOK OF BEAN |
| KNOWLES | Chris | MODERN APPLIANCES FOR THE CONTEMPORARY COMPOSER |
| KNOWLES | Julian | THEREFORE, I... (1994) |
| KNOWLES / RUE | Julian / Rik | HEAVY INDUSTRY (1990) |
| KOBAYASHI | Arata | SONATE POUR VIOLONCELLE ET PIANO |
| KOBLITZ | David | RIGOR VITUS |
| KOCH | Edward | INTERVIEWS/WORKS AS PART OF A BRITTISH NEW YORK REPORT |
| KOCH | Hans | HARD CORE CHAMBER MUSIC |
| KOCSAR | Miklos | KASSAK SONGS (1980) |
| KOCSAR | Miklos | KASSAK SONGS (1980) |
| KOCSIS | Zoltan | THE LAST BUT ONE ENCOUNTER (1981) |
| KODALY | Zoltan | MOOI IS HET WOUD |
| KODALY | Zoltan | PRELUDIUM FROM PANGE LINGUA (1931) |
| KOECHLIN | Charles | L'ANCIENNE MAISON DE CAMPAGNE (III: LES COLLINES ET LA VIE TRANQUILLE; IV: LA JEUNESSE VUE DU SEUIL DE LA VIEILLESSE) |
| KOECHLIN | Charles | L'ANCIENNE MAISON DE CAMPAGNE OP.124 SUITE POUR PIANO (1923–33) |
| KOECHLIN | Charles | NOCTURNE CHROMATIQUE OP.33 (1907) |
| KOECHLIN | Charles | OFFRANDE MUSICALE SUR LE NOM DE BACH (1942–1946) |
| KOECHLIN | Charles | PAYSAGES ET MARINES OP.63 (1915–16) |
| KOEK | Anja | UIT DE BORST TREKKEN, TRAPPELEN EN INSLUITEN CO–AUTHORED BY HANS VOS |
| KOELLREUTER | H.J. | ESTUDO PARA JOSE EDUARDO MARTINS (1991) |
| KOENER | Thomas | IM CONCERT VOLKFBUHNE 4/97 |
| KOENIG | Gottfried M. | TERMINUS (1962) |
| KOENIG | Gottfried Michael | FUNKTION GRUEN (1967) |
| KOENIG | Gottfried Michael | TERMINUS X (1967) |
| KOENIG | Gottfried–Michael | ESSAY (1957) |
| KOENIG | Gottfried–Michael | FUNKTION GRUN (1967) |
| KOENIG | Gottfried–Michael | KLANGFIGUREN I (1955) |
| KOENIG | Gottfried–Michael | KLANGFIGUREN II (1955) |
| KOENIG | Gottfried–Michael | SUITE (1961) |
| KOENIG | Gottfried–Michael | TERMINUS (1962) |
| KOENIG | Gottfried–Michael | TERMINUS II (1966–67) |
| KOENIGSBERG | Christopher | SQEAKY CHAIR |
| KOEPF | Siegfried | KONZENTRIERT MUSIZIEREN (FREIZEIT) |
| KOHN | Karl | TRACE |
| KOHTOH | Minezaki | AZUMA–JISHI |
| KOKKONEN | Joonas | WIND QUINTET |
| KOLB | Barbara | APPELLO (1976) |
| KOLB | Barbara | LOOKING FOR CLAUDIO (1975) |
| KOLB | Barbara | SOUNDINGS (1971–72) |
| KOLB | Barbara | SPRING RIVER FLOWERS MOON NIGHT (1974–75) |
| KOLB | Barbara | THE SENTANCES (EXCERPT) |
| KOLB | Barbara | TOCCATA (1971) |
| KOLKOWSKI | Alex | THE SCOOP! – A MUSICAL DRAMA (BY KOLKOWSKI, HONSINGER, MAGUIRE) |
| KOLLEKTIEF | KORAAL VOOR DRINKERS | |
| KOLLEKTIEF | VLAAMSE PLAYBACK | |
| KOLMAN | Peter | E 15 (1974) |
| KOLMAN | Peter | MOLISATION (1965) |
| KOMIVES | Y. | FLAMMES |
| KOMOROUS | Rudolf | DAME'S ROCKET |
| KOMOROUS | Rudolf | THE NECKLACE OF CLEAR UNDERSTANDING (1986) |
| KONDO | Jo | AQUARELLE (1996) |
| KONDO | Jo | CLICK CRACK (1973) |
| KONDO | Jo | DITHYRAMB (1996) |
| KONDO | Jo | FORME SEMEE (1982) |
| KONDO | Jo | GARDENIA (1997) |
| KONDO | Jo | ORIENT ORIENTATION |
| KONDO | Jo | ORIENT ORIENTATION |
| KONDO | Jo | ORIENT ORIENTATION |
| KONDO | Jo | ORIENT ORIENTATION FOR ANY KIND OF TWO INSTRUMENTS |
| KONDO | Jo | PERGOLA (1994) |
| KONDO | Jo | SIGHT RHYTHMICS (1975) |
| KONDO | Jo | STANDING (1973) |
| KONDO | Jo | STRANDS III (1981) |
| KONDO | Jo | THREE SONGS OF THE ELDERBERRY TREE (1995) |
| KONDO | Jo | WINSEN DANCE STEP (1995) |
| KONZAK | Ron | GIANT PUGET SOUND WINDHARP |
| KOONCE | Paul | ESCAPE TONE |
| KOONCE | Paul | ESCAPE TONE (1986) |
| KOONCE | Paul | HOTHOUSE (1992) |
| KOPFERMANN | Michael | STUCK NR.IV VON SECHS STÜCKE 1972 |
| KOPFERMANN | Michael | STÜCK NR.II VON ZWEI STÜCKE 1972 |
| KORELIS | Petros | KRONOS 2 |
| KORTE | Karl | THE WHISTLING WIND (1982) |
| KORTE | Karle | WHISTLING WIND |
| KOSK | Patrick | "EVE & DAVE" |
| KOSK | Patrick | DER RAUM TRAUM (1992/94) |
| KOSK | Patrick | DISTRACTIONS POUR L'ETERNITE |
| KOSK | Patrick | DISTRACTIONS POUR L'ETERNITE |
| KOSK | Patrick | LA FLEUR PERMANENTE |
| KOSK | Patrick | NEBULA PROSPECT |
| KOSK | Patrick | NEBULA PROSPECT |
| KOSK | Patrick | PANOPTIKON |
| KOSK | Patrick | THE FOSSIL (THE DODO'S DREAM'S FUTURE TIME) |
| KOSK | Patrick | TRANCE DANCE |
| KOSK | Patrick | TRANCE DANCE |
| KOSK | Patrick | TRANSMISSION IN A... (SYSTEM OF COORDINATES) |
| KOSK | Patrick | TRANSMISSIONS IN A SYSTEM OF CO–ORDINATES |
| KOSKINEN | Jukka | STRING QUARTET (1987) |
| KOSTELANETZ | Richard | FROM AUDIO ART |
| KOSTELANETZ | Richard | INVOCATIONS PART 2 (EXCERPT) |
| KOSTELANETZ | Richard | MURDOCH AND THE SUFI (FROM INVOCATIONS) |
| KOSTELANETZ | Richard | NEW YORK CITY |
| KOSTELANETZ | Richard | NEW YORK CITY (FIRST DRAFT OF A PORTRAIT OF NEW YORK CITY RADIO) |
| KOSTELANETZ | Richard | NEW YORK CITY PART 2 |
| KOSTELANETZ | Richard | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| KOSUGI | Takehisa | +– (1987) |
| KOSUGI | Takehisa | FIVE STONE WIND (1988) (CO–AUTHORED BY JOHN CAGE & DAVID TUDOR) |
| KOSUGI | Takehisa | FRAGMENT |
| KOTIK | Petr | WILSIE BRIDGE |
| KOTOH | Minezaki | ARUMA – JISHI (18TH. CENT.) |
| KOTONSKI | Wlodzimierz | ANTIPHONAE (1989) |
| KOUKOUZELES | Ioannis | KRATEMA IN THE 1ST MODE (EARLY 14TH CENTURY) |
| KOUKOUZELES | Ioannis | KRATEMA IN THE 1ST MODE (EARLY 14TH CENTURY) |
| KOUNADIS | A. | BLUES |
| KOUSTRUP | Frank | FROSTIE (1992) |
| KOUSTRUP | Frank | WOODSTOCK TO DETROIT |
| KRAABEL | Caroline | MASS PRODUCERS PLSE (EXC.) |
| KRAFT | Leo | SHORT PIECES I & IV |
| KRAFT | Leo | SHORT PIECES I AND IV AND A REPRISE (1981) |
| KRAFT | Leo | SHORT PIECES I AND IV AND A REPRISE (1981) |
| KRAFT | Leo | SHORT SONATA #1 (1968) |
| KRAFT | Leo | SHORT SONATA #1 (1968) |
| KRAFT | Leo | SHORT SONATA #2 (1969) |
| KRAFT | Leo | STATEMENT & COMMENTARY 1, 3 (1965) |
| KRAFT | Leo | STATEMENT & COMMENTARY 1, 3 (1965) |
| KRAMER | Gregory | AN HOUR BEFORE & WEBS AND VEILS (EXCERPTS) |
| KRAMER | J. | FANFARE (1977) |
| KRAMER | Jonathan | THE CANONS OF BLACKEARTH CONCLUSION |
| KRAMER | Jonathan | THE CANONS OF BLACKEARTH PART I |
| KRAUSE | Drew | BARK |
| KRAUZE | Zsygmund | VOICES FOR ENSEMBLE |
| KRAUZE | Zygmund | VOICES FOR ENSEMBLE |
| KRAUZE | Zygmunt | FROM KEYBOARD TO SCORE (1987) |
| KRAUZE | Zygmunt | POLYCHROMIA |
| KREBS | Joachim | MUSIK |
| KREBS | Joachim | MUSIK FÜR AKKORDEON (1986) |
| KREIGER | Arthur | JOINT SESSION (1992) |
| KREJN | Alexander Abramovi | THE MEMORIAL ODE ON THE DEATH OF VLADEMIS ILYICH LENIN (1925) |
| KRENEK | Ernst | NACHDENKLICH (1963) |
| KRENEK | Ernst | SONATE N°7 OPUS 240 (1988) |
| KRENEK | Ernst | SPIRITUS INTELLIGENTIAE SANCTUS (1956) |
| KRIESBERG | Matthias | A–3520 |
| KRIWET | Ferdinand | APOLLO AMERICA |
| KRIWET | Ferdinand | APOLLO AMERIKA HÖRTEXT VI |
| KRIWET | Ferdinand | APPOLO AMERICA (EXCERPT) |
| KRIWET | Ferdinand | JAJA–HOERTEXT (1965) |
| KRIWET | Ferdinand | VOICE OF AMERICA |
| KRIWET | Ferdinand | VOICE OF AMERICA |
| KROLKZUC | Marek | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| KROLL | Georg | ROUND OF TALKS (1994) |
| KRUCENYCH | Aleksej | DRY BUL SCYL (1912) KR DEI MACELLI (1920) ZANZERA,VELENO (1922) |
| KRUGER | Jan | BIORHYTHMS |
| KRUGER | Jan | NERGENS |
| KRUGER | Jan | NONET |
| KRUGER | Jan | NONET |
| KRUGER | Jan | QUI EST–LA? |
| KRUITHOF | Jaap | POSTMODERNISME |
| KRUMM | Philip | SOUND MACHINE (1966) |
| KRUTZEN | Daniel | SILANCES (DES VOIX – LA MACHINE – FROID – UN RELENT DE JAZZ – L'ALPINISTE – CHAUD) |
| KRZANOWSKI | Andrzeij | MUSIC FOR TUBA SOLO |
| KRZANOWSKI | Andrzeij | SONATA FOR TUBA SOLO |
| KRZANOWSKI | Andrzeij | SONATA FOR TUBA SOLO |
| KUBICKA | Vitazoslav | AND EVEN ROCK WOULD CRU (1982) |
| KUBICKA | Vitazoslav | JESENNA HUDBA (AUTUMN MUSIC) |
| KUBISCH | Christina | EMERGENCY SOLOS (1975) – PRIVATE PIECE, IN TOUCH WITH, WEEKEND, STILLE NACHT, BREAK, EROTICA |
| KUBISCH | Christina | FRAGMENT FROM THE TAPE 'ON AIR – SIX THEMES ON OPEN SPACE' |
| KUBISCH | Christina | VIBRATIONS I |
| KUBISCH | Christina | VIBRATIONS II |
| KUBO | Mayako | AUS BERLINISCHES TAGEBUCH (1990) |
| KUBOTA | Nobuo | SYNTHETICALLY YOURS – VOICE IMPROV 96M2 – SYNTHETICALLY JAPANESE – NOBBY–ONE–NOTE – FLOO–WACK |
| KUCERA | Vaclav | DUODRAMMA (1967) |
| KUCHARZ | Larry | HARMONIC LUMINOSITY |
| KUCHARZ | Larry | TECHNO UNIT 30 : AUDIOCHROME |
| KUCHARZ | Larry | UNIT 23 |
| KUCHARZ | Larry | UNIT 28: BLUE MOTION |
| KUCHARZ | Lawrence | #6 #7 #8 |
| KUCHARZ | Lawrence | 1978 #9 ORCH |
| KUCHARZ | Lawrence | 1979 #3 |
| KUCHARZ | Lawrence | 1982 #4 |
| KUCHARZ | Lawrence | 1982 #9 |
| KUCHARZ | Lawrence | RENWICK STREET – CSS II |
| KUCHARZYK | Henry | CHROME CHASER (1993) |
| KUCHARZYK | Henry | COLLISIONS (1986) |
| KUCHARZYK | Henry | FIGURE IN A LANDSCAPE (1991) |
| KUCHARZYK | Henry | ROSE |
| KUCHARZYK | Henry | WALK THE LINE (1982) |
| KUHLMAN | John | IN THIS LIGHT |
| KUIVILA | Ron | ALPHABET |
| KUIVILA | Ron | ALPHABET |
| KUIVILA | Ron | BLURRED GENRES: CLOSELEY OBSERVED (TRIO) |
| KUIVILA | Ron | BLURRED GENRES: LOOSE CANONS (QUINTET) |
| KUIVILA | Ron | BLURRED GENRES: MINUTE DIFFERENCES (SOLO) |
| KUIVILA | Ron | BLURRED GENRES: NIGHT (SOLO) |
| KUIVILA | Ron | BLURRED GENRES: PARODICALS II (DUET) |
| KUIVILA | Ron | BLURRED GENRES: THIRD CANON (QUARTET) |
| KUIVILA | Ron | CANON Y |
| KUIVILA | Ron | CANON Y (FOR CONLON NANCARROW) |
| KUIVILA | Ron | FAST FEET, SLOW SMOKE |
| KUIVILA | Ron | HOUSEHOLD OBJECT |
| KUIVILA | Ron | IN APPRECIATION |
| KUIVILA | Ron | KEYBOARD STUDY |
| KUIVILA | Ron | LOOSE CANONS |
| KUIVILA | Ron | LOOSE CANONS |
| KUIVILA | Ron | PARALLEL LINES |
| KUIVILA | Ron | PARALLEL LINES |
| KUIVILA | Ron | PARODICALS |
| KUIVILA | Ron | RADIAL ARCS |
| KUIVILA | Ron | SAILING SHIP/FLYING MACHINE |
| KUIVILA | Ron | THE LINEAR PREDICTIVE ZOO |
| KUIVILA | Ron | THE LINEAR PREDICTIVE ZOO |
| KUIVILA | Ron | ULTRASOUND INSTALLATION |
| KUIVILA | Ron | UNTITLED (REVISION) |
| KUIVILA | Ron | WORKING TITLE DELETED |
| KULJUNTAUSTA | Perti | LA MER III (1996) |
| KULJUNTAUSTA | Petri | THE FLOW (1996) |
| KUNST | Jos | GARUDA |
| KUNST | Jos | SOLO IDENTITY I |
| KUNST | Jos | TOPOS TELEIOS |
| KUPFERMAN | Meyer | A SOUL FOR THE MOON (1990) |
| KUPKOVIC | Ladislav | ? PIECE FOR 2 PIANO'S |
| KUPKOVIC | Ladislav | ? PIECE FOR STRINGQUARTET & HARP |
| KUPKOVIC | Ladislav | DREI KLAVIERSTUCKE (1978) |
| KUPKOVIC | Ladislav | OCTAGON OF SOLITUDE, BOREDOM AND FEAR (1962) |
| KUPKOVIC | Ladislav | ROMANZE (EXCERPT) |
| KUPKOVIC | Ladislav | ROMANZE FUR AKKORDEON (1978) |
| KUPKOVIC | Ladislav | RRRONDO FUER VIOLONCELLO UND KLAVIER (1977) |
| KUPKOVIC | Ladislaw | (UNTITLED) |
| KUPPER | Leo | AUTOMATISMES SONORES (1971) |
| KUPPER | Leo | ELECTRO–ACOUSTIC SANTUR (1989) |
| KUPPER | Leo | GUITARRA CUBANA |
| KUPPER | Leo | INFLEXIONES VOCALES |
| KUPPER | Leo | INNOMINE |
| KUPPER | Leo | INNOMINE (1974) |
| KUPPER | Leo | KOUROS ET KORE (1979) |
| KUPPER | Leo | L'ENCLUME DES FORCES (1971) |
| KUPPER | Leo | LE REVEUR AU SOURIRE PASSAGER |
| KUPPER | Leo | WAYS OF THE VOICE |
| KURIBAYASHI | Hideaki | AOKU (1983) |
| KURTAG | Georgy | CYCLONE |
| KURTAG | Gyorgy | 12 MIKROLUDIEN UIT JATEKOK II |
| KURTAG | Gyorgy | 12 NEUE MIKROLUDIEN UIT JATEKOK III |
| KURTAG | Gyorgy | HOMMAGE A BACH |
| KURTAG | Gyorgy | JATEKOK |
| KURTAG | Gyorgy | JATEKOK (EXC.) |
| KURTAG | Gyorgy | JELEK |
| KURTAG | Gyorgy | MESSAGES OF THE LATE MISS R.V.TROUSSOVA |
| KURTAG | Gyorgy | SEVEN SONGS OP. 22 |
| KURTAG | Gyorgy | THE LITTLE FIX |
| KUSNIR | Edvardo | LA PANADERIA |
| KUYPER | Klaus | STAND BIJ |
| KUYPERS | Marcel | BALKAN RAROLA |
| KUYPERS | Marcel | TYPISCH TURKS |
| KWI | Slavek | ARTIFICIAL MEMORY TRACE |
| KWI | Slavek | MUSIC FOR BETLES |
| KWI | Slavek | N.D.E. |
| KWI | Slavek | SYPHONIE |