| Comp_name | First_name | Title |
|---|---|---|
| BABBITT | Milton | 3 EARLY COMPOSITIONS |
| BABBITT | Milton | ARIE DA CAPO (1974) |
| BABBITT | Milton | CANONICAL FORM (1983) |
| BABBITT | Milton | COMPOSITION FOR GUITAR |
| BABBITT | Milton | COMPOSITION FOR GUITAR (1984) |
| BABBITT | Milton | DUET |
| BABBITT | Milton | DUET (1956) |
| BABBITT | Milton | LAGNIAPPE (1985) |
| BABBITT | Milton | MY COMPLEMENTS TO ROGER (1978) |
| BABBITT | Milton | NONE BUT THE LONELY FLUTE (1991) |
| BABBITT | Milton | OCCASIONAL VARIATIONS |
| BABBITT | Milton | PARTITIONS |
| BABBITT | Milton | PARTITIONS (1957) |
| BABBITT | Milton | PHILOMEL |
| BABBITT | Milton | PHILOMEL (1964) |
| BABBITT | Milton | PHONEMENA |
| BABBITT | Milton | PHONEMENA |
| BABBITT | Milton | PHONEMENA (1975) |
| BABBITT | Milton | POST–PARTITIONS |
| BABBITT | Milton | POST–PARTITIONS (1966) |
| BABBITT | Milton | REFLECTIONS |
| BABBITT | Milton | REFLECTIONS (1974) FOR PIANO AND SYNTHESIZED TAPE |
| BABBITT | Milton | SEMI–SIMPLE VARIATIONS |
| BABBITT | Milton | SEMI–SIMPLE VARIATIONS (1956) |
| BABBITT | Milton | TABLEAUX (1973) |
| BABBITT | Milton | THREE COMPOSITIONS (1947–48) |
| BACEWICZ | Grazyna | SONATA (1958) |
| BACH | Carl Philip E. | PRESTO FUR EINE SPIELUHR (CA. 1766) |
| BACH | Carl Philip E. | PRESTO FUR EINE SPIELUHR (CA.1766) |
| BACH | Carl Philip E. | RONDO |
| BACH | Carl Philip E. | RONDO; FANTASIA; 3RD RONDO IN A MINOR; 2ND FANTASIA |
| BACH | Carl Philip E. | RONDO; FANTASIA; 3RD RONDO IN A MINOR; 2ND FANTASIA |
| BACH | Johann Sebastian | ??? |
| BACH | Johann Sebastian | AIR FROM SUITE NR. 3 |
| BACH | Johann Sebastian | AIR FROM SUITE NR.3 IN D MAJOR |
| BACH | Johann Sebastian | ALLEMANDE |
| BACH | Johann Sebastian | ALLEMANDE |
| BACH | Johann Sebastian | CONTRAPUNCTUS XIII: CANON DER DUODEZIME UND OCTAV (18TH CENTURY) |
| BACH | Johann Sebastian | DAS WOHLTEMPERIERTE CLAVIER I & II |
| BACH | Johann Sebastian | DAS WOHLTEMPERIERTE KLAVIER (TEIL I) |
| BACH | Johann Sebastian | EXTRAIT DE LA DEUXIEME SONATE POUR FLUTE |
| BACH | Johann Sebastian | INVENTIONEN & SINFONIEN (1723) |
| BACH | Johann Sebastian | JESU MEINE FREUDE |
| BACH | Johann Sebastian | PARTITA NR. 3 IN A–MINOR |
| BACH | Johann Sebastian | SONATA IN G MINOR |
| BACH | Johann Sebastian | WAS GOTT TUT,DAS IST WOHL GETAN |
| BACHARACH | Burt | BABY IT'S YOU (WORDS BY HAL DAVID), RE–ARRANGED AND PROCESSED BY NICOLAS COLLINS |
| BACHARACH | Burt | RAINDROPS KEEP FALLIN' ON MY (WIVES AND LOVERS) HEAD |
| BACHARACH | Burt | WHO GETS THE GUY? / THIS GUY'S IN LOVE WITH YOU |
| BACK | Sven–Eric | WALLS |
| BACK | Sven–Erik | HOMMAGE AUX GRANDS FAUX–PENSEURS OU TRUGSCHLUSSE AUS DER MUSIKGESCHICHTE UND GEGENWART ODER THOU SHALT REACH THE JORDAN IN THE END |
| BACK | Sven–Erik | JEU AUTOUR D'UN JEU (1959) |
| BACK | Sven–Erik | ORGAN BUTTERFLY |
| BACK | Sven–Erik | THROUGH THE EARTH TROUGH THE SEA PROLOG,PARKEN,DOMEN–MALTIDEN,MUSEET |
| BACON | Ernst | BILLY IN THE DARBIES |
| BACZEWSKA | Christine | DAY OF THE DEAD |
| BAERT | Bernard | "DE SEIZOENEN" |
| BAERT | Bernard | NOCTURNE |
| BAGGIANI | Guido | ACCORDO PRESUNTO |
| BAILIE | Joanna | PRIMARY INTERPOLATIONS (1997) |
| BAINBRIDGE | Simon | TRIO (1989) |
| BAINBRIDGE | Simon | TRIO (1989) |
| BAKER | John | BOYS AND GIRLS |
| BAKER | John | CHRISTMAS COMMERCIAL |
| BAKER | John | FACTORS |
| BAKER | John | FESTIVAL TIME |
| BAKER | John | FRESH START |
| BAKER | John | MILKY WAY |
| BAKER | John | NEW WORLDS |
| BAKER | John | P.I.G.S. |
| BAKER | John | RADIO NOTTINGHAM |
| BAKER | John | READING YOUR LETTERS |
| BAKER | John | SEA SPORTS |
| BAKER | John | STRUCTURES |
| BAKER | John | THE CHASE |
| BAKER | John | THE FROGS WOOING |
| BAKER | John | THE MISSING JEWEL |
| BAKER | John | TIME AND TUNE |
| BAKER | John | TOMORROW'S WORLD |
| BAKER | Michael J. | BIRD IN HAND (1990) |
| BAKER | Michael J. | COLUMBUS (1988) |
| BAKER | Michael J. | MUSIC FROM BIG PICTURES |
| BAKKER | Henk | TENSIONS |
| BALADA | Leonardo | MUSIC FOR OBOE AND ORCHESTRA: LAMENT FROM THE CRADLE OF THE EARTH |
| BALCOM | William | THE DEAD MOTH TANGO |
| BALDAN | Bebo | PIL |
| BALDWIN | John | 4 VOCUM |
| BALES | COLLAGE 3 | |
| BALEY | Virko | NOCTURNAL NR.4: 13 INTERLUDES (1971) |
| BALEY | Virko | SCULPTURED BIRDS (1981–84) |
| BALL | Hugo | KARAWANE |
| BALL | Hugo | KARAWANE/WOLKEN |
| BALL | Hugo | VERSI SENZA PAROLE (1916) (KARAWANE, WOLKEN, KATZEN UND PFAUEN, TOTENKLAGE, GADJI BERI BIMBA, SEEPFERDCHEN UND FLUGFISCHE) |
| BALL | Hugo | VERSI SENZA PAROLE (1916) (KARAWONE, WOLKEN, KATZEN UND PFAUEN, TOTENKLAGE, GADIJ BERI BIMBA, SEEPFERDCHEN UND FLUGFISCHE) |
| BALL | Steve | INSTRUMENTS WITH HOME MADE PICKUPS |
| BALLA | Giacomo | CANZONE DI MAGGIO (1914) FUNERALE A PIAZZA TERMINI (1918) IL PIGRO; L' ANNOIATA (CA. 1920) |
| BALLA | Giacomo | DISCONCERTED STATES OF MIND |
| BALLA | Giacomo | DISCUSSIONE SUL FUTURISMO DEI DUE CRITICI SUDANESI (1914) MACCHINA TIPOGRAFICA (1914) PAESAGGIO + TEMPORALE (1914) |
| BALLA | Giacomo | TO UNDERSTAND WEEPING |
| BALLABENI | Franco | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BALLCELLS | Eugenia | CLEAR MUSIC (1981) |
| BALLIF | Claude | CENDRES (1946) |
| BALLIF | Claude | L' HABITANT DU LABYRINTHE (1980) |
| BALLIF | Claude | TIMBRES ET POSTES (1977) |
| BANANA | Anna | BANANA POWER – ENVIRONMENT – YOU |
| BANANA | Anna | BANANA POWER – ENVIRONMENT – YOU (PRESENTIST PERFORMANCE) |
| BANANA | Anna | CANADIAN FALL |
| BANANA | Anna | EAT BANANAS |
| BANASIK | Christian | IGOR'S SMILE |
| BAND | Ellen | RAILRAOD GAMELAN |
| BANDT | Ros | CONCERT IN BRUSSELS, UNDEFINED PROGRAM |
| BANDT | Ros | FLAGONG AND CELLO |
| BANDT | Ros | GENESIS |
| BANDT | Ros | GENESIS |
| BANDT | Ros | GENESIS (COMPOSING FOR RADIO) |
| BANDT | Ros | LOOPS |
| BANDT | Ros | LOOPS (EXCERPT) |
| BANDT | Ros | OCEAN BELLS |
| BANDT | Ros | SOFT AND FRAGILE MUSIC IN GLASS AND CLAY |
| BANDT | Ros | SUNDAY SOUVENIR (COMPOSING FOR RADIO) |
| BANDT | Ros | TANK |
| BANGERT | Christoph | EURO'SCAN |
| BANGERT | Christoph | EURO'SCAN |
| BANGERT | Christoph | EURO'SCAN |
| BANK | Jacques | BLIND BOY FULLER (1980) |
| BANKS | Don | 4X2X1 |
| BANKS | Don | PROLOGUE, NIGHT PIECE AND BLUES FOR TWO |
| BANKS | Don | TRIO |
| BANNERMAN | Alastair | IN TH'AIR OR TH'EARTH (1997–8–9) |
| BARBANTI | Roberto | SPECCHI |
| BARBANTI | Roberto | SPECCHI (1981) |
| BARBANTI | Roberto | XY TONE |
| BARBER | Charles | 6(2) + H20 |
| BARBER | Charles | FALSE STEPS |
| BARBER | Charles | GUAJIRA |
| BARBER | Charles | SEX AND DEATH AT COVENT GARDEN |
| BARBER | Llorenc | APENAS |
| BARBER | Llorenc | BREF ESSAI SUR LA CELEBRE QUESTION DU TEMPS |
| BARBER | Llorenc | CANTILENA |
| BARBER | Llorenc | CONCIERTO DE CAMPANAS SACRA LUCUS |
| BARBER | Llorenc | CONCIERTO PARA CAMPANARIOS Y ESPADANAS DE LA CIUDAD DE GRANADA |
| BARBER | Llorenc | FU, FUGACE, FUGUE PHONIQUE POUR UNE VO, VOIX TRES SO, SO, SO, SOLITAIRE |
| BARBER | Llorenc | LINGUOPHARINCAMPANOLOGY |
| BARBER | Llorenc | MANJAR |
| BARBER | Llorenc | MUSIQUE POUR UN NEZ PAS TROP LONG |
| BARBER | Llorenc | MUSIQUE VOLANTE 1 |
| BARBER | Llorenc | MUSIQUE VOLANTE 2 |
| BARBER | Llorenc | OBRES |
| BARBER | Llorenc | OIR CAMPANAS |
| BARBER | Samuel | ADAGIO |
| BARBER | Samuel | NOCTURNE (HOMMAGE TO JOHN FIELDS) (1959) |
| BARBER | Samuel | PIANO SONATA (1948) |
| BARBER | Samuel | SOLITARY HOTEL |
| BARBER | Samuel | SUMMER MUSIC |
| BARBER | Samuel | SUMMER MUSIC |
| BARBER | Samuel | SUMMER MUSIC FOR WIND QUINTET |
| BARBER | Samuel | SURE ON THIS SHINING NIGHT |
| BARG | Barbara | HOMER EROTIC DEMO |
| BARGIELSKY | Zbigniew | GEMALTE WOLKEN |
| BARGIELSKY | Zbigniew | GEMALTE WOLKEN (1982) (EXCERPT) |
| BARGIELSKY | Zbigniew | IKAR (1981) |
| BARGIELSKY | Zbigniew | SCHWARZER SPIEGEL (1984) |
| BARGIELSKY | Zbigniew | SCHWARZER SPIEGEL (1984) POUR ACCORDEON ET GUITARE (EXCERPT) |
| BARGIELSKY | Zbigniew. | GEMALTE WOLKEN |
| BARGIELSKY | Zbigniew. | SCHWARZER SPIEGEL |
| BARKER | George | SAMPLER TAPE |
| BARKER | Paul | THE SIX–DAIES WORLD (1984) |
| BARKIN | Elaine | FIVE COLLAGES |
| BARLOW | Klarenz | ...UNTIL... (1972) |
| BARLOW | Klarenz | BACHANAL FOR JIM TENNEY AND TOM JOHNSON (1990) |
| BARLOW | Klarenz | COGLUOTOBUSISLETMESI |
| BARLOW | Klarenz | COGLUOTOBUSISLETMESI |
| BARLOW | Klarenz | COGLUOTOBUSISLETMESI (1979) |
| BARLOW | Klarenz | ENZYKLOSKOPORT |
| BARLOW | Klarenz | ORCHIDEAE ORDINARIAE OR THE TWELFTH ROOT OF TRUTH (TAPE AUDITION) |
| BARLOW | Klarenz | OTODEBLU |
| BARLOW | Klarenz | PANDORA (1989) |
| BARLOW | Klarenz | REIDOSKLOPAEDIE? |
| BARLOW | Klarenz | UNTIL (1972–99) |
| BARNES | David | PERCUSSION SYMPH NO.1 (EXC.) |
| BARON | Rudy | MONOLOGUE |
| BARONI | Vittore | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BARONI | Vittore | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| BAROSSO | Sergio | YANTRA 4 |
| BARRECA | Marc | MESSIER CROSSES THE BLUE LINE |
| BARREIRO | A. Harold | ADEMEN IN AFWEZIGHEID (1995) |
| BARREIRO | A. Harold | DRIE TEKENINGEN VOOR SCHRIJFTROMMEL (1996) |
| BARREIRO | A. Harold | GISTING (1992) |
| BARREIRO | A. Harold | VERHOUDING I: GESLACHTSGEMEENSCHAP (1991) |
| BARREIRO | A. Harold | WATER (UIT "2100 AKOESTIEK GRAM")(1995) |
| BARRETRT | Richard | TRANSMISSION (1996–99) |
| BARRETT | David | ACE DAG BEE |
| BARRETT | Nataasha | PUZZLE WOOD (1994) |
| BARRETT | Natasha | BUOYANT CHARM (1997) |
| BARRETT | Natasha | EARTH HAZE (1996) |
| BARRETT | Natasha | EXAMPLES |
| BARRETT | Natasha | IMAGO (1995) |
| BARRETT | Natasha | LITTLE ANIMALS |
| BARRETT | Natasha | LITTLE ANIMALS (1997) |
| BARRETT | Natasha | RACING UNSEEN (1996) |
| BARRETT | Natasha | RED SNOW – VIVA LA SELVA – THREE FICTIONS |
| BARRETT | Natasha | SURF (1997) |
| BARRETT | Natasha | SWAYING TO SEE (1995) |
| BARRETT | Richard | |
| BARRETT | Richard | ANOTHER HEAVENLY DAY |
| BARRETT | Richard | DARK AGES (1987–90) |
| BARRETT | Richard | EARTH |
| BARRETT | Richard | NE SONGE PLUS A FUIR |
| BARRETT | Richard | NE SONGE PLUS A FUIR |
| BARRETT | Richard | NE SONGE PLUS A FUIR |
| BARRETT | Richard | NE SONGE PLUS A FUIR (1986) |
| BARRETT | Richard | NEGATIVES |
| BARRETT | Richard | OPENING OF THE MOUTH (1992–97) |
| BARRETT | Richard | PERFORMANCE 30/05/94 |
| BARRETT | Richard | SINK |
| BARRETT | Richard | TRACT |
| BARRETT | Richard | TRACT (I & II) |
| BARRETT | Richard | VON HINTER DEM SCHMERZEN (1992/96) |
| BARRETT | Richard | VON HINTER DEM SCHMERZEN (1992/96) |
| BARRETT | Richard | WHAT REMAINS (1991) |
| BARROSO | Sergio | CRONICAS DE ULTRASUENO |
| BARROSO | Sergio | LA FIESTA (1989) |
| BARROSO | Sergio | NEW MUSIC FOR DIGITAL KEYBOARD |
| BARROSO | Sergio | TABLAO (1991) |
| BARRY | Gerald | SEXTET (1992–93) |
| BARTHOLOMEE | Pierre | FANCY AS A GROUND |
| BARTLETT | Homer N | GRANDE POLKA DE CONCERT |
| BARTLETT | Martin | GHENT VARIATIONS |
| BARTLETT | Martin | NEW LEAVES (1983) |
| BARTLETT | Martin | PYTHAGORAS' GHOST (1990) |
| BARTLETT | Martin | RESPONSE, NEW LEAVES (EXCERPTS) |
| BARTLETT | Martin | THE ARRIVAL OF SIR JOHN FRANKLIN IN PARADISE (1988) |
| BARTLETT | Martin | THE NAUTICAL ALMANAC (1975) |
| BARTLEY | Wende | ELLIPSIS (EXCERPTS) |
| BARTLEY | Wende | MATRIX (1989) |
| BARTLEY | Wende | ONLY TIME TO/NO TIME NOT TO |
| BARTLEY | Wende | RADIO >PERSPECTIVES< (1991) |
| BARTLEY | Wende | RISING TIDES OF A GENERATION LOST (EXCERPT) |
| BARTOK | Bela | 3RD QUARTET |
| BARTOK | Bela | 44 DUOS FOR VIOLIN |
| BARTOK | Bela | ETUDE OP. 18 NO.3 – (A LA MEMOIRE DE CLAUDE DEBUSSY) |
| BARTOK | Bela | SIX ROMANIAN DANCES (ARR. BY W.BEAUVAIS) |
| BARTOLOMEE | Pierre | CHANSON |
| BARTOLOZZI | Bruno | INVENZIONE A DUE VOCI (1968) |
| BARTOLOZZI | Bruno | THE HOLLOW MAN (1973) |
| BARTONE | Jeffrey | SKY CONCERT |
| BARWIN | Gary | DOWN TO THE MIDDLE AND BACK AGAIN (1992) |
| BASCHET | Bernard | RESURGENCE (EXCERPT) |
| BASCHET | Francois & Bernard | GLASS TROMBONE–FRENCH MONUMENT BORN ON 57TH STREET–HARP–UNTITLED #7–UNTITLED #21–PIANO WITH TWO EARS |
| BASCHET | Francois & Bernard | SOUND SCULPTURE DEMO (GLASS TROMBONE, FRENCH MONUMENT, HARP, UNTITLED 7 & 21, PIANO WITH TWO EARS (1958–1967)) |
| BASEVI | Andrea | LES LIAISONS DANGEUREUSES |
| BASEVI | Andrea | SING BANDA |
| BASHMAKOV | Leonid | FOUR INVENTIONS FOR ACCORDION & HARPSICHORD (1985) |
| BASSANESE | Stefano | E QUESTO LO STATO DELLA MUTAZIONE ? |
| BASSETT | Leslie | ARIAS FOR CLARINET AND PIANO |
| BASSETT | Leslie | ILLUMINATIONS FOR FLUTE AND PIANO |
| BASSETT | Leslie | MUSIC FOR SAXOPHONE AND PIANO (1968) |
| BASSETT | Leslie | SOLILOQUIES |
| BASTIEN | Pierre | AU PRADO I |
| BASTIEN | Pierre | AU PRADO II |
| BASTIEN | Pierre | FOGAR |
| BASTIEN | Pierre | GYPSY RHYTM |
| BASTIEN | Pierre | KIOSQUE |
| BASTIEN | Pierre | MARIMBA COMBO |
| BASTIEN | Pierre | MECANIUM |
| BASTIEN | Pierre | MECANIUM |
| BASTIEN | Pierre | MECANIUM |
| BASTIEN | Pierre | MISS AOUDA |
| BASTIEN | Pierre | MUSC EXQUIS |
| BASTIEN | Pierre | MUSIQUES MACHINALES |
| BASTIEN | Pierre | MYSTERIANA |
| BASTIEN | Pierre | PORTRAIT DE SEIL–KOR |
| BASTIEN | Pierre | RECIT DE VOYAGE |
| BASTIEN | Pierre | RHAPSODIE |
| BASTIEN | Pierre | ROTARY FACTORY |
| BASTIEN | Pierre | UDNIE |
| BASTIEN | Pierre | UNI–PARC |
| BAT | Lenny | DELPHI |
| BATCHELOR | Peter | FLEETING – REEL – DISCOURSE – VELOCITY |
| BATCHELOR | Peter | VELOCITY (1996) |
| BATES | Django | MUSIC FOR THE THIRD POLICEMAN (EXTR.) |
| BATES | Django | ONE IN A MILLION |
| BATTIER | Marc | INK ON POLYESTER (EXC.) |
| BAUCKHOLT | Carola | KLARINETTENTRIO (1993) |
| BAUER | Bob | ON THE WIND |
| BAUMANN | Franziska | VOCAL SUITE |
| BAUR | Jurg | DIALOGE (1963) |
| BAYLE | Francois | PLURIEL |
| BAYLE | Francois | VAPEUR (1962) |
| BAZAN | Oscar | AUSTERAS (1974) |
| BAZLIK | Miro | QUATUOR A CORDES A LA MEMOIRE DE MON PERE |
| BAZLIK | Miro | SIMPLE ELECTRONIC SYMPHONY (1975) |
| BEASER | Robert | PSALM 119 |
| BEASER | Robert | PSALM 150 |
| BEAT | Janet | MANDALA |
| BEBRIS | Egils | HOCKEY NIGHT IN OPERA |
| BEBRIS | Egils | IMMERSION (1992) |
| BECK | Mike | THE NEXT SYMPHONY (MINIMALISM – LEGATO FOR TWO "STRING" QUARTETS – THREE QUARTERS OF AN EASTERN DISC – CRESCENDO) |
| BECKER | Dan | GRIDLOCK |
| BECKETT | Samuel | WORDS AND MUSIC – MUSIC BY MORTON FELDMAN (US VERSION 1987) |
| BECKWITH | John | AFTER IMAGES, AFTER WEBERN (1995) |
| BECKWITH | John | ON THE OTHER HAND |
| BEDFORD | David | AN ISLAND IN THE MOON (EXC.) |
| BEDFORD | David | SPILLIPHNERAK |
| BEDFORD | David | WHITEFIELD MUSIC 2 |
| BEDFORD | David | WHITEFIELD MUSIC 2 |
| BEDFORD | David | YOU ASKED FOR IT |
| BEELAERTS | Paul | LA COLLATION |
| BEELAERTS | Paul | ZORADILLE ET LELAGISE |
| BEERMAN | Burton | LOGOS PERFORMANCE |
| BEETHOVEN | Ludwig Van | 5TH SYMPHONY |
| BEETHOVEN | Ludwig Van | ALLEGRO FUR EINE FLOTENUHR/SCHERZO (1799) |
| BEETHOVEN | Ludwig Van | ALLEGRO FUR EINE FLOTENUHR/SCHERZO (1799) |
| BEETHOVEN | Ludwig Van | BAGATELLES OP. 126 |
| BEETHOVEN | Ludwig Van | FIFTH SYMPHONY IN C MINOR, OP.67 |
| BEETHOVEN | Ludwig Van | HAMMERKLAVIERSONATE |
| BEETHOVEN | Ludwig Van | RONDO OP.51 |
| BEETHOVEN | Ludwig Van | SYMPHONY NO.4 – OPUS 60 |
| BEETHOVEN | Ludwig Van | SYMPHONY NO.5 – OPUS 67 |
| BEETHOVEN | Ludwig van | HAMMERKLAVIERSONATE |
| BEFANI | Franco | CF 1 (1966) |
| BEGGIO | Bernardino | 89 CONTINGENZE |
| BEGGIO | Bernardino | ESTRATTO DAL CATALOGO DELLE MELODIE POSSIBILI (1991) |
| BEGLARIAN | Eve | DISAPPEARANCE ACT (1993) |
| BEGLARIAN | Eve | ELOISE ALONE (1990) |
| BEGLARIAN | Eve | GARDEN OF CYRUS |
| BEGLARIAN | Eve | NO MAN'S LAND (1995) |
| BEGLARIAN | Eve | NO MAN'S LAND – TOUCHSTONE TONY – THE BUNCACAN SONG – LANDSCAPING FOR PRIVACY |
| BEGLARIAN | Eve | OVERSTEPPING (1991) |
| BEGLARIAN | Eve | PRECIOSILLA (1990) |
| BEGLARIAN | Eve | THE GARDEN OF CYRUS (1984–86) |
| BEHLES | Gerhard | SILICEA |
| BEHRENS | Jack | ASPECTS (1983) |
| BEHRENS | Jack | UTOPIANISM (1994) |
| BEHRMAN | David | A TRAVELLER'S DREAM JOURNAL (EWR–LAX) |
| BEHRMAN | David | CANONS (1959) |
| BEHRMAN | David | CANYON |
| BEHRMAN | David | CIRCLING SIX FOR INSTRUMENT AND COMPUTER |
| BEHRMAN | David | CRISSCROSSED EIGHTS |
| BEHRMAN | David | EIN GLAESELE WAREMS |
| BEHRMAN | David | FIGURE IN A CLEARING |
| BEHRMAN | David | FISHING FOR COMPLIMENTS |
| BEHRMAN | David | HARBINGER |
| BEHRMAN | David | HOME MADE SYNTHESIZER MUSIC WITH SLIDING PITCHES |
| BEHRMAN | David | INSTALLATION FOR PARC DE LA VILLETTE (CO–AUTHORED BY GEORGE LEWIS) |
| BEHRMAN | David | INTERSPECIES SMALLTALK |
| BEHRMAN | David | LEAPDAY NIGHT |
| BEHRMAN | David | LEAPDAY NIGHT |
| BEHRMAN | David | ON THE OTHER OCEAN (1977) |
| BEHRMAN | David | PLAYERS WITH CIRCUITS (1966) |
| BEHRMAN | David | QUICKSILVER |
| BEHRMAN | David | QUICKSILVER |
| BEHRMAN | David | REFRACTIVE LIGHT |
| BEHRMAN | David | REHEARSAL WITH PETER ZUMMO |
| BEHRMAN | David | RICERCAR (1961) |
| BEHRMAN | David | RUNTHROUGH |
| BEHRMAN | David | RUNTHROUGH (1967–8) |
| BEHRMAN | David | SOUND FOUNTAIN (WITH PAUL DE MARINIS) |
| BEHRMAN | David | SOUNDS FOR A FILM BY ROBERT WATTS (1968) |
| BEHRMAN | David | VIEW FINDER |
| BEHRMAN | David | WAVE TRAIN |
| BEHRMAN | David | WAVE TRAIN |
| BEHRMAN | David | WAVE TRAIN |
| BEHRMAN | David | WAVE TRAIN |
| BEHRMAN | David | WAVE TRAIN (1966) |
| BEHRMAN | David | WAVE TRAIN (1968) FOR LIVE ELECTRONICS INSIDE THE PIANO |
| BEHRMAN | David | WITCH GRASS |
| BEIMEL | Thomas | LUMINA |
| BEKAERT | Jacques | A LATE LUNCH POUR UN FILM DE AKIKO IIMURA |
| BEKAERT | Jacques | A SUMMER DAY AT STONY POINT |
| BEKAERT | Jacques | MON PETIT ALBUM POUR UN FILM DE AKIKO IIMURA |
| BELAEN | Wim | REFLECTIONS |
| BELGUM | Erik | DICK TRACY ALL OVER HIS BODY |
| BELJON | Gerard | DIALOGO |
| BELJON | Gerard | SHATTERED SILENCE |
| BELJON | Gerard | SHATTERED SILENCE |
| BELKIN | Alan | NIGHT LABYRINTH |
| BENARY | Barbara | BRAID |
| BENARY | Barbara | HOT ROLLED STEEL (1985–89) |
| BENARY | Barbara | SLEEPING BRAID |
| BENARY | Barbara | VANCOUVER |
| BENDIAN | Gregg | 188 |
| BENDIAN | Gregg | 188 |
| BENDIAN | Gregg | ALLOY (SEPTET REALIZATION) |
| BENDIAN | Gregg | ALLOY (SEPTET) |
| BENDIAN | Gregg | CANDLE–POWERED RODEO GHOSTS (HOMMAGE TO DON VAN VLIET) |
| BENDIAN | Gregg | CHOONT |
| BENDIAN | Gregg | CHOONT |
| BENDIAN | Gregg | CORE |
| BENDIAN | Gregg | CROSSHATCHING |
| BENDIAN | Gregg | ENTITY |
| BENDIAN | Gregg | FIELD |
| BENDIAN | Gregg | FOR STEVE MCCALL |
| BENDIAN | Gregg | FOR STEVE MCCALL |
| BENDIAN | Gregg | KIN |
| BENDIAN | Gregg | PENSIVE STATIONS |
| BENDIAN | Gregg | STRATA–Z |
| BENDIAN | Gregg | THE EPHEMERALS |
| BENDIAN | Gregg | TWO BEING |
| BENDIAN | Gregg | VATNAJÖKULL SHARDS |
| BENDIAN | Gregg | VEIL OF TEARS |
| BENES | Juraj | INTERMEZZI NO.2 PER 12 VIOLONCELLI |
| BENES | Juraj | O VIRTU MIA PER BASSO ED ORGANO |
| BENES | Juraj | QUARTETTO D'ARCHI NO.3 |
| BENES | Juraj | SONATA PER VIOLONCELLO |
| BENJAMIN | George | PANORAMA |
| BENNETT | John M. | CIRCLE OF CHAIR |
| BENNETT | John M. | NIPS A DAY |
| BENNETT | John M. | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| BENNETT | Richard Rodney | CONVERSATIONS |
| BENTLEY | Andrew | MOAN |
| BERBERIAN | Cathy | STRIPSODY |
| BERBERIAN | Cathy | STRIPSODY |
| BERBERIAN | Cathy | STRIPSODY |
| BERBERIAN | Cathy | STRIPSODY (1969) |
| BEREBGUER | Jose Manuel | MU |
| BEREZAN | David | ZIRKUS ZIRKUS |
| BERG | Alban | DIE NACHTIGALL (AUS "SIEBEN FRÜHE LIEDER") |
| BERG | Alban | SIEBEN FRUHE LIEDER – SHILFLIED; IM ZIMMER; SOMMERTAGE |
| BERG | Jerry | UPON CLOSER INSPECTION |
| BERG | Paul | HEY LADY PLAY IT AGAIN (1978) |
| BERGAMINI | Giacomo | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BERGAMINI | Giacomo | SCILAGUA |
| BERGER | Arthur | COMPOSITION FOR PIANO FOUR–HANDS |
| BERGER | Arthur | DUO (1951) |
| BERGER | Arthur | FIVE PIECES FOR PIANO |
| BERGER | Arthur | PERSPECTIVES III |
| BERGER | Arthur | SEPTET |
| BERGER | Arthur | SUITE FOR PIANO FOUR–HANDS |
| BERGER | Jonathan | THE LEAD PLATES OF THE ROM PRESS (1990) |
| BERGER | Roman | EPITAPH FOR NICOLAUS COPERNICUS (1973) |
| BERGER | Roman | EXODUS FINALE |
| BERGMAN | Borah | BURSTS OF JOY OR CIRCLES,WHIRL AND 8 |
| BERGMAN | Borah | HORIZONS |
| BERGMAN | Borah | NIGHT CIRCUS (PART I + II) |
| BERGMAN | Borah | ORANGES |
| BERGMAN | Borah | RIVER SHADOWS |
| BERGMAN | Borah | SWIFT RIVER |
| BERGMAN | Borah | TRAPEZE |
| BERGMAN | Borah | WEBS & WHIRLPOOLS |
| BERGMAN | Erik | 3 FANTASIAS (MODERATO GROTTESCAMENTO – ADAGIO ELEGIACO – COMODO E POCO RUBATO) |
| BERGMAN | Erik | BIRDS IN THE MORNING FOR FLUTE AND ORCHESTRA, OP.89 (1979) (EXCERPT) |
| BERGMAN | Erik | ENERGIEN (1970) |
| BERGMARK | Johannes | EIGHT INSTRUMENTS |
| BERGMARK | Johannes | MATERIAL MUSIC |
| BERGMARK | Johannes | SWEDISH LIVE ELECTRONIC MUSIC |
| BERGSTROEM–NIELSEN | Carl | INDIVIDUALISTIC LOTTERY |
| BERGSTROM–NIELSEN | Carl | 11 SEPTEMBER (1976–77) |
| BERGSTROM–NIELSEN | Carl | 2 SECONDS BEFORE DEADLINE |
| BERGSTROM–NIELSEN | Carl | ANTI–CADENCES (1972) |
| BERGSTROM–NIELSEN | Carl | DANCE OF THE RANDOM DIGITS (1979) |
| BERGSTROM–NIELSEN | Carl | FANFARES FOR EVERYDAY LIFE (1977) |
| BERGSTROM–NIELSEN | Carl | FIRE–MUSIC |
| BERGSTROM–NIELSEN | Carl | FIRE–MUSIC |
| BERGSTROM–NIELSEN | Carl | FIRE–MUSIC |
| BERGSTROM–NIELSEN | Carl | FIRE–MUSIC (1976) 2 VERSIONS |
| BERGSTROM–NIELSEN | Carl | FRANKFURT – HAUPTBAHNHOF ACHT UHR ZEHN |
| BERGSTROM–NIELSEN | Carl | GROUP–GAME (1976) |
| BERGSTROM–NIELSEN | Carl | GROUP–GAME (INTEGRATION) |
| BERGSTROM–NIELSEN | Carl | GROUP–GAME (INTEGRATION) |
| BERGSTROM–NIELSEN | Carl | HAPPY LANDINGS (1975) |
| BERGSTROM–NIELSEN | Carl | IF – THEN |
| BERGSTROM–NIELSEN | Carl | IN THE BEGINNING (1985) |
| BERGSTROM–NIELSEN | Carl | JOININGS (1988) |
| BERGSTROM–NIELSEN | Carl | JOKER–GAME |
| BERGSTROM–NIELSEN | Carl | JOKER–GAME |
| BERGSTROM–NIELSEN | Carl | MIMESIS I (1974) |
| BERGSTROM–NIELSEN | Carl | MINIMAL BLUES I (1982) |
| BERGSTROM–NIELSEN | Carl | MINIMAL BLUES II |
| BERGSTROM–NIELSEN | Carl | MOVINGS (1973) |
| BERGSTROM–NIELSEN | Carl | POEME DE L'EXAMEN (1975) |
| BERGSTROM–NIELSEN | Carl | POSTCARD MUSIC |
| BERGSTROM–NIELSEN | Carl | POSTCARD MUSIC |
| BERGSTROM–NIELSEN | Carl | POSTCARD MUSIC |
| BERGSTROM–NIELSEN | Carl | POSTCARD MUSIC (1976) |
| BERGSTROM–NIELSEN | Carl | POSTCARD MUSIC (1976) 4 DIFFERENT VERSIONS |
| BERGSTROM–NIELSEN | Carl | PUSSELEJSEX OG VILDE KRABATER (1986) |
| BERGSTROM–NIELSEN | Carl | QUADRIVIUM (1972) |
| BERGSTROM–NIELSEN | Carl | RADIATIONS (1978) |
| BERGSTROM–NIELSEN | Carl | REVISION II |
| BERGSTROM–NIELSEN | Carl | SEA–GAME (1976) 2 VERSIONS |
| BERGSTROM–NIELSEN | Carl | SO–SPIL (SEA–GAME)(EXC.) (1976) |
| BERGSTROM–NIELSEN | Carl | SONATA FOR HORN & QUARTET (1973–74) + ONE MORE VERSION OF THE 1ST MOVEMENT |
| BERGSTROM–NIELSEN | Carl | SPEECH JUNGLE (1987) |
| BERGSTROM–NIELSEN | Carl | STONEWASHED (1983) |
| BERGSTROM–NIELSEN | Carl | SUBURBAN SUITE (1976) |
| BERGSTROM–NIELSEN | Carl | TUTTI (1975) |
| BERINSKI | S. | ARABESQUES (1986) |
| BERIO | Luciano | 5 VARIAZIONI (1952/3) |
| BERIO | Luciano | BRIN (1990) |
| BERIO | Luciano | CHAMBER MUSIC (1953) |
| BERIO | Luciano | CIRCLES (1960) |
| BERIO | Luciano | FOLK SONGS (1964) |
| BERIO | Luciano | GESTI |
| BERIO | Luciano | GESTI |
| BERIO | Luciano | GESTI (1965) |
| BERIO | Luciano | GESTI (1966) |
| BERIO | Luciano | GESTI (1966) |
| BERIO | Luciano | GESTI (1966) |
| BERIO | Luciano | LEAF (1990) |
| BERIO | Luciano | LES MOTS SONT ALLES |
| BERIO | Luciano | LES MOTS SONT ALLES (1976) |
| BERIO | Luciano | LES MOTS SONT ALLES (1979) |
| BERIO | Luciano | LES MOTS SONT ALLES (1979) |
| BERIO | Luciano | LIED |
| BERIO | Luciano | LIED |
| BERIO | Luciano | LUFTKLAVIER, LEAF, BRIN. FEUERKLAVIER (1985/91) |
| BERIO | Luciano | O KING (1968) |
| BERIO | Luciano | REQUIES (1983–84) |
| BERIO | Luciano | REQUIES (1983/84) |
| BERIO | Luciano | SEQUENZA |
| BERIO | Luciano | SEQUENZA |
| BERIO | Luciano | SEQUENZA |
| BERIO | Luciano | SEQUENZA 9C |
| BERIO | Luciano | SEQUENZA FOR FLUTE SOLO |
| BERIO | Luciano | SEQUENZA II |
| BERIO | Luciano | SEQUENZA II |
| BERIO | Luciano | SEQUENZA III (1966) |
| BERIO | Luciano | SEQUENZA III (1966) |
| BERIO | Luciano | SEQUENZA III (1966) |
| BERIO | Luciano | SEQUENZA III (1966) |
| BERIO | Luciano | SEQUENZA IV |
| BERIO | Luciano | SEQUENZA IV (1965) |
| BERIO | Luciano | SEQUENZA IXA (1980) |
| BERIO | Luciano | SEQUENZA IXB |
| BERIO | Luciano | SEQUENZA V |
| BERIO | Luciano | SEQUENZA VI |
| BERIO | Luciano | SEQUENZA VII |
| BERIO | Luciano | SEQUENZA VII |
| BERIO | Luciano | SEQUENZA VII |
| BERIO | Luciano | SEQUENZA VII |
| BERIO | Luciano | SEQUENZA VIII |
| BERIO | Luciano | SEQUENZA VIII |
| BERIO | Luciano | SEQUENZA VIII (1976) |
| BERIO | Luciano | SEQUENZA X (1984) |
| BERIO | Luciano | SEQUENZA XI |
| BERIO | Luciano | SEQUENZA XI (1988) |
| BERIO | Luciano | VISAGE (1961) |
| BERIO | Luciano | VISAGE (1961) |
| BERIO | Luciano | VISAGE (1961) |
| BERIO | Luciano | WASSERKLAVIER (1965) |
| BERIO | Luciano | WASSERKLAVIER (1965) |
| BERKELEY | Lennox | SONATINA (1941) |
| BERKELEY | Lennox | SONATINA (1941) |
| BERKELEY | Michael | FOR THE SAVAGE MESSIAH (1995) |
| BERKELEY | Michael | THREE MOODS FOR OBOE SOLO (1982) |
| BERLIN | David | ANTITHESES |
| BERLIN | David | ARTICULATIONS |
| BERLIN | David | CHEYT M |
| BERLIN | David | ELECTRONIC VARIATIONS |
| BERLIN | David | ESSENCES |
| BERLIN | David | EXCLAMATIONS |
| BERLIN | David | EXTENSIONS |
| BERLIN | David | INTERACTIONS FOR FLUTE AND TAPE |
| BERLIN | David | INTERMIX |
| BERLIN | David | MUSIC FOR BRASS AND PERCUSSION |
| BERLIN | David | QUINTET FOR BASSOON AND STRINGS |
| BERLIN | David | VARIANTS FOR ORCHESTRA |
| BERLINERELEKTRONIK | SIGNETS | |
| BERLIOZ | Hector | SYMPHONIE FANTASTIQUE – PART 5 'SONGE D'UNE NUIT DE SABBAT' |
| BERNDT | John | PRIMARILY UNTITLED WORKS (COLLECTED FOR LOGOS DUO) |
| BERNSTEIN | Alec | AESTHETIC RESEARCH CO–AUTHORED BY CARNEY DANIEL |
| BERNSTEIN | Alec | REFLEX HAMMERS |
| BERNSTEIN | Jeremy | JACKPOT |
| BERNSTEIN | Leonard | SYMPHONIC DANCE MUSIC |
| BERNSTEIN | Steven | A MAN A PLAN |
| BERNSTEIN | Steven | CLOUD |
| BERNSTEIN | Steven J. | HOT CHRISTMAS |
| BERSERKER | VOX | |
| BERTELOOT | Wim | DE BOODSCHAP |
| BERTELOOT | Wim | DE–BUUT |
| BERTHET | Pierre | DUO |
| BERTHET | Pierre | GOUTTES ET RESSORTS |
| BERTHET | Pierre | GOUTTES ET RESSORTS |
| BERTHET | Pierre | GOUTTES ET RESSORTS |
| BERTHET | Pierre | GOUTTES ET RESSORTS |
| BERTHET | Pierre | GOUTTES ET RESSORTS (STUDIO REC.) |
| BERTHET | Pierre | MES PETITES AMOUREUSES |
| BERTHET | Pierre | NAVAHO–SONG |
| BERTHET | Pierre | ON NE MANGE PAS AVEC SES DOIGTS |
| BERTHET | Pierre | SUR LA PISTE DU VENT |
| BERTHET | Pierre | SUR LA PISTE DU VENT |
| BERTHET | Pierre | TUBULAR DRUMS (IN CAVERNES DE HAN SUR LESSE) |
| BERTHET – LEJUNTER | Pierre – Frederic | LOVE IS A STRANGER |
| BERTOIA | Harry | ENERGIZING |
| BERTOIA | Harry | SONAMBIENT: ALL AND MORE |
| BERTOIA | Harry | SONAMBIENT: BELLISSIMA |
| BERTOIA | Harry | SONAMBIENT: CONTINUUM |
| BERTOIA | Harry | SONAMBIENT: ECHOES OF OTHER TIMES |
| BERTOIA | Harry | SONAMBIENT: ELEMENTAL |
| BERTOIA | Harry | SONAMBIENT: ENERGIZING |
| BERTOIA | Harry | SONAMBIENT: GONG GONG |
| BERTOIA | Harry | SONAMBIENT: HERE AND NOW |
| BERTOIA | Harry | SONAMBIENT: MELLOW TOPS |
| BERTOIA | Harry | SONAMBIENT: NEAR AND FAR |
| BERTOIA | Harry | SONAMBIENT: NOVA |
| BERTOIA | Harry | SONAMBIENT: OCEAN MYSTERIES |
| BERTOIA | Harry | SONAMBIENT: PASSAGE |
| BERTOIA | Harry | SONAMBIENT: PHOSPHORESCENCE |
| BERTOIA | Harry | SONAMBIENT: SOFTLY PLAYED |
| BERTOIA | Harry | SONAMBIENT: SOUNDS BEYOND |
| BERTOIA | Harry | SONAMBIENT: SPACE VOYAGE |
| BERTOIA | Harry | SONAMBIENT: SWIFT SOUNDS |
| BERTOIA | Harry | SONAMBIENT: SWINGING BARS |
| BERTOIA | Harry | SONAMBIENT: UNFOLDING |
| BERTOIA | Harry | SONAMBIENT: UNKNOWN |
| BERTOIA | Harry | SONAMBIENT: VULCANS PLAY |
| BERTOIA | Harry | SOUND SCULPTURE DEMO |
| BERTOIA | Harry | SOUNDING SCULPTURES (1965–72) |
| BERTOIA | Harry | SOUNDING SCULPTURES (1965–72) |
| BERTOLA | Eduardo | DYNAMUS |
| BERTOLA | Eduardo | PENETRACIONES II |
| BERTONCINI | Mario | TUNE (1965) |
| BESTOR | Charles | CONVERSATIONS WITH MYSELF (1993–96) |
| BESTOR | Charles | FOUR OSTINATI FROM THE EDGE OF TIME |
| BEUGER | Antoine | AUS SERRA |
| BEUKMAN | Carl | FREUD / IN REIGEN |
| BEUMER | Isabeella | BIS INS ERINNERN |
| BEVELANDER | Brian | A LETTER FROM NATHANIEL GILES |
| BEVELANDER | Brian | SYNTHECISMS #2 |
| BEVELANDER | Brian | SYNTHECISMS NO.5 |
| BEVELANDER | Brian | SYNTHECISMS& #3 |
| BEY | Hakim | KOP KULTURE |
| BEY | Hakim | MILLENIUM PARTS I – III |
| BEYER | Johanna Magdalena | IV FOR PERCUSSION (1935) |
| BEYER | Johanna Magdalena | MUSIC OF THE SPHERES |
| BEYER | Johanna Magdalena | MUSIC OF THE SPHERES (1938) |
| BEYER | Robert | KLANG IM UNBEGRENZTEN RAUM (1952) WITH HERBERT EIMERT |
| BEYER | Robert | KLANGSTUDIE 1 (1952) WITH HERBERT EIMERT |
| BEYER | Robert | OSTINATE FIGUREN UND RHYTHMEN 1ST VERSION (1952) WITH HERBERT EIMERT |
| BEYER | Robert | OSTINATE FIGUREN UND RHYTHMEN 2ND VERSION (1952) WITH HERBERT EIMERT |
| BEYLS | Peter | INTIMATE EXCURSIONS |
| BEYLS | Peter | PRINTS |
| BEYLS | Peter | PRINTS (1974) |
| BEYLS | Peter | ROTHKO (1977) |
| BEYLS | Peter | RUIMTELIJK 1 |
| BIALAS | Gunther | HAIKUS FUR SOPRAN UND FLOTE: DER MENSCH UND EINE FLIEGE |
| BIANCHI | Maurizio | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BIANCHINI | Laura | NO.DI. – NOTE DIFFERENZE |
| BIASUTTI | Michele | TAVOLA IV |
| BIESEMANS | Jan Pieter | REGINE (1985) |
| BIESEMANS | Jan–Pieter | DISCORSO A CINQUE, OP.13 (1982) |
| BIESEMANS | JanPieter | 5 SLOVAAKSE STUKKEN (1986) |
| BIESEMANS | Janpieter | 5 SLOVAAKSE STUKKEN (EXC.) |
| BIESEMANS | Janpieter | CHICHEN ITZA |
| BIESEMANS | Janpieter | CHICHEN ITZA |
| BIESEMANS | Janpieter | DISCORSO A CINQUE OP.13 |
| BIESEMANS | Janpieter | DISCORSO A CINQUE OP.13 |
| BIESEMANS | Janpieter | EL ENCUENTRO ENTRE LA NINA CURIOSA Y EL UHU SABIO |
| BIESEMANS | Janpieter | LA NINA CON EL ELEFANTE |
| BIESEMANS | Janpieter | LA NINA CON EL SOMBRERO |
| BIESEMANS | Janpieter | LA NINA CON EL TORO – UN CANTO FLAMENCO FIAMENGO |
| BIESEMANS | Janpieter | REGINE (1985) |
| BIESEMANS | Janpieter | VIJF SLOVAAKSE STUKKEN (EXC.) |
| BIG CITY ORCHESTRA | GREATEST HITS AND TEST TONES | |
| BIJMA | Greetje | ELECTRIC EGO |
| BIJMA | Greetje | HOT SNAKES |
| BIJMA | Greetje | WHY? BYE! |
| BIKONT | Piotr | JINGLE JANGLE (87/89) CO–AUTHORED BY KNITTEL KRZYSZTOF |
| BILLY | Jean–Marie | IMPROMPTU II |
| BIMSTEIN | Phillip Kent | GARLAND HIRSCHI'S COWS (1990) |
| BINET | Roland | SOLOS FOR FLUTE |
| BIRIOTTI | Leon | CONCERTO FOR OBOE AND 13 INSTRUMENTS |
| BIRIOTTI | Leon | INGENUOUS UFO'S |
| BIRIOTTI | Leon | METAMORPHOSE AFTER KAFKA |
| BIRIOTTI | Leon | SELF–PORTRAIT (1994) |
| BIRIOTTI | Leon | TAQSIM IMPROMPTU |
| BIRIOTTI | Leon | VOYAGE AUTOUR DE MON NOMBRIL |
| BIRO | Daniel | MIKAEL (EXC.) |
| BIRTWISTLE | Harrison | UT HEREMITA SOLUS (OCKEGEM) |
| BIRTWISTLE | Harrison | VERSES |
| BIRTWISTLE | Harrison | VERSES |
| BISCARDI | Chester | MESTIERE (1973) |
| BISCHOFF | John | ARTIFICIAL HORIZON |
| BISCHOFF | John | ARTIFICIAL HORIZON (1986) |
| BISCHOFF | John | AUDIO WAVE |
| BISCHOFF | John | AUDIO WAVE (1978–81) |
| BISCHOFF | John | BETWEEN TWO BUILDINGS (1984) |
| BISCHOFF | John | DRIFT |
| BISCHOFF | John | DRIFT (1993) |
| BISCHOFF | John | DRIFT (1993) |
| BISCHOFF | John | LOCATION 1 |
| BISCHOFF | John | LOCATION 1 (VIDEO: WILLIAM THIBAULT) |
| BISCHOFF | John | LOCATION 2 |
| BISCHOFF | John | NEXT TONE, PLEASE |
| BISCHOFF | John | NEXT TONE, PLEASE (1985–86) |
| BISCHOFF | John | PERRY MASON IN EAST GERMANY |
| BISCHOFF | John | PERRY MASON IN EAST GERMANY (1988) |
| BISCHOFF | John | SILENT THEATER |
| BISCHOFF | John | SILENT THEATER |
| BISCHOFF | John | SILENT THEATER (1991) |
| BISCHOFF | John | SILENT THEATER (1992) |
| BISCHOFF | John | SPACE DETAIL |
| BISCHOFF | John | SPACE DETAIL (1985) |
| BISCHOFF | John | SURFACE 11,5,2 (1995) |
| BISCHOFF | John | THE GLASS HAND |
| BISCHOFF | John | THE GLASS HAND |
| BISCHOFF | John | THE GLASS HAND |
| BISCHOFF | John | THE GLASS HAND (1991) |
| BISCHOFF | John | THE GLASS HAND (SOLO VERSION)(1991) |
| BISCHOFF | John | THE INDUSTRIAL REVOLUTION (SOLO VERSION)(1990) |
| BISCHOFF | John | THE WEB OF FASCINATION |
| BISCHOFF | John | THE WEB OF FASCINATION (1994) |
| BISCHOFF POLANSKY | John Larry | COCKS CROW, DOGS BARK, THIS ALL MEN KNOW... |
| BISOGNO | Frank | DIFFICULT LISTENING |
| BISSETT | Bill | IM WOKN...ON THE MEWN |
| BITTOVA | Iva | CHINESE SONG (1991) |
| BITTOVA | Iva | COMPOSITION FOR VIOLIN AND VOICE (1991) |
| BITTOVA & FAJT | Iva & Pavel | BITTOVA & FAJT |
| BIZET | Georges | FARANDOLE FROM L'ARLESIENNE |
| BIZET | Georges | FARANDOLE FROM L'ARLESIENNE SUITE NR 2 |
| BJELKEBORN | Thomas | EL–AZRAQ (1988) |
| BLACHER | Boris | ABSTRACT OPERA N°1, OP. 43, (1953) |
| BLACHER | Boris | APRESLUDE, OP. 57, (1958) |
| BLACHER | Boris | ELECTRONIC IMPULSES, (1965) |
| BLACHER | Boris | SONATA FOR PIANO, OP. 39, (1951) |
| BLACHER | Boris | VIER STUDIEN |
| BLACHER | Boris | WHAT ABOUT THIS, MR. CLEMENTI ? (1943) |
| BLACKBURN | Maurice | BLINKITY BLANK (1955) (WITH NORMAN MAC LAREN) |
| BLACKWOOD | Easley | 13–NOTE MICROTONAL ETUDE |
| BLACKWOOD | Easley | 15–NOTE MICROTONAL ETUDE |
| BLACKWOOD | Easley | 19–NOTE MICROTONAL ETUDE |
| BLAKE | Michael | HONEY GATHERING SONG (1989–99) |
| BLAKE | Michael | REVERIE (1996) |
| BLAKE | Michael | REVERIE (1996) |
| BLAKER | John | TOUCHES |
| BLANC | Patric | LIVE ELECTRONIC |
| BLANCO | Juan | ESPACIOS V (1993) |
| BLAUTH | Benno | PASARGADA (1978) |
| BLAUTH | Benno | PASARGADA (1978) |
| BLEGVAD | Peter | THE GREEN BOY |
| BLEUS | Guy | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BLEY | Carla | ESCALATOR OVER THE HILL |
| BLOCH | Thomas | CHRIST HALL |
| BLOCH | Thomas | CHRIST HALL – HOMMAGE À MARC CHAGALL |
| BLOCH | Thomas | EUPLOTES II, MYOTUBES II, PHAGOCYTOSE II (CO–AUTHORED BY OLIVIER TOUCHARD) |
| BLOCH | Thomas | QUELLE ONDE! |
| BLOCH | Thomas | SHORT AMPLES OF ONDES MARTENOT PLAYING |
| BLOCKEEL | Dirk | 4 LIEDEREN VOOR SOPRANO EN KLAVIER |
| BLOCKEEL | Dirk | APRES UNE LECTURE D'ELIE WIESEL |
| BLOCKEEL | Dirk | HEXACRUCES |
| BLOMMAERT | Harry | VIER VERVELENDE BEESTJES: PULEX IRRITANS; GLOSSINA; TIPULA OLERACEA; LEPTINOTARSA DECEMBINERTA |
| BLOMQVIST | Andres | CARPE DIEM (1981) |
| BLOMQVIST | Andres | DELTA A (1993) |
| BLONK | Jaap | ALL DAY BELLY RUMBLE |
| BLONK | Jaap | DE MAN DIE ALTIJD LINKSAF SLOEG |
| BLONK | Jaap | DE MAN DIE ALTIJD LINKSAF SLOEG |
| BLONK | Jaap | DE MINISTER (1985) |
| BLONK | Jaap | DE MINISTER (1985) |
| BLONK | Jaap | DECEMBER'S DIRGE |
| BLONK | Jaap | DEUTSCHE LYRIK |
| BLONK | Jaap | DUENDE |
| BLONK | Jaap | ELEKTROSHOCK BOOGIE |
| BLONK | Jaap | FLUX DE BOUCHE |
| BLONK | Jaap | HOMMAGE A A.A. I |
| BLONK | Jaap | HOMMAGE A A.A. II |
| BLONK | Jaap | HYMNE |
| BLONK | Jaap | KLANKGEDICHTEN |
| BLONK | Jaap | LIEDEREN UIT DE HEMEL |
| BLONK | Jaap | NAGEKOMEN MEDEDELINGEN (1991) |
| BLONK | Jaap | NO DOUBT ABOUT DOUBT |
| BLONK | Jaap | OBBELE BOEP 'M PAM |
| BLONK | Jaap | PIERIKJAURE |
| BLONK | Jaap | SEEPFERDCHEN UND FLUGFISCHE (POETRY BY HUGO BALL) |
| BLONK | Jaap | SPLINKS |
| BLONK | Jaap | SPRAAKWATER |
| BLONK | Jaap | TOWARYSZY ROBOTNICZY |
| BLONK | Jaap | VREEMD LIED |
| BLONK/DAENEN | Jaap/Rob | AILATILOLITALIA |
| BLONK/DAENEN | Jaap/Rob | BLA–BLAING ON NO NONSENSE |
| BLONK/DAENEN/BODEW | Jaap/Rob/Theo | KWIK–ME–DIT SCHARLUUP |
| BLONK/DAENEN/BODEW | Jaap/Rob/Theo | SEMEMANI PT.1 |
| BLONK/DAENEN/BODEW | Jaap/Rob/Theo | SEMEMANI PT.2 |
| BLONK/LUCEBERT | Jaap | SONNET |
| BLUMNER | Rudolf | ANGO LAINA (1921) |
| BMB CON. | RADAR (MP3) LASSEN (QUICKTIME MOVIE) | |
| BMB con | BMB CON. #7 | |
| BMB con | PERFORMANCES | |
| BMB con | RWE! DRE!; SITUATION NR.7; EPILOG; 24–HOUR RADIO; BRANCHES AND PAPER | |
| BOCCADORO | Stefano | BETZEEN TWO MIRRORS |
| BOCCIONI | Umberto | PRIMAVERA |
| BOCK | Christian | BOSSE I BITAR (1982) |
| BOCK | Christian | KLIPPT HYLAND (1979) |
| BODIN | Lars Gunnar | DEDICATED TO YOU, II (1972) |
| BODIN | Lars Gunnar | ON SPEAKING TERMS (EXCERPT) |
| BODIN | Lars Gunnar | SEMICOLON; SEANCE 4 (1965) |
| BODIN | Lars–Gunnar | CLOUDS |
| BODIN | Lars–Gunnar | FOR JON III (THEY EXTRICATED THEIR EXTREMITIES PLUS FOR JOHN) (1982) |
| BODIN | Lars–Gunnar | NASTAN (1977) PLUS (1977) |
| BODIN | Lars–Gunnar | PRIMARY STRUCTURES |
| BODIN | Svante | VEDERKVICKELSER (REFRESHING) |
| BODLEY | Seoirse | STRING QUARTET NO.2 (3D. MOVEMENT) (1992) |
| BODY | Jack | DUETS AND CHORUSES (WITH PRELUDE: THE MOSLEM CALL TO PRAYER) |
| BODY | Jack | FANFARES |
| BODY | Jack | JANGKRIK GENGGONG (WITH EPILOGUE: A FLOCK OF HOMING PIGEONS CIRCLING AT EVENING) |
| BODY | Jack | KRYPTOPHONES (1973) |
| BODY | Jack | MUSIK ANAK–ANAK (CHILDREN'S MUSIC) |
| BODY | Jack | MUSIK DARI JALAN |
| BODY | Jack | THE CAVES OF ELLORA |
| BOEHMER | Konrad | TANGO |
| BOERMAN | Jan | ONTKETENING |
| BOERMAN | Jan | VOCALISE |
| BOESMANS | Philippe | SONANCE 1 |
| BOGAERTS | Mark | INTERACTIONS: SLAT BLUES; VORKY; GERUCHT MET ZWIERING |
| BOGUSLAWSKI | Edward | DIVERTIMENTO |
| BOKANOWSKI | Michele | TABOU |
| BOLCOM | William | THE GARDEN OF EDEN (1976) |
| BOLLETER | Ross | PIANO DREAMING |
| BOLLETER | Ross | THAT TIME (SIMULPLAY II) |
| BOLLETER | Ross | UNDER ROOKWOOD |
| BOLLETER | Ross | UNFINISHED BUSINESS |
| BOLOGNESI | Letizia | SINUSIE (1985) |
| BON | Willem–Frederik | 5 MINIATUREN (1966) |
| BONVINI | Luca | SCHIMMIAPING |
| BOOGMAN | Willem | LA DISCIPLINA DEL SENTIMENTI (1981–89) |
| BOOME | Adam | BEAT RE–BEAT |
| BOOME | Adam | BEAT RE–BEAT (PART I) |
| BOOME | Adam | BEAT RE–BEAT (PART II) |
| BOOME | Adam | MHTYHRRHYTHM |
| BOOME | Adam | SRUNG EIGHT FOR PERCUSSION INSTALLATION |
| BOOME | Adam | SRUNG EIGHT FOR PERCUSSION INSTALLATION |
| BOOME | Adam | TWOSCORESBYADAMBOOME |
| BORBETOMAGUS | UNTITLED | |
| BORDEN | David | ANN FIELD IN WINTER |
| BORDEN | David | DOUBLE PORTRAIT (1986) |
| BORDEN | David | THEME FOR THE VERMEER VARIATIONS (1985) |
| BORDONI | Isabella | CORRISPONDENZE NATURALI (CO–AUTHORED BY PACI DALO ROBERTO) |
| BORDONI | Isabella | SENTIERI SEGRETTI (CO–AUTHORED BY ROBERTO PACI DALO) |
| BORENSTEIN | Daniel | M TANGO |
| BORETZ | Benjamin | ("...MY CHART SHINES HIGH WHERE THE BLUE MILK'S UPSET...") |
| BORKOWSKI | Marian | VOX FOR TUBA |
| BORKOWSKI | Marian | VOX PER UNO STRUMENTO AD OTTONE |
| BORKOWSKI | Marian | VOX PER UNO STRUMENTO AD OTTONE |
| BORSTLAP | Dirk | PIANOMORTE |
| BOSCH | Peter | BAMBOO–AIR |
| BOSCH | Peter | DIE WOHLTEMPERIERTE MASCHINE |
| BOSCH | Peter | ELEKTRISCH ZWAAI ORKEST |
| BOSCH | Peter | KLEUREN (FADERPARTITUUR VOOR DE INSTALLATIE BAMBOE–LUCHT) CO–COMPOSED BY SIMONE SIMONS |
| BOSCH | Peter | REBOMBE DE REDOBLE |
| BOSCH | Peter | REBOMBE DE REDOBLE (1989) |
| BOSCH | Peter | WAS DER WIND ZUM KLINGEN BRINGT (1989) CO–COMPOSED BY SIMONE SIMONS |
| BOSCH | Peter | WAS DER WIND ZUM KLINGEN BRINGT (CO–AUTHORED BY SIMONE SIMONS) |
| BOSCO | Gilberto | IMPROVVISO |
| BOSCO | Gilberto | MELISMA |
| BOSCO | Gilberto | MELODIA |
| BOSMA | Hanna | HOOR JE DAT |
| BOSSAERTS | Jan | STRANGE ATTRACTORS (1983) (CO–AUTHORED BY PAUL ADRIAENSSENS) |
| BOSSIER | Jaan | PARAPARALLELLEN |
| BOUCHARD | Linda | BLACK BURNED WOOD |
| BOUCHARD | Linda | LUNG TU |
| BOUCHARD | Linda | POURTINADE |
| BOUCHERAT | Vivienne | COMMUNICATION |
| BOUCOURECHLIEV | Andre | NOCTURNES |
| BOUCOURECHLIEV | Andre | NOCTURNES |
| BOUCOURECHLIEV | Andre | ORION III (1982) |
| BOUCOURECHLIEV | Andre | TEXTE 1 |
| BOUHALASSA | Ned | ATTRACTION |
| BOUHALASSA | Ned | ATTRACTION (1992) |
| BOUHALASSA | Ned | DROIT DE CITE VI:LES ONDES FANTOMES–MONTREAL INOUI |
| BOUHALASSA | Ned | MOVE 1 (EXTRAIT) |
| BOULEZ | Pierre | ANTHEMES |
| BOULEZ | Pierre | DERIVE (1984) |
| BOULEZ | Pierre | DOMAINES |
| BOULEZ | Pierre | DOMAINES |
| BOULEZ | Pierre | DOMAINES (1968) |
| BOULEZ | Pierre | ECLATS (1964) |
| BOULEZ | Pierre | LE MARTEAU SANS MAITRE |
| BOULEZ | Pierre | PLI SELON PLI |
| BOULEZ | Pierre | SONATE NO. 2 (1947–48) |
| BOULEZ | Pierre | SONATE NO. 3 – FORMANT 2 TROPE, TEXTE, PARENTHSE, GLOSE, COMMENTAIRE (1957) |
| BOULEZ | Pierre | SONATE NO. 3 TROPE, CONSTELLATION–MIROIR |
| BOULEZ | Pierre | SONATINE |
| BOUMKWO | Paul | LIKALO |
| BOURBONESE QUALK | HALABJA (TRAFALGAR SQUARE MIX) | |
| BOURGEOIS | D. | SERENADE |
| BOURLAND | Roger | PORTABLE RHAPSODY #1 FOR SAX AND TAPE (1986/90) (A MOVING TRIBUTE TO JOAN COLLINS AND AMERICAN TV SOUNDTRACKS) |
| BOURNE | Anne | VERSICA (1997) |
| BOWEN | Eugene | WONDER'S EDGE |
| BOWEN | York | SONATA (1946) |
| BOWEN | York | SONATA (1946) |
| BOWERS | Stacey | LISTEN TO THE ROLLING THUNDER (1982) |
| BOWLES | Paul | NIGHT WALTZ (1949) |
| BOWLES | Paul | ONCE A LADY WAS HERE – SONG OF AN OLD WOMAN |
| BOYDELL | Brian | ADAGIO & SCHERZO (1991) |
| BOYER | Robert | ILLUSIONS I (1979) |
| BRACKX | Joachim | 19V–2 |
| BRACKX | Joachim | 19V–2 |
| BRACKX | Joachim | 19V2 |
| BRACKX | Joachim | DUALISTIC SOLITUDE |
| BRACKX | Joachim | DZEJOLIS |
| BRACKX | Joachim | DZEJOLIS |
| BRACKX | Joachim | INDISCRETE SOUNDS |
| BRACKX | Joachim | INDISCRETE SOUNDS |
| BRACKX | Joachim | INDISCRETE SOUNDS |
| BRACKX | Joachim | INTERVALS |
| BRACKX | Joachim | INTERVALS |
| BRACKX | Joachim | NETMUSIC |
| BRACKX | Joachim | NETMUSIC |
| BRACKX | Joachim | ORCHID PAVILION |
| BRACKX | Joachim | PIECE FOR SOPRANO & PLAYER–PIANO |
| BRACKX | Joachim | PSPP |
| BRACKX | Joachim | PSPP (1996) |
| BRACKX | Joachim | PSPP (DON'T LISTEN TO THIS VERSION PLEASE!) |
| BRACKX | Joachim | PULSE–PONG |
| BRACKX | Joachim | QUIET BEINGS |
| BRACKX | Joachim | QUIET BEINGS (1998) |
| BRACKX | Joachim | QUIET BEINGS (1998) |
| BRACKX | Joachim | SHIFTING LANDSCAPES |
| BRACKX | Joachim | SHIFTING LANDSCAPES II |
| BRACKX | Joachim | SHIFTING LANDSCAPES II |
| BRACKX | Joachim | SHIFTING LANDSCAPES II (SOUNDSCAPE BACKUP) |
| BRACKX | Joachim | SHIFTING LANDSCAPES II (TAKE 1) |
| BRACKX | Joachim | SILENT FORMS (1998) |
| BRACKX | Joachim | SILENT FORMS (1998) |
| BRACKX | Joachim | THE SPHERE OF ATMOS |
| BRACKX | Joachim | THE SPHERE OF ATMOS |
| BRADEN | Ric.E | COLUMBUS AVE. 10PM |
| BRADLEY | Steve | TAPE MESURE |
| BRADLEY | Steve | VOLALLE MELODIE VI TO TROT / FOWL MELODY TO TROT (1999) |
| BRADLEY | Tony | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| BRADY | Tim | ANYSIX |
| BRADY | Tim | CHUCHOTEMENTS |
| BRADY | Tim | COLLAPSING POSSIBILITY WAVE (1996) |
| BRADY | Tim | DEAD OF WINTER (1991) |
| BRADY | Tim | DEAD OF WINTER (1991) |
| BRADY | Tim | DEAD OF WINTER (1991) |
| BRADY | Tim | IMAGINARY GUITARS |
| BRADY | Tim | IMAGINARY GUITARS (1991) |
| BRADY | Tim | IMAGINARY GUITARS (1991) |
| BRADY | Tim | IN THE WAKE (1988) |
| BRADY | Tim | LINEAR PROJECTION IN A JUMP CUT WORLD (1996) |
| BRADY | Tim | REACHING PAST |
| BRADY | Tim | REACHING PAST (1986) |
| BRADY | Tim | REVOLUTIONARY SONGS (SECTIONS) (1993–4) |
| BRADY | Tim | SYMPHONY IN TWO PARTS |
| BRADY | Tim | SYMPHONY IN TWO PARTS (1989) |
| BRADY | Tim | SYMPHONY IN TWO PARTS (1989) |
| BRADY | Tim | THE SONGLINE (PART 4) |
| BRADY | Tim | TIME LAPSE EXPOSURE |
| BRADY | Tim | TIME LAPSE EXPOSURE (1992) |
| BRADY | Tim | UNISON RITUALS (EXC.) (1991) |
| BRAHMS | Johannes | KLARINETTENKWINTET |
| BRAHMS | Johannes | LULLABY (ARRANGED BY HAYS & MORROW) |
| BRAHMS | Johannes | O SUESSER MAI (EQUAL TEMPERAMENT VERSION FOLLOWED BY JUST INTONATION VERSION) |
| BRANCA | Glen | SYMPHONY NO 4 & INTERVIEW |
| BRANCHI | Walter | THIN PER PIATTO SOSPESO & TAM–TAM AMPLIFICATI |
| BRAND | Jens | SAD SAM MUSIC (CO–AUTHORED BY ANDREAS SIPPEL) |
| BRANDT | Daniel | BING BANG BONG (1990) |
| BRANDT | Daniel | FOLK MUSIC (1989) |
| BRANDT | Daniel | FOUR ECHOIC EPISODES |
| BRANDT | Daniel | KLAVIERSTUCK 1 (1991) |
| BRANDT | Daniel | MAMA BOUGHT A RADIO (1991) |
| BRANDT | Daniel | ONE IN THE HAND (1990) |
| BRANDT | Daniel | ONE IN THE HAND (1990) FOR GUITAR AND COMPUTERS |
| BRANDT | Daniel | PORTABLE MUSIC 1 & 2 |
| BRANDT | Daniel | PORTABLE MUSIC 3 & 4 |
| BRANDT | Daniel | REPETEZ, S.V.P. |
| BRANDT | Daniel | UNCANNY TRASH (1991) |
| BRANDT | Jacob | 9/10 |
| BRANDT | Ros | AEOLIAN HARP |
| BRAUN | Georg | SONATINE |
| BRAUN | Gerhard | NACHTSTUECKE (1973) |
| BRAUN | Gerhard | NAHTSTUCKE (1973) |
| BRAUN | Gerhard | SCHATTENBILDER (NRS. 1,3,5) |
| BRAXTON | Anthony | 138A,B,C,D – 106D,J,A,C – 118F,A – 77G,C – 26F – 119I(+99E) – 119G – 99B – HALF NELSON |
| BRAXTON | Anthony | P–JOK...S–D..4 (MIX) |
| BRAXTON | Anthony | SIX DUETS (1982) –COMPOSITIONS 69B, 69A, 23J, 6A, 69P, 6N |
| BRECHT | George | EXHIBIT 7 (FILMREALISATIE VAN BOX, WATER YAM) |
| BRECHT | George | WATER YAM – BROOM – PIECE FOR TRUMPET – SOLO FOR VIOLIN – SOLO FOR FLUTE – UMBRELLA – STRING QUARTET – MALLARD MILK – AQUAUS EVENT |
| BREGENT | Michel–Georges | INTROSPECTION (1968) |
| BREGENT | Michel–Georges | INTROSPECTION (1968) |
| BREHM | THEME, SYLLOGISM & EPILOGUE | |
| BREHM | THEME, SYLLOGISM & EPILOGUE | |
| BRESNICK | Martin | BAG O'TELLS (1984) |
| BRESNICK | Martin | LADY NEIL'S DUMPE |
| BRETT | Alan | DIBUJOS (SETS 1 & 2) (1992) |
| BRETT | Alan | WHOOPEE (1971) |
| BREUKER | Willem | FASCINATING APPIE |
| BREUKER | Willem | FELIX MERITIS AND B.V. |
| BREUKER | Willem | FIVE SONGS FROM THE LUSITANIAN BULLY |
| BREUKER | Willem | FRANCOIS LE MARIN |
| BREUKER | Willem | GAMUT |
| BREUKER | Willem | GRUSSEN AUS BERCHTESGADEN |
| BREUKER | Willem | I.C.P.1 FOR MAARTEN DERKSEN |
| BREUKER | Willem | INTRODUCTION AND THE FIRST ENTRANCE OF THE HORSEMEN |
| BREUKER | Willem | LASS MICH NICHT WEINEN IV |
| BREUKER | Willem | LUNCHCONCERT FOR THREE BARRELORGANS |
| BREUKER | Willem | MR. M.A. DE R. IN A. |
| BREUKER | Willem | MUSIC FOR JOHN TCHICAI |
| BREUKER | Willem | MY BABY HAS GONE TO THE SCHOUWBURG |
| BREUKER | Willem | NINETEEN VOICES |
| BREUKER | Willem | SERENDIPITY |
| BREUKER | Willem | SINGING THE IMPALPABLE BLUES |
| BREUKER | Willem | SONG OF THE LUSITANIAN BULLY II |
| BREUKER | Willem | THE MESSAGE |
| BREUKER | Willem | THE MESSAGE |
| BREUKER | Willem | TITLE SONG FROM THE MOVIE "SNELHEID 40–70" |
| BREUKER | Willem | TUSSEN DE DIJEN VAN N'MOKKEL |
| BREUSS | Markus | AN URBAN MEETING |
| BREWAEYS | Luc | DUE COSE |
| BREWAEYS | Luc | DUE COSE ... (SOUNDSCAPE BACKUP) |
| BREWAEYS | Luc | DUE COSE BELLE HA IL MONDO: L'AMORE E LA MORTE (1986) FOR PIANO, CHAMBER ORCHESTRA AND LIVE ELECTRONIC |
| BREWAEYS | Luc | JOCASTES (GRAND)DAUGHTER |
| BREWAEYS | Luc | METALLOPHONIE (1988) |
| BREWAEYS | Luc | MORNING SONG |
| BREWAEYS | Luc | PYRAMIDS IN SIBERIA (1989) |
| BREWAEYS | Luc | PYRAMIDS IN SIBERIA (1989) |
| BREWAEYS | Luc | TRAJET |
| BREWAEYS | Luc | TRAJET (1982) FOR PIANO AND 11 INSTRUMENTS |
| BREWAEYS | Luc | VERY SAXY |
| BREWAEYS | Luc | VERY SAXY |
| BREWAEYS | Luk | DUE COSE BELLE HA IL MONDO, L'AMORE E LA MORTE |
| BRIANI | Gilberto | DIES IRAE |
| BRIECE | Jack | HETEROPHONIOUS FOOL: AROUSING WIND AND THUNDER; PEACE; PUSHUP WORDS AND FOOD |
| BRIGHT | Colin | FIVE SONGS FROM 'WAR AND PEACE' (1994) |
| BRINDUS | INFRAREALISME | |
| BRISTOW | George F | DREAM LAND OP.59 |
| BRITTEN | Benjamin | 6 METAMORPHOSES AFTER OVID |
| BRITTEN | Benjamin | PRELUDE AMD FUGUE ON A THEME OF VITTORIA (1946) |
| BRITTEN | Benjamin | SIX METAMORPHOSES AFTER OVID FOR SOLO OBOE OP.49 (1952) |
| BRITTEN | Benjamin | SONGS FROM THE CHINESE |
| BRITTEN | Benjamin | SUITE FOR HARP |
| BRITTEN | Benjamin | TEMA 'SACHER' (1976) |
| BRITTEN | Benjamin | TEMA SACHER |
| BRITTEN | Benjamin | THEMA SACHER |
| BRNCIC | Gabriel | CIELO |
| BRNCIC | Gabriel | DESTIERRO |
| BRNCIC | Gabriel | SIN TITULO |
| BROBERG | Jonas | BUCCHARELLI'S LAMENTO (1992–93) |
| BROBERG | Jonas | BUCHARELLI'S LAMENT |
| BROBERG | Jonas | CONVERSATION IN CADAQUES (1996) |
| BROBERG | Jonas | HER SCENT (1995) |
| BROBERG | Jonas | LOCATIONS (1994) |
| BROBERG | Jonas | MINUTES BETWEEN SECONDS |
| BROBERG | Jonas | MINUTES BETWEEN SOUNDS (1995) |
| BROKS | Jeffrey | COMPOSITION FOR TWO PIANOS (1992) |
| BRONS | Carel | MONOLOGUE IV |
| BRONS | Carel | MONOLOOG V |
| BROOK | Michael | ALBO GATOR |
| BROPHY | Gerard | BISOUX |
| BROSSE | Dirk | ??? |
| BROTHIER | Daniel | NI TREVE NI RELACHE (COLLECTION OF SHORT PIECES CO–AUTHORED BY BRUNO MEILLIER) |
| BROTHIER | Daniel | NI TREVE NI RELACHE: L'AFFAIRE EST DANS LE SAX – DEHORS LE VAUDOU – ET 50 QUI FONT 100 – BANC D'EPREUVE – SALVES – UN CHEVAL A PETIT |
| BROTONS | Salvador | FANTASIA CONCERTANTE OP.51 |
| BROTONS | Salvador | FANTASIA CONCERTANTE OP.51 |
| BROUWER | Leo | CANTICUM (ECLOSION–DITIRAMBO) (1968) |
| BROUWER | Leo | ELOGIO DE LA DANZA (LENTO OBSTINATO) (1964) |
| BROUWER | Leo | ESTUDIOS SENCILLOS 1–10 |
| BROUWER | Leo | LA ESPINAL ETERNA (1971) |
| BROUWER | Leo | LA ESPIRAL ETERNA |
| BROUWER | Leo | PER SUONARE A DUE (1973) |
| BROUWER | Leo | PIEZA SIN TITULO (1956) |
| BROUWER | Leo | TARANTOS (1977) |
| BROWN | Chris | HALL OF MIRRORS |
| BROWN | Chris | HALL OF MIRRORS |
| BROWN | Chris | HALL OF MIRRORS (1987) |
| BROWN | Chris | HIS MASTER'S VOICE FOR DIGITAL SAMPLER, PIANO & PERCUSSION PIANO |
| BROWN | Chris | ICEBERG (1985) |
| BROWN | Chris | OBEDIENCE SCHOOL |
| BROWN | Chris | OBEDIENCE SCHOOL (1986) |
| BROWN | Chris | POST MORTEM |
| BROWN | Chris | POST MORTEM |
| BROWN | Chris | POST MORTEM (1984) |
| BROWN | Chris | ROL'EM (1988) |
| BROWN | Chris | SNAKECHARMER (1987) |
| BROWN | Chris | TALKINGDRUM (MP3) |
| BROWN | Chris | WHEELIES |
| BROWN | David | STATIONARY DRIFT |
| BROWN | Earle | 1953 |
| BROWN | Earle | 25 PAGES (1953) |
| BROWN | Earle | 3 PIECES (1951) |
| BROWN | Earle | 4 SYSTEMS (JANUAR) FROM "FOLIO" |
| BROWN | Earle | CORROBOREE (1964) |
| BROWN | Earle | CORROBOREE (1964) |
| BROWN | Earle | CORROBOREE FOR PIANO AND TAPE (1964) |
| BROWN | Earle | DECEMBER 1952 |
| BROWN | Earle | DECEMBER 1952 |
| BROWN | Earle | DECEMBER 1952 |
| BROWN | Earle | DECEMBER 1952 |
| BROWN | Earle | DECEMBER 1952 |
| BROWN | Earle | DECEMBER 52 |
| BROWN | Earle | ELECTRIC SPRING 2 (1966–70) |
| BROWN | Earle | FOLIO (1952/53) |
| BROWN | Earle | FOLIO (OCTOBER 1952 – NOVEMBER 1952 – DECEMBER 1952) |
| BROWN | Earle | FORGOTTEN PIECE (1954?) |
| BROWN | Earle | FOUR SYSTEMS (1954) |
| BROWN | Earle | FOUR SYSTEMS (1954) |
| BROWN | Earle | IN BETWEEN PIECES FOR THREE PLAYERS (1963) |
| BROWN | Earle | MM–87 – MM–135 MARCH 1953 |
| BROWN | Earle | MUSIC FOR "TRIO FOR FIVE DANCERS" JUNE 1953 |
| BROWN | Earle | NINE RAREBITS |
| BROWN | Earle | NINE RAREBITS |
| BROWN | Earle | NINE RAREBITS |
| BROWN | Earle | PERSPECTIVES (1952) |
| BROWN | Earle | SUMMER SUITE '95 |
| BROWN | Earle | SUMMER SUITE '95 (1995) |
| BROWN | Earle | THREE PIECES (1951) |
| BROWN | Earle | TIMES FIVE |
| BROWN | Elisabeth | MIGRATION – IN MEMORY OF JULIE FARRELL (1992) |
| BROWN | Eric | FREQUENTS PASSAGES (1987) (CO–AUTHORED BY JEAN–FRANCOIS DENIS) |
| BROWN | Wesley | SLIDE BASS CLARINET SAMPLES |
| BROWN | Willie | FUTURE BLUES |
| BROWNE | Richmond | RERI VELOCITATEM |
| BROWNING | Steve | LUNAR NEW YEAR (1990) |
| BRUCE | Neely | EIGHT GHOSTS (1989) |
| BRUCE | Neely | THE DREAM OF THE OTHER DREAMERS (1987) |
| BRUCE | Neely | THE PLAGUE (1983–4) |
| BRUCKNER | Anton | CHRISTUS FACTUS EST (1886) (VERSION IN EQUAL TEMPERAMENT FOLLOWED BY VERSION IN JUST INTONATION) |
| BRUEMMER | Ludger | LA CLOCHE SANS VALLEES (EX) |
| BRUEMMER | Ludger | THE GATES OF H. (1993) |
| BRUEN | Herbert | WAYFARING SOUNDS (1961) |
| BRUHIN | Anton | ROTOMOTOR, EIN MOTORISCHES IDIOTIKON (1978) |
| BRUME | ORMUZD | |
| BRUN | Herbert | ANEPIGRAPHE (1958) |
| BRUNETTE (?) | Raymond (?) | NO DETAILS AVAILABLE |
| BRUNSON | William | TAPESTRY II |
| BRUNSON | William | TAPESTRY II (1981) |
| BRUSCI | Lorenzo | LA VIA NEGATIVA |
| BRUSCI | Lorenzo | SHADOWS |
| BRUSCKY | Paolo | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| BRUSCKY | Paulo | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BRUSH | Leif | PARTICIPATION TO NICOLA FRANGIONE'S MAIL MUSIC PROJECT |
| BRUSH | Leif | SOUNDS OF TREES ETC... |
| BRUSH | Leif | TELECONSTRUCTS III |
| BRUSH | Leif | TERRAIN INSTRUMENTS |
| BRUSH | Leif | TERRAIN INSTRUMENTS (DEMONSTRATIONS, COMMENTS) |
| BRUSH | Leif | TERRAIN INSTRUMENTS ARE ACTIVATED |
| BRUYLANTS | Marc | IMPRESSIONS 7: DE TIJDLOZE SECONDE GEDACHTENAFWEZIGHEID |
| BRUYNEL | Tom | INTRA I (1971) |
| BRUYNEL | Tom | LOOKING EARS (1972) |
| BRUYNEL | Ton | BROUILLARD (1994) |
| BRUYNEL | Ton | COLLAGE RESONANCE II (1963) (OP TEKST VAN GERRIT KOUWENAAR) |
| BRUYNEL | Ton | COLLAGE RESONANCE II (1969) |
| BRUYNEL | Ton | ELEGY TWO VERSIONS (1972) |
| BRUYNEL | Ton | NOCTURNO EN PEDRAZA |
| BRUYNEL | Ton | RAIN (1982) |
| BRUYNEL | Ton | REFLEXEN (1961) |
| BRUYNEL | Ton | REFLEXEN (1961) |
| BRUYNEL | Ton | RELIEF (1964) |
| BRUYNEL | Ton | RELIEF (1964) |
| BRUYNEL | Ton | TOCCARE |
| BRUYNEL | Ton | TOCCARE (1979) |
| BRYANT | Allan | SPACE GUITARS |
| BRYANT | Allen | PITCH OUT (1969) |
| BRYARS | Gavin | 1, 2, 1–2–3–4 |
| BRYARS | Gavin | 1, 2, 1–2–3–4 |
| BRYARS | Gavin | AFTER MENDELSOHN |
| BRYARS | Gavin | HI–TREMOLO |
| BRYARS | Gavin | IRMA (EXCERPT FROM OPERA) |
| BRYARS | Gavin | JESUS BLOOD NEVER FAILED ME YET (EXCERPT) |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET (1993 VERSION) |
| BRYARS | Gavin | JESUS' BLOOD NEVER FAILED ME YET (PERFORMANCE TAPE) |
| BRYARS | Gavin | JESUS'BLOOD NEVER FAILED ME YET (VERSION WITH LIVE SINGER) |
| BRYARS | Gavin | LONG PLAYER (1973) |
| BRYARS | Gavin | MY FIRST HOMAGE |
| BRYARS | Gavin | OUT OF ZALESKI'S GAZEBO |
| BRYARS | Gavin | PONUKELIAN MELODY |
| BRYARS | Gavin | PONUKELIAN MELODY (1975) |
| BRYARS | Gavin | PREMEDIAEVAL METRICS |
| BRYARS | Gavin | PREMEDIAEVAL METRICS |
| BRYARS | Gavin | PREMEDIAEVAL METRICS |
| BRYARS | Gavin | RAINSEY'S LAMP |
| BRYARS | Gavin | THE CROSS–CHANNEL FERRY |
| BRYARS | Gavin | THE PERFECT CRIME |
| BRYARS | Gavin | THE RIDE CYMBAL THAT CAUSED THE FIRE IN THE SYCAMORE TREES |
| BRYARS | Gavin | THE SINKING OF THE TITANIC |
| BRYARS | Gavin | THE WHITE LODGE |
| BRYARS | Gavin | THE WHITE LODGE |
| BRYARS | Gavin | THE WHITE LODGE (1991) |
| BRYARS | Gavin | THE WHITE LODGE (1991) |
| BRYARS | Gavin | TWO MARVELLOUS APHORISMS |
| BUBALO | Rudolph | CONCERTINO |
| BUBALO | Rudolph | CONCERTO FOR CELLO AND ORCHESTRA |
| BUBALO | Rudolph | OFFSET I |
| BUBALO | Rudolph | VALENCE II |
| BUCCHI | CONCERTINO | |
| BUCHEN | Mary & Bill | HARMONIC COMPASS |
| BUCHTGER | Fritz | 3 CUMMINGSLIEDER FUR SOPRAN UND KLAVIER |
| BUCK | Dudley | GRAND SONATA IN E FLAT OP.22 |
| BUCKHOLZ | Dawn | FERESHTA |
| BUCKHOLZ | Dawn | HEI–O |
| BUCKHOLZ | Dawn | RUNES |
| BUCKHOLZ | Dawn | VOLNINO |
| BUCKINX | Boudewijn | 1001 SONATES (1 – 78) |
| BUCKINX | Boudewijn | 1001 SONATES (144 – 223) |
| BUCKINX | Boudewijn | 1001 SONATES (224 – 291) |
| BUCKINX | Boudewijn | 1001 SONATES (292 – 380) |
| BUCKINX | Boudewijn | 1001 SONATES (381 – 474) |
| BUCKINX | Boudewijn | 1001 SONATES (475 – 552) |
| BUCKINX | Boudewijn | 1001 SONATES (553 – 636) |
| BUCKINX | Boudewijn | 1001 SONATES (637 – 737) |
| BUCKINX | Boudewijn | 1001 SONATES (738 – 821) |
| BUCKINX | Boudewijn | 1001 SONATES (79 – 143) |
| BUCKINX | Boudewijn | 1001 SONATES (822 – 923) |
| BUCKINX | Boudewijn | 1001 SONATES (924 – 1001) |
| BUCKINX | Boudewijn | 1001 SONATES NR 105,109,228 |
| BUCKINX | Boudewijn | 1001 SONATES NR 229,898,454 |
| BUCKINX | Boudewijn | 1001 SONATES NR 566,350 |
| BUCKINX | Boudewijn | 1001 SONATES NR 566,350 |
| BUCKINX | Boudewijn | 25, WALTZ FOR TEMV (1988) |
| BUCKINX | Boudewijn | 3 STUKKEN VOOR PEER IN DE VORM VAN "3 STUKKEN IN DE VORM VAN EEN PEER" (1984) |
| BUCKINX | Boudewijn | ? |
| BUCKINX | Boudewijn | A POLISH VIOLIN |
| BUCKINX | Boudewijn | BIOGRAFIEEN VAN 24 WILGENBLAADJES (NRS. 1,2,3,6,8,14) |
| BUCKINX | Boudewijn | CE QU'ON ENTEND DANS LA SALLE DE CONCERT |
| BUCKINX | Boudewijn | CURRICULUM VITAE (BBWV 1984.03) |
| BUCKINX | Boudewijn | DAGDROMEN VOOR 2 PIANO'S |
| BUCKINX | Boudewijn | DAGDROMEN VOOR 2 PIANO'S |
| BUCKINX | Boudewijn | DE WATERVAL VAN REICHENBACH OF HET ONGEWISSE LOT VAN SHERLOCK HOLMES |
| BUCKINX | Boudewijn | DE WATERVAL VAN REICHENBACH OF HET ONGEWISSE LOT VAN SHERLOCK HOLMES |
| BUCKINX | Boudewijn | DER SCHWER GEFASSTE ENTSCHLUSS (1991) |
| BUCKINX | Boudewijn | DER TRAUMPETER |
| BUCKINX | Boudewijn | FLES |
| BUCKINX | Boudewijn | FOR YOU FOUR |
| BUCKINX | Boudewijn | GENT PER GONDEL |
| BUCKINX | Boudewijn | GLETSJER |
| BUCKINX | Boudewijn | GLETSJER |
| BUCKINX | Boudewijn | HET BEGIN VAN ZEN |
| BUCKINX | Boudewijn | KORTE LIEDJES DUREN NIET LANG |
| BUCKINX | Boudewijn | LELIES VAN HET VELD (2000) |
| BUCKINX | Boudewijn | NAZOMER 88 |
| BUCKINX | Boudewijn | NAZOMER 88 |
| BUCKINX | Boudewijn | NAZOMER 88 |
| BUCKINX | Boudewijn | O CELLO MIO |
| BUCKINX | Boudewijn | ONVOLTOOIDE SYMFONIE NR.4 |
| BUCKINX | Boudewijn | ONVOLTOOIDE SYMFONIEN NO 1,2,3,4 / 5,6,7,8,9(ONVOLLEDIG) |
| BUCKINX | Boudewijn | ONVOLTOOIDE SYMFONIEN NO 4,5,6,7 / 8,9 |
| BUCKINX | Boudewijn | PIOTR LUNAIRE |
| BUCKINX | Boudewijn | PLOEM |
| BUCKINX | Boudewijn | PORTRET "IN PROGRESS" IN TWEE GELIJKTIJDIGE OMSLAGEN |
| BUCKINX | Boudewijn | SHORT LIVED |
| BUCKINX | Boudewijn | TETRA–LOGIE (OF DE MONFRIED–IDYLLE) |
| BUCKINX | Boudewijn | VELE GROETJES (1989) |
| BUCKLEY | John | SONATA FOR SOLO HORN (1ST MOUVEMENT) (1993) |
| BUCZKOWNA | Barbara | EIDOS II |
| BUDD | Harold | BISMILLAHI RRAHMAN RRAHIM |
| BUDD | Harold | COEUR D'ORR (1969) |
| BUDD | Harold | THE OAK OF THE GOLDEN DREAMS (1970) |
| BUDD | Harold | WONDER'S EDGE (CO–AUTHORED BY BOWEN EUGENE) |
| BUEHLER | Hermann | EARTH BOUND |
| BUEHLER | Hermann | EARTH BOUND |
| BUHL | Per | PENDUL |
| BURGE | John | STILL TIME |
| BURGESS | Bria | PARTICIPATION TO THE VEC AUDIO PROGRAMM 3 CLEAR COMPILATION |
| BURGESS | Steev | THE TREACHERY OF CLOCKS |
| BURK | Phil | RELNET |
| BURK | Phil | SQUIGGLE (1992) |
| BURLAS | Ladislav | PLANCTUS |
| BURLAS | Martin | FROM MY LIFE... (1992) |
| BURLAS | Martin | MUSIC FOR ROBERT DUBKALA |
| BURLAS | Martin | SLEEPY MOTION |
| BURLAS | Matin | THE CROSS AND THE CIRCLE (1989) |
| BURROUGHS | William | FILM SOUNDTRACKS |
| BURT | Warren | 15 SPIRALLING TETRACHORDS (1988) |
| BURT | Warren | 24 CHORALES FOR CHRIS MANN |
| BURT | Warren | 3 FANTASIAS (IN 12, 19 & 31 TONE) (1986–88) |
| BURT | Warren | 3 IDENTICAL CHAINS OF HARMONIES OF 5 & 7 RHYTHMICALLY RELATED BY 29, 39 & 31 (1987) |
| BURT | Warren | 39 DISSONANT ETUDES (1993) |
| BURT | Warren | 6 SHORT INVENTIONS IN 6 ANCIENT GREEK MODES (1987) |
| BURT | Warren | A LITTLE LULLABY FOR LEV AND CLARA, REUNITED IN HEAVEN (1998) |
| BURT | Warren | A POSTMODERN OBJECT–ORIENT CHAOTIC CELLULAR MICROTONAL TELEDILDONICVIRTUAL SIMULACRA |
| BURT | Warren | A TAXI TO TEMPTATION |
| BURT | Warren | A TREASURY OF NEW ZEALAND BIRDS (1987) |
| BURT | Warren | ACOUSTIC MUSIC (COMPOSING FOR RADIO) |
| BURT | Warren | ALMOND BREAD HARMONIES II |
| BURT | Warren | CANTER'S DELI (VERSION FOR SAMPLED ORCHESTRA AND ENVIRONMENTAL SOUNDS) (1988) |
| BURT | Warren | COLLABORATION WITH AMANDA STEWART (1987) – TEXT BY AMANDA STEWART |
| BURT | Warren | EPIGRAMS (1987) |
| BURT | Warren | EXTENDED WIND INSTRUMENTS |
| BURT | Warren | FANTASIA |
| BURT | Warren | FOR ANN, WHO BROKE MY HEART |
| BURT | Warren | FOR CAROLINE |
| BURT | Warren | FOR CAROLINE (DOUBLE CONCERTO FOR SAMPLED TUNING FORKS, BRASS, STRINGS, CELLIST AND WHISTLER IN STROM, DRAIN, BIRDS & KITCHEN PERC.) |
| BURT | Warren | FOUR PIECES FOR SYNTHESIZER: FOR EVA KARCZAG; SIMULTANEOUS PORTRAITS; DAWN 2; FOR JOEL CHADABE (1981) |
| BURT | Warren | FRENCH FRIED MINDS & WALRUSES AND CATERPILLARS |
| BURT | Warren | FROM MY WINDOW |
| BURT | Warren | FROM MY WINDOW – CONCERTO FOR WIND CONTROLLED SERGE AND SAMPLERS (1988) |
| BURT | Warren | HOMAGE TO JACKSON MAC LOW |
| BURT | Warren | I HAVE MY STANDARDS |
| BURT | Warren | JUSTICE, EQUALITY AND BEATINGS |
| BURT | Warren | JUSTICE, EQUALITY AND BEATINGS 2B |
| BURT | Warren | JUSTICE, EQUALITY AND BEATINGS IV (1987) |
| BURT | Warren | MANN–GLING |
| BURT | Warren | MARTIGNY |
| BURT | Warren | MR. YASSER'S PIANO (FROM CHAOTIC RESEACRH MUSIC) |
| BURT | Warren | MUSICAL CHAOLOGY (IN 19 MINOR) (1988) |
| BURT | Warren | MY MONODIES II (1996) |
| BURT | Warren | NATURAL RHYTHM (COMPOSING FOR RADIO) |
| BURT | Warren | NICK'S BAGATELLE (FROM CHAOTIC RESEARCH MUSIC) |
| BURT | Warren | NOT FOR PUBLIC CONSUMPTION |
| BURT | Warren | NOT FOR PUBLIC CONSUMPTION (UNUSED SOUNDS FROM EXPO 88) (1988) |
| BURT | Warren | OF COURSE/ANYWAY YOU CAN ALWAYS PUT LANGUAGE DOWN TO EXPERIENCE (EXCERPT) (CO–AUTHORED BY CHRIS MANN) |
| BURT | Warren | ON SOUND ART |
| BURT | Warren | PARTS OF SPEECH (THE NEW CONSONANTS) |
| BURT | Warren | PASTORALE (1977–78) |
| BURT | Warren | PIANO PIECE – LOVE SONGS |
| BURT | Warren | PIANO QUINTET (1983) |
| BURT | Warren | PLASTYC PLATYPUS PIECES |
| BURT | Warren | POST–MODERN WALTZES |
| BURT | Warren | PRAYER TO A DISPLACED PERSON (1986) (TEXT BY I.F. STONE) |
| BURT | Warren | RELOOPSE |
| BURT | Warren | RELOOPSE |
| BURT | Warren | RIFFS FOR ROSS (1988) |
| BURT | Warren | ROBERT AND CATHERINE (1985) |
| BURT | Warren | SAMPLES II FOR ORCHESTRA: RAVEL HOMMAGE (THAT WHICH IS NEITHER A DECONSTRUCTION NOR AN APPROPRIATION, NEITHER BRICOLAGE, NOR POST–MO |
| BURT | Warren | SAMPLES III FOR COMPUTER PROCESSED ORCHESTRAL SOUNDS (1987) |
| BURT | Warren | SOLOS: DEGENERATIVE PLEASURES OF THE TEXT–SOUND (FOR HERBERT BRÜN) |
| BURT | Warren | SOME KIND OF SEASONING (1990–91) THE DEMO TAPE: 16 FIVE MINUTE EXCERPTS |
| BURT | Warren | STRING QUARTET NO.4 (1987) |
| BURT | Warren | STRING TRIO NR. II (VIDEO–PIECE) |
| BURT | Warren | STUDIES FOR SYNTHESIZER (1982) |
| BURT | Warren | SUMMER MUSIC 2 |
| BURT | Warren | SUMMER MUSIC 2 |
| BURT | Warren | THE SCARLET AARDVARK STRIKES BACK (1971) |
| BURT | Warren | THE SCARLET AARDVARK STRIKES BACK! |
| BURT | Warren | THOREAU FRAGMENTS (1985) WITH NORTHSIDE PONDS, FIELDS AND FORESTS (1985–89) – TEXT BY H.D. THOREAU |
| BURTCH | Michael | HARBOUR SOUNDS ASHORE |
| BUS | Jan | LLANTO |
| BUSSOTTI | Sylvano | "O" ATTI VOCALI |
| BUSSOTTI | Sylvano | BRILLANTE (1975) |
| BUSSOTTI | Sylvano | NOVELLETTA (1973) |
| BUSSOTTI | Sylvano | SENSITIVO PER ARCO SOLO |
| BUSSOTTI | Sylvano | SICILIANO FUR ZWOLF MANNERSTIMME AUS "MEMORIE" |
| BUSSOTTI | Sylvano | VERSIONE DAL FRANCESE |
| BUTCHER | John | MEMORY CONSTANT |
| BUTCHER | John | THREE SCENES FOR FIVE TENORS |
| BUTLER | Ken | ABNORMELODICS (EXCERPTS) |
| BUTLER | Ken | HYBRID ANTICS |
| BUTTERFIELD | Chris | INCIPIT (EXCERPT) (TEXT BY MAYS JOHN BENTLEY) |
| BUTTERFIELD | Christopher | EMPRESS OF RUSSIA |
| BUTTERFIELD | Christopher | FLAMINGO LIMO (1988) |
| BUTTERFIELD | Christopher | MORDEN |
| BUTTERFIELD | Christopher | MUSIC FOR KLEIN AND BEUYS |
| BUTTERFIELD | Christopher | PILLAR OF SNAILS |
| BUTZMANN | Frieder | MUSIC FOR SALOME |
| BUXTEHUDE | Dietrich | SUITE IN F |
| BUXTEHUDE | Dietrich | SUITE IN F (1637–1707) |
| BUXTON | Bill | TRIBSANDEN (1975) |
| BUYST | Palmyre | SONATE IN G |
| BYRON | Michael | MARIMBAS IN THE DORIAN MOOD |